- Cognitive and Philosophical Approaches to Horror.Aaron Smuts - forthcoming - In Harry Benshoff (ed.), Blackwell Companion to the Horror Film. Blackwell.details
- The Affective Nature of Horror.Filippo Contesi - 2022 - In Max Ryynänen, Heidi Kosonen & Susanne Ylönen (eds.), Cultural Approaches to Disgust and the Visceral. Routledge. pp. 31-43.details
- Horror and Its Affects.Darren Hudson Hick - 2022 - Journal of Aesthetics and Art Criticism 80 (2):140-150.details
- Appealing, Appalling: Morality and Revenge in I Spit on Your Grave (2010).Steve Jones - 2022 - Quarterly Review of Film and Video:1-25.details
- Paradox of Rape in Horror Movies.Lucia Schwarz - 2022 - British Journal of Aesthetics 62 (4):671-686.details
- David Huckvale (2020) Terrors of the Flesh: The Philosophy of Body Horror in Film.Kristina Šekrst - 2022 - Film-Philosophy 26 (2):280-283.details
- Haunted by the Other: Levinas, Derrida and the Persecutory Phantom.Michael Burke - 2021 - Film-Philosophy 25 (3):362-385.details
- If Nancy Doesn’t Wake Up Screaming: The Elm Street Series as Recurring Nightmare.Steve Jones - 2021 - In Mark McKenna & William Proctor (eds.), Horror Franchise Cinema. London, England: Routledge. pp. 81-93.details
- Carroll on the Emotion of Horror.Filippo Contesi - 2020 - Projections: The Journal for Movies and Mind 14 (3):47-54.details
- Barbarous Spectacle and General Massacre: A Defence of Gory Fictions.Ian Stoner - 2020 - Journal of Applied Philosophy 37 (4):511-527.details
- Spierig Brothers' Jigsaw (2017) - Torture Porn Rebooted?Steve Jones - 2019 - In Simon Bacon (ed.), Horror: A Companion. Oxford, UK: Peter Lang. pp. 85-92.details
- An Aesthetic of Horror Film Music.Ka Chung Lorraine Yeung - 2019 - Film and Philosophy 23:159-178.details
- The Nature of Horror Reconsidered.Lorraine Yeung - 2018 - International Philosophical Quarterly 58 (2):125-138.details
- Cartesianism and Intersubjectivity in Paranormal Activity and the Philosophy of Mind.Steve Jones - 2017 - Film-Philosophy 21 (1):1-19.details
- A View to a Kill: Perspectives on Faux-Snuff and Self.Steve Jones - 2016 - In Neil Jackson, Shaun Kimber, Johnny Walker & Thomas Watson (eds.), Snuff: Real Death and Screen Media. Bloomsbury Academic. pp. 277-294.details
- A View to a Kill: Perspectives on Faux-Snuff and Self.Steve Jones - 2016 - In N. Jackson, S. Kimber, J. Walker & T. Watson (eds.), Snuff: Real Death and Screen Media. London, U.K.: Bloomsbury. pp. 277-292.details
- A View to a Kill: Perspectives on Faux-Snuff and Self.Steve Jones - 2016 - In N. Jackson, S. Kimber, J. Walker & T. Watson (eds.), Snuff: Real Death and Screen Media.details
- Torture Pornopticon: security Cameras, Self-Governance and Autonomy.Steve Jones - 2015 - In Xavier Aldana Reyes & Linnie Blake (eds.), Digital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon. Bloomsbury.details
- Torture Born: Representing Pregnancy and Abortion in Contemporary Survival-Horror.Steve Jones - 2015 - Sexuality and Culture 19 (3):426-443.details
- "Monsters on the Brain: An Evolutionary Epistemology of Horror".Stephen Asma - 2014 - Social Research: An International Quarterly (N.4).details
- Pretty, Dead: Sociosexuality, Rationality and the Transition into Zom-Being.Steve Jones - 2014 - In Steve Jones & Shaka McGlotten (eds.), Zombies and Sexuality: Essays on Desire and the Living Dead. McFarland. pp. 180-198.details
- Zombies and Sexuality: Essays on Desire and the Living Dead.Steve Jones & Shaka McGlotten (eds.) - 2014 - McFarland.details
- Zombie Sex.Steve Jones & Shaka McGlotten - 2014 - In Steve Jones & Shaka McGlotten (eds.), Zombies and Sexuality: Essays on Desire and the Living Dead. McFarland. pp. 1-18.details
- Explanations: Aesthetic and Scientific.Shen-yi Liao - 2014 - Royal Institute of Philosophy Supplement 75:127-149.details
- Scotland as a Site of Sacrifice.Marmysz John - 2014 - Film International 12 (2):6-17.details
- Horror and Mood.Andrea Sauchelli - 2014 - American Philosophical Quarterly 51 (1):39-50.details
- Horror Movies and the Cognitive Ecology of Primary Metaphors.Bodo Winter - 2014 - Metaphor and Symbol 29 (3):151-170.details
- To See the Saw Movies: Essays on Torture Porn and Post-9/11 Horror.James Aston & John Walliss (eds.) - 2013 - McFarland.details
- Keeping it Intimate: A Meditation on the Power of Horror.Sara Beardsworth - 2013 - Journal of French and Francophone Philosophy 21 (1):127-131.details
- A Simple Solution to the Paradox of Negative Emotion.Rafael De Clercq - 2013 - In Jerrold Levinson (ed.), Suffering Art Gladly: The Paradox of Negative Emotion in Art. Palgrave-Macmillan. pp. 111-122.details
- No Pain, No Gain: Strategic Repulsion and The Human Centipede.Steve Jones - 2013 - Cine-Excess E-Journal 1 (1).details
- XXXombies: Economies of Desire and Disgust.Steve Jones - 2013details
- Twisted Pictures: morality, nihilism and symbolic suicide in the Saw series.Steve Jones - 2013 - In James Aston & John Walliss (eds.), To See the Saw Movies: Essays on Torture Porn and Post-9/11 Horror. McFarland. pp. 105-122.details
- Twisted Pictures: morality, nihilism and symbolic suicide in the Saw series.Steve Jones - 2013 - In Jefferson McFarland (ed.), To See the Saw Movies: Essays on Torture Porn and Post-9/11 Horror. pp. 105-122.details
- Torture Porn: Popular Horror after Saw.Steve Jones - 2013 - Palgrave-Macmillan.details
- Horror Films and the Argument from Reactive Attitudes.Scott Woodcock - 2013 - Ethical Theory and Moral Practice 16 (2):309-324.details
- The Paradox of Horror: Fear as a Positive Emotion.Katerina Bantinaki - 2012 - Journal of Aesthetics and Art Criticism 70 (4):2012.details
- The Lexicon of Offense: The Meanings of Torture, Porn, and ‘Torture Porn”.Steve Jones - 2012 - In Feona Attwood, Ian Hunter, Vincent Campbell & Sharon Lockyear (eds.), Controversial Images: Media Representations on the Edge. Palgrave-Macmillan. pp. 186-200.details
- Gender Monstrosity: Deadgirl and the Sexual Politics of Zombie-Rape.Steve Jones - 2012 - Feminist Media Studies 13 (4):525-539.details
- Death of the Image/The Image of Death: Temporality , Torture and Transience in Yuuri Sunohara and Masami Akita's Harakiri Cycle.Steve Jones - 2011 - Journal of Japanese and Korean Cinema 3 (1):163-177.details
- Dying to be Seen: Snuff-Fiction’s Problematic Fantasises of ‘Reality’.Steve Jones - 2011 - Scope 19:1-20.details
- The Pure Moment of Murder: The Symbolic Function of Bodily Interactions in Horror Film.Steve Jones - 2011 - Projections 6 (2):96-114.details
- Porn of the Dead: Necrophilia, Feminism, and Gendering the Undead.Steve Jones - 2011 - In Christopher Moreman & Cory Rushton (eds.), Zombies Are Us: Essays on the Humanity of the Walking Dead. McFarland. pp. 40-60.details
- Monstruos, Ánimas y Distopías: Cinefilia y Filosofía.Mauricio Ramos - 2011 - Fondo Editorial de Baja California.details
- Hot with rapture and cold with fear": Grotesque, sublime, and postmodern transformations in Patrick süskind's perfume.Susann Cokal - 2010 - In Thomas Richard Fahy (ed.), The Philosophy of Horror. University Press of Kentucky. pp. 179.details
- The Philosophy of Horror.Thomas Richard Fahy (ed.) - 2010 - University Press of Kentucky.details
- Kitsch and camp and things that go Bump in the night; or, Sontag and Adorno at the (horror) movies.David MacGregor Johnston - 2010 - In Thomas Richard Fahy (ed.), The Philosophy of Horror. University Press of Kentucky.details
- The Technologies of Isolation.Steve Jones - 2010 - Japanese Studies 30 (2):185-198.details
- Horrorporn/Pornhorror: The Problematic Communities and Contexts of Extreme Online Imagery.Steve Jones - 2010 - In Feona Attwood (ed.), Porn.com: Making Sense of Online Pornography. Peter Lang. pp. 123-137.details
- 'Time is Wasting': Con/sequence and S/pace in the Saw Series.Steve Jones - 2010 - Horror Studies 1 (2):225-239.details
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