Results for 'Gilian Stokes'

489 found
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  1.  22
    Different voices in nurse education.Gilian Stokes - 2007 - Educational Philosophy and Theory 39 (5):494–505.
    Nurse educators, like many of their health care professional colleagues, frequently face moral dilemmas when they identify a student as presenting an unacceptable risk to public safety. In this situation, the statutory requirement of nurse educators to protect the public, under the Health Practitioners Competence Assurance Act , competes with the rights of the student to receive education under the Education Act . Using the different moral voices of justice and care, identified by Gilligan , this moral dilemma is examined (...)
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  2.  17
    Different Voices in Nurse Education.Gilian Stokes - 2007 - Educational Philosophy and Theory 39 (5):494-505.
    Nurse educators, like many of their health care professional colleagues, frequently face moral dilemmas when they identify a student as presenting an unacceptable risk to public safety. In this situation, the statutory requirement of nurse educators to protect the public, under the Health Practitioners Competence Assurance Act (2003), competes with the rights of the student to receive education under the Education Act (1989). Using the different moral voices of justice and care, identified by ), this moral dilemma is examined within (...)
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  3. On perceptual expertise.Dustin Stokes - 2021 - Mind and Language 36 (2):241-263.
    Expertise is a cognitive achievement that clearly involves experience and learning, and often requires explicit, time-consuming training specific to the relevant domain. It is also intuitive that this kind of achievement is, in a rich sense, genuinely perceptual. Many experts—be they radiologists, bird watchers, or fingerprint examiners—are better perceivers in the domain(s) of their expertise. The goal of this paper is to motivate three related claims, by substantial appeal to recent empirical research on perceptual expertise: Perceptual expertise is genuinely perceptual (...)
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  4. Rich perceptual content and aesthetic properties.Dustin Stokes - 2018 - In Anna Bergqvist & Robert Cowan (eds.), Evaluative Perception. Oxford University Press.
    Both common sense and dominant traditions in art criticism and philosophical aesthetics have it that aesthetic features or properties are perceived. However, there is a cast of reasons to be sceptical of the thesis. This paper defends the thesis—that aesthetic properties are sometimes represented in perceptual experience—against one of those sceptical opponents. That opponent maintains that perception represents only low-level properties, and since all theorists agree that aesthetic properties are not low-level properties, perception does not represent aesthetic properties. I offer (...)
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  5. The role of imagination in creativity.Dustin Stokes - 2014 - In Elliot Samuel Paul & Scott Barry Kaufman (eds.), The Philosophy of Creativity. New York: Oxford University Press.
  6.  39
    The Neurobiology and Psychology of Pedophilia: Recent Advances and Challenges.Gilian Tenbergen, Matthias Wittfoth, Helge Frieling, Jorge Ponseti, Martin Walter, Henrik Walter, Klaus M. Beier, Boris Schiffer & Tillmann H. C. Kruger - 2015 - Frontiers in Human Neuroscience 9.
  7. Perception and Its Modalities.Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.) - 2014 - New York, NY: Oxford University Press.
    This volume is about the many ways we perceive. Contributors explore the nature of the individual senses, how and what they tell us about the world, and how they interrelate. They consider how the senses extract perceptual content from receptoral information. They consider what kinds of objects we perceive and whether multiple senses ever perceive a single event. They consider how many senses we have, what makes one sense distinct from another, and whether and why distinguishing senses may be useful. (...)
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  8. Memory, Imagery, and Self-Knowledge.Dustin Stokes - 2019 - Avant: Special Issue-Thinking with Images 10 (2).
    One distinct interest in self-knowledge concerns whether one can know about one’s own mental states and processes, how much, and by what methods. One broad distinction is between accounts that centrally claim that we look inward for self-knowledge (introspective methods) and those that claim that we look outward for self-knowledge (transparency methods). It is here argued that neither method is sufficient, and that we see this as soon as we move beyond questions about knowledge of one’s beliefs, focusing instead on (...)
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  9.  9
    The correspondence between Sir George Gabriel Stokes and Sir William Thomson, Baron Kelvin of Largs.George Gabriel Stokes - 1990 - New York: Cambridge University Press. Edited by William Thomson Kelvin & David B. Wilson.
    G. G. Stokes and Lord Kelvin helped bring about conceptual and institutional changes that transformed the science of physics. Indeed, they and their Victorian colleagues constituted one of the most significant groups of scientists in the whole history of science. This collection of letters was first published in 1990, and provides, therefore, invaluable insight and information for a period of major historical importance. Stokes and Kelvin corresponded for over fifty years as professors in Cambridge and Glasgow, respectively, thus (...)
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  10. "Computer creativity is a matter of agency".Dustin Stokes & Elliot Samuel Paul - 2021 - Institute of Arts and Ideas.
    Computer programs are generating artworks of astonishing novelty and aesthetic value. By the standard definition of creativity, these programs would count as being creative. But if you still hesitate to call a program creative, that's for good reason, we argue. It's because real creativity requires AGENTS who are responsible for what they make, and it's not at all clear that these programs are agents. -/- (The title was imposed by the editor. It was supposed to be called, "ARE COMPUTERS CREATIVE?").
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  11.  4
    The invitation in art.Adrian Stokes - 1965 - [London]: Tavistock Publications.
    Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics (...)
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  12.  14
    The invitation in art.Adrian Stokes - 1965 - [London]: Tavistock Publications.
    Reproduced here in facsimile, this volume was originally published in 1965 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.
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  13.  11
    The Kierkegaardian Mind (Routledge Philosophical Minds).Patrick Stokes, Eleanor Helms & Adam Buben (eds.) - 2019 - New York: Routledge Philosophical Minds.
    Søren Kierkegaard remains one of the most enigmatic, captivating, and elusive thinkers in the history of European thought. The Kierkegaardian Mindprovides a comprehensive survey of his work, not only placing it in its historical context but also exploring its contemporary significance. Comprising thirty-eight chapters by a team of international contributors, this handbook is divided into eight parts covering the following themes: Methodology Ethics Aesthetics Philosophy of Religion and Theology Philosophy of Mind Anthropology Epistemology Politics. Essential reading for students and researchers (...)
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  14.  31
    Capturing and Retaining Knowledge to Improve Design Group Performance.Seymour Roworth-Stokes - 2010 - Journal of Research Practice 6 (2):Article M14.
    This article explores the management and organisational context for capturing and retaining knowledge transferred through the design process. It is widely acknowledged that our ability to successfully organise and transfer design knowledge is dependant upon the context in which it is situated. However the knowledge generated through the creative process is often viewed from the perspective of the artefact rather the process itself. An understanding of the socially complex knowledge-based resources operating within design groups could enhance competitiveness and organisational development. (...)
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  15.  30
    The Business of Research in Art and Design: Parallels Between Research Centres and Small Businesses.Seymour Roworth-Stokes - 2013 - Journal of Research Practice 9 (1):Article M3.
    This article provides a cross-case analysis of four art and design research centres operating within UK universities. Findings from autobiographical and semi-structured interviews with researchers, research managers, and research leaders indicate that they encounter similar issues in trying to establish internal legitimacy within the university alongside the need to gain external support and recognition. In dealing with these challenges, art and design research centres tend to pass through four broadly identifiable phases: (i) Origination (utilising credentials and leadership capacity), (ii) Establishment (...)
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  16. "Psychology and the Arts": Edited by David O'Hare. [REVIEW]Gilian M. Mayes - 1983 - British Journal of Aesthetics 23 (2):176.
     
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  17. Meeting of the Board of Officers.Walter E. Stokes - 1974 - Proceedings and Addresses of the American Philosophical Association 48:72.
     
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  18. Creativity.Elliot Samuel Paul & Dustin Stokes - 2023 - Stanford Encyclopedia of Philosophy.
    This entry provides a substantive overview of research and debates concerning creativity in philosophy and related fields. Topics covered include definitions of creativity, whether creativity can be learned, whether it can be explained, attempts to explain creativity in cognitive science, and whether computer programs or AI systems can be creative.
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  19. Attributing Creativity.Elliot Samuel Paul & Dustin Stokes - 2018 - In Berys Nigel Gaut & Matthew Kieran (eds.), Creativity and Philosophy. New York: Routledge.
    Three kinds of things may be creative: persons, processes, and products. The standard definition of creativity, used nearly by consensus in psychological research, focuses specifically on products and says that a product is creative if and only if it is new and valuable. We argue that at least one further condition is necessary for a product to be creative: it must have been produced by the right kind of process. We argue furthermore that this point has an interesting epistemological implication: (...)
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  20. Noise, uncertainty, and interest: Predictive coding and cognitive penetration.Jona Vance & Dustin Stokes - 2017 - Consciousness and Cognition 47:86-98.
    This paper concerns how extant theorists of predictive coding conceptualize and explain possible instances of cognitive penetration. §I offers brief clarification of the predictive coding framework and relevant mechanisms, and a brief characterization of cognitive penetration and some challenges that come with defining it. §II develops more precise ways that the predictive coding framework can explain, and of course thereby allow for, genuine top-down causal effects on perceptual experience, of the kind discussed in the context of cognitive penetration. §III develops (...)
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  21. The Foundations of Interaction Design.Gilian Crampton Smith (ed.) - 2005
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  22.  30
    Response to Estelle R. Jorgensen, "Four Philosophical Models of the Relationship Between Theory and Practice".W. Ann Stokes - 2005 - Philosophy of Music Education Review 13 (1):102-104.
    In lieu of an abstract, here is a brief excerpt of the content:Response to Estelle R. Jorgensen, “Four Philosophical Models of the Relationship Between Theory and Practice”W. Ann StokesEstelle Jorgensen has written a most interesting paper contrasting four different concepts of the relationship between theory and practice, and pointing out the advantages and disadvantages of each. Each approach introduces insights that the others have missed, but is not sufficient in itself to explain all the relationships between theory and practice. In (...)
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  23.  18
    A consideration of the dimensions of servant leadership in intercultural contexts: a focal case study of a UK executive in Japan.Ashok Ashta & Peter Stokes - 2023 - Asian Journal of Business Ethics 12 (2):347-368.
    A range of emergent studies have explored the idea of a renewed human-centered society, termed “Society 5.0,” and the role therein, of servant leadership. In this regard, in East Asian cultural contexts, existing scholarship does not yet provide sufficient theoretical and practical guidance for intercultural contexts, such as when a predominantly individualistic UK business culture interacts with generally collectivist Japanese culture. This is an important gap because if Society 5.0 is to be realized then a more in-depth intercultural contextual appreciation (...)
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  24.  4
    The aesthetics of pessimism.John Stokes Adams - 1940 - Philadelphia,: Philadelphia.
    This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and (...)
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  25.  19
    Nurses’ values on medical aid in dying: A qualitative analysis.Judy E. Davidson, Liz Stokes, Marcia S. DeWolf Bosek, Martha Turner, Genesis Bojorquez, Youn-Shin Lee & Michele Upvall - 2022 - Nursing Ethics 29 (3):636-650.
    Aim: Explore nurses’ values and perceptions regarding the practice of medical aid in dying. Background: Medical aid in dying is becoming increasing legal in the United States. The laws and American Nurses Association documents limit nursing involvement in this practice. Nurses’ values regarding this controversial topic are poorly understood. Methodology: Cross-sectional electronic survey design sent to nurse members of the American Nurses Association. Inductive thematic content analysis was applied to open-ended comments. Ethical Considerations: Approved by the institutional review board (#191046). (...)
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  26. Sorting the Senses.Stephen Biggs, Mohan Matthen & Dustin Stokes - 2014 - In Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.), Perception and Its Modalities. Oxford University Press. pp. 1-19.
    We perceive in many ways. But several dubious presuppositions about the senses mask this diversity of perception. Philosophers, scientists, and engineers alike too often presuppose that the senses (vision, audition, etc.) are independent sources of information, perception being a sum of these independent contributions. We too often presuppose that we can generalize from vision to other senses. We too often presuppose that vision itself is best understood as a passive receptacle for an image thrown by a lens. In this essay (...)
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  27.  8
    Academic dishonesty by students of bioethics at a tertiary institution in Australia: an exploratory study.Doreen Macherera Mukona, Linda Stokes & Jean Mukasa - 2023 - International Journal for Educational Integrity 19 (1).
    BackgroundInstitutions of higher learning are persistently struggling with issues of academic dishonesty such as plagiarism, despite the availability of university policies and guidelines for upholding academic integrity.MethodologyThis was a descriptive qualitative study conducted on 37 students of a Healthcare Ethics course at an Australian tertiary institution from February 2016 to October 2018. The purpose of the study was to explore the reasons for plagiarism detected the TurnitinR plagiarism checking software and extensive review of manuscripts. The interviews were conducted in private (...)
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  28. Cognitive Penetrability of Perception.Dustin Stokes - 2013 - Philosophy Compass 8 (7):646-663.
    Perception is typically distinguished from cognition. For example, seeing is importantly different from believing. And while what one sees clearly influences what one thinks, it is debatable whether what one believes and otherwise thinks can influence, in some direct and non-trivial way, what one sees. The latter possible relation is the cognitive penetration of perception. Cognitive penetration, if it occurs, has implications for philosophy of science, epistemology, philosophy of mind, and cognitive science. This paper offers an analysis of the phenomenon, (...)
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  29.  13
    Overlapping multivoxel patterns for two levels of visual expectation.Vincent de Gardelle, Mark Stokes, Vanessa M. Johnen, Valentin Wyart & Christopher Summerfield - 2013 - Frontiers in Human Neuroscience 7.
  30. Culture and Consent in Clinical Care: A Critical Review of Nursing and Nursing Ethics Literature.Michael J. Deem & Felicia Stokes - 2019 - Annual Review of Nursing Research 37:223-259.
  31. Perceiving and Desiring: A New Look at the Cognitive Penetrability of Experience.Dustin Stokes - 2012 - Philosophical Studies 158 (3):479-92.
    This paper considers an orectic penetration hypothesis which says that desires and desire-like states may influence perceptual experience in a non-externally mediated way. This hypothesis is clarified with a definition, which serves further to distinguish the interesting target phenomenon from trivial and non-genuine instances of desire-influenced perception. Orectic penetration is an interesting possible case of the cognitive penetrability of perceptual experience. The orectic penetration hypothesis is thus incompatible with the more common thesis that perception is cognitively impenetrable. It is of (...)
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  32. The Integrity of Motivated Vision: A Reply to Gilchrist, 2020.Kent Harber, Jeanine Stefanucci & Dustin Stokes - 2021 - Perception 50 (4):287-93.
    In the September 2020 edition of Perception, Alan Gilchrist published an editorial entitled “The Integrity of Vision” (Gilchrist, 2020). In it, Gilchrist critiques motivated perception research. His main points are as follows: (1) Motivated perception is compromised by experimental demand: Results do not actually show motivated perception but instead reflect subjects’ desires to comply with inferred predictions. (2) Motivated perception studies use designs that make predictions obvious to subjects. These transparent designs conspire with experimental demand to yield confirmatory but compromised (...)
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  33.  5
    A Select and Annotated Bibliography of Alfred North Whitehead.Walter E. Stokes - 1962 - Modern Schoolman 39 (2):135-151.
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  34.  4
    Freedom as Perfection.Walter E. Stokes - 1962 - Proceedings of the American Catholic Philosophical Association 36:134-142.
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  35.  1
    God for Today and Tomorrow.Walter E. Stokes - 1969 - New Scholasticism 43 (3):351-378.
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  36. Is God Really Related to this World?Walter E. Stokes - 1965 - Proceedings and Addresses of the American Philosophical Association 39:145.
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  37. Meetings of the Board of Officers.Walter E. Stokes - 1969 - Proceedings and Addresses of the American Philosophical Association 43:85.
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  38.  2
    Recent Interpretations of Whitehead's Creativity.Walter E. Stokes - 1962 - Modern Schoolman 39 (4):309-333.
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  39.  3
    Truth, History, and Dialectic.Walter E. Stokes - 1969 - Proceedings of the American Catholic Philosophical Association 43:85-90.
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  40.  3
    Whitehead’s Challenge to Theistic Realism.Walter E. Stokes - 1964 - New Scholasticism 38 (1):1-21.
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  41.  9
    Whitehead's Prolegomena to Any Future Metaphysics.Walter E. Stokes - 1962 - Heythrop Journal 3 (1):42-50.
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  42.  59
    Bonhoeffer and Løgstrup: the Ethics of Disclosure in a State of Exception.Petra Brown & Patrick Stokes - 2020 - Sophia 59 (2):229-246.
    Dietrich Bonhoeffer and Knud Ejler Løgstrup were WWII contemporaries: Lutheran theologians and religious figures in their respective German and Danish communities; both active in the anti-Nazi resistance. Being involved in the resistance, Bonhoeffer and Løgstrup were required to rethink what it meant to be ethical, in particular in relation to disclosure and the telling of truth, in a situation of war. In this paper, we consider the grounds on which both Løgstrup and Bonhoeffer acted, their belief in a duty or (...)
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  43.  54
    Existentialist Methodology and Perspective: Writing the First-person.Jack Reynolds & Patrick Stokes - 2017 - In Soren Overgaard & Giuseppina D'Oro (eds.), The Cambridge Companion to Philosophical Methodology. Cambridge, UK: Cambridge University Press. pp. 344-65.
    Without proposing anything quite so grandiose as a return to existentialism, in this paper we aim to articulate and minimally defend certain core existentialist insights concerning the first-person perspective, the relationship between theory and practice, and the mode of philosophical presentation conducive to best making those points. We will do this by considering some of the central methodological objections that have been posed around the role of the first-person perspective and “lived experience” in the contemporary literature, before providing some neo-existentialist (...)
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  44.  48
    Bonhoeffer and Løgstrup: the Ethics of Disclosure in a State of Exception.Petra Brown & Patrick Stokes - 2020 - Sophia 59 (2):229-246.
    Dietrich Bonhoeffer and Knud Ejler Løgstrup were WWII contemporaries: Lutheran theologians and religious figures in their respective German and Danish communities; both active in the anti-Nazi resistance. Being involved in the resistance, Bonhoeffer and Løgstrup were required to rethink what it meant to be ethical, in particular in relation to disclosure and the telling of truth, in a situation of war. In this paper, we consider the grounds on which both Løgstrup and Bonhoeffer acted, their belief in a duty or (...)
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  45.  25
    Reconceptualising Modernity for Management Studies: Exploring the Tension Between the Scientific and the Spiritual in the Age of Modernism.Cynthia Dereli & Peter Stokes - 2007 - Philosophy of Management 6 (2):131-139.
    Contemporaneously, management studies have focused considerable attention on postmodernity. This engagement is premised on a particular reading of modernity and this paper identifies the frequent implication that spiritual and anti-rational aspects cannot be located in modernist experience and thus seek responses within post-modernism. However, the paper suggests that the spiritual and the anti-rational are integral to modernity through modernistic constructions in the arts. While a tension between the rational and the anti-rational within modernity is occasionally acknowledged, art studies discussed underwrite (...)
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  46.  9
    Socratic questions: new essays on the philosophy of Socrates and its significance.Barry Gower & Michael C. Stokes (eds.) - 1992 - New York: Routledge.
    Socrates is still an enigmatic figure of enormous importance in Western culture. This book introduces both some of Socrates' problems and some of the problems about him. It seeks at the same time to advance new views, arguments and information on Socrates' mission, techniques, ethics and later reception. Composed of new essays by different scholars, some of them primarily Hellenstics, some philosophers, it illustrates both the variety of Plato's literary portrayals of Socrates and the diversity of later and present-day approaches (...)
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  47.  23
    Narrative, Identity and the Kierkegaardian Self.John Lippitt & Patrick Stokes (eds.) - 2015 - Edinburgh: Edinburgh University Press.
    Uses insights from Kierkegaard to explore contemporary problems of self, time, narrative and death Is each of us the main character in a story we tell about ourselves, or is this narrative understanding of selfhood misguided and possibly harmful? Are selves and persons the same thing? And what does the possibility of sudden death mean for our ability to understand the narrative of ourselves? These questions have been much discussed both in recent philosophy and by scholars grappling with the work (...)
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  48.  25
    Crack nucleation in magnesium oxide bi-crystals under compression.T. L. Johnston, R. J. Stokes & C. H. Li - 1962 - Philosophical Magazine 7 (73):23-34.
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  49. Attention and the Cognitive Penetrability of Perception.Dustin Stokes - 2018 - Australasian Journal of Philosophy 96 (2):303-318.
    One sceptical rejoinder to those who claim that sensory perception is cognitively penetrable is to appeal to the involvement of attention. So, while a phenomenon might initially look like one where, say, a perceiver’s beliefs are influencing her visual experience, another interpretation is that because the perceiver believes and desires as she does, she consequently shifts her spatial attention so as to change what she senses visually. But, the sceptic will urge, this is an entirely familiar phenomenon, and it hardly (...)
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  50. Cognitive Penetration and the Perception of Art (Winner of 2012 Dialectica Essay Prize).Dustin Stokes - 2014 - Dialectica 68 (1):1-34.
    There are good, even if inconclusive, reasons to think that cognitive penetration of perception occurs: that cognitive states like belief causally affect, in a relatively direct way, the contents of perceptual experience. The supposed importance of – indeed as it is suggested here, what is definitive of – this possible phenomenon is that it would result in important epistemic and scientific consequences. One interesting and intuitive consequence entirely unremarked in the extant literature concerns the perception of art. Intuition has it (...)
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