Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and ...
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic (...) general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis. (shrink)
Roman Ingarden, one of Husserl's closest students and friends, ranks among the most eminent of the first generation of phenomenologists. His magisterial <I>Controversy over the Existence of the World, written during the years of World War II in occupied Poland, consists of a fundamental defense of realism in phenomenology. Volume I, which receives here its first complete and critical translation into English, initiates the grand project of refuting transcendental idealism, and begins by setting the foundations for an elaborate and precise (...) ontological system. This is Ingarden's greatest accomplishment, who is rather known as a theoretician of literature than an ontologist outside of Poland. The most important achievement of Ingarden's ontology is an analysis of the modes of being of various types of objects - things, processes, events, purely intentional objects and ideas. The three-volume <I>Controversy is perhaps the last great systematic work in the history of philosophy, and undoubtedly one of the most important works in 20th century philosophical literature. (shrink)
The purpose here is to give a thorough phenomenological account of the aesthetic experience. The difference between cognitive perception of a real object and the aesthetic experience of an esthetic object is discussed at length. Elements and phases of an esthetic experience are delineated; illustrations of a preliminary emotion of esthetic experience are given, All of which suggest a fundamental change of attitude. From normal perceiving to esthetic perceiving there is a change from categorical structures to qualitative harmony structures, Producing (...) pleasure in the presence of an esthetic object. (staff). (shrink)
"Vom Erkennen des literarischen Kunstwerks" ist zuerst (poln. 1937) als erkenntnistheoretisches - und geringfügig populäreres - Pendant zur ontologischen Theorie "Das literarische Kunstwerk" (1931) angelegt. In der deutschen Fassung (Erstpublikation 1968) wird es zum gedankenreichen literaturphilosophischen Alterswerk. Wie schon "Der Streit um die Existenz der Welt" (Erstpublikation 1947/48), so ist auch "Vom Erkennen" als Antwort auf Krieg, Völkermord und Totalitarismen zu lesen, im Sinne des Beharrens auf den Fundamenten der humanen Existenz. Dem "Ende der Ontologie" setzt Roman Ingarden (1893-1970) den (...) Nachweis der Notwendigkeit ontologischer Reflexion bei der Ergründung erkenntnistheoretischer Sachverhalte entgegen (vgl. die 'ästhetische Konkretisation'), der am Wert verzweifelten Nachkriegsliteratur die Erörterung der Werte, Wertqualitäten und ihrer möglichen Synthesen im konkretisierten literarischen Kunstwerk. Gegenüber "Das literarische Kunstwerk" arbeitet er neu die quasi-zeitliche Dimension des literarischen Kunstwerks aus, 'entdeckt' die künstlerischen Funktionen der Unbestimmtheit, bezieht die Lyrik und das Gattungswesen der Literatur ein und analysiert die verschiedenen Erkenntnisziele und -zugänge zum literarischen Kunstwerk. Dem Liebhaber vermittelt das Buch eine Begründung des legitimen Entzückens am ästhetischen Gegenstand, dem Literaturwissenschaftler eine Grundlegung seiner analytischen und funktionellen Erkenntnisoperationen. Ein ausführliches analytisches Inhaltsverzeichnis, ein davon abgeleitetes System von Kolumnentiteln sowie ein Personenverzeichnis erleichtern in dieser neuen Ausgabe die Arbeit mit diesem Buch. (shrink)
Introduction The starting point for our reflections upon the musical work will be the unsystematized convictions that we encounter in daily life in our communion with musical works before we succumb to one particular theory or another.
The Polish philosopher Roman Ingarden is, with Heidegger, Sartre and Merleau-Ponty, one of the foremost representatives of the phenomenological movement founded by Edmund Husserl. The ideas of his most famous work, The Literary Work of Art, have made a powerful impact on contemporary aesthetics and literary theory. The present volume, a collection of essays all of which appear in English here for the first time, derives from the period towards the end of Ingarden's life when he turned from special problems (...) in aesthetics to the general theory of value and to the study of human nature. Six of the essays, including the longest piece, a masterly study of the problem of responsibility, were originally published in Polish as Little Book on Man. The remaining three essays: on the objectivity and relativity of values, on our knowledge of values and on the foundations of ethics, have been specially translated for this volume, which includes an introduction by the editor. The work is above all of interest to philosophers, who will find here an aspect of Ingarden's thought hitherto unknown to English readers. But the clear and forceful style of these pieces, which has been captured admirably by the translator, will also make the work of interest to the layman, to whom it offers an insight into the ways in which phenomenological philosophy may be put to work in solving problems which have a direct bearing upon his own life. Of interest to: Philosophers, anthropologists, aestheticians, students of these disciplines. (shrink)
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Word of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic (...) general structure of all lliterary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis. (shrink)
Der hier vorgelegte Band 5 der Gesammelten Werke Roman Ingardens trägt dreizehn kleinere Schriften zusammen, die der namhafte polnische Husserl-Schüler zur Phänomenologie seines Lehrers abgefaßt hat. Es handelt sich dabei um Texte, die teils schon zu Ingardens Lebzeiten veröffentlicht worden sind, teils aber dem deutschsprachigen Publikum bisher entweder nur fragmentarisch oder gar nicht bekannt waren. Insgesamt hat in diesen formal wie zeitlich differenzierten Texten Ingardens jahrzehntelange Auseinandersetzung mit der Philosophie Husserls ihre instruktive Dokumentierung gefunden.
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic (...) general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis. (shrink)
