It would be interesting to speculate why particular lines of enquiry flourish and fade. The study of ‘character’ is a case in point. In the '20s and early '30s the study of ‘character’ was quite a flourishing branch of psychology. It then came to an abrupt halt and, until recent times, there has been almost nothing in the literature on the subject. Perhaps it was the notorious Hartshorne and May Character Education Enquiry, and the inferences that were mistakenly drawn from (...) it, that killed it; perhaps it was the pre-occupation with something more general and amorphous called ‘personality’; perhaps it was the mixture of metaphysics and methodological neurosis centred around the rat. Who knows? Anyway, the study of character is very much with us again as is revealed not merely by Riesman's Lonely Crowd but also by the recent study by Peck and Havighurst called The Psychology of Character Development . The British Journal of Educational Psychology has also, for some time, been running a symposium on The Development of Moral Values in Children. (shrink)

Over the past decades there has been increasing interest in the idea that Heidegger was a “transcendental philosopher” during the late 1920s. Furthermore, a consensus has started to emerge around the idea that Heidegger must be thought of as a transcendental thinker during this time. For the most part this means to first experience how Heidegger's work inherits this term from Kant or Husserl so that one can then experience how Heidegger creatively adapts this inheritance. The aim of this paper (...) is to show that such an approach is unhelpful. The aim of this paper is instead to show that transcendental philosophy bears a wholly renewed meaning in Heidegger's fundamental ontology and that this meaning must be understood in an intrinsic connection with the fundamental-ontological problem of transcendence. Articulating this connection will show how Heidegger makes transcendental philosophy properly phenomenological. Over the past decades there has been increasing interest in the idea that Heidegger was a “transcendental philosopher” during the late 1920s. Furthermore, a consensus has started to emerge around the idea that Heidegger must be thought of as a transcendental thinker during this time. For the most part this means to first experience how Heidegger's work inherits this term from Kant or Husserl so that one can then experience how Heidegger creatively adapts this inheritance. The aim of this paper is to show that such an approach is unhelpful. The aim of this paper is instead to show that transcendental philosophy bears a wholly renewed meaning in Heidegger's fundamental ontology and that this meaning must be understood in an intrinsic connection with the fundamental-ontological problem of transcendence. Articulating this connection will show how Heidegger makes transcendental philosophy properly phenomenological. For a brief time during the late 1920s Heidegger speaks of his philosophical vision in “transcendental” terms; indeed, the title for the whole first part of Being and Time even speaks of winning a specifically “transcendental horizon” for the question of being. Conversely, the past few decades have seen an increasing interest in transcendental philosophy. Indeed, one might even say that there has been a renewed desire for the transcendental – for its rationality, for its metaphysical power and loftiness, for its epistemological armour or for its power to unify traditions – and this desire has lead to all sorts of “transcendental interpretations of … ” Accordingly, while under other circumstances Heidegger's talk of the transcendental might have been brushed under the rug as a “metaphysical” embarrassment it has instead become increasingly commonplace for scholars to thematically engage with this aspect of Heidegger's work. Properly speaking, there is no getting around the way that Heidegger positions his work in transcendental terms during the late 1920s. But language is a mercurial thing; so if there is no getting around the idea that there is something “transcendental” about Heidegger's work from the late 1920s, there is equally no getting around the question concerning the meaning of this ascription. What does it mean to be transcendental? What does it mean for Heidegger to be transcendental? These are questions which remain for us, and how we respond to these questions will have a significant effect on our reading of Heidegger. In fact, as this paper will demonstrate by example, how we respond to these questions has a significant effect on our understanding of the meaning and demands of the “task of thinking” as presented to us by Heidegger's work from the late 1920s. The question about the meaning of the term “transcendental” in Heidegger's late 20s philosophy is both modest and immodest. On the one hand it is a very small topic – perhaps, one might even suspect, a merely pedantic one – but on the other hand it aims at the highest question, namely, the Seinsfrage. In order to investigate these questions I will begin by presenting the most common contemporary interpretations of Heidegger's transcendental philosophising in connection with some reflections on the history of the concept of the transcendental. Secondly, I will demonstrate the formal meaning of the word “transcendental” in Heidegger. Thirdly, working from this foundation I will more fully clarify the meaning of a Heideggerian transcendental philosophy through an investigation of the concepts, problems and phenomena arising from the preceding analysis. Here, in §3, the significance of Heidegger's concept of the “transcendental” is explicitly grappled with. (shrink)

Розкрито сутність поняття «рейтинг». Доведено значущість рейтингової оцінки для суб’єктів фінансового ринку, зокрема для страхових компаній, потенційних страхувальників, інвесторів та кредиторів.

In the end of the 60s Roland Barth, Julia Kristeva, and Michel Foucault provoked a rising tide of interest in the problem of literary authorship that almost was forgotten by western literary criticism at the time. The French scientists said a little new in essence comparing with the school of ‘new criticism‘, in which at least since the 20s of the last century the concept of author was driven to periphery of literary work. Roland Barth simply announces that author is (...) dead. The most important issue being elicited from the articles written by Roland Barth and Michel Foucault on the theory of authorship can be sound like this: the category of author is not an eternal but historically coming entity and its genesis started not earlier than in early Modern age. The examples regarded by Michel Foucault unambiguously lead to the phenomenon of William Shakespeare. Michel Foucault had underlined that a ‘function of author‘ is the constitutive part of any literary work. However, this category does not exist a priori; it needs a complicate procedure, which differs for different literary works and ages. This procedure is not the mere index to the concrete human being. The reason is not in the fact that these beings can be counted more than one or the name on the title does not belong to any of human beings. The matter is the author ought to be connected with the literary work in a special way. (shrink)

"Williams's masterful translation satisfies (at last!) a long-standing need. There are lots of good translations of Augustine's great work, but until now we have been forced to choose between those that strive to replicate in English something of the majesty and beauty of Augustine's Latin style and those that opt instead to convey the careful precision of his philosophical terminology and argumentation. Finally, Williams has succeeded in capturing both sides of Augustine's mind in a richly evocative, impeccably reliable, elegantly readable (...) presentation of one of the most impressive achievements in Western thought--Augustine's Confessions." --Scott MacDonald, Professor of Philosophy and Norma K. Regan Professor in Christian Studies, Cornell University. (shrink)

This book offers a critical introduction to the work of American philosopher D. G. Leahy (1937-2014). Leahy's fundamental thinking can be characterized as an absolute creativity in which all creating is 'live' -- a happening occurring now that manifests a supersaturated polyontological actuality that is essentially created by the logic that characterizes it. Leahy leaves behind the categorial presuppositions of modern thought, eclipsing both Cartesian and Hegelian subjectivities and introducing instead an essentially new form of thinking founded in a nondual (...) logic of creation. The new thinking delineates the absolute unicity of existence as a creative interactivity beyond all traditional dichotomies (such as one vs. many, unity vs. plurality, identity vs. change): a fully "digitized" actuality that is nothing but newness, which inherently implies nothing but change. Through this new form of thinking, change itself is revealed to be the very essence of reality and mind. Any reader looking for a quantum leap beyond the thrall of modern and postmodern fixations is invited to hear and apprehend this new thinking that refuses to be conditioned by paradigms, categories, species, genera, walls, bridges, boundaries, or abstractions: an essentially free thinking that embodies creative novelty itself. (shrink)

In this first paperback edition, a new introduction by Tom Burke establishes the ongoing importance of Sleeper's analysis of the integrity of Dewey's work and ...

Political liberals ask citizens not to appeal to certain considerations, including religious and philosophical convictions, in political deliberation. We argue that political liberals must include a demanding requirement of intellectual modesty in their ideal of citizenship in order to motivate this deliberative restraint. The requirement calls on each citizen to believe that the best reasoners disagree about the considerations that she is barred from appealing to. Along the way, we clarify how requirements of intellectual modesty relate to moral reasons for (...) deliberative restraint. And we argue against attempts to weaken our requirement of intellectual modesty by emphasizing those moral reasons. (shrink)

Locke is the first English philosopher to be considered in this series, and that fact of itself is worthy of attention. Philosophy, of course, like science, knows no frontiers and no national boundaries. Yet it is true to say that Locke’s contribution to philosophy is typically and peculiarly English. His moderation, his emphasis upon experience, his tolerant spirit of compromise, his dislike of mystical extravagance and of metaphysical speculation, even that elusive quality of his which people call his “common sense”, (...) are English traits. His very defects, illogicality leading to inconsistency and an awkward disorderliness of thought so abhorrent to the. (shrink)

The Nature of God explores a perennial problem in the philosophy of religion.

Overdenkingen in proza en poëzie over filosofische vraagstukken door de in ongenade gevallen Romeinse ex-consul (480-524).

This is the second of the three volumes comprising, Scholastic Humanism and the Unification of Europe. Focussing on the period from c.1090-1212, the volume explores the lives, scholarly resources, and contributions of a wide sample of people who either took part in the creation of the scholastic system of thought or gave practical effect to it in public life. The second volume of a compelling, original work which will redefine our perceptions of medieval civilization, the renaissance and the evolution of (...) modern Europe. Written by a man who was widely regarded as the greatest medieval historian. (shrink)