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  1. Somaesthetics and Burke's sublime.Richard Shusterman - 2005 - British Journal of Aesthetics 45 (4):323-341.
    Burke is an important exception to Nietzsche's claim that philosophical aesthetics ignores physiology and the role of practical interest. Grounded on the powerful interest of survival, Burke's theory of the sublime also offers a physiological explanation of our feelings of sublimity that explicitly defines certain conditions of our nerves as the ‘efficient cause’ of such feelings. While his general account of sublimity is widely appreciated, its somatic dimension has been dismissed as hopelessly misguided. In examining Burke's views in relation to (...)
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  • Aesthetic experience: From analysis to Eros.Richard Shusterman - 2006 - Journal of Aesthetics and Art Criticism 64 (2):217–229.
    Richard Shusterman; Aesthetic Experience: From Analysis to Eros, The Journal of Aesthetics and Art Criticism, Volume 64, Issue 2, 18 April 2005, Pages 217–229.
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  • Aesthetic Experience: From Analysis to Eros.Richard Shusterman - 2006 - Journal of Aesthetics and Art Criticism 64 (2):217-229.
    Richard Shusterman; Aesthetic Experience: From Analysis to Eros, The Journal of Aesthetics and Art Criticism, Volume 64, Issue 2, 18 April 2005, Pages 217–229.
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  • Pragmatism and East-Asian Thought.Richard Shusterman - 2004 - Metaphilosophy 35 (1-2):13-43.
    After noting some conditions of historical and contemporary context that favor a dialogue between pragmatism and East‐Asian thought, which could help generate a new international philosophical perspective, this essay focuses on several themes that pragmatism shares with classical Chinese philosophy. Among the interrelated themes explored are the primacy of practice, the emphasis on pluralism, context, and flux, a recognition of fallibilism, an appreciation of the powers of art for individual, social, and political reconstruction, the pursuit of perfectionist self‐cultivation in the (...)
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