In lieu of an abstract, here is a brief excerpt of the content:The Impossible Sacrifice of Poetry: Bataille and the Nancian Critique of SacrificeElisabeth Arnould (bio)When, at the very center of his Inner Experience, Bataille arrives at what he calls the “uppermost extremity of non-meaning,” he stages for us one of the principal scenes of his “sacrifice of knowledge.” It depicts Rimbaud, turning his back on his works, making the ultimate and definitive sacrifice of poetry. This scene, which complements (...) two other representations of the “supplice” of the experience—the crucifixion of God and the oncoming madness of Hegel—rounds out the triple sacrificial vocation of an experience of nonknowledge, at once “a-theological,” “a-gnoseological,” and “a-poetological.” It extends to poetry and language the critical and sovereign imperative of an experience that can only be called “inner” insofar as it renounces truth, knowledge, and, ultimately, speech.What exactly, however, does this sacrificial renunciation of words represent for Bataille and why did he choose to load it with all the transgressive weight of the experience of nonknowledge (“non-savoir”)? Why place the self-sacrifice of poetry at the very center of a book that would be annulled by an immolation of speech? Indeed, why make this final “supplice”—a sacrifice of words performed and dedicated “to” “nothing”—into the core of the book’s interior rapture? Isn’t this figure of death and silence incurably equivocal? Does it not attribute the traditional traits of a “nothingness” to this “rapturous heart” of finitude that Bataille always wanted to designate as the “impossible” object of his experience? And is it not, therefore, condemned to appropriate, through this representation, the nonmeaning of a finitude that Bataille, far from conceptualizing as simple nothingness, usually prefers to designate ambiguously as “nonknowledge”?Such are the questions I shall address in reevaluating Bataille’s concept of sacrifice in light of Jean-Luc Nancy’s critique. In his article “The Unsacrificeable,” Nancy was the first to point out the problematic nature of the sacrificial model in Bataille’s conceptualization of finitude. According to Nancy, sacrifice, including the self-sacrifice of Rimbaud so important to Bataille, is the vehicle of an “ontotheological” appropriation. And it is through sacrifice that Bataille’s reflection on finitude attempts to domesticate death while claiming to abandon it to the aporetic enunciation of a “nonknowledge.”I shall thus examine the problematic figure of poetry’s self-sacrifice in order to expose, with Nancy, the equivocality of its conceptual appropriation. In light of Bataille’s multiple stagings and interpretations of this figure, however, I shall also attempt to demonstrate how his writing on and of sacrifice already contains the seeds of its own critique and attempts to exceed itself. Bataille did not simply want to reveal, in Rimbaud’s self-sacrifice, the inexpressible truth of finitude; he also wanted to denounce the comical lie of the sacrificial appropriation. And it is this double valence of the Rimbaldian self-sacrifice that I shall try to bring forth. [End Page 86]Before elucidating the meaning and function of this figure in the specific context of Inner Experience and questioning its possible duplicity, one must examine the general notion upon which it is modeled. Poetry’s self-sacrifice is the “consummate” form 1 of a sacrifice that we find in the form of stagings and commentaries in Bataille’s work. As is well known, the question of sacrifice has always occupied a central place in Bataille’s thought. He has not only studied this protean ethnological phenomenon we call “sacrifice” but has also wanted to give sacrifice, beyond traditional “ontotheological” interpretations and recent anthropological reconstructions, a meaning that far exceeds these restricted determinations. Sacrifice is not simply, for Bataille, a theoretical object. A paradigmatic manifestation of the sacred and its transgressions, it marks rather a limit to conceptualization and constitutes a stumbling block to thought. As such, it is, for Bataille—or, as he himself maintains, for all thought—the locus of an interruption. Cross-culturally, sacrifice delineates the limit thought comes up against when it faces what it cannot think.As the negation of our corporeal and intellectual limits, as the bloody excess that erupts before the fascinated eyes of a spectator, sacrifice “represents,” for... (shrink)

Georges Bataille was a philosopher, writer, and literary critic whose work has had a significant impact across disciplines as diverse as philosophy, sociology, economics, art history and literary criticism, as well as influencing key figures in post-modernist and post-structuralist philosophy such as Jacques Derrida and Michel Foucault. In recent years, the number of works published on Georges Bataille, as well as the variety of contexts in which his work is invoked, has markedly increased. In _Georges Bataille: Key Concepts_ an international (...) team of contributors provide an accessible introduction to and survey of Bataille's thought. The editors’ introduction provides an overview of Bataille’s work, while the chapters in the first section cover the social, political, artistic and philosophical contexts that shaped his thought. In the second part, each chapter engages with a key theme in Bataille’s philosophy, including: art, eroticism, evil, inner experience, heterology, religion, sacrifice, and sovereignty. The final chapter addresses Bataille’s literary writings. Georges Bataille: Key Concepts is an invaluable guide for students from across the Humanities and Social Sciences, coming to Bataille’s work for the first time. Contributors: Giulia Agostini, Elisabeth Arnould-Bloomfield, Tiina Arppe, Marcus Coelen, Simonetta Falasca-Zamponi, Patrick ffrench, Marina Galletti, Nadine Hartmann, Mark Hewson, Andrew Hussey, Stuart Kendall, Claire Nioche, Gerhard Poppenberg, and Michèle Richman. (shrink)

La 4e de couv. indique : "Prenant ici toute l’initiative, Elisabeth Weber a choisi, en les présentant, vingt entretiens parmi tous ceux auxquels Jacques Derrida a participé depuis près de vingt ans. Elle s’est donné pour cela un certain nombre de critères, et d’abord celui de la diversité : celle des sujets (la question des femmes, la poésie, la drogue, le sida, l’enseignement, en particulier celui de la philosophie, et, croisant tous ces thèmes, la politique et les médias), celle (...) des tons (analytique ou joueur, militant ou « autobiographique »), celle des destinataires (en France, en Europe, Outre-Altantique).". (shrink)

What is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever? Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges (...) the very basis of what we can know about art, as well as our received ideas of beauty; and why conceptual art requires us to rethink concepts fundamental to art and aesthetics, such as artistic interpretation and appreciation. Including helpful illustrations of the work of celebrated conceptual artists from Marcel Duchamp, Joseph Kosuth and Piero Manzoni to Dan Perjovschi and Martin Creed, Who’s Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general. It will be particularly helpful to students of philosophy, art and visual studies seeking an introduction not only to conceptual art but fundamental topics in art and aesthetics. (shrink)

" De quoi demain sera-t-il fait? " interroge Victor Hugo. Un philosophe, une historienne répondent au long d'un dialogue serré, exigeant. Pourquoi ont-ils choisi de faire ce livre ensemble? En raison d'une longue amitié, au nom d'une histoire commune, en vertu de la qualité d'un débat qui n'a jamais cessé entre eux depuis qu'à la fin des années soixante la jeune étudiante découvrit l'importance de ce penseur de quinze ans son aîné qui, avec d'autres, réveillait l'esprit critique de toute une (...) génération. Si les points de vue sont différents, l'héritage intellectuel est commun. Et c'est cet héritage qu'ils s'attachent à inventorier avant de circonscrire des enjeux majeurs de notre temps : comment penser la différence dans l'universel? La famille a-t-elle encore un avenir? La liberté se réduira-t-elle demain pour l'homme à l'intelligibilité des contraintes qui pèsent sur lui, ou le désir et l'imprévisible auront-ils encore leur place? Que nous dit la souffrance des animaux que nous massacrons? La page de la révolution est-elle définitivement tournée après l'échec du communisme? Est-il envisageable d'en finir une fois pour toutes avec la peine de mort? Quelles seront demain les formes nouvelles de l'antisémitisme et comment les combattre? L'échange s'achève sur un éloge de la psychanalyse, référence commune tout au long du dialogue. (shrink)

To advance the task of designing robots capable of performing collective tasks with humans, studies in human–robot interaction often turn to psychology, philosophy of mind and neuroscience for inspiration. In the same vein, this chapter explores how the notion of recognition and commitment can help confront some of the current problems in addressing robot-human interaction in joint tasks. First, we argue that joint actions require mutual recognition, which cannot be established without the attribution and maintenance of commitments. Second, we argue (...) that commitments require affective states such as social motivations or shared emotions. Finally, we conclude by assessing three possible proposals for how social robotics could implement an architecture of commitments by taking such an affective components into consideration. (shrink)

Psychoanalytica Elisabeth Young-Bruehl gaat nader in op de bewering van Jonathan Sacks in diens openingslezing dat het Verbond van Noach gold voor alle mensen, niet slechts een groep uitverkorenen, en dat het daarmee ruim baan gaf tolerantie en vrijheid van godsdienst. Young-Bruehl is eerder van het tegendeel overtuigd: het Verbond legt wetten op die al wie ze niet gehoorzaamt, uitsluiten. De monotheïstische godsdiensten blijven daarmee bij uitstek intrinsiek autoritair en sadomasochistisch van aard.

Die Wissenschaftsphilosophie des frühen 20. Jahrhunderts ist reichhaltiger und differenzierter in ihren Standpunkten als lange vermutet. Die Autoren zeigen das anhand der nur teilweise erforschten Interaktion zwischen den Wissenschaftsphilosophen des deutschen und französischen Sprachraums. Das Buch liefert neue Erkenntnisse zur Rolle der Philosophiekongresse in Prag 1934 und Paris 1937 sowie zur Bedeutung einzelner Akteure wie Marcel Boll, der die Rezeption des Logischen Empirismus in Frankreich beförderte. Die Spuren, die Ernst Mach, aber auch der weniger bekannte deutsche Physiologe und Hirnforscher Ewald (...) Hering in der französischen Wissenschaftsphilosophie hinterliessen, verfolgen die Autoren bis hin zu den Ideen Jean Piagets. Im Mittelpunkt des Buchs stehen Philosophen aus Frankreich, Deutschland und Österreich und ihre Leistung, die Wissenschaften nicht nur erkenntnistheoretisch und logisch durchleuchtet, sondern auch erkannt zu haben, dass ihre theoretische Struktur nur dann vollständig erfasst werden kann, wenn ihre praktische Dimension mit einbezogen wird. Dafür steht Henri Poincaré, der die tragende Rolle der Konventionen für die Theoriebildung in der Mathematik herausstellte. Sichtbar wird der Bezug zur Praxis auch in Moritz Schlicks Überlegungen zu einer auf Empirie basierenden Ethik oder in der Arbeit Otto Neuraths, der eine aus den modernen Wissenschaften gewonnene Konzeption menschlichen Erkennens für das Projekt der gesellschaftlichen Aufklärung fruchtbar machen wollte. (shrink)

The Gesta Normannorum Ducum is one of the most important sources for the history of Normandy and England in the eleventh and twelfth centuries, and contains the earliest prose account of the Norman Conquest. It was written by a succession of authors, the first of whom was William of Jumieges, who wrote for William the Conqueror. Later historians, such as Orderic Vitalis and Robert of Torigni, interpolated and extended the chronicle as far as King Henry I. The later accretions reveal (...) much not only about changing attitudes towards the Norman invasion of England, but also about views of the early Viking foundations of Normandy.Elisabeth van Houts's two-volume edition is based on a study of all forty-seven extant manuscripts of the Gesta, including the earliest surviving copy of c. 1100, unknown until very recently. The full original text of William of Jumieges is supplied, as well as the integral text of the subsequent revisions and additions. Volume I contains Dr van Houts's introduction to the whole work, together with the text and translation of books i-iv. Volume II contains books v-viii. The edition forms an important contribution to our understanding of Anglo-Norman politics. (shrink)

Elisabeth Förster-Nietzsche, Schwester und Nachlassverwalterin Friedrich Nietzsches, präsentiert im ersten Band der Biographie ihres Bruders eine Beschreibung der ersten Lebenshälfte Friedrich Nietzsches von der Kindheit bis zu seiner Tätigkeit als Professor in Basel. Nach dem Zweiten Weltkrieg wurden ihre Fälschungen an Nietzsches Schriften und Briefen bekannt, was die Lektüre des vorliegenden Bandes auch heute noch so interessant macht. Sorgfältig nachbearbeiteter Nachdruck der Originalausgabe aus dem Jahr 1912.

Mind and the Body Politic is a collection of Elisabeth Young-Bruehl's essays and lectures on political theory, psychoanalysis, feminism, and the theory of biography.

In this paper, we evaluate the proposal that a central function of commitments within joint action is to reduce various kinds of uncertainty, and that this accounts for the prevalence of commitments in joint action. While this idea is prima facie attractive, we argue that it faces two serious problems. First, commitments can only reduce uncertainty if they are credible, and accounting for the credibility of commitments proves not to be straightforward. Second, there are many other ways in which uncertainty (...) is commonly reduced within joint actions, which raises the possibility that commitments may be superfluous. Nevertheless, we argue that the existence of these alternative uncertainty reduction processes does not make commitments superfluous after all but, rather, helps to explain how commitments may contribute in various ways to uncertainty reduction. (shrink)

Exploring the status of feminism in this "postfeminist" age, this sophisticated meditation on feminist thinking over the past three decades moves away from the all too common dependence on French theorists and male thinkers and instead builds on a wide-ranging body of feminist theory written by women. These writings address the question "Where are we going?" as well as "Where have we come from?" As evidenced in the essays compiled here, the multiplicity of directions available to this new feminism ranges (...) from poststructuralist academic theory through cultural activism to re-readings of law, literature, and representation. Contributors include Mieke Bal, Lauren Berlant, Rosi Braidotti, Elisabeth Bronfen, Judith Butler, Rey Chow, Drucilla Cornell, Ann Cvetkovich, Jane Gallop, Beatrice Hanssen, Claire Kahane, Ranjana Khanna, Biddy Martin, Juliet Mitchell, Anita Haya Patterson, and Valerie Smith. _Feminist Consequences_, representing the forefront of international feminist thought, marks a new and long-desired stage of feminist criticism where women are themselves making theory rather than reacting to male production. (shrink)

In Plato’s Apology of Socrates we see a philosopher in collision with his society—a society he nonetheless claims to have benefited through his philosophic activity. It has often been asked why democratic Athens condemned a philosopher of Socrates' character to death. This anthology examines the contribution made by Plato’s Apology of Socrates to our understanding of the character of Socrates as well as of the conception of philosophy Plato attributes to him. The 11 chapters offer complementary readings of the Apology, (...) which through their different approaches demonstrate the richness of this Platonic work as well as the various layers that can be discerned in its presentation of Socrates. -/- While the contributions display variety in both topics and angles, they also share common features: An awareness of the importance of the literary aspects of Plato’s courtroom drama, as well as a readiness to take into consideration the historical context of the work. Thereby they provide contributions to a manifold understanding of the aims and impact of the work, without losing sight of the philosophical questions that are raised by Socrates’ confrontational and unrepentant defense speech. Allowing the character of Socrates to take center stage, the chapters of this volume examine the philosopher in relation to ethics, and to politics and democracy, as well as to the ideology, religion, and virtue shared by the Athenians. -/- Readers will also find reflections on classical Platonic subjects such as the nature of Socratic philosophical inquiry and of philosophy itself, as well as on the notoriously ambiguous relationships between philosophy, sophistry and rhetoric, and their several relationships to truth and justice. The anthology emphasizes and explores the equivocal and sometimes problematic aspects of Socrates as Plato presents him in the Apology, illuminating why the Athenians let the verdict fall as they did, while drawing out problematic features of Athenian society and its reaction to Socrates’ philosophic activity, thereby encouraging reflection on the role philosophy can play in our modern societies. (shrink)

Stimulated by a general salience of neuroscientific research and the declaration of neuroscience as one of the leading disciplines of the current century, a diversity of disciplines from the social sciences and the humanities have engaged in discussions about the role of the brain in various social and cultural phenomena. The general importance assigned to the brain in so many areas of academic and social life nowadays has been called the ‘neuroscientific turn’. One of the fields that gained particular attention (...) in this context is neuroethics. It is, however, not clear if neuroethics should be regarded simply as an indicator of a change toward a brain-centered anthropological outlook in Western societies or as an entity that itself plays a crucial role in the development and promotion of this outlook. In this chapter, we present two perspectives on the ‘neuroscientific turn’, sketch a landscape of neuroethics, and scrutinize the current state and development of neuroethics as one of the new fields at the intersection between the neurosciences and the humanities. We will ask to what extent neuroethics is itself a product or a booster of a cultural turn toward neuroscience and which interpretations of neuroscientific knowledge and which public expectations of the potential of neuroscience have actually been put to work in the formation of neuroethics. As our analysis underlines, the interactions of neuroscience and ethics in the field of neuroethics are complex and multidirectional. On the one hand, philosophical and anthropological discourse has favored certain theoretical assumptions about the role of the brain for human self-understanding. On the other hand, neuroscience has stimulated many discourses in ethical theory, as well as in society, of which neuroethics can be regarded as a recent derivative. Finally, neuroethics itself occasionally functions as an amplifier of the assumption that neuroscience provides relevant information to help us understand the nature of human morality and the nature of good social norms and institutions. (shrink)

The Aesthetic Mind breaks new ground in bringing together empirical sciences and philosophy to enhance our understanding of aesthetics and the experience of art.

Two common strategies have dominated attempts to account for the nature of taste. On the one side, we have an affectivist understanding of taste where aesthetic attribution has to do with the expression of a subjective response. On the other side, we find a non-affectivist approach according to which to judge something aesthetically is to epistemically track its main aesthetic properties. Our main argument will show that neither emotion nor perception can explain the nature of aesthetic taste single-handedly. In this (...) paper, our principal aim is to examine the relationship between perceptual discernment and emotional sensibility as we find it in the process of ascribing aesthetic qualities. Is it the nature of the specific aesthetic property in question which determines the way in which perception and emotion are balanced in aesthetic attribution, or is it, rather, something about how our sensory skills operate? One of the notions we would like to explore in greater detail in this context is the idea of attunement, or the way in which aesthetic agents can align themselves to the content of an artwork o in order to better grasp its content and significance. According to our proposed picture, the exercise of taste involves an adjustment of one’s emotional sensibility to the aesthetic character of o. From here, we will posit both emotional and perceptual training as part of an agent’s aesthetic education in her use of aesthetic terms. (shrink)

This book brings together a number of essays that are optimistic about the ways certain neuroscientific insights might advance philosophical ethics, and other essays that are more circumspect about the relevance of neuroscience to philosophical ethics. As a whole, the essays form a self-reflective body of work that simultaneously seeks to derive normative ethical implications from neuroscience, and to question whether and how that may be possible at all. In doing so, the collection brings together psychology, neuroscience, philosophy of mind, (...) ethics, and philosophy of science. Neuroscience seeks to understand the biological systems that guide human behavior and cognition. Normative ethics, on the other hand, seeks to understand the system of abstract moral principles dictating how people ought to behave. By studying how the human brain makes moral judgments, can philosophers learn anything about the nature of morality itself? A growing number of researchers believe that neuroscience can, indeed, provide insights into the questions of philosophical ethics. However, even these advocates acknowledge that the path from neuroscientific is to normative ethical ought can be quite fraught. (shrink)

English summary: Johann Gottfried Herder played a central role in the emergence of aesthetics and art history in the eighteenth century. His was not only an avid reader and critic of important contemporaries, but also made essential contributions to the possibilities of art and art theory. This volume is illuminated by contemporary art discussion and the many facets of debate around Herder and the emergence of aesthetics and art history, from his early writings in the 1760s and 70s, to this (...) later works. French description: Johann Gottfried Herder spielt eine zentrale Rolle fur die Entstehung der Asthetik und der Kunstgeschichte, die beide zu den grundlegenden geistesgeschichtlichen Neuerungen des 18. Jahrhunderts gehoren. Er war nicht nur ein aufmerksamer Leser und Kritiker der wichtigsten Autoren, die sich mit dieser Materie befassten, wie etwa Winckelmann, Lessing oder Baumgarten, sondern hat selbst grundlegende und umfassende Beitrage geschrieben, die immer wieder aufs Neue die Moglichkeiten und Grenzen der Kunst, der Kunstwahrnehmung und der Kunsttheorie ausloten. Der hier vorgelegte Band leuchtet vor dem Hintergrund der zeitgenossischen Kunstdiskussionen die vielen Facetten der Auseinandersetzung Herders mit der entstehenden Asthetik und Kunstgeschichte aus, beginnend mit seinen Schriften, Kritische Walder' und, Plastik' aus den 1760er und 1770er Jahren bis hin zu seinen spateren Werken. (shrink)

There are strong links between astrobiology and environmental concern. Astrobiology is the study of the origin, evolution and distribution of life in the universe—including Earth. Understanding life, and in particular the basic conditions for life, is important for our ability to create a sustainable future on Earth. The connection goes both ways, however. The preservation of biodiversity and of pristine environments on Earth is of the greatest importance for our ability to study life, its origin, distribution and future. Of special (...) interest from an astrobiology perspective is the preservation of areas with conditions that can serve as analogues to extraterrestrial environments, areas with conditions similar to those under which life originated on Earth, and in general environments where extreme adaptations can be studied. Astrobiology also presents some direct environmental challenges that need to be considered, namely in the form of forward and back contamination. Both issues need to be approached from a technical perspective, but also from a societal perspective. And both must be understood within a broader context of ensuring the sustainability of practices, both scientific and commercial. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Feminist Studies 45, no. 1. © 2019 by Elisabeth Blair 173 How it feels is a series of questions Are you home now, or in the body of a bird? Do you drown, or do you sit calm in the watery air? And the fire—did you light it yourself, or did someone you know, or someone you have yet to meet? Can you sit quiet by it or (...) is it bridging the wet and dry with its feet, consuming your shoes first, then your eyes, skipping the topography in between in fickle pecking like chicken for grain? Is the shower water or is it fire? What if you want to feel something? Are you tired of time, to be so locked into now in this way, in the shower, and later in the circle, where they’ll say, We saw your scars, we know you were abused— it’s OK—we were too— —? But you had only scratched your back in the shower (accidentally) that day. Elisabeth Blair 174 Elisabeth Blair What is the fire that is the fire of drowning and what is the urgency that is the command of fog, saying you’d better sit down? You’d better stand up. Wood. Upholstery. Snow. Mud. These are real, while you are sinister, not believed. There were welts on your back; now they’ve gone. You try to explain: You had a belly once. You had a body. This place stores you in the leg of a bird, and not an invested one but a chicken, pecking, running lines in the ground. Most of the time is gone. You’re a stream down which a foundling comes. You’re a paramecium—all the hints and holds of life are here in you, but you are just a little one. You’re a mouth. You use yourself to laugh, to clutch your chin with one hand, rest the other on your knee. You use yourself to say no, I do not have scars—to clarify. You use yourself like the chicken in the yard uses itself to get by. Elisabeth Blair 175 Listen. I haven’t hit you. I’ve only used your body to demonstrate the richness of your feeling and the piracy inherent in your unwillingness to brave the feeling. I’ve only pulled you up. I’ve only sheltered you with a slap. I’ve dipped into your orange blood with my finger and felt relief—I know how to help. You listen to me— your blood will redden, then your face. You’ll get better. 176 Elisabeth Blair The English boy dwells in any of many neurodivergent states, no doubt undiagnosed. You only speak when spoken to by the staff, but he will and does speak—and laugh. He pulls his pants down and shits in the mess tent. You look at the grain in the rough wooden bench. He kicks as they tackle him to the ground, and all the while—as they swear and shout and he fights—comes that laughter, making ripples on your eyes. They put him in a sleeping bag, wrap a tarp around it, tie it with rope, then leave him on the ground for days, on display, in March, in the mountains, in many feet of snow. They call it a burrito. Let him laugh, they say, let him wiggle and roll.  [we were not killed]  [I am not ungrateful  I am not ungrateful] Elisabeth Blair 177 Age 16 A few years before, your horns newly removed, there had come a drought. Once you felt it, and felt yourself not just alone but marked— once on the forehead and once on either side where you had been but now were not— you developed doubts. You had intended to be reasonable, to talk. But the melting ice: there was no container. The evaporating water: there was no shade. No room to meet in. No family to group. No wits to gather or weave, nothing to save. Your hands became a precipice attached to a belief. The belief was mismanaged, had a bad day. Stuff clattered onto you. You lay there in the stuff and knew you had broken hearts. People... (shrink)