Stylistically fictionalized but true to the salient facts, Zarathustra Stone relates the story of the day Friedrich Nietzsche thought the thought that changed his life, and that would, he believed, alter the course of western intellectual history. The Eternal Recurrence of the Same. Eternal Return. The narrative explains imaginatively the origin of Nietzsche’s idea, not only its philosophical roots, but its biographical, emotional, and psychological sources as well.

This article considers the significance of the Blessed Isles in Nietzsche’s Thus Spoke Zarathustra. They are the isolated locale to which Zarathustra and his fellow creators retreat in the Second Part of the book. I trace Zarathustra’s Blessed Isles back to the ancient Greek paradisiacal afterlife of the makarōn nēsoi and frame them against Nietzsche’s Platonic conception of philosophers as “commanders and legislators,” but I argue that they represent something more like a modern Epicurean Garden. Ultimately, I (...) suggest that Zarathustra’s Epicurean impulse toward withdrawal (whether into a sequestered friendship community or mountain solitude) undermines his Platonic attempts at great politics. (shrink)

Nietzsche’s On the Genealogy of Morality warns that revenge’s reactiveness can jeopardize salutary change in shared values. I identify an overlooked revenge-mitigating praxis in the spatial movements of Nietzsche’s fictional prophet Zarathustra, who seeks collaborators to overcome Christian morality and create new world-affirming values. Zarathustra’s well-known response to revenge, specifically the revenge against time undergirding interpersonal revenge, is willing the eternal return of the same. But he also exemplifies a more available response. “Passing by” is a coming close (...) to, followed by a veering away from, the most insistent embodiments of reigning values. Although Nietzsche inspires agonistic political theory, Zarathustra avoids direct contest in the usual late modern milieux, which he finds constitutively vulnerable to revenge. When revenge floods the communal passional reservoir, it forestalls recovery—essential to new-values creation—of passions effaced by reigning values. Zarathustra still approaches the usual milieux to know the present-past as the raw material of the future. But by then veering away he practices relaxing his value-creative will and not raging against the present-past. Repeated passing by helps him accept and thus better take up the raw material of the future and accept value change’s slow temporality. Since passing by’s concern is the value horizon, not the political sphere, and since it minimizes direct resistance, it may be less reactive to the political sphere than directly contestatory versions of “refusal.” Analysis of Gandhi’s value-praxis confirms passing by as a tactic for less reactive value-creation and as a lens on the reactiveness of different value-praxes. (shrink)

In Thus Spoke Zarathustra, Nietzsche presents passion as constituting human agency. He encountered this Humean view in Schopenhauer, and recognized its explanatory advantages over Platonic and Kantian rationalism. Zarathustra's poetic speeches anticipate and address contemporary objections to the view that passion constitutes agency. "On the Despisers of the Body" explains why understanding the self as constituted by passion provides better explanations of reasoning, value judgment, and the unity of the self than Christine Korsgaard's neo-Kantian view. "On Enjoying and (...) Suffering the Passions" explains why understanding virtues as constituted by passions provides a better explanation of moral phenomenology than John McDowell's rationalism. (shrink)

In Sorgner's 2009 paper "Nietzsche, the Overhuman, and Transhumanism", he argues, contra Bostrom, that the transhumanist movement's postman is fundamentally similar to Nietzsche's overman. In this paper, Sorgner's thesis is challenged. It is argued that transhumanism, as presented both popularly and academically, is fundamentally incompatible with Nietzsche's overman, as presented in Thus Spoke Zarathustra. This argument focuses on three significant characteristics's of Zarathustra's description of the overman: the role of earthly existence, immortality, and the rejection of collective values.

Book synopsis: 32 specially written essays, by world-renowned scholars in the field State-of-the-art, comprehensive coverage of Nietzsche's life, works, and central ideas Includes chapters on all of Nietzsche's principal works Essential reading for anyone working in the area The diversity of Nietzsche's books, and the sheer range of his philosophical interests, have posed daunting challenges to his interpreters. This Oxford Handbook addresses this multiplicity by devoting each of its 32 essays to a focused topic, picked out by the book's systematic (...) plan. The aim is to treat each topic at the best current level of philosophical scholarship on Nietzsche. The first group of papers treat selected biographical issues: his family relations, his relations to women, and his ill health and eventual insanity. In Part 2 the papers treat Nietzsche in historical context: his relations back to other philosophers—the Greeks, Kant, and Schopenhauer—and to the cultural movement of Romanticism, as well as his own later influence in an unlikely place, on analytic philosophy. The papers in Part 3 treat a variety of Nietzsche's works, from early to late and in styles ranging from the 'aphoristic' The Gay Science and Beyond Good and Evil through the poetic-mythic Thus Spoke Zarathustra to the florid autobiography Ecce Homo. This focus on individual works, their internal unity, and the way issues are handled within them, is an important complement to the final three groups of papers, which divide up Nietzsche's philosophical thought topically. The papers in Part 4 treat issues in Nietzsche's value theory, ranging from his metaethical views as to what values are, to his own values of freedom and the overman, to his insistence on 'order of rank', and his social-political views. The fifth group of papers treat Nietzsche's epistemology and metaphysics, including such well-known ideas as his perspectivism, his INSERT: Included in Starkmann 40% promotion, September-October 2014 being, and his thought of eternal recurrence. Finally, Part 6 treats another famous idea—the will to power—as well as two linked ideas that he uses will to power to explain, the drives, and life. This Handbook will be a key resource for all scholars and advanced students who work on Nietzsche. (shrink)

A study of the enormous influence of the writings of Friedrich Nietzsche on turn-of-the-century German literature. The aim of this book is to explore "that post-Nietzschean archipelago of German literature which no one mind can hope to map, let alone inhabit" (Michael Hamburger) and to introduce it to the English-speaking reader for the firsttime, in accessible form. The study starts from the assumption that the daring imagery and cosmic sweep of Thus Spake Zarathustra provided the impetus for the creation (...) of visionary epics and cosmological poetic universes. The book is original in that it presents for the first time a selection of writers hitherto regarded as impossible of access and reduces their epic scope to manageable proportions while preserving their essential meaning. Among thewriters treated are Alfred Mombert, Theodor Däubler, Rudolf Pannwitz, Ludwig Derleth, Alfred Schuler, Ludwig Klages, Christian Morgenstern, and the members of the Friedrichshagen Circle. Furness draws on the most recent scholarship and provides a fascinating account of a 'lost generation.' The book will be of interest to Nietzsche scholars, to students of Lebensphilosophie, and to those interested in German literature around the turn of the century. It will be of special interest to those drawn to the creation of myths and to radical religious thought. Raymond Furness is professor and former chair of German at St.Andrews University, Scotland. He has published widely on late nineteenth- and early twentieth-century German literature. (shrink)

In this reading of Thus Spoke Zarathustra, I attempt to account for the gradual transformation of Zarathustra’s politics and pedagogy in light of his confrontation with a Platonic understanding of imitation. I argue that the provisional teaching of the overman is abandoned in the second half of the text because it fails to teach others to become who they are. It only produces bad imitations of Zarathustra himself. I read the thought of the eternal recurrence, however, as (...) Zarathustra’s overcoming of his residual Platonic pedagogy since it challenges the mimetic relationship between master and disciple that Zarathustra originally cultivates but ultimately disavows.Dans cette présente lecture d’Ainsi parlait Zarathoustra, je tente de rendre compte de la transformation graduelle de la politique et de la pédagogie de Zarathoustra à la lumière de sa confrontation à la comprehension platonicienne de l’imitation. Je soutiens que l’enseignement provisoire du surhomme est abandonné dans la seconde partie du texte parce qu’il ne parvient pas à enseigner aux autres àdevenir ce qu’ils sont. Il ne fait que produire des imitations de Zarathoustra lui-même. Par eontre, je comprends la pensée de l’eternel retour comme le dépassement de sa pédagogie platonicienne résiduelle, puisque cette pensée s’oppose à la relation mimétique entre le maître et le disciple que Zarathoustra cultive au départ, mais désavoue à la fin. (shrink)

Alice Gonzi’s Zarathustra a Parigi analyzes the complex reception of Nietzsche’s work in French culture between 1877 and 1930. In the first chapter, she shows how French academic philosophy, generally of neo-Kantian orientation, and the Wagnerian circles in Paris in this period did not consider Nietzsche a canonical philosopher, but rather stigmatized his thought and minimized its importance. As early as 1891, Téodor de Wyzewa, in his F. Nietzsche, le dernier metaphysician, praised Nietzsche as a writer while criticizing him (...) as a radical nihilist and pessimist. Although authors such as Daniel Halévy and Fernand Gregh treated Nietzsche as a philosopher of health and joy as well as a promoter of optimism and amor .. (shrink)

Heinrich Meiers Buch versucht am Leitfaden der Frage, ob Zarathustra ein Philosoph oder ein Prophet ist, zum Kern des Dramas vorzustoßen.

RESUMEN El artículo analiza la presencia del Zaratustra de F. Nietzsche en la región andina durante el siglo XX. Con base en la tesis de A. Rama y M. Hopenhayn, se muestra su relación con procesos de reconfiguración de las subjetividades relacionados con las dinámicas de modernización y secularización. Se analizan diversas lecturas filosóficas de dicha obra: culturalismos, marxismos, existencialismos e historicismos. A diferencia de autores como E. Dussel y F. Hinkelammert, se argumenta que los motivos del Zaratustra no significan (...) un movimiento contra-moderno y anti-ilustrado, sino una forma de gestión cultural y filosófica de algunas élites ilustradas y urbanas. ABSTRACT The article analyzes the presence of F. Nietzsche's Zarathustra in the Andean region during the 20TH century. Drawing on the theses of A. Rama and M. Hopenhayn, it shows that work's relationship with processes of reconfiguration of subjectivities arising from the dynamics of modernization and secularization. The article also analyzes diverse philosophical readings of the text: culturalist, Marxist, existentialist, and historicist. Unlike authors such as E. Dussel and F. Hinkelammert, we argue that the motifs of the Zarathustra do not entail a counter-modern and anti-enlightened movement, but rather a form of cultural and philosophical management practiced by some enlightened, urban elites. (shrink)

Name der Zeitschrift: Nietzsche-Studien Jahrgang: 44 Heft: 1 Seiten: 231-266. -/- Abstract: In this essay I defend my interpretation of the unheard words that Zarathustra whispers into Life’s ear in “The Other Dance Song” and that have long kept commentators puzzled. I argue that what Zarathustra whispers is that he knows that Life is pregnant with his child. Zarathustra’s ability to make Life pregnant depends on his overcoming of Eternal Recurrence which threatens to strangle him with disgust (...) of human beings and all of existence, thereby making him into a spiritual eunuch whose will has turned into not-willing. The insemination of Life is a transfiguring act that raises Life from her blind animality (or materiality) into the level of a spiritually fertile existence, which is the condition of human freedom. This act is performed with the help of our capacity for theoretical knowledge, which is why it requires love of Wisdom. However, love of Wisdom can make us infertile, and thus unfree, when pursued for its own sake (knowledge can choke). I conclude by considering who might be the child of Zarathustra and Life. -/- Zusammenfassung: In diesem Aufsatz verteidige ich meine Interpretation der unhörbaren Wörter, die Zarathustra in „Das andere Tanzlied“ in das Ohr des Lebens flüstert und seit langem Kommentatoren ratlos machen. Was Zarathustra flüstert, ist, so meine These, dass er weiß, dass das Leben mit seinem Kind schwanger ist. Zarathustras Fähigkeit, das Leben zu schwängern, hängt von seiner Überwindung des Gedankens der ewigen Wiederkehr ab, der ihn durch den Überdruss am Menschen und an allem Dasein zu erwürgen bedroht und ihn dabei zu einem spirituellen Eunuchen macht, dessen Wollen zum Nicht-Wollen geworden ist. Die Befruchtung des Lebens ist eine umgestaltende Tat, die das Leben von seiner blinden Tiernatur (oder Stofflichkeit) auf die Ebene eines spirituell fruchtbaren Daseins erhebt, was die Voraussetzung menschlicher Freiheit ist. Dieser Akt wird mit Hilfe unserer Fähigkeit zu theoretischem Wissen ausgeführt, weshalb er Liebe zur Weisheit erfordert. Liebe zur Weisheit kann uns jedoch unfruchtbar und damit unfrei machen, wenn sie um ihrer selbst willen verfolgt wird (Wissen kann ersticken). Ich schließe mit der Überlegung ab, wer Zarathustras und des Lebens Kind sein könnte. (shrink)

In arguing that Nietzsche's _Thus Spoke Zarathustra_ is a philosophical explanation of the possibility of modernism—that is, of the possibility of radical cultural change through the creation of new values—the author shows that literary fiction can do the work of philosophy. Nietzsche takes up the problem of modernism by inventing Zarathustra, a self-styled cultural innovator who aspires to subvert the culture of modernity by creating new values. By showing how Zarathustra can become a creator of new values, notwithstanding (...) the forces that hinder his will to innovate, Nietzsche answers the skeptic who proclaims that new-values creation is impossible. _Zarathustra_ is a story of repeated clashes between Zarathustra's avant-garde, modernist intentions and figures of doubt who condemn those intentions. Through a close reading of _Zarathustra_, the author reconstructs Nietzsche's explanation of the possibility of modernism. Showing how parody, irony, and plot organization frame that explanation, he also demonstrates the central significance of Zarathustra's speeches on the body and the will to power. The author argues that Nietzsche's critique of the modern philosophy of the subject revises Kant's concept of the dynamical sublime and makes allegorical use of the myth of Theseus, Ariadne, and Dionysus. He also proposes an original interpretation of the thought of eternal recurrence. Breaking with conventional Nietzsche scholarship, the author conceptualizes the thought not as a theoretical or a practical doctrine that Nietzsche endorses, but as a developing drama that Zarathustra performs. (shrink)

In this reading of Thus Spoke Zarathustra, I attempt to account for the gradual transformation of Zarathustra’s politics and pedagogy in light of his confrontation with a Platonic understanding of imitation. I argue that the provisional teaching of the overman is abandoned in the second half of the text because it fails to teach others to become who they are. It only produces bad imitations of Zarathustra himself. I read the thought of the eternal recurrence, however, as (...) Zarathustra’s overcoming of his residual Platonic pedagogy since it challenges the mimetic relationship between master and disciple that Zarathustra originally cultivates but ultimately disavows.Dans cette présente lecture d’Ainsi parlait Zarathoustra, je tente de rendre compte de la transformation graduelle de la politique et de la pédagogie de Zarathoustra à la lumière de sa confrontation à la comprehension platonicienne de l’imitation. Je soutiens que l’enseignement provisoire du surhomme est abandonné dans la seconde partie du texte parce qu’il ne parvient pas à enseigner aux autres àdevenir ce qu’ils sont. Il ne fait que produire des imitations de Zarathoustra lui-même. Par eontre, je comprends la pensée de l’eternel retour comme le dépassement de sa pédagogie platonicienne résiduelle, puisque cette pensée s’oppose à la relation mimétique entre le maître et le disciple que Zarathoustra cultive au départ, mais désavoue à la fin. (shrink)

What possible allure can a Persian prophet hold for a philhellenic philosopher? "Zarathustra's Preposterous History" discusses the conspicuous heritage of Nietzche's figure, arguing that Nietzsche's turn to Zoroaster itself functions as an instance of affirmation, the difficult affirmation of even that which must be overcome. The self-overcoming that structures Also sprach Zarathustra comes to characterize the figure of Zarathustra itself, both within this book and in Nietzsche's later writings. But only through the preposterous imposition of this characterization (...) can Nietzsche identify Zarathustra with Zoroaster and portray the moralist as the necessary precursor to the immoralist. Inverting chronology, Nietzsche not only affirms that which must be overcome, but also demonstrates how one can master the past by making of the "it was" of history a "thus I willed it."Warum befasst sich ein philhellenischer Philosoph mit einem persischen Propheten? Dieser Aufsatz die augenfällige Erblast von Nietzches Figur und argumentiert, dass Nietzsches Wendung zu Zoraster selbst ein Beispiel der Bejahung abgibt, nämlich der schwierigen Bejahung dessen, was überwunden werden muss. Die Selbstüberwindung, die Also sprach Zarathustra strukturiert, charakterisiert ebenfalls die Zarathustra-Figur, sowhl in diesem Buch als auch in Nietzsches späteren Schriften. Aber nur durch die Rückübertragung dieser Charakterisierung kann Nietzsche Zarathustra mit Zoroaster identifizieren und den Moralisten als notwendigen Vorläufer des Immoralisten darstellen. Die Chronologie umkehrend, bejaht Nietzsche nicht nur das, was überwunden werden muss, sondern zeigt auch, wie man der Vergangenheit Herr werden kann, indem man aus dem "Es war" der Geschichte ein "So wollte ich es" macht. (shrink)

ABSTRACT Notwithstanding recent controversies involving echo chambers and social media, “post-truth” has always been central to philosophical investigations of what is knowable and good. The internal tension of the term offers a choice: to gasp in feigned astonishment at the hell-in-a-handbasket state of public discourse, or to reflect critically on what is beyond, after, or other than the truth. In this essay, we approach post-truth via elements of narrative, biography, and myth, portraying Friedrich Nietzsche's polytropic figure, Zarathustra, as he (...) might have spoken to the contemporary moment. We demonstrate how Zarathustra affords access to the idea that truth and life are inextricable in the human condition. To temper this tension, we depict a character whose disposition toward post-truth spans from certainty and doubt to exuberance and despair. Our hope is to indicate how, for the humans of Motley Cow, post-truth is ubiquitous, institutional, and infrastructural. (shrink)

Nietzsche selbst schrieb einst über seinen Zarathustra, dieser sei »das tiefste Buch, das die Menschheit hat [...] Aber mit dem kann man nicht anfangen«. Tatsächlich machte es Nietzsche seinen Leserinnen und Lesern nicht einfach: Der durchwegs kryptisch gehaltene Text erschwert das philosophische Verstehen des Werkes enorm, stellt dem Versuch eiliger Aneignung bewusst Hindernisse in den Weg. Es gibt wohl kaum ein philosophisches Werk, das die Auslegung derart erschwert und zugleich einfordert, wie »Also sprach Zarathustra«. Der vorliegende Sammelband setzt (...) genau dort an. Chronologisch und detail... (shrink)

Traducción del artículo publicado originalmente como Sorgner, S. L. (2011). Zarathustra 2.0 and Beyond: Further Remarks on the Complex Relationship between Nietzsche and Transhumanism. The Agonist, a Nietzsche Circle Journal, 4(2).

Nietzsche's Zarathustra is a guide through the convoluted territory of Nietzsche's Thus Spoke Zarathustra. It shows the philosophical significance of the fictional format as a means to simultaneously propose alternatives to traditional dogmas within the Western tradition and reveal the danger of mistaking doctrinal formulations for living philosophical insight.

Introduction -- Nietzsche's ascetic morality -- The Kanitan rational will and the tyranny of self-overcoming -- Hegel's 'labour of the negative' and the Lacerations of self-negation -- The bitter cup of pur love : Feuerbach and Zarathustra -- Conclusion.

Nietzsche regarded 'Thus Spoke Zarathustra' as his most important work, and his story of the wandering Zarathustra has had enormous influence on subsequent culture. Nietzsche uses a mixture of homilies, parables, epigrams and dreams to introduce some of his most striking doctrines, including the Overman, nihilism, and the eternal return of the same. This edition offers a new translation by Adrian Del Caro which restores the original versification of Nietzsche's text and captures its poetic brilliance. Robert Pippin's introduction (...) discusses many of the most important interpretative issues raised by the work, including who is Zarathustra and what kind of 'hero' is he and what is the philosophical significance of the work's literary form? The volume will appeal to all readers interested in one of the most original and inventive works of modern philosophy. (shrink)

Haim Gordon; Nietzsche's Zarathustra as Educator, Journal of Philosophy of Education, Volume 14, Issue 2, 30 May 2006, Pages 181–192, https://doi.org/10.1111/j.

Nietzsche takes moral judgments to be false beliefs, and encourages us to pursue subjective nonmoral value arising from our passions. His view that strong and unified passions make one virtuous is mathematically derivable from this subjectivism and a conceptual analysis of virtue, explaining his evaluations of character and the nature of the Overman.

Though it is acknowledged that Nietzsche read Ludwig Feuerbach, little attention has been given to the significance of Feuerbach’s anthropological re-imagination of religion for the trajectory of Nietzsche’s own vision for liberated humanity, the Übermensch. For Feuerbach, the Christian religion represents a form of wish-fulfillment and subconscious worship of the human being as divine, where many of the presuppositions of orthodox Christianity (monotheism, human fallenness, other-worldliness, etc.) only impede human flourishing. The acknowledgement of the psychological damage wrought by the scheme (...) and implications of Christian metaphysics is, for Feuerbach and Nietzsche alike, a necessary step in liberating humans from their own self-imposed shackles and enabling the human spirit to actualize its latent potentialities. This paper aims to identify Feuerbachian themes that Nietzsche appropriates for his own purposes in Thus Spoke Zarathustra, attending to Nietzsche’s early reading of Feuerbach’s The Essence of Christianity (1841) during a key period of his intellectual development (1861-1863), and arguing that Feuerbach’s impact on Nietzsche is far more subtle and profound than commonly recognized. (shrink)

In Thus Spoke Zarathustra Nietzsche addresses the problem of how to live a fulfilling life in a world without meaning, in the aftermath of 'the death of God'. Nietzsche's solution lies in the idea of eternal recurrence. This translation of Zarathustra reflects the musicality of the original German, and for the first time annotates the abundance of allusions to the Bible and other classic texts with which Nietzsche's masterpiece is in conversation.

This work defines its course in reference to Nietzsche's Also Sprach Zarathustra.

Friedrich Nietzsche hielt seine philosophische Dichtung "Also sprach Zarathustra" für so wichtig, daß er glaubte, mit diesem Buch werde eine neue Zeitrechnung beginnen. Die im Stil eines "neuen Evangeliums" vorgetragene Vision eröffnet einen erstrangigen Zugang zu Nietzsches Werk, denn hinter der Maske des wiederbelebten persischen Propheten spricht Nietzsche vieles aus, was in seinen aphoristischen und essayistischen Schriften nur angedeutet ist. Diese Dichtung kann als Kommentar zu den philosophischen Prosatexten Nietzsches gelesen werden. Im vorliegenden Band wird der Handlungsfaden des " (...) class='Hi'>Zarathustra" verfolgt, und neben einer Einführung werden die wichtigsten Themen in eingehender Analyse vorgeführt: Wille zur Macht, Umwertung aller Werte, Übermensch und ewige Wiederkehr des Gleichen. (shrink)

This book explores C.G. Jung's complex relationship with Friedrich Nietzsche through the lens of the so-called 'visionary' literary tradition. The book connects Jung's experience of the posthumously published Liber Novus with his own understanding of Nietzsche's Zarathustra, and formulates the hypothesis of Jung considering Zarathustra as Nietzsche's Liber Novus –– both works being regarded by Jung as 'visionary' experiences. After exploring some 'visionary' authors often compared by Jung to Nietzsche, the book focuses upon Nietzsche and Jung exclusively. It (...) analyses stylistic similarities, as well as explicit references to Nietzsche and Zarathustra in Liber Novus, drawing on Jung's annotations in his own copy of Zarathustra. The book then uses Liber Novus as a prism to contextualize and understand Jung's five-year seminar on Zarathustra: all the nuances of Jung's interpretation of Zarathustra can be fully explained, only when compared with Liber Novus and its symbology. One of the main topics of the book concerns the figure of 'Christ' and Nietzsche's and Jung's understandings of the 'death of God.'. (shrink)

Nietzsche regarded 'Thus Spoke Zarathustra' as his most important work, and his story of the wandering Zarathustra has had enormous influence on subsequent culture. Nietzsche uses a mixture of homilies, parables, epigrams and dreams to introduce some of his most striking doctrines, including the Overman, nihilism, and the eternal return of the same. This edition offers a new translation by Adrian Del Caro which restores the original versification of Nietzsche's text and captures its poetic brilliance. Robert Pippin's introduction (...) discusses many of the most important interpretative issues raised by the work, including who is Zarathustra and what kind of 'hero' is he and what is the philosophical significance of the work's literary form? The volume will appeal to all readers interested in one of the most original and inventive works of modern philosophy. (shrink)