Sara Ahmed’s Living a Feminist Life draws explicitly from the writings of French second-wave feminist Monique Wittig. Given that Wittig’s work has fallen into obscurity in recent years, and that a number of critiques have responded to her theorization of the notion of “the lesbian,” this essay seeks to understand what Wittig has to offer to twenty-first-century intersectional feminist theory, like that of Ahmed. In this essay, I thus offer analysis and critique of Wittig’s discussion of race and slavery (...) found specifically in her philosophical writings. While emphasizing the significance of Wittig’s failure to be inclusive of women of color in these philosophical works, I propose that within Wittig’s literary writings there are potential tools and concepts—specifically multiplicity, interruption, and mutability—that can be fruitful for trans-inclusive and women of color feminist theorizing. (shrink)

Neste artigo, discutimos a trajetória política e intelectual de Monique Wittig. O objetivo é compreender as proposições dessa importante autora e ativista lésbica em seu contexto de produção. A partir do campo da história intelectual, discorremos sobre suas redes de sociabilidade e filiações teórico-políticas. Além de abordar suas elaborações sofisticadas sobre a noção de “lésbica”, a heterossexualidade como regime político e o conceito de pensamento straight, criticamos a ausência de uma perspectiva interseccional na obra de Wittig. Entendemos que trabalhos (...) como o nosso, que valorizam as memórias lésbicas, contribuem para o campo das lesbianidades, tanto na teoria como na prática.Palavras-chave: Monique Wittig. Pensamento straight. Teoria lésbica. História intelectual. AbstractIn this article we discuss Monique Wittig's political and intellectual trajectory. The objective is to understand the propositions of this important author and lesbian activist in her context of production. Based on the field of intellectual history, we analyze her networks of sociability and theoretical-political affiliations. We address her sophisticated elaborations on the notion of “lesbian”, heterosexuality as a political regime and the concept of the straight mind. Additionally, we criticize the absence of an intersectional perspective in Wittig’s work. We understand that works like ours, which value lesbian memories, contribute to the field of lesbianities, both in theory and in practice.Keywords: Monique Wittig. Straight mind. Lesbian theory. Intellectual history. (shrink)

Together, these essays situate Wittig's work in terms of the cultural contexts of its production and reception. This is the first book to appear on Wittig following her death, and an indispensable tool for feminist scholars.

Recent iterations of feminist theory and activism, especially intersectional, ‘third-wave’ feminism, have cast much second-wave feminism as politically unacceptable in failing to centre the experiences of less privileged subjects than the often white, often middle-class names with which the second wave is usually associated. While bearing those critiques in mind, this article argues that some second-wave writers, exemplified by Shulamith Firestone and Monique Wittig, may still offer valuable feminist perspectives if viewed through the anti-normative lens of queer theory. Queer (...) resists the reification of identity categories. It focuses on resistance to hegemonic norms, rather than on group identity. By viewing Wittig's and Firestone's critique of the institutions of the family, reproduction, maternity, and work as proto-queer — and specifically proto-antisocial queer — it argues for a feminism that refuses to shore up identity, that rejects groupthink, and that articulates meaningfully the crucial place of... (shrink)

This article reads Monique Wittig's Le Corps lesbien through Deleuze and Guattari's concepts of le corps sans organes and devenir-femme, devenir-animal in order to illuminate both Wittig's formal and figurative concerns and her larger literary objectives. The dismembered and dismember-ing lesbian lovers that Wittig describes in Le Corps lesbien illustrate a process of becoming-woman, becoming-animal and becoming-other that leads to a becoming-minoritarian and a renunciation of stratification and subjectification in the body without organs. This process is a celebration of (...) dispersed, multiplicitous identity that exists in haecceities. Wittig's lesbian lovers undergo various becomings in the text to illustrate the multiplicity of possibilities as they move towards the BwO, and the text as a whole uses this BwO to resist and dismantle the hetero-patriarchal order. (shrink)

Although Judith Butler's theorization of violence has begun to receive growing scholarly attention, the feminist theoretical background of her notion of violence remains unexplored. In order to fill this lacuna, this article explicates the feminist genealogy of Butler's notion of violence. I argue that Butler's theorization of violence can be traced back to Gender Trouble, to her discussion of Monique Wittig's argument that the binary categorization of sex can be conceived as a form of discursive violence. I contend, first, (...) that Butler starts to develop her notion of “gender violence” on the basis of her reading of Wittig, and second, that Butler's more recent writings on military violence and the ethics of nonviolence build on her early interpretation of Wittig. On the basis of my reading, I suggest, in contrast to recent criticism, that Butler's later critique of violence is not at odds with but rather expands upon her prior work on violence. (shrink)

Monique Wittig's The Lesbian Body subverts the authority of the anatomy teaching text, and challenges its claim to objectivity, by writing to the texts of Andreas Vesalius. Vesalius, working in the late 15th century, is recognized as having set the precedent for how the anatomy of the human body is taught even today. By writing a ‘lesbian body’ in disarray, Wittig metaphorically topples the authority and order of the standard Vesalian anatomy. By writing that body as a desiring subject, (...) she also invites us to question the desire for knowledge and ownership of that knowledge, and the illusion of scientific objectivity. Indeed, she offers us a celebration of the subjectivity of the production of texts and identities. But in her rewriting, she must also adopt a particular subject position and guard that position from the ‘wrong’ interpretations. The Lesbian Body is then, despite its literary and political force, a text which fears the interpretive role of its reader. (shrink)

Inspired by Judith Butler's conceptualization of drag as ‘gender parody’, I develop the conceptual frame of ‘textual drag’ in order to define and examine the relationship between parody, satire and gender. I test this frame by reading two seminal feminist works, Virginia Woolf's Orlando and Monique Wittig's Le Corps lesbien. Both texts lend themselves particularly persuasively to analysis with this frame, as they each use parodic strategies to facilitate proto-queer satirical critiques of reductive gender norms. Orlando deploys an exaggerated (...) nineteenth-century biographical style, which foregrounds the protagonist's gender fluidity and her developing critique of the norms and systems that surround her, while Le Corps lesbien rewrites canonical romance narratives from a lesbian perspective, challenging the heterosexism inherent in these narratives and providing new modes of thinking about gender, desire and sexual interaction. (shrink)

Cet article explore la question du travestissement et de la représentation du corps dans trois livres de Monique Wittig : Virgile, non, Les Guérillères, Le Corps lesbien. Dans Virgile, non, l’apparence féminine est un accoutrement humiliant, signe de servitude, qui efface le corps de chaque individu au nom du mythe de la femme. Les lesbiennes qui ont fui l’enfer hétérosexuel, comme les héroïnes des Guérillères cherchent une apparence qui donne à voir qu’elles ne sont ni des femmes ni des (...) hommes. Mais cet au-delà des sexes impensable ne peut prendre forme que dans la littérature. Il prend forme notamment dans le texte le plus poétique de Monique Wittig, Le Corps lesbien, qui fait voler en éclat les représentations traditionnelles du corps féminin et lui substitue un corps en mutation constante, polysémique, au-delà de l’unité comme du binaire. (shrink)

Cet article explore la question du travestissement et de la représentation du corps dans trois livres de Monique Wittig : Virgile, non, Les Guérillères, Le Corps lesbien. Dans Virgile, non, l’apparence féminine est un accoutrement humiliant, signe de servitude, qui efface le corps de chaque individu au nom du mythe de la femme. Les lesbiennes qui ont fui l’enfer hétérosexuel, comme les héroïnes des Guérillères cherchent une apparence qui donne à voir qu’elles ne sont ni des femmes ni des (...) hommes. Mais cet au-delà des sexes impensable ne peut prendre forme que dans la littérature. Il prend forme notamment dans le texte le plus poétique de Monique Wittig, Le Corps lesbien, qui fait voler en éclat les représentations traditionnelles du corps féminin et lui substitue un corps en mutation constante, polysémique, au-delà de l’unité comme du binaire. (shrink)

I argue that Monique Wittig's view that lesbians are not women neglects the complexities involved in the composition of the category "woman." I develop an articulation of the concept "woman" in the contemporary United States, with thirteen distinct defining characteristics, none of which are necessary nor sufficient. I argue that Wittig's emphasis on the material production of "woman" through the political regime of heterosexuality, however, is enormously fruitful for feminist and queer strategizing.

This essay argues that humor can be used as an unstable weapon against oppressive language and concepts. Drawing from radical feminist Marilyn Frye, I discuss the difficulty of challenging systematic oppression from within and explore the capabilities of humor for this task. This requires expanding Cynthia Willett’s and Julie Willett’s approach to fumerism beyond affect to fully examine the work of humor in manipulating language, concepts, and imagery. For this expansion, I bring in research on feminist linguistics alongside other philosophers (...) of political humor to consider the connection between humor and world-making. I then link this with feminist world-breaking through Monique Wittig’s analysis of war machines and Trojan horses against heteropatriarchal language. Finally, I draw out the instability of humor as a war machine by investigating a bit where comedian Patti Harrison disguised herself as an official corporate brand platform to challenge the compulsory commodification of LGBTQ rights. (shrink)

French materialist feminists such as Christine Delphy and Monique Wittig maintain that the social fact of women’s exploitation by men within the family pre-exists and produces gender differences as well as the perception that men and women belong to different biological sexes. They take this position to be ‘materialist’ because it puts social facts prior to ideas and beliefs and so puts the ‘material’ prior to the ‘ideal’. However, I shall claim, drawing on arguments of Sebastiano Timpanaro’s, that this (...) is an incomplete form of materialism because it neglects the shaping of social facts by their interaction with biological facts, notably the biological difference between the sexes. Wittig, though, denies that there is any ‘fact’ of biological sexual difference. Wittig claims that we only believe in and perceive two biological sexes due to the influence of gender expectations. I will try to show that Wittig’s arguments for this claim undermine themselves and actually presuppose that there are two biological sexes. I will conclude that, given that there are two biological sexes, a fully materialist form of feminism must take account of sex difference in theorising gender inequalities. (shrink)

This paper explores the poetic politics of lesbian and feminist writing, the textual violence that writing exercises and the amazon intertext it creates. In this particular essay, Jeffner Allen takes as her point of departure the writing of Hélène Cixous and Monique Wittig.

« Il faut détruire politiquement, philosophiquement et symboliquement les catégories d’ ‘homme’ et de ‘femme’ » Monique Wittig . « Car il n’y a pas de sexe. Il n’y a de sexe que ce qui est opprimé et ce qui opprime. C’est l’oppression qui crée le sexe non l’inverse » (ibid.,..

In lieu of an abstract, here is a brief excerpt of the content:“Homo-Ness” and the Fear of FemininityPatrick Paul Garlinger (bio)Leo Bersani. Homos. Cambridge: Harvard UP, 1995.Homos is a disturbing book, in the most literal sense of the word, for Leo Bersani’s goal throughout much of his text is precisely to disturb some of the widely accepted precepts of queer theory and gender performativity. As if the title alone were not enough to signal the text’s contestatory tone, the first sentence (...) of the prologue boldly declares that “no one wants to be called a homosexual” [1]. While many scholars might disagree with such an overwhelming generalization (myself included), it nonetheless reminds us that homosexuality continues to occupy an ambiguous position within contemporary society, an ambiguity perhaps most powerfully punctuated by the recent failure of gays and lesbians to secure legal access to the institution of marriage. In the first three chapters, Bersani interrogates topics such as gay identity, AIDS, queer theory, and sadomasochism. In the final chapter, “The Gay Outlaw,” he addresses the literary representation of homosexuality through radical rereadings of Gide, Proust, and Genet. Although no one single thesis coherently unites these chapters, a healthy spirit of suspicion begs the thorny question of what it means to be gay, and in so doing, explores the tenability of identity politics. Rejecting a politics of opposition that would bind our theorizations to the very heteronormative paradigms that they are attempting to resist, Bersani argues instead for ways to “explore the links between a specific sexuality, psychic mobility, and a potentially radical politics” [56].Identity, for Bersani (and other critics following Foucault), is an operation of power, a “disciplinary project” that is a tool at the service of identification and containment [3]. 1 Seen as essentialist, universalizing, or ontological, identity has received a bad rap. Indeed, the notion of a sexual identity as a fixed category invariably fails in its performative capacity to capture the myriad array of sexual acts that a given individual may feel compelled to perform. The failure of identity, however, should not lead to its elimination from our theoretical frameworks, Bersani proposes. He claims instead that the critique of identity in feminist and queer theory is ultimately destructive rather than liberating. At the [End Page 57] source of this dismissal of identity is the fear that visibility will result in “discipline and punishment,” but Bersani argues quite convincingly that this retreat from the domain of the visible colludes with the homophobic goal of eliminating homosexuality. On the other hand, Bersani acknowledges that identity and visibility are not wholly benevolent either: “[o]nce we agreed to be seen, we agreed to be policed” [12]. Visibility allows for domination and even annihilation, a possibility that Bersani considers in his discussion of AIDS, in which visibility can be seen as providing straight America with a front-row seat at the spectacle of gay death [21]. Nevertheless, that is a risk that must be taken. While not proposing a return to regulatory identity categories, Bersani wants to return to a gay specificity to prevent gays and lesbians from “performing” themselves out of existence. Responding to David Halperin and Judith Butler, for example, he argues that the rejection of essentializing identities as a mode of resisting homophobia erases the very agent of that resistance [56]. Fearful that the attacks on the notion of identity in the academy have simply collaborated in the marginalization of homosexuality, Homos attempts to offer “homo-ness” as an “anti-identitarian identity” [101], one that risks the pitfalls of essentialism and simultaneously transcends the limits of sexual orientation.Nowhere is his desire to rethink identity more clear than in his trenchant critique of the dismantling of gender by critics such as Butler, Monique Wittig, and Michael Warner. Suspicious of their deconstructive strategies, he argues that the undoing of the categories of gender inevitably leads to the elimination of homosexuality. The critique of gender in discussions of sexuality endangers any specificity that same-sex sexuality might have. For example, he writes, “‘men’ and ‘women’ in Wittig’s radical argument are political creations designed to give a biological mandate to social arrangements in which one group of human beings oppresses another” [38]. Within the social domain of... (shrink)

In both her fiction and her essays on writing and feminist theory, Monique Wittig takes up and redeploys traditional themes and genres as well as recent theories of language, literature, and writing in order to force change in and through the dominant categories of thought and language. She has announced her project as one which would "do away with the category of sex" by way of reconfiguring the grammatically and conceptually enforced compulsory heterosexual order. I examine the specific linguistic (...) mechanisms by which Wittig accomplishes this abolition of "sex" and the political/philosophical/linguistic consequences of her "lesbianization" of language. Through-out, I aim to suggest what the political importance of The Lesbian Body as a diversified and written corpus is. (shrink)

North American music education is a commodity sold to pre-service and in-service music teachers. Like all mass-produced consumables, it is valuable to the extent that it is not creative, that is, to the extent that it is reproducible. This is demonstrated in curricular materials, notably general music series textbook and music scores available from a rapidly shrinking cadre of publishers, as well as rigid and pre-determined pedagogical practices. Distributing resources and techniques that produce predicable, consistent, and repeatable goods and services, (...) the economy of music teacher preparation and development must necessarily exclude creativity, which consequently must be viewed as not only inefficient but unprofitable. More than undesirable, however, creativity is constructed as dangerous as it injects difference in a system that relies on sameness. Because of its implications for music education discourse and practices, I focus my discussion on research in general and feminist critique in particular in music education. Reading through Monique Wittig's ‘The Trojan Horse’ as literary war machine, I argue that creative writing and academic research are not mutually exclusive, and that it is only through infusing the literary or creative in scholarly writing that interlocking systems of oppression may be altered and difference implicated in music education. My analysis of Roberta Lamb's (1995) research piece, ‘Tone Deaf/Symphonies Singing: Sketches for a Musicale’ depicts it as Trojan Horse, albeit one that Lamb herself, most likely as a function of editorial imperative, hobbles. (shrink)

In the 1970s and 1980s a strong opposition and anxiety towards biological and naturalizing knowledges was the norm in feminist discourse. In the past decades the certainties of that ‘anti-biologism’ have been challenged, in part because of a new recognition of the role of contingency in both biological determination and biological science. What seems to have survived the shift is a set of normative assumptions concerning the role of determinacy and contingency in the political implications of ontological claims: an assumed (...) political valorization of contingency. This article challenges those assumptions. It draws attention to the embrace of contingency and processuality on the part of supremacist biopolitical discourse, and suggests the need to think again about the politics of contingency and becoming. Focusing on the issue of racism and supremacist-specification, the article takes a genealogical look at ‘second-wave’ feminist anti-biologism. Monique Wittig’s materialist feminist attack on naturalizing ideology and ‘the myth of woman’ provides the historical example. The article draws attention to curious absences in Wittig’s anti-biologistic statements concerning early 20th-century biologistic feminism: the absence of a critique of eugenics, racism and supremacism. Arguably the condemnation of biology as a conservative ‘ideology of the status quo’ created masks for biopolitical ontology, obscuring the progressive, dynamic, processual character of biologism and of modern racism. While dislodging some powers of biologistic discourse, feminist anti-biologism might also have played a part in facilitating the revitalization of biopolitical racism within the constructivist culturalist rubric. The aim of the article is not to critique ‘second-wave’ feminism from the perspective of contemporary scholarship, but to help generate new ways of thinking and feeling about the role of ontology, contingency and temporality in the present politics of classification. (shrink)

: For many of us, entry into motherhood involves an ambiguous visibility and intelligibility, where our acceptance into mainstream spaces as mothers entails a loss of lesbian difference. Mann explores this loss using the work of two philosophers of lesbian difference, Monique Wittig and Judith Butler. She argues that the figure of the lesbian mother is deployed on a broad cultural scale to reinvigorate and renaturalize the myth of the happy, natural, heterosexual mother.

For many of us, entry into motherhood involves an ambiguous visibility and intelligibility, where our acceptance into mainstream spaces as mothers entails a loss of lesbian difference. Mann explores this loss using the work of two philosophers of lesbian difference, Monique Wittig and Judith Butler. She argues that the figure of the lesbian mother is deployed on a broad cultural scale to reinvigorate and renaturaUze the myth of the happy, natural, heterosexual mother.

This chapter contains sections titled: Simone de Beauvoir Luce Irigaray Colette Guillaumin Hélène Cixous Julia Kristeva Monique Wittig Sarah Kofman Michèle Le Doeuff Christine Delphy Conclusion.

Este trabalho analisa a estrutura do romance Como se estivéssemos em palimpsesto de putas, de Elvira Vigna como também, as relações sexistas às quais as personagens estão submetidas. Retratados por meio de uma narradora não revelada, estratégia estética realçadora da invisibilização da mulher dentro da sociedade, os causos de João, um profissional cujo único prazer é o sexo com garotas de programa, servem de retrato da construção da masculinidade e da dimensão patriarcal. Utilizando-se do artifício do palimpsesto como crítica ao (...) patriarcado, o seguinte trabalho denuncia, a partir das leituras de textos de Monique Wittig e Gerda Lerner, como as diversas expressões do machismo se comportam através das sobreposições de vozes que emergem da narrativa.Palavras-chave: Elvira Vigna. Palimpsesto. Patriarcado. Crítica Feminista. Memória. AbstractThis article analyzes the structure of Elvira Vigna’s novel Como se estivéssemos em palimpsesto de putas as well as the sexist relations to which the characters are submitted. Portrayed through an undisclosed female narrator, an aesthetic strategy that enhances the invisibility of women within society, the stories of João, a professional whose only pleasure is having sex with prostitutes, serve as a portrait of the construction of masculinity and the patriarchal dimension. Using the palimpsest as a criticism for patriarchy, Vigna’s work denounces, from the readings of texts by Monique Wittig and Gerda Lerner, the various expressions of sexism behavior through the overlapping voices that emerge from the narrative.Keywords: Elvira Vigna. Palimpsest. Patriarchy. Feminist Critique. Memory. (shrink)

In both her fiction and her essays on writing and feminist theory, Monique Wittig takes up and redeploys traditional themes and genres as well as recent theories of language, literature, and writing in order to force change in and through the dominant categories of thought and language. She has announced her project as one which would “do away with the category of sex” by way of reconfiguring the grammatically and conceptually enforced compulsory heterosexual order. I examine the specific linguistic (...) mechanisms by which Wittig accomplishes this abolition of “sex” and the political/philosophical/ linguistic consequences of her “lesbianization” of language. Throughout, I aim to suggest what the political importance of The Lesbian Body as a diversified and written corpus is. (shrink)

What is the strange eros that haunts Foucault's writing? In this deeply original consideration of Foucault's erotic ethics, Lynne Huffer provocatively rewrites Foucault as a Sapphic poet. She uncovers eros as a mode of thought that erodes the interiority of the thinking subject. Focusing on the ethical implications of this mode of thought, Huffer shows how Foucault's poetic archival method offers a way to counter the disciplining of speech. At the heart of this method is a conception of the archive (...) as Sapphic: the past's remains are, like Sappho's verses, hole-ridden, scattered, and dissolved by time. Listening for eros across fragmented texts, Huffer stages a series of encounters within an archive of literary and theoretical readings: the eroticization of violence in works by Freud and Eve Kosofsky Sedgwick, the historicity of madness in the Foucault-Derrida debate, the afterlives of Foucault's antiprison activism, and Monique Wittig's Sapphic materialism. Through these encounters, Foucault's Strange Eros conceives of ethics as experiments in living that work poetically to make the present strange. Crafting fragments that dissolve into Sapphic brackets, Huffer performs the ethics she describes in her own practice of experimental writing. Foucault's Strange Eros hints at the self-hollowing speech of an eros that opens a space for the strange. (shrink)

"On ne naît pas féministe, alors comment le devient-on? Et comment les vagues féministes se sont-elles succédé? Première universitaire à enseigner l'histoire des femmes en France au début des années 70, Michelle Perrot revient ici avec Eduardo Castillo sur ce qui l'a construite, ses lectures, son engagement. Elle donne à voir un siècle de bouleversements et la profondeur des luttes qui agitent aujourd'hui nos sociétés. Pas à pas, l'ouvrage nous guide dans cette épopée en explorant toutes ses ramifications : l'histoire (...) du patriarcat et des progrès de l'égalité, celle des grands débats féministes sur le corps, le genre, l'universalisme face au différentialisme, la sororité, MeToo. La grande histoire se mêle au destin des femmes qui l'ont portée et l'on dialogue avec Olympe de Gouges, Hubertine Auclert, Monique Wittig ou encore Arlette Farge, ainsi qu'avec toute la nouvelle génération de penseuses et de militantes. Intime et théorique, livre d'histoire et autobiographie, Le Temps des féminismes met en perspective tous les clivages du féminisme contemporain, avec la générosité et la distance d'historienne de Michelle Perrot."--Page 4 of cover. (shrink)

This paper explores issues of abstraction and space in Sande Zeig's movie The Girl (2001), based on a novella by Monique Wittig, who also co-wrote the script. It argues that, with this movie, Zeig and Wittig strive to re-materialize the lesbian body abstracted by the ‘Straight Mind’ as defined by Wittig in her 1980 essay. The plot revolves around the love affair of two women, the narrator and the Girl (a lesbian painter and a straight B-grade jazz singer), under (...) the oppressive scrutiny of the Man (the Girl's boss). Each part of this paper corresponds to one space where the characters interact: first, it shows how the nightclub stands as a space of transgression for the lesbian subject and how it opens a reflection on temporality as represented by space; then the analysis of the hotel room where the Girl lives and meets the narrator demonstrates how, notably through the use of close-ups in erotic scenes, Zeig redefines abstraction as a new way to envisage the materiality of the lesbian body; finally, in the third part, the discussion on abstraction moves on to the narrator's studio where, through her work as a painter, she also explores abstract representations of the female body. This approach reconciles Wittigian theory with post-modern queer theory, and confirms that the former still offers paths to positive reformulations of modes of relationality through the de-spatialization of gender – de-genderization; the rematerialization of the body outside of heteronormative conventions; and a reconfiguration of human relationships that refuses the inevitability of social and amorous hierarchy, and that shifts the representation of the erotic from possessiveness to disinterested reciprocity. (shrink)

For many of us, entry into motherhood involves an ambiguous visibility and intelligibility, where our acceptance into mainstream spaces as mothers entails a loss of lesbian difference. Mann explores this loss using the work of two philosophers of lesbian difference, Monique Wittig and Judith Butler. She argues that the figure of the lesbian mother is deployed on a broad cultural scale to reinvigorate and renaturaUze the myth of the happy, natural, heterosexual mother.

Philosophy and Phenomenological Research, Volume 104, Issue 2, Page 474-488, March 2022.

Der Band diskutiert ausgewählte Positionen der Theoriebildung Ernesto Laclaus, die in den letzten Jahren im Kontext demokratietheoretischer Debatten zwar in politik-, kultur- und sozialwissenschaftlichen Feldern rezipiert wurde, deren Aufnahme in erziehungswissenschaftlichen Debatten aber eher als 'handverlesen' bezeichnet werden könnte. Die Rezeption beschränkt sich häufig auf spezifische Einsätze rund um die gemeinsam mit Chantal Mouffe in Hegemonie und radikale Demokratie entwickelte und an Antonio Gramsci ansetzende Hegemonietheorie. Dass Laclaus Perspektiven jedoch eine Vielzahl produktiver Anschlüsse und Irritationen für unterschiedliche pädagogische Frage- und (...) Problemstellungen beinhalten, verdeutlichen die hier versammelten Beiträge rund um transdisziplinäre Spannungsverhältnisse von Politik, Bildung und Pädagogik, von Artikulation und Repräsentation, von Ontologie und Identität oder im Kontext aktueller Sichtweisen auf Inklusion, Solidarität, Migration, pädagogische Beziehungen und Professionalität. Die Herausgebenden Dr. Steffen Wittig, Professor Dr. Ralf Mayer und Julia Sperschneider arbeiten und forschen an der Universität Kassel. (shrink)

It is not uncommon for philosophers to name disinterestedness, or some like feature, as an essential characteristic of love. Such theorists claim that in genuine love, one’s concern for her beloved must be non-instrumental, non-egocentric, or even selfless. These views prompt the question, “What, if any, positive role might self-interestedness play in genuine love?” In this paper, I argue that attachment, an attitude marked primarily by self-focused emotions and emotional predispositions, helps constitute the meaning and import of at least some (...) kinds of adult reciprocal love. In this way, attachment represents a type of self-interestedness that not only contributes positively to such relationships but is also essential to them. (shrink)

Increasing privacy concerns are arising from expanding use of aggregated personal information in health practices. Conversely, in light of the promising benefits of data driven healthcare, privacy...

We often use the term “attachment” to describe our emotional connectedness to objects in the world. We become attached to our careers, to our homes, to certain ideas, and perhaps most importantly, to other people. Interestingly, despite its import and ubiquity in our everyday lives, the topic of attachment per se has been largely ignored in the philosophy literature. I address this lacuna by identifying attachment as a rich “mode of mattering” that can help to inform certain aspects of agency (...) and emotion. First, drawing on insights from Ancient stoicism and developmental and clinical psychology, I suggest that the relevant form of attachment involves a felt need for its object and a particular relationship between the object and the attached agent’s sense of security. I then argue that these features serve to distinguish the attitude from the more philosophically familiar notion of caring. Finally, I show that recognizing this form of attachment as a distinct mode of mattering has important implications for understanding grief. (shrink)

The idea that we need our beloveds has a rich and longstanding history in classic literature, pop culture, social sciences, and of course, philosophical treatments of love. Yet on little reflection, the idea that one needs one’s beloved is as puzzling as it is familiar. In what, if any sense, do we really need our beloveds? And insofar as we do need them, is this feature of love something to be celebrated or lamented? In the relevant philosophical literature, there are (...) various ways of understanding the type(s) of psychological need internal to love and whether and how the necessity in question contributes to love’s value. In this chapter, I survey and critically analyze several accounts of felt necessity in love and advocate for a philosophically neglected perspective on the nature and value of needing our beloveds. (shrink)

This symposium on Monique Deveaux’s Poverty, Solidarity, and Poor-Led Social Movements includes commentaries by Sally Matthews, Renante D. Pilapil, Violetta Igneski, and Wouter Peeters, with a reply from Deveaux. The book makes the case that normative thinking about poverty should engage closely with the aims, insights, and actions of poor-led organizations and social movements. Challenging conventional framings of poverty by moral philosophers, Deveaux argues that chronic poverty is centrally about the subordination and dispossession of the poor – not mere (...) needs scarcity. To exclude people living in poverty from shaping antipoverty solutions is therefore to perpetuate their social-political domination and epistemic oppression. Deveaux’s book explains what a political reframing of poverty looks like from the vantage point of several poor-led organizations and social movements, using concrete examples from across the globe, and argues for political responsibility for solidarity with those movements. (shrink)

Xenotransplantation pits clinical research ethics against public health needs because recipients must undergo long-term, perhaps life-long, surveillance for infectious diseases. This surveillance requirement is effectively an abrogation of the right to withdraw from a clinical trial. Ulysses contracts, which are advance directives for future care, may be an ethical mechanism by which to balance public health needs against limitation of individual rights.

Felt necessity, or the phenomenon of experiencing some person or object as a felt need, plays important roles in structuring human agency. Philosophical treatments of the relationship between agency and felt necessity have tended to focus on appetitive needs and necessities arising from a particular type of care. I argue that we have much to gain by considering a third underexplored variety of felt necessity that I call “attachment necessity.” Attachment necessity has its own distinct parts to play in structuring (...) agency, and like its more familiar relatives, it can also illuminate important aspects of addiction and love. (shrink)

Historically, video games featuring content perceived as excessively violent have drawn moral criticism from an indignant (and sometimes, morally outraged) public. Defenders of violent video games have insisted that such criticisms are unwarranted, as committing acts of virtual violence against computer-controlled characters – no matter how heinous or cruel those actions would be if performed in real life – harm no actual people. In this paper, I present and critically analyze key aspects of this debate. I argue that while many (...) ethical objections to playing violent video games seem to miss their marks, there is sufficient reason to take modest steps in order to address the concerns that theorists have raised. (shrink)

Although the word empathy only recently came into existence, eighteenth century philosopher, David Hume, significantly contributed to our current understanding of the term. Hume was among the first to suggest that an empathic mechanism is the central means by which we make ethical judgments and glean moral knowledge. In this paper, I explore Hume's moral sentimentalism, and I argue that his conception of empathy provides a surprisingly apposite framework for interpreting and addressing a current issue in practical ethics: the moral (...) significance of ultra-violent video games. Ultimately, I attempt to show that a Humean account of morality uniquely explains the dangers of ultra-violent video gaming by elucidating a direct connection between playing such games and moral harm. (shrink)

The term “emotional practices” is gaining currency in the historical study of emotions. This essay discusses the theoretical and methodological implications of this concept. A definition of emotion informed by practice theory promises to bridge persistent dichotomies with which historians of emotion grapple, such as body and mind, structure and agency, as well as expression and experience. Practice theory emphasizes the importance of habituation and social context and is thus consistent with, and could enrich, psychological models of situated, distributed, and (...) embodied cognition and their approaches to the study of emotion.It is suggested here that practices not only generate emotions, but that emotions themselves can be viewed as a practical engagement with the world. Conceiving of emotions as practices means understanding them as emerging from bodily dispositions conditioned by a social context, which always has cultural and historical specificity. Emotion-as-practice is bound up with and dependent on “emotional practices,” defined here as practices involving the self , language, material artifacts, the environment, and other people. Drawing on Pierre Bourdieu's concept of habitus, the essay emphasizes that the body is not a static, timeless, universal foundation that produces ahistorical emotional arousal, but is itself socially situated, adaptive, trained, plastic, and thus historical. Four kinds of emotional practices that make use of the capacities of a body trained by specific social settings and power relations are sketched out—mobilizing, naming, communicating, and regulating emotion—as are consequences for method in historical research. (shrink)

Psychologists often characterize the infant’s attachment to her primary caregiver as love. Philosophical accounts of love, however, tend to speak against this possibility. Love is typically thought to require sophisticated cognitive capacities that infants do not possess. Nevertheless, there are important similarities between the infant-primary caregiver bond and mature love, and the former is commonly thought to play an important role in one’s capacity for the latter. In this work, I examine the relationship between the infant-primary caregiver bond and love. (...) I argue that while these very early attachments do not represent genuine love, a fuller understanding of them can inform extant philosophical views of love. (shrink)