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  1.  50
    Zarathustra a Parigi: La Ricezione di Nietzsche Nella Cultura Francese Del Primo Novecento by Alice Gonzi (Review).Alberto Giacomelli - 2013 - Journal of Nietzsche Studies 44 (1):134-136.
    Alice Gonzi’s Zarathustra a Parigi analyzes the complex reception of Nietzsche’s work in French culture between 1877 and 1930. In the first chapter, she shows how French academic philosophy, generally of neo-Kantian orientation, and the Wagnerian circles in Paris in this period did not consider Nietzsche a canonical philosopher, but rather stigmatized his thought and minimized its importance. As early as 1891, Téodor de Wyzewa, in his F. Nietzsche, le dernier metaphysician, praised Nietzsche as a writer while criticizing him as (...)
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  2.  34
    Il Genio Tiranno: Ragione E Dominio Nell'ideologia dell'Ottocento: Wagner, Nietzsche, Renan by Sandro Barbera and Giuliano Campioni (Review).Alberto Giacomelli - 2013 - Journal of Nietzsche Studies 44 (3):493-495.
    Sandro Barbera and Giuliano Campioni’s book, Il genio tiranno (The Tyrant Genius), relates Nietzsche’s philosophy to the thought of Richard Wagner, Arthur Schopenhauer, Jacob Burckhardt, Ernest Renan, and Robert Musil by focusing particularly on the figure of the “genius,” of which each chapter considers a different sense or aspect.The first chapter deals with the relationship between the genius and the city. Wagner treated the city as the locus of decline and the annihilation of the subject, referring particularly to the accelerated (...)
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  3.  3
    Pittura, soggettività e storia. Forme estetiche e attraversamenti ermeneutici fra Cina ed Europa.Alberto Giacomelli - 2019 - Rivista di Estetica 72:30-47.
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  4.  1
    Art, Life and Form. On Nietzsche and the Aesthetics of Existence.Alberto Giacomelli - 2021 - Studi di Estetica 19.
    The paper aims to investigate the peculiar relationship between art and life in the context of Nietzsche’s thought. We mean to show how Nietzschean aesthetics is not conceived as a theoretical and rational reflection that abstractly investigates the conditions of possibility of beauty and art: on the contrary, aesthetics is understood by Nietzsche as a practice aimed at shaping life in a beautiful form. The topic of the Lebens-form is considered as a common thread of an original exegesis of human (...)
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  5.  1
    Paolo Stellino, Nietzsche and Dostoevsky. On the Verge of Nihilism.Alberto Giacomelli - 2017 - Rivista di Estetica 64:220-221.
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