Negotiating the relation between divine transcendence and divine immanence lies at the heart of Maimonides' Guide of the Perplexed and of Kierkegaard's philosophical works. The purpose of the paper is to explore the manners in which they do so. I argue that despite various differences between them, both engage with the tension between divine transcendence and immanence by turning away from objectivity to subjectivity and, moreover, by placing paradox, riddle and secret at the heart of their philosophical works. In other (...) words, I argue that they do not attempt to solve or dissolve the great paradox of God's immanent transcendence but to present it in its most acute forms as the paradox within which the religious life is lived. (shrink)

This paper is concerned with the centrality of aspect seeing in Wittgenstein's philosophy, with some analogies between religious beliefs and aspect seeing, and with the implications of these analogies for the question of the justification of religious beliefs. If belief in God is neither a hypothesis nor a regular perceptual belief but rather a type of aspect seeing, then the kinds of proofs and justifications that are applicable to it would have to engage the non-believer in a manner that would (...) help her experience the dawning of a new aspect. This is why the standard philosophical proofs for theism, even when accepted as valid, are likely to be unsuccessful in bringing about faith. (shrink)

The purpose of this paper is to bring together two thinkers that are concerned with the limits of what can be said, Wittgenstein and Maimonides, and to explore the sense of the good life and of the mystical to which their therapeutic linguistic work gives rise. I argue that despite the similarities, two different senses of the "mystical" are brought to light and two different "forms of life" are explicated and recommended. The paper has three parts. In the first part, (...) I discuss certain key components in Wittgenstein’s early philosophy and the sense of the mystical to which they give rise. In the second part, I discuss Maimonides’ negative theology and its implications for his conception of the ’via mystica’. I end, with a discussion of the relation between the two ideals and its significance. (shrink)

In this paper, I argue for a new conception of religious justifications which takes the performance of miracles as the paradigm of reasoning in religion. The paper has two parts: In the first part, I argue against Swinburne’s parity argument for the existence of God by showing that religious perceptions fit more comfortably among aspect perceptions, e.g., the perceptions of beauty and courage, than among our perceptions of objects and colors. In the second part of the paper I employ the (...) analogy between seeing God and seeing beauty and the moral features of an act to propose a performative and transformative conception of religious reasoning. I argue that an argument in religion is a performance which brings various facts or events into life in a particular manner, so that God may be seen in or through them. Any such performance through which God is seen may be properly called a "miracle". Thus, the performance of miracles, i.e., of acts that are directed at becoming the vehicles throu. (shrink)

In the field of philosophy, Plato's view of rhetoric as a potentially treacherous craft has long overshadowed Aristotle's view, which focuses on rhetoric as an independent discipline that relates in complex ways to dialectic and logic and to ethics and moral psychology. This volume, composed of essays by internationally renowned philosophers and classicists, provides the first extensive examination of Aristotle's Rhetoric and its subject matter in many years. One aim is to locate both Aristotle's treatise and its subject within the (...) more general context of his philosophical treatment of other disciplines, including moral and political theory as well as poetics. The contributors also seek to illuminate the structure of Aristotle's own conception of rhetoric as presented in his treatise. The first section of the book, which deals with the arguments of rhetoric, contains essays by M. F. Burnyeat and Jacques Brunschwig. A section treating the status of the art of rhetoric features pieces by Eckart Schütrumpf, Jürgen Sprute, M. M. McCabe, and Glenn W. Most. Essays by John M. Cooper, Stephen Halliwell, and Jean-Louis Labarrière address topics related to rhetoric, ethics, and politics. The final section, on rhetoric and literary art, comprises essays by Alexander Nehamas and André Laks. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

The paper is concerned with the question of the existence of moral dilemmas, conceived of as situations involving a subject in a conflict of non‐overridden moral obligations. I reject some of the presuppositions underlying discussions of this question and argue that certain morally relevant choices cannot be evaluated in relation to an all‐things‐considered moral obligation as permissible or impermissible, right or wrong. In arguing for the inadequacy of our ordinary moral predicates for fully capturing the nature of such choices, I (...) argue that they are, in certain respects, inexpressible. (shrink)

Believers regularly refer to God as “forgiving and merciful” when praying for divine forgiveness. If one is committed to divine immutability and impassability, as Maimonides is, one must deny that God is capable, in principle, of acting in a forgiving manner. If one rejects divine impassability, maintaining that God has a psychology, as Muffs does, one must reckon with biblical depictions of divine vengeance and rage. Such depictions suggest that while being capable, in principle, of acting in a forgiving way, (...) God has a difficulty to manage God’s anger and do so in practice. Employing a Wittgensteinian perspective, I argue that utterances, e.g., “God merciful and gracious, slow to anger. . . forgiving iniquity and transgression and sin”, need not be understood as involving mistaken or confused descriptions of God’s nature and manner of acting. Rather, they can be understood as speech-acts of various types and functions: mystical, theurgic and others, that purport to bring about or transform various states of affairs in this world and/or beyond it. As such, they can function as non-semantic instruments that purport to elevate the believer to the “upper worlds”, or as anger-management devices that purport to help God implement His second order desire to act in a forgiving manner, despite His difficulty to do so. (shrink)

Martyrdom has played and continues to play a dominant role in the religious imagination of many. Jews and Christians alike conceive of their martyrs as exceptional people of faith who express exceptional love and devotion to God. The purpose of this paper is to explore some of the conceptual features of martyrdom by virtue of which it has its role and to show, using those very features and using Simone Weil's observations, that martyrdom cannot mark the logical climax of the (...) believer's love of God. (shrink)

The paper explores the manners in which suffering, both natural and moral suffering, is understood and defeated in the lives of different ‘knights of faith,’ who emerge in ‘conversation’ with the book of Job. I begin with Maimonides’ Job who emerges as a ‘knight of wisdom’; it is through wisdom that his suffering is defeated, dissolving into mere pain. I proceed with Kierkegaard’s Job, who emerges as a ‘knight of loving trust,’ who defeats suffering by seeing it as a divine (...) gift, and by obediently and lovingly accepting it as such. Through his loving trust, suffering transforms into blessedness and joy, without diminishing or disappearing, a transformation referred to as a ‘miracle’ by Kierkegaard. I end with my own Hasidic-inspired Job, whom I portray as a ‘knight of protest,’ who defeats what he takes to be divine abuse by protesting against it, forgiving God while refusing to be reconciled with Him. I argue that it is by paying attention to these diverse Jobs that the complex nature of faith can be elucidated. Moreover, I argue that all three Jobs, despite their differences, may be embraced, both from a philosophically descriptive perspective as well as from a religiously committed one. (shrink)

Neither art nor philosophy was kind to beauty during the twentieth century. Much modern art disdains beauty, and many philosophers deeply suspect that beauty merely paints over or distracts us from horrors. Intellectuals consigned the passions of beauty to the margins, replacing them with the anemic and rarefied alternative, "aesthetic pleasure." In Only a Promise of Happiness, Alexander Nehamas reclaims beauty from its critics. He seeks to restore its place in art, to reestablish the connections among art, beauty, and desire, (...) and to show that the values of art, independently of their moral worth, are equally crucial to the rest of life.Nehamas makes his case with characteristic grace, sensitivity, and philosophical depth, supporting his arguments with searching studies of art and literature, high and low, from Thomas Mann's Death in Venice and Manet's Olympia to television. Throughout, the discussion of artworks is generously illustrated.Beauty, Nehamas concludes, may depend on appearance, but this does not make it superficial. The perception of beauty manifests a hope that life would be better if the object of beauty were part of it. This hope can shape and direct our lives for better or worse. We may discover misery in pursuit of beauty, or find that beauty offers no more than a tantalizing promise of happiness. But if beauty is always dangerous, it is also a pressing human concern that we must seek to understand, and not suppress. (shrink)

For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and Foucault. Each of (...) these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault. Why does each of these philosophers—each fundamentally concerned with his own originality—return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him. This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as "the art of living" and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself. (shrink)

Philosophical accounts of forgiveness ordinarily emphasize three components: i) the overcoming of hostile emotions toward the wrongdoer; ii) a change of heart toward the wrongdoer, which goes beyond the cessation of hostile emotions and involves the acquisition of a more positive attitude toward him or her; iii) a willingness to restore the relationship and proceed toward reconciliation. In this paper, I examine these three presumed components, endorsing the first but rejecting the second and the third as unnecessary features of forgiveness. (...) I thus argue that forgiveness is, first and foremost, a unilateral, intra-psychic process that does not necessarily lead to reconciliation or to the fostering of friendly relations. The paper has three parts. In the first part, I argue that overcoming resentment toward one’s assailant by coming to view oneself more favourably lies at the core of forgiveness. In the second part, I show that one need not be able to view one’s assailant in a different and more favourable light to be able to overcome one’s resentment and forgive one’s assailant. Furthermore, in the third part, I argue that a wholly negative view of the wrongdoer, moral hatred and a refusal to be reconciled with him or her are compatible with forgiving him or her. (shrink)

The eminent philosopher and classical scholar Alexander Nehamas presents here a collection of his most important essays on Plato and Socrates. The papers are unified in theme by the idea that Plato's central philosophical concern in metaphysics, ethics, and aesthetics was to distinguish the authentic from the fake, the original from its imitations. In approach, the collection displays Nehamas's characteristic combination of analytical rigor and sensitivity to the literary form and dramatic effect of Plato's work. Together, the papers represent Nehamas's (...) distinct and original contributions to scholarship on Plato and Socrates and serve as a comprehensive introduction to the thought of these two philosophers.In the book's opening section, Nehamas discusses Plato's representation of Socrates as a model of authentic human goodness, showing that Plato's Socrates is a more skeptical, troubling, and individualistic thinker than is usually supposed. The papers in the second section form a sustained defense of a new and important understanding of Plato's theory of the forms and the evolution of that theory in Plato's later writings. The third section examines Plato's contention that popular entertainment--by which he meant Greek epic and tragic poetry--misleads its audience into a debased life, an argument Nehamas relates to modern anxieties about television and other forms of popular culture. The collection also includes a discussion of Plato's use of the dialogue form in his representation of Socrates and carefully examines the combination of literary and philosophical elements in his work.Nehamas argues in the book that Plato's specific judgments of what is authentic are often flawed, but that his idea of authenticity as the mark of truth, beauty, and goodness is stronger than many modern scholars have assumed. In drawing together Nehamas's many influential ideas about Plato and Socrates, Virtues of Authenticity is a major contribution to the study of ancient Greek philosophy. (shrink)

A LARGE NUMBER OF PEOPLE, ancient and modern alike, have always found in Socrates what seemed to them a suspicious, if not actually repugnant, aspect. This aspect, to put the point first in crude terms, is his devotion to philosophy, which presupposes an apparently unshakable faith in reason, in the power of understanding to secure goodness, and in the power of goodness to provide us with happiness.

Argues that Nietzsche tried to create a specific literary character in his writings and discusses the paradoxes of his work.

This paper offers an interpretation of self-Predication (the idea that justice is just) in plato, Given that self-Predication is accepted as obvious both by plato and by his audience, Which entails that "all" self-Predications are clearly, Though not trivially, True. More strongly, It is suggested that "only" self-Predications can be accepted as clearly true by plato. This is to deny that plato had at his disposal an articulated notion of predication, And his middle theory of forms, Primarily the relation of (...) participation, Is seen as his attempt to arrive at that notion. It is argued that his metaphysical and semantical views are heavily influenced by eleatic monism. But this monism is incompatible with the very idea of predication. It is only in his later works, Where he attacks parmenides directly, That plato manages to lay the groundwork for what can be considered as the discovery of predication. (shrink)

It is said that when Socrates is made to ask questions like "What is the pious and what the impious?", "What is courage?", or "What is the beautiful?", he is asking for the definition of a universal. For the "average" Greek of his time, however, this is a radically new question about a radically new sort of object, and Socrates’ interlocutors do not understand it. They usually answer it as if it were a different, if related, question: they tend to (...) provide concrete instances of the universal in question rather than a definition, however inadequate, of the universal itself. Socrates always tries, but does not always succeed, to make himself clear: Meno, for example, is supposed never to get the point. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Nietzsche as Self-Made ManAlexander NehamasComposing the Soul: Reaches of Nietzsche’s Psychology, by Graham Parkes; xiv & 481 pp. Chicago: University of Chicago Press, 1994, $37.50 cloth, $19.95 paper.I cannot resist beginning this essay on Graham Parkes’s study of Nietzsche’s psychology with the first-person pronoun. Parkes provides an erudite and suggestive presentation of Nietzsche’s views on the soul, according to which what we consider that most unitary element of human (...) nature turns out to be the product of bringing together disparate and often conflicting independent agencies. He also provides valuable information about the sources of Nietzsche’s thought, and details a number of connections between Nietzsche’s ideas and his life. Yet, in a book of close to five hundred pages, Parkes self-consciously avoids the first-person pronoun altogether. He speaks of the “I,” which is after all the subject of his book, but the I never speaks itself. Why? Because “what is important here are Nietzsche’s ideas, rather than Parkes’s”; also, because “the whole point of Nietzsche’s psychology is to put the I in question, to prompt the question ‘Who?’ at its every appearance, to hear the polyphony behind the apparent univocality of the first person singular” (p. 310).Though not the first, Nietzsche was one of the most radical dissectors of the human soul. Where others had found unity, order, and indivisibility, Nietzsche uncovered an untidy, often uncontrolled multiplicity. Instead of a consistent, harmonious whole, he saw a messy complex of beliefs, desires, values, views, drives, affects, and habits, picked up at [End Page 487] different times, from disparate, even incompatible sources, moving in different directions; far from fitting naturally into a union, these compete with one another for mastery and control of the person: “The belief which regards the soul as something indestructible, eternal, indivisible, as a monad, as an atomon... ought to be expelled from science,” he wrote in Beyond Good and Evil. But, he continued, “between ourselves it is not at all necessary to get rid of the soul at the same time.... But the way is open for new versions and refinements of the soul-hypothesis; and such conceptions as mortal soul, and soul as subjective multiplicity, and soul as social structure of the drives and the affects want henceforth to have citizens’ rights in science.”The breakdown of the soul into independent and often conflicting parts has two radical consequences. First, it implies that some parts of our souls—of our selves—may remain hidden, obscured, suppressed or ignored by others, especially by those that achieve at least apparent dominance and can therefore speak in the first-person. In Nietzsche’s political metaphor, they are like a governing class which speaks for the whole state. This, of course, is the central idea of depth psychology; and Parkes shows how both Freud and Jung were indebted to Nietzsche’s pioneering geography of the soul. Second, to think that the soul is multiple is to think that it is not unalterable: its parts can affect one another; out of their conflict, new configurations are possible. Some parts can be cultivated or left to wither; others can be allowed to run wild or become domesticated; still others can be subordinated to one another or allowed to function in more or less equitable ways. The soul—the person—is not a preexistent unity; it is constructed, or, as Parkes, mindful of Nietzsche’s deep involvement with music, puts it so well, composed.Parkes provides a brilliant catalogue of the metaphors (mineral, vegetal, animal, personal, and political) Nietzsche uses to describe the elements of the multifarious soul. He also produces a sort of recipe for their successful composition into a coherent whole. “Opening up” to as many conflicting drives as possible, we let them be mastered by one or more dominant ones and we subject their multiplicity to the discipline imposed by those ruling passions. Once that discipline becomes instinctive, active control is relaxed and, somehow, the multiplicity spontaneously orders itself. We become, again, natural (p. 377).Now, we know that Nietzsche spent much of his life “doing battle” with Socrates. He passionately despised the... (shrink)

Sam Lebens’ The Principles of Judaism is an extraordinary book in its rigor and richness. It is a sophisticated examination of three central propositions, which Lebens maintains, are the fundamental doctrines that “can make sense of continued commitment to an Orthodox Jewish lifestyle.” (Lebens, 273). He presents and discusses the following three propositions: 1) The universe is the creation of one God; 2) The Torah is a divine system of laws and wisdom, revealed by the creator of the universe; and, (...) 3) The creator exercises provi-dential care over his creation, manifest in the creator’s continued sustenance of the world, reward and punishment for human action, and in the promise of ultimate salvation. (Lebens, 3).Lebens presents the principles as they were variously explicated and de-fended in key Jewish texts written by the most influential Jewish thinkers; he then turns to search for “the most plausible rendering of this set of prin-ciples...” (Lebens, 274). After so doing, he specifies those doctrinal compo-nents among them, which he deems necessary “for making sense of commit-ment to Judaism” (Lebens, 275), identifying a “commitment to Judaism” with being “faithful to the tenets of Judaism” in the sense of having faith in them:To the extent that these principles are necessary for making sense of commitment to Judaism, I argue that you cannot be considered faithful to the tenets of Judaism without holding an attitude of faith toward some element of each of the three principles... (Lebens 275).The distance between Lebens’ philosophical and religious outlook and pre-suppositions, as they show themselves in his Principles of Judaism, and my own is great. I shall start with a critique of Lebens’ reduction of Judaism to so-called Orthodox Judaism, and argue that Lebens has no justification for characterizing the principles that he identifies, as the “principles of Judaism” without qualification. I shall then turn to argue that there are grounds for questioning whether the principles that Lebens identifies can be understood as the principles that so-called “Orthodox Jews”, too, have faith in. It is, how-ever, clear that the utterances that Lebens discusses do play a central role within the life of committed Jews. I shall end by proposing that we adopt the later Wittgenstein’s philosophical method for making perspicuous their meaning and their different roles. (shrink)

The paper is concerned with the nature of Kierkegaard’s commitment to God’s loving providence as it shows itself in his writings in general, and in his remarks on Governance’s Part in his Authorship in particular. I argue that, for Kierkegaard, God’s loving providence is not an objective fact that he discovers as intervening in nature, history or in his private life and authorship. Rather, God’s loving providence is fundamentally hidden in the wretchedness of existence. God is like a hidden experimenter (...) who does not intervene in his experiment. Thus, the passion of faith determines the issue, for Kierkegaard. God’s loving Governance is realized in inwardness, in loving the neighbor, and in living this love in self-denial, obedience and suffering. (shrink)