In late 2005, the General Medical Council carried out several consultations. In the review of procedures for sick doctors were proposals to strengthen powers to monitor doctors and plans to introduce unannounced drug testing of doctors whose behaviour raised concerns.1 The GMC consultation on the strategic options for undergraduate medical education considered how education is changing in the light of social and clinical demands. It focused, in part, on developing guidance on medical students’ health and conduct and a proposed (...) national registration system for medical students.2 The most significant consultation in terms of medical ethics was the GMC’s review of Good Medical Practice – its main ethical guidance for doctors.3 The GMC’s aim was to re-define practical and attainable modern standards. A proposed draft emphasised partnership in the doctor-patient relationship, human rights, and doctors’ obligations and responsibilities towards children—all of which are issues increasingly significant in medicine. The consultation also opened up discussion on how far the GMC should be concerned about doctors’ behaviour in their private lives. Should it be concerned, for example, about clinically successful consultants being obsessed with hardcore pornography or having affairs with very young women?4 Questions were also posed about how far doctors can exercise a conscientious objection. Should they be able to refuse to refer pregnant women for abortions because they themselves consider it wrong?5 Other potentially contentious issues questioned the extent to which doctors have rights to protect themselves against risks from patients. British Medical Association policy, dating from the era when HIV first began to be diagnosed, stated that it is unethical to withhold treatment solely because a patient’s condition poses risks to doctors’ health. At the time it was adopted, this policy was intended to be anti-discriminatory as HIV patients were already stigmatised. Doctors …. (shrink)

The Corpus of English Philosophy Texts (CEPhiT) is part of the Coruña Corpus of English Scientific Writing (CC) following CETA (Corpus of English Texts on Astronomy). In accordance with the rest of the Corpus, CEPhiT has been compiled for the description of philosophical texts written in English in the eighteenth and nineteenth centuries. The sampling method employed requires the collection of extracts of 10,000 words. This method has been followed in CETA and CEPhiT, with samples from (...) 40 different authors in the latter, both from Europe and North America. Text selection is based on some extralinguistic criteria, such as year of publication, sex, geographical provenance and text-types/genres. The corpus contains samples belonging to six different genre categories. This taxonomy, as well as some other extralinguistic information, can be used to search the corpus. CEPhiT, like CETA, is released on CD-Rom with Coruña Corpus Tool (CCT), purpose-designed software by IrLab. (shrink)

Richly illustrated study drawing on art, literature and science to explore Victorian attitudes towards sight.

Many current assumptions about health provision in medieval English cities derive not from the surviving archival or archaeological evidence but from the pronouncements of Victorian sanitary reformers whose belief in scientific progress made them dismissive of earlier attempts to ameliorate the quality of urban life. Our own tendency to judge historical responses to disease by the exacting standards of modern biomedicine reflects the same anachronistic attitude, while a widespread conviction that England lagged centuries behind Italy in matters of (...) health and hygiene seems to reinforce presumptions of ‘backwardness’ and ‘ignorance’. By contrast, this paper argues that a systematic exploration of primary source material reveals a very different approach to collective health, marked by direct intervention on the part of the crown and central government and the active involvement of urban communities, especially after the Black Death of 1348-49. A plethora of regulations for the elimination of recognized hazards was then accompanied by major schemes for environmental improvement, such as the introduction of piped water systems and arrangements for refuse collection. (shrink)

In this groundbreaking book, Andrea R. English challenges common assumptions by arguing that discontinuous experiences, such as uncertainty and struggle, are essential to the learning process. To make this argument, Dr. English draws from the works of two seminal thinkers in philosophy of education - nineteenth-century German philosopher J. F. Herbart and American Pragmatist John Dewey. English's analysis considers Herbart's influence on Dewey, inverting the accepted interpretation of Dewey's thought as a dramatic break from modern European (...) understandings of education. (shrink)

Wittgenstein’s ‘ethnological approach’ to the philosophy of mathematics, in particular his discussion of calculation as an experiment and the limits of empiricism in mathematics, is presented against three interrelated backdrops: (1) James’ critique of Spencer’s evolutionary empiricism, specifically regarding necessary truths; (2) the Cambridge Anthropological Expedition to Torres Straits, led by Haddon and Rivers, whose Reports implicitly confuted Spencer; and (3) the subsequent work of Malinowski, especially his supplement to Ogden and Richards’ The Meaning of Meaning, a book sent to (...) Wittgenstein upon its publication in 1923. String figures as mathematics is a main illustrative example. (shrink)

John Dewey's Democracy and Education is the touchstone for a great deal of modern educational theory. It covers a wide range of themes and issues relating to education, including teaching, learning, educational environments, subject matter, values, and the nature of work and play. This Handbook is designed to help experts and non-experts to navigate Dewey's text. The authors are specialists in the fields of philosophy and education; their chapters offer readers expert insight into areas of Dewey work that they (...) know well and have returned to time and time again throughout their careers. The Handbook is divided into two parts. Part I features short companion chapters corresponding to each of Dewey's chapters in Democracy and Education. These serve to guide readers through the complex arguments developed in the book. Part II features general articles placing the book into historical, philosophical and practical contexts and highlighting its relevance today. (shrink)

Between 1934 and 1937 Maurice Blondel, the French Roman Catholic philosopher best known for his 1893 work, Action, published a trilogy of writings. Out of these writings came a theological ontology of tremendous force, creativity, and coherence. The purpose of the present dissertation is to reassess the viability of Blondel's ontology for contemporary theology. The retrieval begins with John Milbank's 1990 investigation of Blondel's early philosophy. While Milbank focuses on the strengths of Blondel, he also highlights some critical weaknesses. The (...) dissertation argues that Blondel later came to recognize and correct these weaknesses in his trilogy. ;La pensee, the first volume of the trilogy, discusses the nature and development of thought. Recognizing the ontological structure of thought leads Blondel to present his doctrine of the transnatural elan for assimilation to God. The transnatural desire for God is compared with Henri de Lubac's notion of naturae desiderium and then applied to the modern problem of the relationship between nature and supernature. ;The second installment of the trilogy, L'etre et les etres , explores the mysterious relation of Being and beings. Blondel situates the discussion within the language of creation, identifying Being as Creator and beings as creatures. The analogy of creation allows him to forge the proper relationship between Being and beings. After Blondel's death, two different schools of thought emerged on the mystery of being: Karl Rahner's Thomism and Jean-Luc Marion's new phenomenology. Each school is reviewed and critiqued from a Blondelian perspective. ;The trilogy concludes with a long-awaited revision of L'action . It begins by distinguishing the idea of action from action itself and establishing the ontological difference of action. Action is presented ontologically as enacted power, which is investigated in its individual, social, and metaphysical forms. Individual action is identified as making, practicing, and contemplating. Social action is studied next, with the conclusion that the social being of enacted power is determined by either a philosophy of peace or violence. Finally, divine action is evaluated with regards to the language of causality and absolute power. Blondel proposes instead to describe God's activity in terms of pure action. (shrink)

In this article we tackle the issue of diachronic variation in constructional semantics through an exploration of the (recent) semantic history of the well-established English ditransitive or double object argument structure construction. Starting from the assumption that schematic syntactic patterns are not fundamentally different from lexical items, we will show that — similar to the diachronic semantic development of lexemes — the semantics of argument structure constructions in general and that of double object constructions in particular, is vulnerable to (...) semasiological shifts as well. More specifically, the analysis, which compares data from 18th-century Late Modern English with present-day English, shows that the double object construction's semantic evolution presents a case of specialization, in which the construction has come to be associated with a significantly narrower range of meanings. It will further be argued that such patterns of semantic change are best captured in a model of argument structure semantics which discriminates between central and lesscentral or prototypical and non-prototypical uses. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.2 (2003) 273-274 [Access article in PDF] Christoph Lüthy, John E. Murdoch, and William R. Newman, editors. Late Medieval and Early Modern Corpuscular Matter Theories. Leiden: Brill, 2001. Pp. viii + 610. Cloth, $186.00. The nineteen papers of this weighty (handsomely produced, but expensive) volume are mostly devoted to the views of one thinker or group of persons on "corpuscularism" (see (...) 17ff.), in either physics or mathematics, with few synthetic or diachronic studies. Only a quarter of the volume is devoted to the medieval period: Danielle Jacquart on minima in the Salerno school of medicine (twelfth century); the late George Molland on Roger Bacon's and Grosseteste's "corpuscular tendencies"; Charles Lohr on Ramon Lull; John Murdoch on minima naturalia in the medieval and Renaissance periods; and the greater part of William Newman's study of corpuscularian conceptions in "Aristotelian alchemy" from Geber to Sennert. The early-modern part includes studies on mostly expected figures: Francesco Patrici, Giordano Bruno, the Northumberland circle, Francis Bacon, David Gorlaeus (a little-known Dutch theology student; 1591-1612, sic), Daniel Sennert, Honoré Fabri, Galileo, Gassendi, Charleton, Boyle, Locke, and Homberg. Alan Gabbey more generally distinguishes different patterns of explanations in mechanical philosophy.As far as I can judge, the authors are knowledgeable and competent, and the studies make important contributions. But just because this is a high-quality volume produced with the ambition of making a step toward rewriting the history of a major chapter in the history of science, its two significant and principled deficiencies must be pointed out.The volume follows the intention of "show[ing] the debt of early-modern matter theory to previous traditions and thereby [explaining] its bewildering heterogeneity" (back cover). Now, the study of the corpuscular traditions in the pre-modern period is certainly an important desideratum (although this volume again attends chiefly to the early modern corpuscularians). But the motivation and perspective here announced—the medieval period [End Page 273] is to be studied because early modern science is indebted to it—are astoundingly Whiggish. Worse: the study of the entire Arabic-Islamic tradition is dismissed, on the grounds that "Islamic atomism does not seem to have been of any influence upon Christian fourteenth-century atomism" (8): this is not only Whiggism, but also frank and explicit euro- and Christian-centrism, which in the beginning of the twenty-first century is simply stunning. The method amusingly consists in affirming the consequent: presupposing that "Islamic atomism" did not influence the West and early-modern science, no scholar was asked to examine whether or not this was indeed the case, with the congenial result that the volume seemingly confirms the initial presupposition. Q.E.D. Similarly and no less regrettably, the fact that (ps.-) Geber's Summa Perfectionis is not, as Lasswitz had thought, the translation of an Arabic work is here used as grounds on which to dismiss altogether his claim concerning the importance of the Arabic input (13, but see also 293). This way, incomprehension between civilizations is reinforced instead of being reduced, and I believe we did not need September 11 to know this.The thusly dismissed Mu'tazilite school of Islamic theology had important repercussions in Judaism, so that referring to it as "Islamic atomism" is misleading (see notably Hagai Ben-Shammai, "Studies in Karaite Atomism," Jerusalem Studies in Arabic and Islam 6 [1985]: 243-93). The volume's forty-page cumulative bibliography, for which the editors are to be congratulated, reflects the volume's parochial viewpoint: H. A. Wolfson's important The Philosophy of the Kalam (Cambridge, MA: Harvard University Press, 1976), with some 150 pages on atomism, is not included; nor is the (English version of the) landmark study by the late S. Pines, Studies in Islamic Atomism (Jerusalem: The Magnes Press, 1997; the original 1936 German version is mentioned). Wolfson's study, incidentally, shows that the editors' presupposition (8) that the Kalâm tradition could have influenced the West only via the Latin translation of Maimonides' Guide of the Perplexed is unwarranted, for Isaac... (shrink)

The Institute of Social Research, from which the Frankfurt School developed, was founded in the early years of the Weimar Republic. It survived the Nazi era in exile, to become an important centre of social theory in the postwar era. Early members of the school, such as Adorno, Horkheimer and Marcuse, developed a form of Marxist theory known as Critical Theory, which became influential in the study of class, politics, culture and ideology. The work of more recent members, and in (...) particular Habermas, has received wide attention throughout Europe and North America. Tom Bottomore's study takes a new and controversial look at the contributions of the Frankfurt School to modern sociology, examining several issues not previously discussed elsewhere. He discusses the neglect of history and political economy by the critical theorists, and considers the relationship of the later Frankfurt School to the radical movements of the 1960s and the present time. His critical analysis makes the school's writers accessible, through an assessment of their work and an exploration of the relationship of Critical Theory to other forms of sociological thought, especially positivism and structuralism. (shrink)

At the time of writing, the UK Government’s ‘Illegal Migration Bill’1 had started progressing through the House of Commons. The Bill will enable the removal of people who have come to the UK seeking asylum by ‘illegal’ routes, including via the dangerous Channel crossing in small boats.2 That duty would apply whether a person makes a protection claim, human rights claim or is a victim of modern slavery or human trafficking. Asylum seekers risk crossing the Channel because there are (...) very few, if any, safe and lawful ways to reach the UK. At least 60% of the people who have made the crossing last year would be recognised as refugees through the asylum process.3 The Bill will also give the UK Secretary of State a follow up duty to deny people arriving by ‘illegal’ routes access to the asylum system and to permanently deny them legal status in the UK, this includes leave to remain and citizenship. On the 24 March, the Council of Europe Commissioner for Human Rights wrote to both Speakers of the UK parliament, stating ‘… the Bill would have serious consequences both for the rights of refugees, asylum seekers and migrants in the UK, and for the upholding of the UK’s international obligations more generally. The UNHCR [UN Refugee Agency] has already stated that the Bill is in clear breach of the UK’s obligations under the 1951 …. (shrink)

"Of all creatures women be best, / Cuius contrarium verum est": Gendered Power in Selected Late Medieval and Early Modern Texts The aim of this paper is to examine images of the relationship between men and women in selected late medieval and early modern English texts. I will identify prevalent ideology of representation of women as well as typical imagery associated with them. I will in particular argue that men whose homosocial laughter performs a solidifying (...) function of their community seek to reiterate their superiority over women through seemingly playful and inclusive humour. I will attempt to show that what appears to be good-natured entertainment is actually a weapon used against women who, often accused of no sense of humour, are ridiculed and commanded to succumb to male authority. I will also discuss the triumphant tone of both poems and dramatic writings whose cheerful tone functions to marginalize women and to reinforce the misogynistic foundations of public life. (shrink)

English modal enclitics are typically conceived of as colloquial pronunciation variants that are semantically identical to their respective full forms. Although this conception has already been challenged by Nesselhauf, Nadja. 2014. From contraction to construction? The recent life of ’ll. In Marianne Hundt, Late modern English syntax, 77–89. Cambridge: Cambridge University Press and Daugs, Robert. 2021. Contractions, constructions and constructional change: Investigating the constructionhood of English modal contractions from a diachronic perspective. In Martin Hilpert, Bert (...) Cappelle & Ilse Depraetere, Modality and diachronic construction grammar, 12–52. Amsterdam: John Benjamins, who argue for the constructional status of both enclitics, the present study proposes a refinement according to which the differences between enclitics and full forms can be pinpointed to specific co-occurrence patterns. Rather than rashly postulating a general ’d-construction or an ’ll-construction, the data indicate that lower-level instances, like I’d V, we’ll V, or it would V, are very much capable of capturing the meaning differences between enclitics and full forms without recourse to higher, more abstract level. This is achieved by assessing the changes in the associative links these patterns entertain in a data-driven, bottom-up fashion. By utilizing the COHA and a variety of quantitative methods, it can be shown that, although enclitic patterns become more frequent and more varied, they remain overall still more restricted than the full forms, which promotes the emergence of ‘new’ symbolic associations. The results are integrated into current research in Diachronic Construction Grammar and dynamic, network-oriented models of language. (shrink)

Irish literature after Yeats and Joyce, from the 1920s onwards, includes texts which have been the subject of much contention. For a start how should Irish literature be defined: as works which have been written in Irish or as works written in Englsih by the Irish? It is a period in whichideas of Ireland--of people, community, and nation--have been both created and reflected, and in which conceptions of a distinct Irish identity have been articulated, defended, and challenged; a period which (...) has its origins in a time of intense political turmoil. `after Yeats and Joyce' alsosuggests the immense influence of these two writers on the style, stances, and preoccupations of twentieth-century Irish literature. Neil Corcoran focuses his chapter on various themes such as `the Big House', the rural and provincial, with reference to authors from Kinsella and Beckett to WilliamTrevor, Seamus Heaney, and Mary Lavin, providing a lucid and far-reaching introduction to modern Irish writing. (shrink)

How did the events of the early modern period affect the way gender and the self were represented? This collection of essays attempts to respond to this question by analysing a wide spectrum of cultural concerns - humanism, technology, science, law, anatomy, literacy, domesticity, colonialism, erotic practices, and the theatre - in order to delineate the history of subjectivity and its relationship with the postmodern fragmented subject. The scope of this analysis expands the terrain explored by feminist theory, while (...) its feminist focus reveals that the subject is always gendered - although the terms in which gender is conceived and represented change across history. Feminist Readings of Early Modern Culture not only explores the representation of gendered subjects, but in its commitment to balancing the productive tensions of methodological diversity, also speaks to contemporary challenges facing feminism. (shrink)

This book argues for the importance of writing to conceptions of language, technology, and civilization in the early modern era.

An examination of the rise in prestige of the Bible as a literary and aesthetic model during the late eighteenth century.

Co-authored letter to the APA to take a lead role in the recognition of teaching in the classroom, based on the participation in an interdisciplinary Conference on the Role of Advocacy in the Classroom back in 1995. At the time of this writing, the late Myles Brand was the President of Indiana University and a member of the IU Department of Philosophy.

This article considers the changing pressures of genre on early modern plays and playwrights. The permanent London theatres of this time enjoyed only a brief cultural life (c. 1570s–1640s) but, despite this brevity, produced radical changes in the commercial, creative and aesthetic implications of genre. The article begins with the Shakespeare First Folio which, relatively late in this period (1623), set out three genres in the form of a list across its title page: Comedies, Histories and Tragedies. This (...) triad has been taken to represent ‘the’ early modern genres, as if comprehensive, self-evident and discrete, but is affixed to a play collection whose contents continually defy these categories. The article then moves to the beginning of commercial theatre and the work of John Lyly. Lyly was labeled as the writer of comedies in the 1630s (by the same man who created the above title page for Shakespeare), but continually denied generic definitions. The article’s dual focus on early generic playfulness and a later imposition of generic stability enables an exploration of the creative possibilities and problems of genre. (shrink)

### Challenge to the abortion act 1967 dismissed In September, the High Court dismissed a judicial review of the Abortion Act 1967 that sought a judgement of incompatibility with the European Convention on Human Rights.1 The case focused on a clause in the Act which permits abortion in England, Scotland and Wales after 24 weeks if there is a substantial risk that, if the child were born, it would suffer from ‘such physical or mental abnormalities as to be seriously handicapped’. (...) The case was brought by three parties: Heidi Crowter, a 24 year old woman living independently with Downs Syndrome and a campaigner for disability rights; a 2 year old boy with DS; and his mother who, when pregnant with him, felt pressure to terminate the pregnancy. The claimants sought a declaration that the clause was incompatible with the right to life; freedom from torture, inhuman or degrading treatment; right to private and family life; and protection from discrimination. Further to this it was also argued that the Act does not permit abortion on the basis that an unborn child has been diagnosed with a non-fatal fetal disability such as DS and that such abortions should not be funded by the state. In dismissing the claim, the judges focused on the ‘margin of appreciation’ that the European law allows domestic states on this issue and the fact that a foetus has never been deemed to have personhood status under the ECHR. The judges noted the ability to provide for a disabled child would vary significantly and that some conditions would only be found late in a pregnancy, after 24 weeks. Stating that the case by its nature did not permit the Court to hear from other perspectives, including women who may be affected by any change to the law and further criminalisation of abortion, the judges emphasised …. (shrink)

This essay positions the figure and thought of T.W. Adorno in relation to Mulk Raj Anand, and the latter’s foundational contributions to the modern Indian novel in English. In Adorno’s musical writings, “late style” features as a methodological premise, or an expository mode that removes the work from conventional norms of evaluation. Late style is directed especially toward canonized works that seem to lack current artistic or social relevance, despite their culturally privileged standing. The essay approaches (...) Adorno and Anand, accordingly: Their affiliations with European modernism and postcolonial realism, respectively, are read in late style, or, as largely obsoleted formations of the previous century. Focussing on Anand’s historical fiction, Across the Black Waters, my essay recuperates the novel’s vision of a single if internally differentiated twentieth-century: By imagining the Great War as world-historical crisis, Anand’s novel stage... (shrink)

This book provides the English-speaking world with a comprehensive account of the still largely unknown work of Schelling's philosophy of mythology and revelation. Its achievement, however, is not archival but philosophical, elucidating the relation between Schelling and onto-theology. It explains how Schelling dealt with the problem of nihilism and onto-theology well before Nietzsche and Heidegger, arguing that Schelling surpasses onto-theology or the philosophy of presence a century prior to Heidegger. Overall, the author provocatively suggests that Heidegger is perhaps Schelling's (...) genuine heir and by comprehensively interpreting Schelling's multifaceted late lectures he analyzes issues as diverse as the Ancient relation between thinking and Being, the Medieval debate between voluntarism and intellectualism, the overcoming of modern subjectivism and German Idealism as well as many themes in contemporary philosophy. The presentation is systematic rather than thematic, following Schelling's ages of the world through the Past, Present and Future. The results are daring, departing from the half-century long canonical reading of the late Schelling since Walter Schulz. This book is valuable for Schelling-scholars, historians of philosophy and theologians alike. (shrink)

This book provides the English-speaking world with a comprehensive account of the still largely unknown work of Schelling’s philosophy of mythology and revelation. Its achievement, however, is not archival but philosophical, elucidating the relation between Schelling and onto-theology. It explains how Schelling dealt with the problem of nihilism and onto-theology well before Nietzsche and Heidegger, arguing that Schelling surpasses onto-theology or the philosophy of presence a century prior to Heidegger. Overall, the author provocatively suggests that Heidegger is perhaps Schelling’s (...) genuine heir and by comprehensively interpreting Schelling’s multifaceted late lectures he analyzes issues as diverse as the Ancient relation between thinking and Being, the Medieval debate between voluntarism and intellectualism, the overcoming of modern subjectivism and German Idealism as well as many themes in contemporary philosophy. (shrink)

Bede's Ecclesiastical History of the English People is recognized as a masterpiece among the historical literature of medieval England and Europe. Completed in 731, it comprises in a single flowing narrative a coherent history of the conversion of the English peoples to Christianity, and the story of the island kingdoms and churches from the 590s to the early eighth century, prefaced by a sketch of the earlier history of Britain. In 1969 the Clarendon Press published the new edition (...) in Oxford Medieval Texts, edited by Bertram Colgrave and Sir Roger Mynors. Mynors's masterly text and textual introduction replaced much of Charles Plummer's great edition of 1896; but the historical notes did not attempt to match in scale and detail Plummer's second volume of commentary. To fill this gap the late Professor J. M. Wallace-Hadrill devoted the last years of his life to a new commentary, one of the finest and most mature fruits of his scholarship - more succinct than Plummer, tauter, more relevant, above all drawing together and adding to the findings of a galaxy of modern scholars. Prepared for the press by Thomas Charles-Edwards, helped by Patrick Wormald and others, this book completes the new Bede, and is prefaced by a paper characteristic of Professor Wallace-Hadrill on `Bede and Plummer'. (shrink)

This article discusses the term erotology, which was applied to medieval Islamicate ‘ilm al-bah (the science of coitus), as well as other world traditions of sexual knowledge, by European sexologists of the late 19th and early 20th centuries, who contrasted it with their own forms of inquiry into sexual matters in the modern field of sexual science. It argues that the homogenisation and minimisation of all ancient and non-European forms of medical knowledge about sex, even one as substantial (...) as the ‘ilm al-bah tradition, supported a particular story about the origins of sexology's own emergence as a new and unprecedented biomedical and scientific way of knowing, characterised by an opposition assumed between sexuality and religion, by a view of sexual variations as perversions or pathologies, and by a view of Arabs and Muslims as sexually excessive. The article focusses on French, English, German, Austrian, and Italian sources of the 19th century that discussed the history of sexual medicine, relating these accounts to recent attempts to historicise sexology. It considers how forms of colonial hierarchy and exoticist views of non-European cultures impacted the dismissal of ‘ilm al-bah among European sexual scientists and how they may continue to exert an influence on forms of modern historical inquiry that are not attentive to scholarship on medieval Islamicate sexual medicine. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Religion, Modernity, and Politics in Hegel by Thomas A. LewisVincent LloydReligion, Modernity, and Politics in Hegel THOMAS A. LEWIS Oxford: Oxford University Press, 2011. 277 pp. $135Religion, Modernity, and Politics in Hegel explicates Hegel’s account of religion and contends that Hegel offers important insights for contemporary conversations in religious studies. Specifically, Thomas Lewis argues in this book that Hegel’s thought enriches discussions regarding the relationship between philosophy and (...) religion, religious pluralism, the meaning of tradition, and the concept of religion itself.Lewis is careful and reasonable in his explication of Hegelian texts, cognizant of recent scholarship on Hegel in both English and German, but also attentive [End Page 226] to Hegel’s location in German political history and the history of ideas. The young Hegel, we learn, was primarily a social theorist and not a philosopher. Concerned with social fragmentation in the context of the late Holy Roman Empire, Hegel saw religion as a means to unify. He understood civil religion (not just philosophy or natural religion) as capable of engaging the imagination in a way that motivates people to act in line with reason and so to act morally. In Hegel’s mature thought, religion is integrated into his broader philosophical system; it is an entry point into the dialectical movement beyond immediacy. Yet Hegel continues to think that religion inculcates crucial intuitions about what matters most to us as we live together. While some philosophers have recently emphasized Hegel’s deep debt to Kant, others hold that Hegel’s account of religion demonstrates his distance from Kant. For Lewis, Hegel’s account of religion, as the entwined beliefs and practices representing a community’s sensibilities, demonstrates his close relation to Kant and his continuing struggle to bring together sensibility and understanding, worldly objects, and human thoughts.Lewis occasionally ventures beyond the explication of Hegel, although these forays sometimes feel brief and thin. Like Alasdair MacIntyre, Stanley Hauerwas, and Jeffrey Stout, Lewis presents Hegel’s view of religion as essentially mixing—or synthesizing—history, narrative, community, and identity. Lewis understands Stout to be in agreement with Hegel, extending Hegel’s account of religious tradition to include the broader array of traditions that we encounter in the contemporary world. He suggests that Hauerwas could learn to better appreciate religion’s conceptual aspect from Hegel. Hegel and MacIntyre share what might seem to be a Christian triumphalism, but Lewis reads this more sympathetically as a self-awareness that rejects relativism. They both argue that (certain versions of) Christianity can account for the insights of other worldviews and can address contradictions in those other worldviews. But MacIntyre requires that such judgments be based on deep knowledge of two traditions in a comparison; Hegel paints non-Protestant traditions with very broad strokes. Indeed, this is the point where Lewis himself is the most critical of Hegel. He charges that Hegel’s attempt to survey all major world religions (in his account of “determinate religion”) is overly ambitious, and he argues that Hegel would be more successful had he detached this survey from his argument for Christianity’s status as the “consummate religion.” Hegel’s conception of consummate religion should be understood more broadly, Lewis argues, to include nonreligious beliefs and practices, such as civic education, that reflect the spirit of a community.Lewis claims that Hegel complicates the supposed Protestant bias of religious studies scholarship with its focus on belief at the expense of practice. Although unequivocally Protestant, Hegel’s approach to religion emphasizes the inextricability of practice and belief. But what was Hegel’s approach? Was it an [End Page 227] alternative Protestant tradition? Was it a theological movement or simply a philosophical one? Further, it is unclear whether Lewis’s Hegel would find any use for religious ethics other than as an idiom for ethical reflection suited to those who are not capable of advancing to philosophical heights.Vincent LloydSyracuse UniversityCopyright © 2014 Society of Christian Ethics... (shrink)

Originally published in 1987. This book analyses what Englishmen understood by the term contract in political discussions during the late seventeenth and early eighteenth centuries. It provides evidence for reconsidering conventional accounts of the relationships between political ideas, groups and practices of the period. But also suggests cause for examining the general history of modern European contract theory. It considers contract as a term appearing in a spectrum of works from philosophical treatise to sermons and polemical pamphlets. Looking (...) at the various vocabularies relating to contractualist ideas, the author suggests that standard histories of social contract theory and particular histories of English political thought during this unstable period have misrepresented the meaning of the term contract as a key term in political argument. He shows that there were in fact three different categories of contract theory but allows that the various kinds of contractualism did share certain broad features. This study of a crucial age in the history of appeals to contract in political argument will be of interest to political philosophers and historians. features. This study of a crucial age in the history of appeals to contract in political argument will be of interest to political philosophers and historians. (shrink)

_Messiahs and Machiavellians_ is an innovative exploration of “modern evil” in works of early- and late-modern theatre, raising issues about ethics, politics, religion, and aesthetics that speak to our present condition. Paul Corey examines how theatre—which expressed a key political dynamic both in the Renaissance and the twentieth century—lays open the impulses that instigated modernity and, ultimately, unparalleled levels of violence and destruction. Starting with Albert Camus’ _Caligula_ and Samuel Beckett’s _Waiting for Godot_, then turning to Machiavelli’s (...) _Mandragola_ and Shakespeare’s _Measure for Measure_, Corey traces the emergence of two dominant, intertwining features of modern evil: an unrestrained pursuit of power and the utopian desire for perfection. Corey’s imaginative and convincing readings of these plays, based on detailed textual analysis, move beyond the accounts usually offered by literary critics. Drawing on political, theological, and philosophical sources—a combination as fertile as it is unusual—Corey’s methodology allows him to make keen and subtle arguments about the eschatological nature of modern politics. “Corey’s lucid, compelling treatise argues for a radical reconsideration of the role of tragedy in dealing with the shifting metaphysical and metatheatrical sands of the contemporary era. While the study begins with an examination of mid-20th Century French existentialism—and the dramatic work of Beckett and Camus in particular—the book soon takes the reader on a fascinating voyage back into the ‘problem’ comedies of the Italian and English Renaissance theatre, and beyond that, into Greek tragedy to understand the evolving concept of ‘evil’ in the Western philosophical, theological, and dramatic tradition. Ending with a reflection on the new ‘theatre’ of terrorism entering the 21st Century, Corey poses the intriguing suggestion, that far from being irrelevant to the post-modern era, a ‘new tragic sensibility’ may become key to our gaining a ‘lucid awareness of our current situation […] the limits of politics, the indelible nature of violence, our inescapable mortality, and a need for prudence’ ” —_Moira Day, University of Saskatchewan_ “A sensitive examination of the problem of evil in Renaissance and 20th century drama. Corey provides fascinating analyses of individual plays, and makes a compelling argument for restoring a tragic vision of good and evil in the face of modern expediency and utopianism.” —_Mary P. Nichols, Baylor University_ _ _ “In _Messiahs and Machiavellians_, Paul Corey delivers insights both numerous and profound. His work is a serious and important contribution to contemporary political science while also offering analyses of interest to scholars in literature, religious studies, theology, and ethics.” —_Barry Cooper, University of Calgary_. (shrink)

Appearing for the first time in an English translation, Introduction to Modernity is one of Henri Lefebvre's greatest works. Published in 1962, when Lefebvre was beginning his career as a lecturer in sociology at the University of Strasbourg, it established his position in the vanguard of a movement which was to culminate in the events of May 1968. It is a book which supersedes the conventional divisions between academic disciplines. With dazzling skill, Lefebvre moves from philosophy to sociology, from (...) literature to history, to present a profound analysis of the social, political and cultural forces at work in France and the world in the aftermath of Stalin's death—an analysis in which the contours of our own "postmodernity" appear with startling clarity. Lefebvre's lectures have become legendary, and something of his charismatic presence and delivery is captured in this book, which he intended "to be understood in the mind's ear... and not simply to be read." With its mercurial shifts of tone, now intensely poetic, now conversational, it not only explores modernity, it exemplifies it. Equally experimental in conception is the book's remarkable structure, twelve "preludes" through which a range of recurrent themes are interwoven in free-form counterpoint: irony as a critical tool, utopianism, nature and culture, the Stalinization of Marxism, the alienation of everyday life, the cybernetic society... What gradually emerges is not only a series of original concepts about humanity and culture, but an extraordinary invocation of the complexity of social contradictions. Yet the fragmented structure of the book is not left to float free. Its shifting and eclectic melodies and leitmotifs have a solid ground basis: the wish to rehabilitate the Marxist dialectic as a method for understanding and transforming the modern world. This program is at the heart of the book, and gives it its underlying coherence, making Introduction to Modernity not only essential reading for all students of European cultural history, but also a key text for Marxism in the post-communist world of the late twentieth century. (shrink)

The most outstanding feature of this book is that here, for the first time, is made available in a single volume all the important historical essays Edgar Zilsel (1891-1944) published during WWII on the emergence of modern science. This edition also contains one previously unpublished essay and an extended version of an essay published earlier. In these essays, Zilsel developed the now famous thesis, named after him, that science came into being when, in the late Middle Ages, the (...) social barriers between the intellectuals and the artisans were eroded, due to the fact that the rapidly expanding commercial classes of that period had a keen interest in improvements in technology. This class was city-based and stimulated a social environment in which men of learning came to regard the craftsmen and technicians with a new respect, in which they no longer felt any contempt for manual work and in which theory and practice were eventually combined to produce modern science. This critical edition also carries a long introduction in which much new material about Zilsel's life and work is presented. It suggests that a radical new look at Zilsel's project needs to be taken. Zilsel's essays on the history of science look like a standard case study to substantiate a particular position on the origins of modern science, but they were also an attempt to show that lawlike explanation in history and social theory is possible. It is claimed that Zilsel's historical essays were a part of another project he was working on which focused on the idea that social phenomena were open to causal explanation as much as physical phenomena. Hence the volume also contains the essays Zilsel wrote in relation to this other project. Previously there have been published a German and an Italian edition of the Zilsel essays. This edition is the first in English; compared to the other two editions this one is the first that includes unpublished material and the first to undertake a serious effort to research Zilsel's life and work. What is special about this volume is the well-articulated social perspective it takes on the origins of modern science. Audience: Students in early modern social history/history of science as well as professional philosophers, historians, and sociologists of science. (shrink)

The present work is an attempt to show that ‘important and original philosophy was written in English, in India, by Indians’ from the late 19th c through the middle of 20th c. (xiv). In fact, it tells us that these works ‘sustained the Indian philosophical tradition and were creators of its modern avatar.’ (xiv) The authors of these works ‘pursued Indian philosophy in a language and format that could render it both accessible and acceptable to the Anglophone (...) world abroad.’ (xiv). (shrink)

Recent students of late medieval intellectual history have treated Oxford theologians' Sentences lectures from the 1320s to 1330s as revealing the interface of the theological, logical, and scientific thinking characteristic of a historically momentous ‘New English Theology’. Its conceptual achievement, historians generally concur, was the casting off of the speculative metaphysics of such thirteenth-century authors as Robert Grosseteste and Roger Bacon; its methodological novelty made it akin to twentieth-century analytic philosophy and seminal for the early Scientific Revolution. Yet (...) the metaphysically cast thirteenth-century sciences of perspectiva and astrologia persisted among scholars long into the early modern period. To show how this apparent paradox may be dissolved, this article details the intersection of thirteenth-century metaphysics and fourteenth-century analysis in the lectures of a controversial and influential proponent of the Oxford theology of the 1330s. (shrink)

Monsters as a category seem omnipresent in early modern natural philosophy, in what one might call a “long” early modern period stretching from the Renaissance to the late eighteenth century, when the science of teratology emerges. We no longer use this term to refer to developmental anomalies (whether a two-headed calf, an individual suffering from microcephaly or Proteus syndrome) or to “freak occurrences” like Mary Toft’s supposedly giving birth to a litter of rabbits, in Surrey in the (...) early eighteenth-century (Todd 1995). But the term itself has a rich semantic history, coming from the Latin verb monstrare (itself deriving from monere, to remind, warn, advise), “to show,” from which we also get words like “monitor,” “admonish,” “monument” and “premonition”; hence there are proverbs like, in French, le monstre est ce qui montre, difficult to render in English: “the monsters is that which shows.” Scholars have discussed how this “monstrative” dimension of the monster is in fact twofold: on the one hand, and most awkwardly, the monster is an individual who is “pointed at,” who is shown; on the other hand, the monster is a sign, a portent, an omen, and in that sense “shows us” something (on the complex semantic history of the term across Indo-European languages see Ochsner 2005). The latter dimension persists in naturalized form in the early modern period when authors like Bacon, Fontenelle or William Hunter insist that monsters (or anomalies) can show us something of the workings of Nature. (shrink)

To talk about the sociology of literary representation is, first and foremost, to propose to historicize representational activity at that crucial point where its social and linguistic dimensions intersect.1 The troublesome incongruity between these two dimensions need not be minimized, but it can be grappled with as soon as the presuppositions of either the hegemony of the subject or that of language itself are questioned. In this view, the position of George Lukács tends to ignore the state of extreme vulnerability (...) and recurrent jeopardy in which representation has always found itself, just as Michel Foucault’s diametrically opposed view of the ultimate hegemony of discourse obliterates or displaces a lot of unbroken contemporary representational practice. Even more important, both these quite different approaches may be said to appear monistic in that the gaps and links between what is representing what is represented are viewed either in terms of closure and continuity or in terms of rupture and discontinuity. But as I shall proceed to glance at some representational strategies in the late modern period, the question needs to be faced whether it is not precisely in these gaps and links, and in the way in which, simultaneously, the gaps are closed and the links are broken up, that historical activity can be seen to assert itself.If the contradiction of system and event, of predetermination and performance can be seen to affect representational activity, and if this contradiction can at all be formulated in terms of a sociological Erkenntnisinteresse, issue of historicity must be discussed on more than one level: not only on the level of what is represented but also on the level of rupture between them as well as their interdependence) together and to attempt to interconnect the semiotic problematic of signification and the extratextual dimension of representativeness, as involving changeful relations of writing, reading, social reproduction, and political power. In this view, the use of signs, although never quite reducible to a referential function, must be reconsidered and this question needs to be asked: under which conditions and in which respects would it be possible to talk of sociology in that area of instability itself which marks the relations between signifier and signified, between the author’s language and the reader’s meaning? Robert Weimann is professor of English and American literature at the Zentralinstitut für Literaturgeschichte, Akademie der Künste, Berlin DDR. His books in English include Shakespeare and the Popular Tradition in Theater and Structure and Society in Literary History. His most recent book-length study in German is Shakespeare und die Macht der Mimesis: Repräsentation und Autorität im Elisabethanischen Theater. (shrink)

From the late-fifteenth century onwards, scholars across Europe began to write books about how to read and evaluate histories. These pioneering works - which often take surprisingly modern-sounding positions - grew from complex early modern debates about law, religion, and classical scholarship. In this book, based on the Trevelyan Lectures of 2005, Anthony Grafton explains why so many of these works were written, why they attained so much insight - and why, in the centuries that followed, most (...) scholars gradually forgot that they had existed. Elegant and accessible, What Was History? is a deliberate evocation of E. H. Carr’s celebrated and icononclastic Trevelyan Lectures on What Is History?, and will appeal to a broad readership of students, scholars and historical enthusiasts. Anthony Grafton is one of the most celebrated historians writing in English today, and What Was History? is a powerful and imaginative exploration of some central themes in the history of European ideas. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Reconfiguring Modernity: Concepts of Nature in Japanese Political IdeologyWilliam R. LaFleurReconfiguring Modernity: Concepts of Nature in Japanese Political Ideology. By Julia Adeney Thomas. Berkeley, Los Angeles, and London: University of California Press, 2001. Pp. xvi + 225.Books written by persons who self-identify as intellectual historians usually lend themselves more easily to review in history journals than in those that focus on philosophy. Reconfiguring Modernity: Concepts of Nature in (...) Japanese Political Ideology, Julia Adeney Thomas' study of certain Meiji period thinkers is such a book. In 2002 it was awarded the John K. Fairbank Prize in history. Taking a cue to step into her topic from an early essay by Robert Bellah, one in which he had written that "the concern for nature has been a pervasive one in much of modern Japanese thought,"1 Thomas specifies her own search: "It is now time to recover the historical mutability of that concept, and to describe precisely its politics at particular moments in Japan's confrontation with modernity, both within the dominant ideology of the moment and with the alternatives to it" (pp. 30-31).Thomas is among those American students of Japan apparently trained to challenge the massive amounts of excavational scholarship and mile-high reputations of Japanese scholars of Japan. She picks arguments with some of the most highly respected Japanese minds of the twentieth century: the late Maruyama Masao, the late Ienaga Saburō, and Matsumoto Sannosuke.Although Thomas' criticisms tend to focus on those portions of the works of these prolific scholars that have been translated into English,2 some of her criticisms are certainly interesting and possibly valid. For instance, Maruyama, "who repeatedly excoriated Japan's reliance on the political authority of nature (shizen) " (p. 16), envisioned modernity, surely desirable, as involving a move "against Chu Hsi Confucianism"—that is, "an inevitable turning away from nature (shizen) to invention (sakui)" (p. 17). Nevertheless, Maruyama's hero, Ogyū Sorai (1666-1728), had understood "the narrative of modernity" but, tragically, stepped "back from invention at the critical moment, unable, it would seem, to embrace it as the culmination of the historical process" (p. 19).Thomas, rightly I think, indicates that most left and liberal thinkers in Europe and America in the early and mid-twentieth century were skeptical of an invocation of the "natural" in the making of political theory.3 However, she stakes a claim to being part of a different generation, one that rejects the old binary opposition between nature and culture—as well as the further assumption that Western political thinking had successfully disengaged itself from invoking the category of what is natural. Taking a cue from Stephen Toulmin's demonstration of how many of Europe's modernizers embraced and used, rather than rejected, concepts of nature,4 Thomas claims that, at least for us who now live "'on the far side of modernity,' nature can be seen [End Page 172] as multivalent rather than the antonym in a series of binary opposites." In practice this means that for us now, "nature can no longer appear synonymous with the anti-modern, the past, the oppressive, or the Orient" (p. 25).I ask that the reader highlight the sentences above. They constitute what in my view is the most important and by far the most interesting move made in Refiguring Modernity. I will return to them below. First, however, I will recapitulate the progression of the book's chapters. They move in the pattern of linear history. The first, discussed already and titled "The Trouble with Nature," introduces the problem. The second, "The Topographical Imagination of Tokugawa Politics," deals with thinkers of the Tokugawa (Edo) period (1600-1868). Theirs was an era during which, although Chinese claims to being both topographically and morally central had long been dutifully accepted in Japan, strong-thinking Japanese argued that China's frequent dynastic changes demonstrated that "centralness need not be possessed physically to be enacted morally" (p. 42). By outdoing contemporaneous Chinese in terms of being Confucian, Neo-Confucian, or whatever it was that had its origins in China, Japanese and in some sense Japan as a whole were imagined to be the "real China."5... (shrink)

In The Novel and the Modern World I tried to explain the three factors that account for the special characteristics of the modern novel—the breakdown in community of belief about what was significant in experience, new notions of time, new notions of consciousness—with reference with changes to the social and economic fabric of society, for I was writing in the heyday of “social” thinking about literature that affected so many of us in the late 1930s. But I (...) soon came to feel that this explanation was too slapdash and that a much subtler kind of relationship existed between literature and society than the one I tried to present in 1938. That is why in the new addition of the book I substituted for some of the larger generalisations about society a closer reading of aspects of individual novels. But I have never given up my belief that there is a profound relationship between literature and society and that what might be called the heroic period of experiment and innovation of the novel on both sides of the Atlantic reveals something of that relationship. And in the years that followed the original publication of the book I have found no reason to abandon my general theory, but have applied it, with more subtlety , to a wider range of writers. David Daiches, professor of English at the University of Sussex, is the author of numerous books and articles. Among them, New Literary Values, The Novel and the Modern World, Virginia Woolf, and Literary Essays were pioneering studies in modern literature. He is currently working on Was, a book on the nature of memory and the relation of imagination and language. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.3 (2000) 397-413 [Access article in PDF] Betwixt Two Ages Cast: Milton, Johnson, and the English Renaissance Jack Lynch To judge by the most visible institutional mechanisms of literary periodization --the anthology, the history of literature, and the survey course--John Milton has come unstuck in time. The Norton Anthology of English Literature prints its excerpts from Paradise Lost under the rubric (...) "The Early Seventeenth Century (1603-1660)" along with Jonson and Bacon, not under "The Restoration and Eighteenth Century (1660-1785)" alongside Dryden and Bunyan. 1 Milton gets a chapter to himself in volume five of the Oxford History of English Literature, English Literature in the Early Seventeenth Century 1600-1660, not in volume six, English Literature of the Late Seventeenth Century. 2 And Stanford Uni-versity's two-part survey of English masterpieces puts Milton in English 10 ("Chaucer, Shakespeare, Milton and their Contemporaries") rather than English 11 ("From the Enlightenment to the Modern Period"). But his most important work appeared in 1667, the same year as Dryden's Annus Mirabilis and Sprat's History of the Royal Society, works now invariably consigned to the latter of the two periods. Milton is almost univerally accorded the title of the last great writer of the English Renaissance, while his contemporaries stand at the beginning of what we clumsily call the "long eighteenth century." 3The situation is not new; it began neither with the Norton Anthology nor the Oxford History. As long ago as 1853 Hippolyte Taine placed Milton in book II [End Page 397] of his History of English Literature, "The Renaissance," rather than in book III, "The Classic Age." 4 But Taine was not the originator of this habit; he was only an inheritor of older paradigms. In fact a search for the causes of this treatment of the seventeenth century would take us back to the seventeenth century itself, only a few years after the publication of Paradise Lost, and into the eighteenth, when Milton's epic took its central place in the English canon.To remark upon this peculiar violation of strict chronology in English literary history is not necessarily to quarrel with it; it may well be that specialists in the English Renaissance have more interesting things to say about it than do those in the eighteenth century. But Milton's treatment at the hands of literary historians deserves attention, for it takes us straight to the heart of questions of literary periodization. Because eras make sense only in relation to one another, periodization is never entirely disinterested. Periods are imposed in retrospect in an attempt to extract the most useful or satisfying narrative out of the events of the past, and it is therefore inevitable that they should serve the cultural needs of the present.Some of the most enduring acts of periodization come out of cultural movements which divide themselves from their immediate predecessors, dividing us from them, now from then. Thomas Vogler observes that "the perennial goal of historical thought can be seen to be a mode of self-definition in the form of a narrative in which a 'modernity' defines itself over against a past perceived as essentially different." 5 As Peter Bürger points out, periodization inevitably, if sometimes indirectly, results in "the construction of the present." 6 This invocation or creation of an ever-new sense of now (along with its resulting creation of a series of thens) amounts to a declaration of modernity.Perhaps the most important such declaration of modernity came when the Florentine humanists of the fourteenth and fifteenth centuries traded the classical and Christian models of six ages or four monarchies for a new three-term model, one with three great ages: ancient, middle, and modern. 7 Francesco Petrarca is a central figure in this transformation: for him, defining modernity meant first discovering or inventing a post-classical Dark Age against which to measure the brightness of modern enlightenment.Petrarch never gave a definitive account of a modern world, though by allying himself... (shrink)

In the late Middle Ages, Chaucer invents two imaginative domains crucial to his culture and to our understanding of the emergence of selfhood, subjectivity and social arrangements; antiquity and late-medieval modernity. Edwards demonstrates in this study how this was the result of Chaucer's reading and re-writing of the works of Boccaccio, which provide sources and models for portraying the classical past and medieval modernity. In so doing, Edwards provides us with a valuable way of assessing Chaucer's analysis of (...) late medieval culture. (shrink)

This book analyses three of the most prevalent illnesses of late modernity: anxiety, depression and Alzheimer’s disease, in terms of their relation to cultural pathologies of the social body. Usually these conditions are interpreted clinically in terms of individualized symptoms and responded to discretely, as though for the most part unrelated to each other. However, these diseases also have a social and cultural profile that transcends their particular symptomologies and etiologies. Anxiety, depression and Alzheimer’s are diseases related to disorders (...) of the collective esprit de corps of contemporary society. Multidisciplinary in approach, the book addresses questions of how these conditions are manifest at both the individual and collective levels in relation to hegemonic biomedical and psychologistic understandings. Rejecting such reductive diagnoses, the authors argue that anxiety, depression and Alzheimer’s disease, as well as other contemporary epidemics, are to be analysed in the light of individual and collective experiences of profound and radical changes in our civilization. A diagnosis of our times, Late Modern Subjectivity and its Discontents will appeal to a broad range of scholars with interests in health and illness, the sociology of medicine and contemporary life. (shrink)