Winner of the American Philosophical Association’s 2019 Essay Prize in Latin American Thought | Western imperialism has received many different types of moral-political justifications, but one of the most historically influential justifications appeals to an allegedly universal form of human nature. In the early modern period this traditional conception of human nature—based on a Western archetype, e.g. Spanish, Dutch, British, French, German—opens up a logical space for considering the inhabitants of previously unknown lands as having a ‘less-than-human’ (...) nature. This appeal to human nature originally found its inspiration in the philosophy of Aristotle, whose ethical thought pervaded the work of European philosophers at the outset of the early modern period and the modern age of empire. Indeed some Spanish writers—most famously, Juan Ginés de Sepúlveda (b. 1494)—explicitly appealed to Aristotle’s moral-political philosophy in order to justify the conquest of the Americas in the early sixteenth century, for instance to justify war against the Aztecs and other indigenous peoples. At the time of European arrival, the Aztec civilization was easily the greatest in Mesoamerica—and yet the Europeans generally considered the Aztec people to be ‘barbaric,’ i.e. less-than-fully-human. (shrink)

This essay recovers the redemptive significance of “sacrifice” as the form of Christian resistance to global capitalism. The argument unfolds by way of a comparison of sacrifice, as presented by Anselm, with one of the most compelling contemporary theological accounts of justice and human rights—that of the Latin American liberationists. After showing how the liberationists' vision is implicated in the capitalist order, I argue that Anselm's account of sacrifice displays the advent of the aneconomic order of divine charity and (...) that it is only the recovery of life in this aneconomic mode of donation and gift that can deliver us from capitalism. (shrink)

In this paper, I argue that the use of non-human animals in ritual sacrifices is not necessary for the Confucian tradition. I draw upon resources found within other religious traditions as well as Confucianism concerning carrying out even the most mundane, ordinary actions as expressions of reverence. I argue that this practice of manifesting deep reverence toward God through simple actions, which I call everyday reverence, reveals a way for Confucians to maintain the deep reverence that is essential for (...) Confucianism, while abandoning the use of non-human animal sacrifice. (shrink)

In ancient China, the preparation of food and the offering up of food as a religious sacrifice were intimately connected with models of sagehood and ideas of self-cultivation and morality. Drawing on received and newly excavated written sources, Roel Sterckx's book explores how this vibrant culture influenced the ways in which the early Chinese explained the workings of the human senses, and the role of sensory experience in communicating with the spirit world. The book, which begins with a survey (...) of dietary culture from the Zhou to the Han and offers some intriguing insights into the ritual preparation of food--some butchers and cooks were highly regarded and would rise to positions of influence as a result of their culinary skills--and the sacrificial ceremony itself. As a major contribution to the study of early China and to the development of philosophical thought, the book will be essential reading for students of the period, and for anyone interested in ritual and religion in the ancient world"--Provided by publisher. (shrink)

The question arising from this article regards the meaning of sacrifice within the frame of Jan Patočka’s philosophy. Is human sacrifice aimed at reinforcing an institution or state of things as in the case of the Unknown Soldier narrative, or is it rather – as Patočka maintained – an essentially destabilizing deed, which has the power to shatter people’s knowledge and existence? In order to answer this question, I contrast Patočka’s standpoint with those of Émile Durkheim and of the (...) main representatives of the so-called “sacred sociology”: Roger Caillois, Georges Bataille and other members of the Collège de sociologie. In conclusion, I show how Patočka’s approach to the theme of sacrifice helps to understand whether and how a “proper sacrifice” can actually become an instrument of political dissent within human societies. (shrink)

This article is designed to disclose the meaning of sacrifice as it is depicted in Andrey Tarkovsky’s film The Sacrifice. The film tells about a former classical actor named Alexander who in the face of the nuclear Apocalypse discovers his true calling – saving humanity from imminent destruction. In order to accomplish his calling, he has to sacrifice his “life”, exchanging it for peace that comes about as a reversal of time which happens in response to his prayer to God (...) as well as his intimate encounter with the local witch. The analysis of the film’s narrative imagery is carried out with Jacques Derrida whose essays on gift, name, and language demonstrate the uniqueness of the film maker’s vision of absolute duty and the call of conscience that restores the true faith in the soul of modern man at the time of the ultimate horror. (shrink)

This collection of essays focuses on sacrifice in the context of Jewish and Christian scripture and is inspired by the thought and writings of Rene Girard. The contributors engage in a dialogue with Girard in their search for answers to key questions about the relation between religion and violence. The book is divided into two parts. The first opens with a conversation in which Rene Girard and Sandor Goodhart explore the relation between imitation and violence throughout human history, especially (...) in religious culture. It is followed by essays on the subject of sacrifice contributed by some of the most distinguished scholars in the field, including Bruce Chilton, Robert Daly, Louis Feldman, Michael Fishbane, Erich Gruen, and Alan Segal. The second part contains essays on specific scriptural texts. The authors explore new ways of applying Girardian analysis to episodes of sacrifice and scapegoating, demonstrating that fertile ground remains to further our understanding of violence in the Hebrew and Christian scriptures. "In increasing numbers, scholars are turning to the mimetic theory espoused by Rene Girard in their research for answers to key questions about religion and violence. For the first time, the editors of this volume place in conversation with each other scholars who, from the perspective of Christian and Jewish traditions and scholarship, engage from the perspective of mimetic theory the sacrificial and antisacrificial features of ancient Judaism and early Christianity and explore their subsequent trajectories." --_Martha Reineke, University of Northern Iowa _. (shrink)

:Terrence Malick's film The Tree of Life revisits many of the questions regarding a Christian theodicy. How, for example, can one reconcile the idea of providence or believe in the meaning of human suffering when life itself is subject to and even dependent on chance and violence? In order to sustain faith in providence in such a universe, Malick suggests that one must be willing to absorb the insults of accident and sacrifice the human drive to control and (...) master one's own destiny. In his invocation of Job, his allusions to Dostoevsky's The Brothers Karamazov, and his debt to Kierkegaard, Malick suggests that the recompense for this sacrifice is an intensification of appreciation for existence itself and for the spiritual value of biological and geological processes. In this way, the film offers an insightful ecotheology that makes earth more central to a Christian ethos. (shrink)

Although sovereign power is often defined as transcending legal and religious norms, the work of historians like Prodi and Agamben has drawn our attention to the ways in which modern accounts of sovereignty depend fundamentally upon the fusion and transformation of these norms. In Latin Christendom, this process was enabled by the juridical quality of ecclesiastical authority, its expression through laws similar in form and structure to those of civil power. There was, however, an important strand of Catholic thinking from (...) the late-sixteenth century which emphasised the centrality of sacrifice, rather than law or jurisdiction, in creating communities. For Catholic polemicists like Rossaeus (William Reynolds) sacrifice came before law and the juridical organisation of human society was secondary to the ritual and ceremonial. This article will examine the roots of this claim in post-Tridentine discussions of the Mass as a sacrifice and will go on to show how it was used to defend the primacy of the Catholic Church, particularly in 1590s France. It will consider the impact of this argument and suggest its importance in provoking new and more powerful articulations of both royal sovereignty and papal power. (shrink)

In _Sacrifice_, René Girard interrogates the Brahmanas of Vedic India, exploring coincidences with mimetic theory that are too numerous and striking to be accidental. Even that which appears to be dissimilar fails to contradict mimetic theory, but instead corresponds to the minimum of illusion without which sacrifice becomes impossible. The Bible reveals collective violence, similar to that which generates sacrifice everywhere, but instead of making victims guilty, the Bible and the Gospels reveal the persecutors of a single victim. Instead of (...) elaborating myths, they tell the truth absolutely contrary to the archaic sense. Once exposed, the single victim mechanism can no longer function as the model for would-be sacrificers. Recognizing that the Vedic tradition also converges on a revelation that discredits sacrifice, mimetic theory locates within sacrifice itself a paradoxical power of quiet reflection that leads, in the long run, to the eclipse of this institution which is violent but nevertheless fundamental to the development of human culture. Far from unduly privileging the Western tradition and awarding it a monopoly on the knowledge and repudiation of blood sacrifice, mimetic analysis recognizes comparable, but never truly identical, traits in the Vedic tradition. (shrink)

In this article, Ferraris examines the notion of sacrifice in the philosophy of Heidegger. Focusing specifically—but not exclusively—on Heidegger’s Beiträge zur Philosophie, Ferraris shows that sacrifice is a fundamental aspect of Heidegger’s thematization of human finitude. More specifically, Ferraris shows the central role played by sacrifice in highlighting the radical level of truth and authenticity that the event of death carries within itself. Hence, Ferraris argues that it is through sacrifice—and mourning—that we understand what death is, as the self-transcendence (...) of Dasein makes the transcendence of Being possible. (shrink)

According to the ethics of care, practices of care are sources of moral knowledge that take human relatedness into account. However, caregivers may also find themselves in situations that demand sacrifices, even to the point where their own self is at stake. This may not only be cause for concern about the risks of caregivers, the result of an unequal distribution of power, but it may as well be a chance for affirmation of one’s identity, of self-attestation. As Ricoeur (...) argues, giving of the self or even giving one’s life may be the ultimate expression of one’s belonging, in friendship, devotion or loyalty. Ricoeur also considers the meaning of giving a gift, which to him does not lie in any return gift, but rather in the gift as offering, as generosity. Giving is first of all a risk, a sacrifice, with only the hope that it will be received. In this article I aim to extend his argument to the realm of caregiving, thereby supporting my claim that some sort of self-sacrifice is implied in the very act of caring for others. (shrink)

The most extreme form of sacrifice is that in which a man gives up his life or its meaning for the sake of another. It is perhaps the most praiseworthy of all the acts of which he is capable. But how can an act be praiseworthy if it involves the loss of something as precious as a human life? Can an act be at all praiseworthy which precludes the making of further efforts to bring about what is good? Can (...) that act be good which makes impossible further goods? (shrink)

SUMMARYIn the wake of the geo-political development in recent years, the question of sacrifice has come to the fore in the contemporary philosophical discussion. Does sacrifice merely sharpen conflicts between cultures, or should it be seen as an inevitable part of their foundation? This article addresses the question from the perspective of the biblical view of sacrifice, expressed paradigmatically in the story of the Akedah. The author picks up Merold Westphal's argument – developed in extension to Kierkegaard – that the (...) biblical view of sacrifice rather implies an unsettling of human culture, by pointing to a God whose transcendence disrupts and relativises every human culture. However, although Westphal's appeal for transcendence is greeted, a more discriminating approach to transcendence, involving phenomenological and hermeneutical questions, is pleaded for. The author seeks to outline such an approach by combining Emmanuel Levinas' critical reading of the Akedah with René Girard's argument that the Bible ultimately reveals an anti-sacrificial logic. (shrink)

Despisers of religion throughout the centuries have poured scorn upon the idea of sacrifice, which they have targeted as an index of the irrational and wicked in religious practice. Lucretius saw the sacrifice of Iphigenia as an instance of the evils perpetrated by religion. But even religious reformers like Xenophanes or Empedocles rail against ‘bloody sacrifice’. What kind of God can demand sacrifice? Yet the language of sacrifice persists in a secular world. Nor does its secularised form seem much more (...) appealing. One need only think of the appalling and grotesque cult of sacrifice in numerous totalitarian regimes of the twentieth century. The perversion of the Jihad in radical Islam in contemporary Europe would provide another sombre instance. Throughout Europe in the last few years we have seen the revival of a classical Enlightenment atheism, a movement that, far removed from Nietzsche's pathos for the Death of God, pursues a vigorous and relentless policy of Écrasez l'infâme! Indeed, contemporary polemicists like Dawkins and Hitchens wish to emphasise precisely this dimension of Christianity: not just false but nasty! The modern cultured despisers of religion are the self confessed descendants of Hume and Voltaire. Religion is the product of the period of ignorance in the superstitious and terrified fearful infancy of humanity, and is the crude attempt to face the natural human longing for knowledge, consolation and emotional support. How can one strive to defend the concept of sacrifice against such cultured despisers? I think we need to start by reflecting upon why the slaughter of an animal, say, makes holy – sacra facere? The root meaning of ‘sacrifice’ has a basis in ritual practice, as its Latin etymology suggests. Though in common parlance it communicates a giving up or rejection, the word as we are going to understand it signifies the substitution , or more perhaps sublimation , of an item or interest for a higher value or principle. St Augustine speaks of the outward symbol of the true sacrifice of spiritual offering that God requires in the altar of the heart – a sacrifice of humility and praise. The metaphor works because his audience was familiar with the literal sense of the term. (shrink)

Medical stem cell research is currently the cause of much moral controversy. Those who would confer the same moral status to embryos as we do to humans consider that harvesting such embryonic cells entails sacrificing embryos. In this paper, the author analyses critically the arguments given for such a perspective. Finally, a theory of moral status is outlined that coherently and plausibly supports the use of embryonic stem cells in therapeutic research.

Impartial moral theories must deal with the Problem of the Demandingness of Morality—the worry that impartial moral requirements will be so demanding upon an agent’s time and resources that she will not be able to pursue her own flourishing, a good human life as she conceives it. Proponents of eudaimonistic virtue ethics must confront an inverted form of the demandingness objection, namely that their theory is not demanding enough, does not require that agents ever sacrifice their own good. Of (...) course, the requirements of virtues such as justice, generosity, and courage frequently call for much to be sacrificed, but never for agents to sacrifice their pursuit of the good life as they see it. Everything is done for the sake of eudaimonia, so whatever sacrifices agents do make are made for the sake of eudaimonia—and thus, it seems, for the sake of a greater good for the agents themselves. After considering and finding inadequate a range of responses that are analogous to common responses to the problem of demandingness, I outline what I take to be the correct response to the inverted demandingness objection, which is to make clear that the pursuit of eudaimonia is itself a sacrifice; it is indeed the sacrifice of the agent’s whole life. The word “sacrifice” derives from Latin words meaning to make holy, to dedicate something to the divine. More generally, we can say that it is to dedicate something to the good—to a person, community, or cause insofar as it is good. I argue that to live a life of virtue is to sacrifice oneself, is to dedicate oneself to the good. Eudaimonistic virtue ethics never requires of a virtuous agent that she sacrifice by turning aside from her pursuit of flourishing for moral reasons, because this pursuit already is the sacrifice of herself for moral reasons. Eudaimonistic virtue ethics, of course, is not a theory but a family of theories, and not all of them are amenable to this response to the inverted demandingness objection. But for those that are—if they are vulnerable to a demandingness objection, it is not the objection in its inverted form. (shrink)

This article attempts to bring together the life, situation, and philosophical work of the Czech phenomenologist Jan Patočka in order to present his conception of philosophy and sacrifice and to understand his action of dissent and his own sacrifice as spokesman for Charter 77 in light of these concepts. Patočka philosophized despite being barred from teaching under the German occupation and under the communist regime, even after he was forced to retire and banned from publication. He also refused the official (...) philosophical categories of communism and, what is more, criticized the very manner in which its ideology allowed it to function. Against the destruction of moral and political life by communist and liberal regimes alike, he outlined the necessity of a “life in the idea” that would be responsive to the notion of sacrifice. Such a position of distance from the things of the world which remains anchored among them is meant to respond to dissatisfaction with the world as it is found and is the very movement of human freedom. Taken together, these three aspects of his philosophical practice made him a dissident, a role he took on more completely when, as part of the Charter 77 movement, he publicly opposed the state, in a course of action that led to his death. (shrink)

Cinema has a long history of engaging with the theme of sacrifice. Given its capacity to stimulate the imagination and resonate across a wide spectrum of human experiences, sacrifice has always attracted filmmakers. It is on screen that the new grand narratives are sketched, the new myths rehearsed, and the old ones recycled. Sacrifice can provide stories of loss and mourning, betrayal and redemption, death and renewal, destruction and re-creation, apocalypses and the birth of new worlds. The contributors to (...) this volume are not just scholars of film but also students of religion and literature, philosophers, ethicists, and political scientists, thus offering a comprehensive and interdisciplinary approach to the relationship between cinema and sacrifice. They explore how cinema engages with sacrifice in its many forms and under different guises, and examine how the filmic constructions, reconstructions and misconstructions of sacrifice affect society, including its sacrificial practices. This book was originally published as a special issue of Angelaki: journal of the theoretical humanities. (shrink)

The multiple aesthetic representations of the sacred throughout our troubled human history account for the variety of the ways the sacred has been appropriated as a regulatory moral and civilizing force by groups and large communities of peoples. Nature has always been part of the everyday life of human beings, and the natural environment has been perceived as a medium for the manifestation of the sacred and as a source of moral behavior. Because of this, humans developed a (...) peculiar relationship with nature, imbued with both fear and fascination, which Bernard Williams has called “promethean fear,” “a fear of taking too lightly or inconsiderately our relations to nature,” with the potential of nourishing “our... (shrink)

SUMMARYSince the theme of sacrifice as presented in Kierkegaard's Fear and Trembling is a major focus of Levinas' critique of Kierkegaard, their debate, so to speak, is pertinent to the theme of sacrifice and the foundation of culture. But the central theme of Fear and Trembling is faith; so first of all a brief summary of its account of biblical faith is given. Then, in the light of this account of faith, the question of sacrifice is addressed, along with Levinas' (...) critique. Levinas is a surprisingly bad reader of Kierkegaard, but the conflict between the two leaves us with the question of how to think about sacrifice. So an account of sacrifice in biblical context and in tune with the Abraham story is given. It is then suggested that biblical sacrifice is not so much about the founding of culture, at least if such founding is conceived as a human act, but a divine disruption of every culture. That is what Kierkegaard's teleological suspension of the ethical is about in any case. (shrink)

Abstract‘Economies of Sacrifice’ compares Girard's (1987) Hegelian inter‐dividualism to the Cartesian notion of the cogito and the Freudian theory of the unconscious in order to show how the monadic identity position violates the communicative balance of the self‐other bind. By looking at how both these thinkers constitute an identity category through the concept of sacrifice, the paper refers to the Girardian (1986) and Bataillean (1990) theories of violence and recognition in search of an alternative stance that may provide a more (...) balanced view of human sociability. With regard to Bataille's theory of radical difference we can see how the idea which seeks to attack monadic individualism by destroying all identity advocates a principle of amoralism which views equality as ‘the generalisation of expendability’. As such, through reference to the work of Goux (1998) and O'Neill (2000) the article shows how the Bataillean thesis may pre‐empt the emergence of the post‐modern political economy. In light of this realisation the paper looks beyond both the Bataillean attempt to collapse identity, by exposing humanity to the total violence of the state of nature/post‐modern economic system, and the solipsistic theories of Descartes and Freud, which emphasis the centrality of the self at the cost of an acceptance of otherness, and towards Girard's theory of social justice as a communicative attempt to re‐state the importance of Hegelian recognition and human sociability. (shrink)

It is commonly thought that morality applies universally to all human beings as moral targets, and our general moral obligations to people will not, as a rule, be affected by their views. I propose and explore a radical, alternative normative moral theory, ‘Designer Ethics’, according to which our views are pro tanto crucial determinants of how, morally, we ought to be treated. For example, since utilitarians are more sympathetic to the idea that human beings may be sacrificed for (...) the greater good, perhaps it is permissible to give them ‘priority’ as potential victims. This odd idea has manifold drawbacks but I claim that it also has substantial advantages, that it has some affinities to more commonly accepted moral positions, and that it should be given a significant role in our ethical thinking. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:US War-Culture, Sacrifice and Salvation by Kelly Denton-BorhaugStephen M. VantasselUS War-Culture, Sacrifice and Salvation Kelly Denton-Borhaug oakville, ct: equinox, 2011. 279 pp. $34.95In US War-Culture, Sacrifice and Salvation, Kelly Denton-Borhaug uses cultural and linguistic analysis in order to understand the place of war in American culture and discourse. She begins by noting that war culture is so deeply embedded in America’s ethos that its citizens are generally unaware (...) of the extent to which the United States has been militarized, with both weapons and ideology. With sobering detail, Denton-Borhaug documents how the military has penetrated and shaped institutions ranging from colleges to industry. She explains how militarization is exemplified in the consumer and civilian culture through video games and the rise of a surveillance state. By way of this analysis, the author makes the case that Dwight Eisenhower’s fear concerning the influence of the military-industrial complex has fully been realized in modern America.Denton-Borhaug then addresses what she considers to be the ideological fountainhead for America’s militarism: the Christian doctrine of substitutionary atonement. In short, as Christianity teaches that an innocent man had to sacrifice himself to save humanity, so also American war-culture ideology teaches that soldiers, citizens, and the country must sacrifice on the battlefield in order to achieve national or political salvation. Denton-Borhaug suggests that politicians and others draw on the notion of the necessity of sacrifice as a way to convince people to support militarized conflict and to endure the inevitable hardships that result. By analyzing US political rhetoric between 2001 and 2003, Denton-Borhaug makes a compelling case that the Bush administration used sacrificial images of victims and abusers to set up a simple black-and-white ethical paradigm to justify the war in Afghanistan and Iraq.From there Denton-Borhaug turns to feminist theological and linguistic analysis to deconstruct the language of sacrifice in political discourse. She argues that when sacrifice in war is seen as a necessity, the brunt of its effects is often borne by the weakest groups in society. The sacrifice motif also sets up a problematic model of active masculine protectors and passive women in need of protection, which leaders often exploit to convince the public to “trust them.” [End Page 201]If Denton-Borhaug simply asked Christian leaders to guard against the use of Christian theology to justify national or political war-making interests, I doubt few would object to her case. In fact, I commend her for drawing attention to these critical issues and arguing for tactics that encourage peacemaking. Unfortunately, Denton-Borhaug argues that the solution to the political use of sacrificial theology is to jettison it, or at least to marginalize its use in Christian teaching. She proposes that we replace it with a theology of work, a cure that may be even worse than the disease she diagnoses and that is, moreover, not logically required to achieve the peacemaking she promotes. In this regard Denton-Borhaug could have been more transparent about her own presuppositions. For example, she clearly leans toward nonviolence, leaving readers to wonder whether genocide, nuclear buildup, and state-sponsored terrorism are the only justifications for war (222). Moreover, I am not completely convinced that America’s use of sacrificial language is an unvarnished harm. I suspect that at least some of the United States’ use of sacrificial language stems from a desire to avoid language that glorifies war. Would America be better off if we used militaristic terms like “Death to Afghanistan” that emphasize domination, rather than the suffering associated with “sacrifice”?Despite these weaknesses, Denton-Borhaug’s book is a valuable antidote for Christians who have grown too comfortable with America’s military-industrial complex and ideological war-culture machine. We would do well to take seriously her exhortation to work to remove the roots of war in our effort to create a world of peace.Stephen M. VantasselKing’s Evangelical Divinity SchoolCopyright © 2015 Society of Christian Ethics... (shrink)

Though the word "atonement" does not appear in King Lear, the concept is present, along with related ones, like sin, justice, redemption, and sacrifice. Like other plays, Lear alludes to various atonement theories, setting them in dramatic conflict or cooperation and subjecting some to critique. Besides revealing the inadequacy of models based on payment or punishment, the play reinterprets the sacrificial theory of atonement by presenting sacrifice (especially that of Cordelia) as gracious and redemptive self-offering, not as a punishment or (...) payment that satisfies anger or offended honor. Though the play’s religious references, including to Christ, are pervasive, ultimately atonement takes place at a human level, in the healing of relationships and inner maladies. Yet such atonement involves what may be called “ethical transcendence,” a transcendence consisting not in an ascent beyond the human condition, but rather in the offering of oneself in relationship and service to others. (shrink)

This Part II of a two‐part article illustrates how research in evolutionary biology, anthropology, archeology, and psychology illuminates questions arising in philosophy—specifically questions about René Girard's theory of aggression. Part I looked at: (i) how old the systemic practice of severe aggression is; (ii) how much of it results from humanity's mimetic/social and competitive nature and how much from ecological, resource, and cultural conditions; and (iii) if ecological, resource, and cultural conditions are important, might we adapt this information toward greater (...) cooperativity today? Part II investigates Girard's theory of ritual sacrifice—especially human sacrifice—as a societal steam valve for the systemic aggression explored in Part I. It draws on theories of play, theater, and art to examine the role and function of such ritual sacrifice. (shrink)

This paper explores a dimension of the contemporary western understanding of nature as it has been shaped by the thought of Hegel. Emblematic of a tradition that struggles to think nature on its own terms but which, more often than not, formulates it as the ground upon which human progress is built, Hegel’s philosophy sacrifices nature to spiritual progress. Orienting this study through Dennis J. Schmidt’s work on death and sacrifice in the dialectic, I trace Hegel’s formulation of the (...) natural to show how the denigration of nature plays into a larger pattern evident in the western tradition, one that that positions the natural as somehow “outside” the political and spiritual, thereby subjecting it to mischaracterization and misuse. I conclude with a call for a post-sacrificial understanding of the natural world in an effort to help challenge the destructive force inherited by this tradition. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:LABYRINTHINE STRATEGIES OF SACRIFICE: THE CRETANS BY EURIPIDES Giuseppe Fornari The application of René Girard's mimetic hypothesis demands drastic re-interpretation of the history of our culture. The denunciation of sacrificial violence performed first by the Hebrew Bible and then by the Gospels figures as an objective watershed in the evaluation ofcivilizations and historical periods. This new methodological and theoretical situation brings Girard's ideas into conflict with current trends toward (...) relativism. The victim is the reality at the root ofhistory, an extra-historical element that disrupts the circle of interpretation and confronts us as an absolute value demanding our commitment one way or another. The epistemological problems thus become one and the same with a frankly religious need. In an elegant and paradoxical way Girard's thought gives new, vital emphasis to the Christocentric interpretation of human history typical of patristic and medieval thought. In this light, comparison ofour Christian Western civilization with its Classical predecessor becomes crucial. For the Middle Ages Antiquity was not separate from Christianity but itsfigura (préfiguration), in a positive or negative way. Modern culture, however, starting from humanism and the Renaissance, discovered the historical dimension of Classical civilization with ever-increasing admiration until, finally, Neoclassicism set it as the great alternative to modern civilization. This tendency became openly anti-Christian first with the French revolution and then with thinkers like Nietzsche and Heidegger. The very identity of Western culture is determined by its varying attitudes toward Classical Antiquity and Christianity, to such an extent that the different periods in history could be subdivided accordingly. The comparison is like asking ourselves 164Giuseppe Fornari what we would be without Christianity, or who we are and what Christianity is. The radical nature of these questions and the overall development of our culture therefore confirm Girard's radical, metahistorical model. Classical civilization is the inevitable touchstone for this trans-historical question of identity. The comparison is fascinating and complex, and it cannot be dismissed simply by juxtaposing victimary awareness and blindness. Girard himself in Violence and the Sacred notes the profound investigation of mimetic violence in Greek tragedy and pre-Socratic philosophy.1 Further research of my own into these aspects of Greek civilization confirms and widens the analysis, revealing a surprisingly varied and dramatic picture.2 The most interesting discovery may be that the Greeks had already faced this question of meta-historical identity in relation to the victim. I have chosen Euripides' lost tragedy,the Cretans, to illustrate this: its highly original subject within the corpus of Greek tragedy and its symbolic richness fully justify its choice. The few remaining fragments, which are almost entirely reproduced here, provide enough material for analyses that are necessarily more limited but more complete in themselves and thus more suitable for a single essay. Besides, they possess high literary quality and do not deserve to remain the sole preserve of specialists. The tragedy of the labyrinth Euripides probably wrote the Cretans before 430 B.C. The premisses of the plot are supplied by traditional mythical material. To demonstrate to his brothers that he has a divine right to the kingdom of Crete, Minos asks Poseidon to send a white bull from the sea for sacrifice. The god satisfies his request and Minos's power is confirmed, but he decided the bull is too beautiful to sacrifice. The wrath of the god is not slow to strike the king's family. Minos's wife, Pasiphae, falls in love with the bull and copulates with it. From this bestial union comes the Minotaur, the being, half-man half-bull, which is shut up in the labyrinth. Minos's nonperformance of the sacrifice therefore causes a grave crisis on the island, 1It could be said that the exciting comparison with Classical civilization is one of the inspiring forces of Violence and the Sacred. An analogous direction, as regards Virgil and sacrifice, is followed by Bandera in The Sacred Game (13IfI). See also note 1 1. 2G. Fornari, The Esoteric Knowledge of the Greeks: From Orphism to Tragedy, A SacrificialReading (forthcoming). Labyrinthine Strategies ofSacrifice165 jeopardizing the boundaries between man and animal. The monstrousness ofthe Minotaur represents the breaking-down ofthose differences that... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 10.1 (2003) 17-21 [Access article in PDF] Self-Injury:Symbolic Sacrifice/Self-Assertion Renders Clinicians Helpless Christa Krüger Keywords feminism, iconic communication, moral conflict, oppression, psychiatrist/psychologist roles, societal norms. POTTER'S PAPER CONSIDERS self-injury in women diagnosed with borderline person ality disorder (BPD) to be a form of body modification where the body is used to communicate meaning. She touches on symbolism as a possible explanatory theory for this sort (...) of self-injury. She also refers to the culture of body commodification as underlying self-injury. She then argues that clinicians have a duty to give uptake to the patient's own interpretations about the meaning of the self-injury. Giving uptake is a virtuous approach for ethical interactions with people diagnosed with BPD who self-injure, and it aims to preserve the communicator's integrity, along with other benefits. Potter offers five maxims for giving uptake properly. However, I shall argue that giving uptake can be very difficult for clinicians, and that an appreciation of this difficulty depends on an expansion and linkage of some of the theories that she touched on. Self-injury is revisited experimentally as a double-edged sword of symbolic sacrifice and iconic-symbolic self-assertion. This revisiting aims to illustrate how clinicians might be caught in a double bind, where giving uptake properly might be very difficult if not more or less doomed to fail.Potter's paper starts by situating self-injury in a broader discourse of body modifications. In this discourse the body is being used as a text, a tool to communicate meaning. The meaning that is communicated might be difficult or impossible to articulate otherwise (by using words, for example). The meaning of the communication is embedded in a context of social, cultural, religious, political, and other norms. Potter explores possible interpretations of the meaning of self-injury in women with BPD, including an interpretation of self-injury as symbolic sacrifice. She suggests that a cultural understanding/nonunderstanding of the meaning of a particular instance of self-injury is an important determinant of whether such self-injury is considered pathological/nonpathological. She then shifts the focus to the present-day culture in which women's bodies are commodified and objectified, and where women become alienated from their bodies. Self-injury might then be interpreted as an attempt to re-own one's body as a part of oneself. This re-owning is a socially transgressive act that violates repressive norms for the bodies of women. [End Page 17]Notwithstanding these possible significations of self-injury, Potter then argues that clinicians have a duty to give uptake to the patient's own interpretations, instead of jumping to conclusions (my oversimplification) about the meaning of the self-injury. Giving uptake, then, constitutes a framework for ethical interactions with people diagnosed with BPD who self-injure, and it aims to preserve the communicator's integrity. Potter offers five maxims for giving uptake properly.At the risk of losing their essence, I translate the five maxims for practicing psychiatrists as involving the following: critical self-reflection about one's own conceptual framework and cultural context; being receptive to the patient's conceptual framework and cultural context; giving the patient the benefit of the doubt; being open to the emergence of new meanings of self-injury; and keeping a range of possible interpretative options open, rather than insisting on having the final word. We should try to understand what the world looks like from the patient's position. All of this requires some moral effort.Potter describes a number of benefits that result from giving uptake. Giving uptake is a crucial corrective to the human tendencies of becoming overly committed to prevailing societal norms and conceptual schemes (stuck in our ways), of imposing our views on others, and of silencing or distorting the communications of our patients. Giving uptake allows clinicians to be dialogically responsive and to treat patients with respect and dignity. Giving uptake fosters trust in a therapeutic relationship where clinicians do not exploit their patients' vulnerabilities. Giving... (shrink)

This essay compares Jan Patočka’s challenging reflections on war and sacrifice with René Girard’s cultural anthropology. Both these thinkers questioned the usual understanding of these terms and emphasized how strongly conflicts dominate human life. Concerning war, both recognized the dangers of seeking security and comfort only. These parallels in the work of Patočka and Girard should, however, not blur the differences them. The most important difference stems from their attitudes towards Martin Heidegger. Despite the fact that Patočka tried to (...) surpass Heidegger, he was still committed to his basic framework. Like Heidegger, Patočka criticized onto-theology and treated death as an unsurmountable barrier close but not identical to Heidegger’s being towards death. Contrary to Patočka, Girard distanced himself repeatedly and continuously from Heidegger, whom he saw as a representative of the archaic sacred with its root in violence. (shrink)

Friedrich Nietzsche delineates three stages of sacrificial behavior. The first stage consists of the sacrifice of particular human beings to a god. The second stage involves the sacrifice of one’s own instincts to a god, and the third stage culminates in the sacrifice of God himself. This last stage describes the death of God and signals the “final cruelty” of our present times. Our age is the age of nihilism, the point in history during which humans “sacrifice God for (...) the nothing,” fulfilling a kind of nihilistic sacrifice. -/- In this paper I examine three different cinematic depictions of sacrifice, two of which clearly illustrate Nietzsche’s first two stages and the last of which suggests the possibility of the third, nihilistic stage. The films I have selected all share a common thread insofar as they all take place in Scotland. The first two films, The Wicker Man (Robin Hardy, 1973) and Breaking the Waves (Lars Von Trier, 1996), take place in rural, northern Scotland, capitalizing on what scholars have called the myths of Tartantry and the Kailyard in order to depict sacrifice as something disengaged from the modern world. The third film, NEDs (Peter Mullan, 2010), takes place in modern Glasgow and draws on a myth that scholars call Clydesideism. This myth highlights the postindustrial, gritty, urban face of Scotland. In NEDs, the sacrifice made by the main character is of a sort thinkable only in modern times and in an urban setting, and it comes very close to what may be a kind of nihilistic sacrifice. (shrink)

The aim of this work is to analyze a political concept derived from a religious myth. I will analyze both by means of the genealogical method of the mimetic violence because this genealogical method looks for the origin of concepts and myths within the human culture. Its basic assumption goes like this: the mimetic sacrifice causes the ritual sacrifice, and the ritual sacrifice causes in its turn the myth and the prohibitions. The political concept, derived from the mimetic violence, (...) is the notion of concord or unanimity.One critic says of René Girard: "Girard is one of the last hedgehog types who survive, according to Isaiah Berlin's typology subtly deduced of Archilochus's dictum: the fox knows many... (shrink)

Martin Foss tells us that the job of the mature man is to use his gifts of reason and imagination to confront the world and death, and the job of philosophy is to replace for adults the myths which satisfy children. In our times, when, "absurdity, loneliness, death and isolation are the sinister themes," our lack of reflective insight into life and our failure to understand the interplay of process and structure result in a despair for which modern man must (...) blame himself. Foss is replying directly to the message of the poets and artists of the absurd, and to the challenge of existentialism that death is indispensible to authentic existence. His philosophical position owes much to Hegel, even more to the Christian mythos and symbolism. The author calls on a lifetime of familiarity with Western philosophy and literature to provide the vocabulary and illustrations of his theses: Emptiness and meaninglessness are the only death we can possibly experience; the essence of mortality is the exhaustion of the physical in spiritual sublimation; the free decision of the sacrificial act as the destiny of man has changed self and world; sacrifice as a creative element in human life is of fundamental importance.—M. B. M. (shrink)

Compelling voices charge that the theological notion of “sacrifice” valorizes suffering and fosters a culture of violence by the claim that Christ’s death on the Cross paid for human sins. Beneath the ‘sacred’ violence of sacrifice, René Girard discerns a concealed scapegoat-murder driven by a distortion of human desire that itself must lead to human self-annihilation. I here ask: can one speak safely of sacrifice; and can human beings somehow cease to practice the sacrifice that must (...) otherwise destroy them? Drawing on Gregory the Great (ca. 540–604), I propose an understanding of sacrifice that both distinguishes Christian sacrifice from sacred violence and accounts for how to overcome the roots of the sacred violence identified by Girard. I make four claims: First, Girard recognizes two kinds of sacrifice—one, the scapegoat murder, overcomes community rivalries by unanimous imitation of an accuser, shifting blame onto a third party who is collectively murdered; the other sort of sacrifice practices renunciation and forgiveness in imitation of God. These I respectively designate the “Satanic” (Girard’s term) and the “theomimetic” (mine). Second, I analyze the intrinsic instability that keeps the Satanic from sustaining the societal order and unity that it promises. Third, by a constructive reading of Gregory the Great, I posit that satanic sacrifice overlooks and indeed exacerbates the root of human covetousness—a failure to love. Fourth, Gregory’s teaching on the imitation of Christ enables us to expand on Girard’s account of the theo¬mimetic sacrifice of renunciation, to clarify how this latter might not only oppose but also systematically subvert the Satanic by healing the disorder out of which mimetic rivalry and scapegoating first take their rise. (shrink)

The United States, which committed itself to alleviating the severe post-World War II global famine, failed to meet its relief commitments. Relief efforts failed largely because voluntary attempts at reducing consumption proved too difficult, and the U. S. government refused to return to mandatory rationing of food despite evidence indicating the majority of Americans, especially American women, would have welcomed such a move. Contributing to officials' opposition to mandatory post-war rationing were the revived ideology of government non-interference; a strong government/agriculture (...) alliance; the focus on private, as opposed to public, interests and obligations; and increasing Cold War tensions precluding any worldwide efforts at famine relief. It seemed only the fear of Communist takeover could provoke Congress in partnership with business interests into sufficiently alleviating famine conditions, but only for those countries willing to abide by U. S. terms. (shrink)

Can humanity abandon its meat-based diet, and is it willing to? This diet is unique in that it institutes an endlessly bloody relationship to animals. Highlighted time and again in analyses of the sacrificial system, the possibility of substituting a plant-based offering for one that requires killing, replacing the latter with the former and eventually achieving equivalence between the two, could prove unexpectedly fruitful in contemporary discussions of substitutes for meat. This is the guiding question and the answer, in the (...) form of a structuralist hypothesis, that this article proposes to clarify and develop. (shrink)

Résumé En liant le mal et l’incompréhension, l’identité du sujet et l’éthique, nous voulons montrer les limites de l’autonomie pure. L’humain baigne dans des influences extérieures de sorte qu’il est toujours pris dans un dialogue soit transcendant, soit immanent ou encore extérieur. L’humain est l’être qui est témoin de ces forces. Il est un être attentif, un être ouvert à l’altérité, un être à l’écoute de ce qui le porte : la créativité.By linking evil and misunderstanding, the identity of the (...) subject and ethics, we intend to bring out the limits of pure autonomy. Human beings are affected by external influences on all sides, so much so that they are invariably involved in dialogues which are either transcendent, internal or external. Humans are aware of those forces. They are awake, open to otherness, all attentive to what carries them through : creativity. (shrink)

Using five different child–sacrifice cases, I argue that the relationship between the ethics of care and the ethics of justice is not that one is wholly right while the other is morally wrong or irrelevant, or that one somehow has priority over the other, or that one is supererogatory while the other is required, or that one is a role ethic while the other is a real ethic, or that they are equivalent. Instead, I propose that the ethics of justice (...) and care are simply descriptions of the virtues of justice and care, understood richly and broadly. Each prescribes perceptions, values, self–conceptions, etc. as well as actions and passions in every sphere of human life. Like other actual (rather than idealized) virtues, justice and care sometimes conflict with each other. They demand incompatible actions, passions, perceptions, etc. The available options in conflict situations feel both right and wrong because they are admirably immoral acts and/or dirty hands acts. I argue that these conflicts do not undermine the primacy, practicality or consistency of morality. (shrink)

Whether upheld as heroic or reviled as terrorism, people have been willing to lay down their lives for the sake of their groups throughout history. Why? Previous theories of extreme self-sacrifice have highlighted a range of seemingly disparate factors, such as collective identity, outgroup hostility, and kin psychology. In this paper, I attempt to integrate many of these factors into a single overarching theory based on several decades of collaborative research with a range of special populations, from tribes in Papua (...) New Guinea to Libyan insurgents and from Muslim fundamentalists in Indonesia to Brazilian football hooligans. These studies suggest that extreme self-sacrifice is motivated by identity fusion, a visceral sense of oneness with the group, resulting from intense collective experiences or from perceptions of shared biology. In ancient foraging societies, fusion would have enabled warlike bands to stand united despite strong temptations to scatter and flee. The fusion mechanism has often been exploited in cultural rituals, not only by tribal societies but also in specialized cells embedded in armies, cults, and terrorist organizations. With the rise of social complexity and the spread of states and empires, fusion has also been extended to much larger groups, including doctrinal religions, ethnicities, and ideological movements. Explaining extreme self-sacrifice is not only a scientific priority but also a practical challenge as we seek a collective response to suicide, terrorism, and other extreme expressions of outgroup hostility that continue to bedevil humanity today. (shrink)

In this paper, I focus on Gianni Vattimo’s and Paolo Diego Bubbio’s notion of kenosis showing that (1) they both understand kenotic sacrifice in a strongly hermeneutical sense, and connect it with a perspectival account of truth and knowledge; (2) they both emphasize that kenotic sacrifice has a fundamentally ethical aspect; and (3) they both maintain that kenotic sacrifice is an “un-natural” act that is implied in the withdrawal of one’s self. However, I intend to show that nature can be (...) understood positively through the notion of kenosis, and that it is possible to envisage an ethical theory that concretely tackles the self-proclaimed centrality of human agency within nature, therefore, implementing an effective and non-anthropocentric form of kenotic sacrifice. In this sense, I conclude by arguing that kenotic sacrifice can primarily be seen as an act of making room for other ways of being. (shrink)

In the beginning, says the ancient Hindu text the _Rg Veda_, was man. And from man’s sacrifice and dismemberment came the entire world, including the hierarchical ordering of human society. _The Head Beneath the Altar _is the first book to present a wide-ranging study of Hindu texts read through the lens of René Girard’s mimetic theory of the sacrificial origin of religion and culture. For those interested in Girard and comparative religion, the book also performs a careful reading of (...) Girard’s work, drawing connections between his thought and the work of theorists like Georges Dumézil and Giorgio Agamben. Brian Collins examines the idea of sacrifice from the earliest recorded rituals through the flowering of classical mythology and the ancient Indian institutions of the duel, the oath, and the secret warrior society. He also uncovers implicit and explicit critiques in the tradition, confirming Girard’s intuition that Hinduism offers an alternative anti-sacrificial worldview to the one contained in the gospels. (shrink)

This paper explores how gender can operate as a disguise for class in an examination of the self-sacrifice of the Maiden in Euripides' Children of Herakles. In Part I, I discuss the role of human sacrifice in terms of its radical potential to transform society and the role of class struggle in Athens. In Part II, I argue that the representation of women was intimately connected with the social and political life of the polis. In a discussion of iconography, (...) the theater industry and audience I argue that female characters became one of the means by which different groups promoted partisan interests based on class and social status. In Part III, I show how the Maiden solicits the competing interests of the theater audience. After discussing the centrality and marginality of the Maiden's character, I draw upon the funeral oration as a comparative model with which to understand the quite different role of self-sacrifice in tragedy. In addition to representing and mystifying the interests of elite, lower class and marginal groups, the play glorifies a subordinate character whose contradictory social status embodies the social position of other “marginal” members of Athenian society. The play stages a model for taking political action to transform the social system and for commemorating the tragic costs of such undertakings. (shrink)