Lambert Zuidervaart examines what is living and what is dead in the social philosophy of Theodor W. Adorno, the most important philosopher and social critic in Germany after World War II. When he died in 1969, Adorno's successors abandoned his critical-utopian passions. Habermas in particular, rejected or ignored Adorno's central insights on the negative effects of capitalism and new technologies upon nature and human life. Zuidervaart reclaims Adorno's insights from Habermasian neglect while taking up legitimate Habermasian criticisms. He also addresses (...) the prospects for radical and democratic transformations of an increasingly globalized world. The book proposes a provocative social philosophy 'after Adorno'. (shrink)

Theodor Adorno's Aesthetic Theory is a vast labyrinth that anyone interested in modern aesthetic theory must at some time enter. Because of his immense difficulty of the same order as Derrida - Adorno's reception has been slowed by the lack of a comprehensive and comprehensible account of the intentions of his aesthetics. This is the first book to put Aesthetic Theory into context and outline the main ideas and relevant debates, offering readers a valuable guide through this huge, difficult, but (...) revelatory work. Its extended argument is that, despite Adorno's assumptions of autonomism, cognitivism, and aesthetic modernism, his idea of artistic truth content offers crucial insights for contemporary philosophical aesthetics.The eleven chapters are divided into three parts: Context, Content, and Critique. The first part offers a brief biography, describes Adorno's debates with Benjamin, Brecht, and Lukács, and outlines his philosophical program. The second part is an interpretation of Adorno's aesthetics, examining how he situates art in society, production, politics, and history and uncovering the social, political, and historical dimensions of his idea of artistic truth. The third part evaluates Adorno's contribution by confronting it with the critiques of Peter Bürger, Frederic Jameson, and Albrecht Wellmer.Lambert Zuidervaart is Professor of Philosophy at Calvin College. (shrink)

This book examines fundamental questions about funding for the arts: why should governments provide funding for the arts? What do the arts contribute to daily life? Do artists and their publics have a social responsibility? Challenging questionable assumptions about the state, the arts and a democratic society, Lambert Zuidervaart presents a vigorous case for government funding, based on crucial contributions the arts make to civil society. He argues that the arts contribute to democratic communication and a social economy, fostering the (...) critical and creative dialogue that a democratic society needs. Informed by the author's experience leading a non-profit arts organisation as well as his expertise in the arts, humanities and social sciences, this book proposes an entirely new conception of the public role of art with wide-ranging implications for education, politics and cultural policy. (shrink)

This essay explores questions first posed by Ernst Tugendhat: Can Edmund Husserl’s conception of truth help philosophers connect the concept of propositional truth with a more comprehensive and life-oriented idea of truth? Can it do so without short-circuiting either side? If so, to what extent? I focus on the conception of truth in Husserl’s path breaking Logical Investigations, originally published in 1900-01. First, I review critical interpretations of Husserl by three influential post-Heideggerian philosophers: Emmanuel Levinas, Theodor Adorno, and Jacques Derrida. (...) Next, I examine selected passages in the Logical Investigations. Finally, I initiate a critical retrieval of early Husserl’s conception of truth, one that not only evaluates his contribution in light of influential assessments by Levinas, Adorno, and Derrida but also proposes revisions to it. (shrink)

It is unfashionable to talk about artistic truth. Yet the issues traditionally addressed under that term have not disappeared. Indeed, questions concerning the role of the artist in society, the relationship between art and knowledge and the validity of cultural interpretation have intensified. Lambert Zuidervaart challenges intellectual fashions. He proposes a new critical hermeneutics of artistic truth that engages with both analytic and continental philosophies and illuminates the contemporary cultural scene. People turn to the arts as a way of finding (...) orientation in their lives, communities and institutions. But philosophers, hamstrung by their own theories of truth, have been unsuccessful in accounting for this common feature in our lives. This book portrays artistic truth as a process of imaginative disclosure in which expectations of authenticity, significance and integrity prevail. Understood in this way, truth becomes central to the aesthetic and social value of the arts. (shrink)

This essay explores Edmund Husserl's significance for contemporary truth theory. Focusing on his Logical Investigations, it argues that early Husserl's conception of truth unsettles a common polarity between epistemic and nonepistemic approaches. Unlike contemporary epistemic conceptions of truth, he gives full weight to “truth makers” that have their own being: objective identity, perceptible objects, and states of affairs. Yet, unlike contemporary nonepistemic conceptions, he also insists on the intentional givenness of such truth makers and on the complexity of the experiences (...) within which propositional truth claims arise. To develop this argument, the essay explains how early Husserl's conception of truth builds on his phenomenology of intentional experience and knowledge. By emphasizing an objective identity between what is signitively meant and intuitively given, Husserl's approach provides a way to resituate propositional truth within a broader and more dynamic conception of truth. (shrink)

This essay examines the nexus of politics and ethics in Theodor W. Adorno’s thought. First, the essay takes issue with emphaticethical readings of Adorno that overlook both the societal reach and the inherent limitations to his politics. These limitations arise from his neglecting questions of collective agency and societal normativity. Then, the essay shows that such neglect creates problems for Adorno’s moral philosophy. It concludes by suggesting that to do justice to the insights in Adorno’s thought a democratic politics of (...) global transformation is required. (shrink)

A transformed idea of truth is central to the project of reformational philosophy. This essay lays groundwork for such an idea by proposing a critical retrieval of Herman Dooyeweerd’s conception of truth. First it summarizes relevant passages in Dooyeweerd’s New Critique. Then it demonstrates several problems in his conception: he misconstrues religious truth, misconceives its relation to theoretical truth, and overlooks central questions of epistemology and truth theory. By addressing these problems, reformational philosophers can find new ways to think about (...) truth that retain the holism, normativity, and radicalness of Dooyeweerd’s conception. [T]he decisive blow against the idea of religiously neutral philosophy must be delivered on the field of the problem of truth… The postulate of neutrality always stands and falls with an idea of truth that takes theoretical truth to be self-sufficient. (shrink)

This essay presents an emerging conception of truth and shows how it appropriates Herman Dooyeweerd’s conception. First I compare my “critical hermeneutics” with other reformational models of critique. Then I propose to think of truth as a dynamic correlation between human fidelity to societal principles and a life-giving disclosure of society. This conception recontextualizes the notion of propositional truth, and it links questions of intersubjective validity with Dooyeweerd’s emphasis on “standing in the truth.” While abandoning his idea of transcendent truth, (...) I seek to preserve the holism and normativity of Dooyeweerd’s radical conception. Theoretical thought never finishes its task. Anyone who believes to have created a philosophical system that can be adopted unchanged by every ensuing generation shows no insight into the historical contingency [gebondenheit] of all theoretical thought. (shrink)

Everything turns on grasping and expressing the True, not only as Substance, but equally as Subject.Hegel, Phenomenology of SpiritCritical Theory and Heideggerian thinking are the conflicted offspring of Husserlian phenomenology.1 Their lineage goes through Husserl to the phenomenology of Hegel. This mixed ancestry, whether acknowledged or suppressed, is especially evident in two pathbreaking essays from the 1930s on the topic of truth. One, by Martin Heidegger, carries the title “On the Essence of Truth” (1930). The other, by Max Horkheimer, is (...) titled “On the Problem of Truth” (1935). A single word sets the English titles apart: where Heidegger.. (shrink)

Theodor W. Adorno died in 1969 and his last major work, Ästhetische Theorie, was published a year later. Only recently, however, have his aesthetic writings begun to receive sustained attention in the English-speaking world. This collection of essays is an important contribution to the discussion of Adorno's aesthetics in Anglo-American scholarship.The essays are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance, or illusion, points to Adorno's links with Marx, Nietzsche, and Freud, the concept of (...) subjectivity recalls his lifelong struggle with a philosophy of consciousness stemming from Kant, Hegel, and Lukács. Adorno's elaboration of the two concepts takes many dialectical twists. Art, despite the taint of illusion that it has carried since Plato's Republic, turns out in Adorno's account of modernism to have a sophisticated capacity to critique illusion, including its own. Adorno's aesthetics emphasizes the connection between aesthetic theory and many other aspects of social theory. The paradoxical genius of Aesthetic Theory is that it turns traditional concepts into a theoretical cutting edge. (shrink)

A central point of contention between Critical Theory and Heideggerian thinking concerns the question of truth. Whereas Martin Heidegger orients his conception of truth towards the ongoing disclosure of Being, Jürgen Habermas regards truth as one dimension of validity in 'communicative action'. Unlike Habermas, who usually emphasizes validity at the expense of disclosure, Heidegger tends to emphasize disclosure at the expense of validity. The essay uses Heidegger's 'The Origin of the Work of Art' as its point of departure. While reclaiming (...) elements from his account of artistic truth, I criticize his reactionary conception of art's vocation, and I propose a notion of aesthetic validity that does justice to modern and contemporary art. Key Words: aesthetics • art • Critical Theory • disclosure • Jürgen Habermas • Martin Heidegger • imagination • responsibility • truth • validity. (shrink)

James Elkins argues that art historians should largely abandon the concept of the sublime as a way to understand art. In making this argument, he ignores the conception of the sublime in Hegel’s Aesthetics. This essay challenges Elkins’ argument and indicates how Hegel’s conception might be relevant. After summarizing Hegel’s conception of the sublime, the essay examines its potential significance today, both for interpreting contemporary artworks and for understanding the relations among art, religion, and philosophy. Contemporary art of the sublime (...) provides an important reason why we need to reconceive these relations and reappropriate Hegel’s conception of the sublime. (shrink)

What good is art? What is the point of a university education? Can philosophers contribute anything to social liberation? Such questions, both ancient and urgent, are the pulse of reformational philosophy. Inspired by the vision of the Dutch religious and political leader Abraham Kuyper, reformational philosophy pursues social transformation for the common good. In this companion volume to Religion, Truth, and Social Transformation, Lambert Zuidervaart presents a socially engaged philosophy of the arts and higher education. Interacting with the ideas of (...) leading Kuyperian thinkers such as Calvin Seerveld and Nicholas Wolterstorff, Zuidervaart shows why renewal in the arts needs to coincide with political and economic transformation. He also calls for education and research that serve the common good. Deeply rooted in reformational philosophy, his book brings a fresh and inspiring voice to current discussions of religious aesthetics and Christian scholarship. Art, Education, and Cultural Renewal is a testament to the practical and intellectual richness of a unique religious tradition, compelling in its call for social solidarity and cultural critique. (shrink)

Can critical research on religion offer both an ideology critique and a critical retrieval of religious import? This article suggests that it can, offering a programmatic sketch for a full-fledged critique of religion—a critique both aimed at religion and inspired by religion in a self-critical fashion. The sketch weds elements of a robustly normative critique of Western society with insights derived from the Frankfurt School. First the article maps three societal macrostructures that organize much of contemporary social life—civil society, proprietary (...) economy, and administrative state. Then it discusses solidarity, resourcefulness, and justice as societal principles that can sustain a critique of societal macrostructures. Next it identifies normative deficiencies within and between these macrostructures. On the basis of this architectonic critique, the article then provides an account of religion in its critical and utopian roles. It concludes by envisioning a normative and emancipatory transformation of society as a whole. (shrink)

Reformational philosophy rests on the ideas of nineteenth-century educator, church leader, and politician Abraham Kuyper, and it emerged in the early twentieth century among Reformed Protestant thinkers in the Netherlands. Combining comprehensive criticisms of Western philosophy with robust proposals for a just society, it calls on members of religious communities to transform harmful cultural practices, social institutions, and societal structures. Well known for his work in aesthetics and critical theory, Lambert Zuidervaart is a leading figure in contemporary reformational philosophy. In (...) Religion, Truth, and Social Transformation – the first of two volumes of original essays from the past thirty years – he forges new interpretations of art, politics, rationality, religion, science, and truth. In dialogue with modern and contemporary philosophers, among them Immanuel Kant, G.F.H Hegel, Martin Heidegger, Theodor Adorno, Jürgen Habermas, and reformational thinkers such as Herman Dooyeweerd, Dirk Vollenhoven, and Hendrik Hart, Zuidervaart explains and expands on reformational philosophy’s central themes. This interdisciplinary collection offers a normative critique of societal evil, a holistic and pluralist conception of truth, and a call for both religion and science to serve the common good. Illustrating the connections between philosophy, religion, and culture, and daring to think outside the box, Religion, Truth, and Social Transformation gives a voice to hope in a climate of despair. (shrink)

Why should we seek and tell the truth? Does anyone know what truth is? Many are skeptical about the relevance of truth. Truth Matters endeavours to show why truth is important in a world where the very idea of truth is contested. Putting philosophers in conversation with educators, literary scholars, physicists, political theorists, and theologians, Truth Matters ranges across both analytic and continental philosophy and draws on the ideas of thinkers such as Aquinas, Balthasar, Brandom, Davidson, Dooyeweerd, Gadamer, Habermas, Kierkegaard, (...) Plantinga, Ricoeur, and Wolterstorff. Some essays attempt to provide a systematic account of truth, while others wrestle with the question of how truth is told and what it means to live truthfully. Contributors address debates between realists and anti-realists, explore issues surrounding relativism and constructivism in education and the social sciences, examine the politics of truth telling and the ethics of authenticity, and consider various religious perspectives on truth. Most scholars agree that truth is propositional, being expressed in statements that are subject to proof or disproof. This book goes a step farther: yes, propositional truth is important, but truth is more than propositional. To recognize how it is more than propositional is crucial for understanding why truth truly matters. Contributors include Doug Blomberg, Allyson Carr, Jeffrey Dudiak, Olaf Ellefson, Gerrit Glas, Gill K. Goulding, Jay Gupta, Clarence Joldersma, Matthew J. Klaassen, John Jung Park, Pamela J. Reeve, Amy Richards, Calvin Seerveld, Ronnie Shuker, Adam Smith, John Van Rys, Darren Walhof, Matthew Walhout, and Lambert Zuidervaart. (shrink)

Theodor Adorno’s idea of truth derives in part from his critique of Husserlian phenomenology and Heideggerian ontology. This essay examines three passages from Zur Metakritik der Erkenntnistheorie and Negative Dialektik in which Adorno appears intent on wresting a viable conception of propositional truth from Husserl’s account of categorial intuition and Heidegger’s conception of Being. While agreeing with some of Adorno’s criticisms, I argue that he does not give an adequate account of how predication contributes to cognition. Consequently, he fails to (...) offer the viable conception of propositional truth required for both his critique of Heidegger and his broader idea of truth.L’idée adornienne de la vérité dérive en partie de sa critique de la phénoménologie husserlienne et de l’ontologie heideggérienne. Cet essai examine trois passages de Zur Metakritik der Erkenntnistheorie et Negative Dialektik où Adorno paraît vouloir tirer une conception viable de la vérité propositionnelle de l’explication de l’intuition catégoriale de Husserl et de la conception de l’Être d’Heidegger. Quoiqu’en accord avec certaines des critiques qu’avance Adorno, je maintiens qu’il néglige la manière dont la prédication contribue à la cognition. Par conséquence, sa conception de la vérité propositionnelle n’est pas viable étant donné sa propre critique d’Heidegger ainsi que son idée générale de la vérité. (shrink)

This essay examines the nexus of politics and ethics in Theodor W. Adorno’s thought. First, the essay takes issue with emphaticethical readings of Adorno that overlook both the societal reach and the inherent limitations to his politics. These limitations arise from his neglecting questions of collective agency and societal normativity. Then, the essay shows that such neglect creates problems for Adorno’s moral philosophy. It concludes by suggesting that to do justice to the insights in Adorno’s thought a democratic politics of (...) global transformation is required. (shrink)

This essay asks whether and how a Reformational epistemology should distinguish different types of knowledge within a unified conception of knowledge as a whole. I begin with the thesis that knowledge, in its deepest meaning, is not a thing to possess but a complex relationship to inhabit. It encompasses human knowers, practices of knowing, the knowable, known results, guiding principles, and procedures of confirmation. Within this complex relationship, humans achieve insight of various sorts. After briefly distinguishing artistic from scientific knowledge, (...) I examine two other social domains of knowledge, namely, technology and religion. Taking issue with Hendrik Hart, I then argue for the religious legitimacy of propositional beliefs, provided they support genuinely religious knowledge, which is post-propositional. Knowledge, I conclude, takes on distinct contours within different social domains; some of them, like art and technology, provide pre-propositional insight, and others, like religion, offer insight that is post-propositional. (shrink)

This festschrift collects a number of insightful essays by a group of accomplished Christian scholars, all of who have either worked with or studied under Hendrik Hart during his 35-year tenure as Senior Member in Systematic Philosophy at the Institute for Christian Studies, Toronto, Canada.

Contemporary philosophical stances toward `artistic truth' derive from Kant's aesthetics. Whereas philosophers who share Kant's emphasis on aesthetic validity discount art's capacity for truth, philosophers who share Hegel's critique of Kant render artistic truth inaccessible. This essay proposes a critical hermeneutic account of aesthetic validity that supports a non-esoteric notion of artistic truth. Using Gadamer and Adorno to read Kant through Hegelian eyes, I reconstruct the aesthetic dimension from three polarities in modern Western societies. Then I describe aesthetic validity as (...) an horizon of imaginative cogency governing the exploration, presentation and creative interpretation of aesthetic signs. The essay argues that aesthetic processes, so construed, are crucial to cultural pathfinding, and that aesthetic validity-claims in art talk contribute significantly to this pursuit. Aesthetic validity, cultural orientation and art talk constitute the hermeneutical matrix from which questions of artistic truth emerge. (shrink)

Future historians will note many parallels between the 1930s and the 1990s in Europe and North America. Both decades appear to be times of dramatic cultural upheaval and societal transformation. Indeed, many of the battles fought over capitalism, democracy, and cultural modernism in the 1930s have returned in recent struggles over a global economy, the welfare state, and cultural postmodernism. Hence it may be instructive for contemporary Christian scholars to revisit the seminal texts of European philosophy in the 1930s. Cultural (...) theorists have long recognized the significance of Martin Heidegger’s essay “The Origin of the Work of Art,” both as a turning point in his own thinking and as a fundamental challenge to modern aesthetics. Presented as lectures in 1935-36 and first published in German in 1950, the essay develops a conception of artistic truth that breaks entirely with Kantian divisions among epistemology, ethics, and aesthetics. Much less recognized, even among his students and followers, is the significance of Herman Dooyeweerd’s discussion of art from around the same time.3 First published in Dutch in 1936 and then revised and republished in English in 1957, Dooyeweerd’s discussion presents a conception of the artwork that reconfigures the Kantian divisions discarded by Heidegger. (shrink)

This essay explores the Reformational epistemology proposed by Australian philosopher and educator Doug Blomberg in 1978. After locating his work in a tradition of holistic pluralism with regard to knowledge, I introduce the notion of distantial knowing, Blomberg’s key innovation. Blomberg uses this notion to identify and describe multiple ways of acquiring normative insight, ways that are not theoretical but do open up concrete experience. Although in agreement with Blomberg’s emphasis on the integrality and multidimensionality of knowledge, I raise questions (...) about the role of analytic or logical knowing, the sociocultural mediation of experience, and the contributions of cultural practices and social institutions to knowledge acquisition. I return to these questions in a companion article on the social domains of knowledge. (shrink)