In vivo explore des questions fondamentales et des moments cruciaux de l’existence humaine – l’entrée en interaction avec une culture étrangère, la décision de se sortir d’une condition de vie routinière ou malheureuse, une action généreuse posée dans un contexte quotidien ordinaire – en fonction de leur potentiel de transformation de l’existence. En recourant à des illustrations tirées de la vie réelle et d’œuvres de fiction, Gabor Csepregi révèle le rôle primordial des sentiments personnels dans le façonnement de la vie (...) humaine et démontre le pouvoir formateur de la spontanéité en dehors du contexte traditionnel de l’éducation formelle. Ces moments, et notamment la façon dont ils perturbent l’ordre temporel ordinaire constituent des expériences vécues de notre vitalité. « Recourant à un langage clair et précis, In vivo captivera les philosophes et les intellectuels. Csepregi engage un dialogue entre diverses traditions, faisant appel aux meilleurs courants de plusieurs philosophies pour développer un point de vue unique ». - Gaëlle Fiasse, Université McGill. (shrink)

This paper considers some aspects of the early conception and use of the infinite in ancient Greece, in the spirit of recent results in the history of ancient mathematics. It follows aspects of the practice of reasoning ad infinitum from the extant corpus of and about Zeno of Elea up to early Hellenistic examples in Aristotle and Euclid. Starting with the idea of ‘reasoning from indefinite iteration’, based on the metalogical recognition of the unachievability of an inference process, it identifies (...) several different classes of more or less sophisticated arguments that make use of this idea, and examines the logical devices and notions required for their acceptance in the philosophical practice. Those include ‘Infinite regress’ properly speaking, where Non-Contradiction is used in the formation of indirect infinitary arguments. (shrink)

Le présent ouvrage rassemble les contributions des chercheurs en anthropologie et en sciences de l'éducation qui se sont réunis en septembre 2015 à la Sorbonne lors du colloque international "Anthropologie et éducation". Sur la base de leurs enquêtes de terrain menées principalement en France et au Brésil, mais aussi en Uruguay, en Iran, en Chine, en Mongolie, en Inde, en Indonésie, au Mali, au Sénégal et en Polynésie, quatre thèmes centraux y sont abordés : l'inculcation de l'écriture et la scolarisation (...) des savoirs confrontées aux modalités corporelles de transmission et d'apprentissage ; la violence physique et symbolique en éducation légitimée comme dressage ou comme épreuve initiatique et maintenant contestée au nom des droits de l'enfant ; l'éducation morale comme intégration sociale et environnementale ; et enfin les pratiques scolaires de reconnaissance des minorités culturelles. (shrink)

Propose l'idée directrice suivante : les trois monothéismes méditerranéens forment système comme les polythéismes indo-européens. Au prix d'une critique girardienne du modèle dumézilien, qui a l'effet de compliquer les deux approches ainsi privées de leur tentation englobante, l'analyse procède à une exégèse véritablement anthropologique.

La Phenomenologie, derniere section du Nouvel Organon (1764) de Jean-Henri Lambert, proposee ici dans sa traduction integrale, constitue une piece originale apportee au debat entre rationalisme et empirisme au XVIIIe siecle. Ce texte aborde le probleme de la critique de l'apparence en general, en ne recherchant pas seulement les criteres de l'apparence sensible, mais egalement ceux de l'apparence intellectuelle et morale, avec une consideration particuliere pour le domaine du probable. La verite apparente est au coeur de la phenomenologie definie (...) aussi comme une optique ou perspective transcendante. La question centrale est celle du depassement de l'apparence, car elle nous induit en erreur en nous dissimulant l'etre reel. (shrink)

Style, corpus et genèse L’article aborde la relation entre style et corpus du point de vue de la genèse des œuvres. Qu’est-ce qu’un corpus dans la perspective d’une étude génétique du style (et des styles) de l’œuvre en mouvement ? Qu’en est-il du rapport au lecteur ? L’article explore aussi ce qu’une telle approche révèle du style, qui apparaît non plus comme un ensemble de traits discontinus, mais comme processus de l’œuvre.

Style, corpus et genèse L’article aborde la relation entre style et corpus du point de vue de la genèse des œuvres. Qu’est-ce qu’un corpus dans la perspective d’une étude génétique du style (et des styles) de l’œuvre en mouvement? Qu’en est-il du rapport au lecteur? L’article explore aussi ce qu’une telle approche révèle du style, qui apparaît non plus comme un ensemble de traits discontinus, mais comme processus de l’œuvre.

Now available in English for the first time, The Visibility of the Image explores the development of an influential aesthetic tradition through the work of six figures. Analysing their contribution to the progress of formal aesthetics, from its origins in Germany in the 1880s to semiotic interpretations in America a century later, the six chapters cover: Robert Zimmermann (1824-1898), the first to separate aesthetics and metaphysics and approach aesthetics along the lines of formal logic, providing a purely syntactic way of (...) using signs, regardless of objective content; Alois Riegl (1858-1905), who went on to further develop aesthetics on the model of formal logic, creating a theory of style in response to Zimmermann's call for an aesthetics oriented toward formal logic; Heinrich Wölfflin (1864-1945), who represents a step toward an understanding of consciousness by using pictures as cognitive tools; Konrad Fiedler (1841-1895), the Saxon philosopher who considered the possibility that some kinds of images are made and viewed not for what they show, but for their visibility's sake alone; Maurice Merleau-Ponty (1908-1961), responsible for taking up the connections between the problems of reducing the range of potential meanings and contexts of a given image down to just the picture surface; Charles William Morris (1901-1979), who set out to establish whether a picture with no objective reference, such as an abstract painting, still counts as a sign, and if so, in what sense. Bringing these thinkers together and interlinking their ideas, Lambert Wiesing presents an engaging history of formal aesthetics, while reconstructing the philosophical foundations for the appearance of new image forms in the 20th century, including the video-clip, abstract collage, digital simulation and virtual reality. Using this original approach, The Visibility of the Image introduces the rise of modern image theory and provides a valuable account of our engagement with pictures in the 21st century. (shrink)

Philosophische Mythen und Modelle. Unzufriedenheit auf höchstem Niveau ; Der Mythenvorwurf in der Philosophie ; Modellierende Philosophie : eine contradictio in adjecto ; Der Mythos des Gegebenen ; Vom Mythos desGegebenen zum Mythos des Mittelbaren ; Interpretationismus und Wahrnehmungsphilosophie ; Transzendentaler Interpretationismus ; Die Verbindung des Mythos des Gegebenen mit dem Mythos des Mittelbaren : Repräsentationalismus ; Das Paradigma des Zugangs -- Phänomenologie : die Philosophie ohne Modell. Phänomenale Gewißheit ; Vom cartesischen Cartesianismus zum phänomenologischen Cartesianimus ; Intentionalität : das (...) fundamentum inconcussum relationalis ; Zu den Sachen und zurück zur Sprache ; Phänomenologische Protreptik ; Eidetische Variation -- Das Mich der Wahrnehmung. Von den Bedingungen der Möglichkeit zu den Folgen der Wirklichkeit ; Vom Primat des Wahrnehmenden zum Primat der Wahrnehmung ; Vom Ich zum Mich der Wahrnehmung ; Die Zumutung dauernder Anwesenheit ; Die Beschreibung der Anwesenheitszumutung : der Gehalt der Wahrnehmung ; Die Qualität der Wahrenmung und der Auffassungssinn ; Sich sicher sein, daß etwas der Fall ist : Wissen und Gewißheit ; Die unmögliche Epoché ; Vom Eindruck zum Ausdruck zur Teilhabe ; Transzendentale Ästhetik und die Unterstellung von Anschauungsformen ; Die Leiblichkeit des Wahrnehmenden : eine folge der Wahrnehmung ; Die Kontinuität des Wahrgenommenen ; Das Wahrgenommene und die Ursache der Wahrnehmung ; Die Zumutung der Öffentlichkeit ; Die Identität des Mich -- Die Partizipationspause. Pause versus Unterbrechung ; Die drei Paradigmen der Bildwahrnehmungstheorie ; Das besondre Objekt der Bildwahrnehmung ; Die besonderen Folgen der Bildwahrnehmung ; Zum Zuschauen gezwungen ; Die optische Entindividualisierung des Mich ; Zur Teilnahme entschieden. (shrink)

Free logic, an alternative to traditional logic, has been seen as a useful avenue of approach to a number of philosophical issues of contemporary interest. In this collection, Karel Lambert, one of the pioneers in, and the most prominent exponent of, free logic, brings together a variety of published essays bearing on the application of free logic to philosophical topics ranging from set theory and logic to metaphysics and the philosophy of religion. The work of such distinguished philosophers as (...) Bas van Fraassen, Dana Scott, Tyler Burge, and Jaakko Hintikka is represented. Lambert provides an introductory essay placing free logic in the logical tradition beginning with Aristotle, developing it as the natural culmination of a trend begun in the Port Royal logic of the 1600s, and continuing through current predicate logic--the trend to rid logic of existence assumptions. His Introduction also provides a useful systematic overview of free logic, including both a standard syntax and some semantical options. (shrink)

Li Zehou’s work can be understood as an account of a Chinese modernity, a vision for Chinese society that seeks to integrate three distinct philosophical approaches. These are Chinese history and culture, which Li understands as largely Confucian; Marxism, which has exerted such influence on a modernizing China; and Western learning more generally, as expressed by figures such as Immanuel Kant and Sigmund Freud. Li also frequently expresses the hope that a Chinese modernity will be one in which the importance (...) of the individual is recognized, and rights and freedoms upheld (e.g., 2006, p. 182). But this stance raises an important question: how are individuality and freedom understood in Li’s philosophical system? In this paper, I want to examine what resources Li offers to help us conceptualize their place in a modernity with Chinese characteristics. Confucian culture is often regarded as authoritarian and hierarchical, less interested than more liberal traditions in an ideal such as freedom. So how does freedom relate to the Confucian root of Chinese culture, as construed by Li? In this paper I explore how Li Zehou’s study of Confucian aesthetics can deliver a novel conception of freedom, one grounded in Confucian thinking about personal cultivation, and aimed at the free creation of delight (樂). (shrink)

pt. 1. Text -- pt. 2. Notes, bibliography and indices.

La Phenomenologie, derniere section du Nouvel Organon (1764) de Jean-Henri Lambert, proposee ici dans sa traduction integrale, constitue une piece originale apportee au debat entre rationalisme et empirisme au XVIIIe siecle. Ce texte aborde le probleme de la critique de l'apparence en general, en ne recherchant pas seulement les criteres de l'apparence sensible, mais egalement ceux de l'apparence intellectuelle et morale, avec une consideration particuliere pour le domaine du probable. La verite apparente est au coeur de la phenomenologie definie (...) aussi comme une optique ou perspective transcendante. La question centrale est celle du depassement de l'apparence, car elle nous induit en erreur en nous dissimulant l'etre reel. (shrink)

This paper considers whether theism is compatible with moral error theory. This issue is neglected, perhaps because it is widely assumed that these views are incompatible. I argue that this is mistaken. In so doing, I articulate the best argument for thinking that theism and moral error theory are incompatible. According to it, these views are incompatible because theism entails that God is morally good, and moral error theory entails that God is not. I reject this argument. Since it is (...) the best argument for thinking that theism and moral error theory are incompatible, I conclude that these views are compatible: one can coherently accept both views. (shrink)

A new translation of two essential works on Deleuze, written by one of his contemporaries. From the publication of Deleuze: A Philosophy of the Event to his untimely death in 2006, Francois Zourabichvili was regarded as one of the most important new voices of contemporary philosophy in France. His work continues to make an essential contribution to Deleuze scholarship today. This edition makes two of Zourabichvili's most important writings on the philosophy of Gilles Deleuze available in a single volume. A (...) Philosophy of the Event is an exposition of Deleuze's philosophy as a whole, while the complementary Deleuze's Vocabulary approaches Deleuze's work through an analysis of key concepts in a dictionary form. This new translation is set to become an event within Deleuze Studies for many years to come. Key Features: Distinguishes Deleuze's notion of the event from the phenomenological, ontological and voluntarist conceptions that continue to lay claim to it today; With an introduction by Gregg Lambert and Daniel W. Smith, two of the world's leading commentators on Deleuze, explaining the key themes and arguments of Zourabichvili's work. (shrink)

This article describes the history of the City University of New York (CUNY), demonstrating its value as a model for the creation of the Virtual University. Since the establishment of City College in the mid-19th Century, CUNY has continually confronted the challenge of providing quality, low-cost higher education to generations of diverse students. Today CUNY has come to serve as a model not only for effective urban education, but also as an approach to preparing an international student body for a (...) global future. This article details the challenges CUNY has confronted along the way. (shrink)

This article describes the impact of, and response to, Trofim D. Lysenko's anti-genetics campaign in Poland between the years 1949 and 1956. It focuses particularly upon the response of three individuals – Teodor Marchlewski, Waclaw Gajewski, and Aleksandra Putrament -who were central figures in the controversy in Poland. In addition to examining the responses and motivations of these individuals, the article also addresses the question of why the Lysenko-era in Poland ended relatively earlier than in neighboring Soviet-allied states such as (...) Hungary, East Germany or Czechoslovakia, as well as 9 years before Lysenko was forced from power in the USSR. I argue that conditions specific to Polish politics and Poland's relationship with the Soviet Union, during the Thaw after Stalin's death, provided the opponents of "Lysenkoism" in Poland with an opportunity to criticize Lysenko, and restore Polish genetics. These conditions are linked to the near-revolution in Poland following the strike in Poznan in June, 1956, and successful transition of power between Edward Ochab and Wladyslaw Gomulka the following October. (shrink)

We use evidence from cognitive psychology and the history of science to examine the issue of the theory-ladenness of perceptual observation. This evidence shows that perception is theory-laden, but that it is only strongly theory-laden when the perceptual evidence is ambiguous or degraded, or when it requires a difficult perceptual judgment. We argue that debates about the theory-ladenness issue have focused too narrowly on the issue of perceptual experience, and that a full account of the scientific process requires an examination (...) of theory-ladenness in attention, perception, data interpretation, data production, memory, and scientific communication. We conclude that the evidence for theory-ladenness does not lead to a relativist account of scientific knowledge. (shrink)

The present paper is a kind of selective summary of my book The Genesis of Yogācāra-Vijñānavāda. [1.–2.] It deals with questions of origin and early development of three basic concepts of this school, viz., the ‘idealist’ thesis that the whole world is mind only or manifestation only, the assumption of a subliminal layer of the mind, and the analysis of phenomena in terms of the “Three Natures”. [3.] It has been asserted that these three basic concepts are logically inseparable and (...) therefore must have been introduced conjointly. [4.] Still, from Vasubandhu onward treatises have been written in which only one of the three concepts is advocated or demonstrated to be indispensable, without any reference to the other two being made. Likewise, in most of the earlier Yogācāra treatises, the three concepts occur in different sections or contexts, or are even entirely absent, as vijñaptimātra in the Yogācārabhūmi and ālayavijñāna in the Mahāyānasūtrālaṁkāra and Madhyāntavibhāga. [5.] It is therefore probable that the three concepts were introduced separately and for different reasons. [5.1.] As regards the concept of the “Three Natures”, I very hypothetically suggest that it was stimulated by the Tattvārthapaṭala of the Bodhisatvabhūmi. [5.2.1.] In the case of ālayavijñāna, I still think that my hypothesis that the concept originated from a problem emerging in connection with the “attainment of cessation” holds good and has not been conclusively refuted, but I admit that Prof. Yamabe?s hypothesis is a serious alternative. [5.2.2.] An important point is that in the Yogācārabhūmi we come across two fundamentally different concepts of ālayavijñāna, the starting point for the change being, probably, the fifth chapter of the Saṁdhinirmocanasūtra. [5.3.] As for ‘idealism’, we may have to distinguish two strands, which, however, tend to merge. [5.3.1.] The earlier one uses the concept cittamātra and emerges as early as in the Pratyutpanna-buddha-saṁmukhāvasthita-samādhi-sūtra in connection with an interpretation of visions of the Buddha Amitāyus. [5.3.2.] The later strand introduces the concept vijñaptimātra and seems to have originated in the eighth chapter of the Saṁdhinirmocanasūtra in connection with a reflection on the images perceived in insight meditation. [5.3.3.] In texts like the Mahāyānasūtrālaṁkāra, concepts from other Mahāyānasūtra strands become prominent in this connection, and it is only in the Mahāyānasaṁgraha that the use of vijñaptimātra is finally established. (shrink)

Die Studien zur Philosophie des Bildes verfolgen eine doppelte Absicht: Sie bemühen sich einerseits um einen Überblick über die grundlegenden Positionen innerhalb der gegenwärtigen Bildwissenschaft und versuchen andererseits stets einen systematischen Hauptgedanken zu verteidigen: Bilder präsentieren; nur Bilder ermöglichen die artifizielle Präsenz von ausschließlich sichtbaren Dingen, die den Gesetzen der Physik enthoben sind. Vor dem Hintergrund dieses Bildbegriffs wird die Verwendung von Bildern als Zeichen aus einer phänomenologischen Sicht beschrieben, Platons Mimesis-Begriff anhand seiner kanonischen Bildvorstellungen rekonstruiert und die besondere Bedeutung (...) extremer Bildtypen - wie die virtuelle Realität, Benutzeroberflächen oder die Abstrakte Fotografie - für die philosophische Arbeit am Bildbegriff vorgeführt. (shrink)

These phenomenological studies on the philosophy of the image review contemporary image theory while defending the fundamental insight that images alone make the artificial presence of things possible.

This article describes the role of Po Prostu in the formal denouncement of Trofim D. Lysenko’s biological theories in Poland in 1956. Lysenko promulgated a theory of evolution, “Michurinism”, based upon the false notion that acquired characteristics can be inherited (“Lamarckism”). The outcome was a ban on genetic research that lasted in Poland from 1949 to 1956. The material for this article comes from the author dissertation, The New Biology: Lysenkoism in Poland (Columbia University, 2005).

Lambert Zuidervaart examines what is living and what is dead in the social philosophy of Theodor W. Adorno, the most important philosopher and social critic in Germany after World War II. When he died in 1969, Adorno's successors abandoned his critical-utopian passions. Habermas in particular, rejected or ignored Adorno's central insights on the negative effects of capitalism and new technologies upon nature and human life. Zuidervaart reclaims Adorno's insights from Habermasian neglect while taking up legitimate Habermasian criticisms. He also (...) addresses the prospects for radical and democratic transformations of an increasingly globalized world. The book proposes a provocative social philosophy 'after Adorno'. (shrink)

An overview of how friendship has been represented and assessed in the Confucian tradition, and particularly in classical Confucian texts such as the Analects and the Mencius. Themes covered include the relationship between the family and friendship, the ambivalence towards friendship in imperial China, and the connection between friendship and the Confucian ideal of personal cultivation. The chapter finishes by exploring novel conceptions of friendship and human relatedness suggested by the Confucian tradition.

Li Zehou’s work can be understood as an account of a Chinese modernity, a vision for Chinese society that seeks to integrate three distinct philosophical approaches. These are Chinese history and culture, which Li understands as largely Confucian; Marxism, which has exerted such influence on a modernizing China; and Western learning more generally, as expressed by figures such as Immanuel Kant and Sigmund Freud. Li also frequently expresses the hope that a Chinese modernity will be one in which the importance (...) of the individual is recognized, and rights and freedoms upheld (e.g., Li and Cauvel 2006, p. 182). But this stance raises an important question: how are individuality and freedom understood in Li’s philosophical system? In this paper, I want to examine what resources Li offers to help us conceptualize their place in a modernity with Chinese characteristics. Confucian culture is often regarded as authoritarian and hierarchical, less interested than more liberal traditions in an ideal such as freedom. So how does freedom relate to the Confucian root of Chinese culture, as construed by Li? In this paper I explore how Li Zehou’s study of Confucian aesthetics can deliver a novel conception of freedom, one grounded in Confucian thinking about personal cultivation, and aimed at the free creation of delight (樂). (shrink)

The view that aesthetics is central to human conduct and social order derives from the cosmology articulated in the classical corpus. This led several modern Chinese thinkers to articulate how some notion of the aesthetic has been central to Chinese culture and society. Roger Ames and David Hall’s work might be considered as a continuation of this New Confucian project, since their account of the classic Chinese tradition as an aesthetic tradition also starts from recognition of some kind of comprehensive (...) unity between humans and the world. Their approach, however, holds out the promise of avoiding metaphysical or causal problems facing these earlier accounts, where attempts to link a world of processual transformation directly with human emotion must explain casually how such correlation could arise. Hall and Ames, however, emphasize a different conception of aesthetic. In their account, this unity is understood not in terms of metaphysical or causal connection, but through aesthetic judgment. This conception utilizes a Whiteheadian metaphysical framework, whereby the holistic cosmology is now understood as giving rise not to emotions but to an aesthetic order. Building on Roger Ames’ creative reinvigoration of Confucian thought through an appreciation of the role of the aesthetic in the Confucian tradition, we might consider an additional Confucian sense of “aesthetic” that also contributes to social order: the practical concern to create aesthetic goods within everyday social life. This account also draws on Whitehead for relevant conceptual resources, while incorporating the Deweyan instrumentalism of Professor Ames’ later work. (shrink)