114 found
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  1.  7
    A Taste for the Secret.Jacques Derrida & Maurizio Ferraris - 2001 - Polity.
    In this series of dialogues, Derrida discusses and elaborates on some of the central themes of his work, such as the problems of genesis, justice, authorship and death. Combining autobiographical reflection with philosophical enquiry, Derrida illuminates the ideas that have characterized his thought from its beginning to the present day. If there is one feature that links these contributions, it is the theme of singularity - the uniqueness of the individual, the resistance of existence to philosophy, the temporality of the (...)
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  2.  1
    Documentalità: Perché È Necessario Lasciar Tracce.Maurizio Ferraris - 2009 - Laterza.
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  3.  14
    Ricostruire la Decostruzione: Cinque Saggi a Partire da Jacques Derrida.Maurizio Ferraris - 2010 - Bompiani.
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  4.  26
    Collective Intentionality or Documentality?Maurizio Ferraris - 2015 - Philosophy and Social Criticism 41 (4-5):423-433.
    In this article I defend two theses. The first is that the centrality of recording in the social world is manifested through the production of documents, a phenomenon which has been present since the earliest phases of society and which has undergone an exponential growth through the technological developments of the last decades. The second is that the centrality of documents leads to a view of normativity according to which human beings are primarily passive receptors of rules manifested through documents. (...)
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  5.  5
    Where Are You?: An Ontology of the Cell Phone.Maurizio Ferraris - 2014 - Fordham University Press.
    An analysis of the history and social role of mobile phones today is followed by a proposal of a philosophical theory of objects, which is meant to be complementary to Searle's 'collective intentionality', that places writing at the basis of social reality.
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  6.  69
    Documentality, or Europe.Maurizio Ferraris - 2009 - The Monist 92 (2):286-314.
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  7.  14
    Storia Dell'ontologia.Maurizio Ferraris (ed.) - 2008 - Bompiani.
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  8. Storia Dell'ermeneutica.Maurizio Ferraris - 1988
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  9.  20
    Realism as Emergentism.Maurizio Ferraris - 2018 - Journal of Critical Realism 17 (4):355-363.
    ABSTRACTIn this paper, I assume that, if knowledge does not refer to something other than itself, the words ‘subject’, ‘object’, ‘epistemology’, ‘ontology’, ‘knowledge’ and ‘reflection’ would be meaningless. I define the transcendental fallacy as involving faith in the existence of a spirit independent from matter, capable of producing representations and things. In terms of matter and memory, the fact that the past is repeated by matter is even more important than the fact that it is recalled by memory, because without (...)
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  10.  32
    Pleurer et rire pour de vrai.Maurizio Ferraris - 2013 - Philosophiques 40 (1):23-44.
    Maurizio Ferraris | : L’une des réponses au paradoxe de la fiction consiste à dire que les émotions que nous éprouvons face aux oeuvres de fiction ne sont pas véritables. Mais qu’est-ce que pleurer ou rire pour de vrai ? En fait, presque toutes les formes de rire ou de larmes, et de réactions émotionnelles, sont compatibles avec la fiction, y compris celles qui sont des émotions vraies. Ce qui pose problème dans le paradoxe est la prémisse selon laquelle nos (...)
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  11. Goodbye, Kant!: Cosa Resta Oggi Della Critica Della Ragion Pura.Maurizio Ferraris - 2004 - Tascabili Bompiani.
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  12. Filosofia globalizzata.Maurizio Ferraris - 2012 - Iride: Filosofia e Discussione Pubblica 25 (2):403-412.
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  13. Estetica Razionale.Maurizio Ferraris - 1997
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  14. Che cosa c’è e che cos’è.Maurizio Ferraris & Achille C. Varzi - 2003 - Nous. Postille Su Pensieri 1:81–101.
    A philosophical exchange broadly inspired by the characters of Berkeley’s Three Dialogues. Hylas is the realist philosopher: the view he stands up for reflects a robust metaphysic that is reassuringly close to common sense, grounded on the twofold persuasion that the world comes structured into entities of various kinds and at various levels and that it is the task of philosophy, if not of science generally, to “bring to light” that structure. Philonous, by contrast, is the anti-realist philosopher (though not (...)
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  15.  19
    Nuovo Realismo FAQ: New Realism FAQ.Maurizio Ferraris - 2011 - Nóema 2:1-14.
    Il vero punto, nel confronto tra realisti e postmodernisti, non è ovviamente l’affermazione o negazione dell’esistenza del mondo esterno, ma il costruzionismo: quanto incidono gli schemi concettuali nella costruzione della realtà naturale e sociale? Infatti nessun realista negherebbe che l’IVA dipenda da schemi concettuali . Quello che il realista si chiede è, appunto, fin dove si spinge l’azione degli schemi concettuali, ed è qui che si manifesta il dissidio tra realisti e postmodernisti. Questi ultimi sono molto più generosi nella lista (...)
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  16. New Realism as Positive Realism.Maurizio Ferraris - 2014 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy:172-213.
    In this essay I try to give some overall statements in order to show that new realism is to be understood as a kind of positive philosophy. Against constructivism, I argue that there is a prevalence of the objects themselves on our understanding of them because reality offers a resistance to our attempt to grasp it depending on its level of dependence from our own understanding, which is different in the case of natural objects, ideal object and social object . (...)
     
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  17.  41
    Documentality: A Theory of Social Reality.Maurizio Ferraris & Giuliano Torrengo - 2014 - Rivista di Estetica 57:11-27.
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  18.  4
    Il Gusto Del Segreto.Jacques Derrida & Maurizio Ferraris - 1997
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  19. Analogon Rationis.Maurizio Ferraris & Pietro Kobau - 1994 - Cuem.
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  20.  18
    Total Mobilization.Maurizio Ferraris - 2014 - The Monist 97 (2):200-221.
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  21.  7
    New Realism as Positive Realism.Maurizio Ferraris - 2014 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy:172-213.
    In this essay I try to give some overall statements in order to show that new realism is to be understood as a kind of positive philosophy. Against constructivism, I argue that there is a prevalence of the objects themselves on our understanding of them because reality offers a resistance to our attempt to grasp it depending on its level of dependence from our own understanding, which is different in the case of natural objects, ideal object and social object. This (...)
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  22. Mente e mondo o scienza ed esperienza?Maurizio Ferraris - 1999 - Rivista di Estetica 39 (3).
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  23.  9
    The Dog Schema.Umberto Eco, Maurizio Ferraris & Diego Marconi - 2021 - Rivista di Estetica 76:10-39.
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  24. Hylas e Philonous dieci anni dopo.Maurizio Ferraris & Achille C. Varzi - 2013 - SpazioFilosofico 8 (2):219–227.
    This is a sequel to our dialogue "Che cosa c'è e che cos'è (2003), focusing on the interplay between what there is and what there could be—between actuality and possibility—from the perspective of Hylas (here: the realist philosopher) and from the perspective of Philonous (here: the conventionalist anti-realist).
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  25.  13
    Hysteresis.Maurizio Ferraris - 2020 - Critical Hermeneutics 4.
    Perhaps the most relevant aspect of the ongoing philosophical transformation is the splitting of binomial speculation-idealism. Indeed, one can be both realist and speculative. The paper aims to show it through a definition of negative, positive, and speculative Realism and emphasises the speculative concept of hysteresis, i.e. the survival of effects to their own causes. Indeed, it is the fundamental principle at the basis of what exists, what we do, what we know, and finally of teleology.
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  26. Percezione.Maurizio Ferraris - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5.
    The essay concerns the notion of realism and its relationship with the notion of perception. The ontological meaning of aesthetics as aisthesis is in fact in the non-amendable nature of perception. From this non-amendability the essay outlines four traces through which aisthesis leads to realism: “nonconceptual content”, “object”, “naivety”, “ontology”.
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  27.  45
    The Philosopher-Son.Maurizio Ferraris - 2007 - The European Legacy 12 (4):409-418.
    Many elements of Derrida's “psychoanalytic” philosophy support the view that for most of his career he remained a philosopher-son: the disruptive attitude toward a systematic style, the tendency to exaggerate, the fervor—so like that of Heidegger, Freud, and especially Nietzsche—with which he repeatedly stages confrontations with his father-masters. However, Derrida never claimed, with the postmoderns, that every kind of reality is socially and historically constructed. His “mistake” is rather to have confused ideal objects, such as geometrical shapes and theorems, with (...)
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  28.  70
    Jacques Derrida’s Writing and Difference.Maurizio Ferraris - 2007 - Topoi 26 (2):279-286.
  29.  23
    Such a nice man. Laudatio di Arthur Coleman Danto.Maurizio Ferraris - 2008 - Rivista di Estetica 38:21-23.
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  30. Badola e gavagai.Maurizio Ferraris - 2007 - Rivista di Estetica 47 (34):251-262.
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  31. Ontologia sociale e documentalità.Maurizio Ferraris - 2007 - Rivista di Estetica 47 (3).
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  32. Money, Social Ontology and Law.Angela Condello & Maurizio Ferraris - 2019 - Routledge.
    Presenting legal and philosophical essays on money, this book explores the conditions according to which an object like a piece of paper, or an electronic signal, has come to be seen as having a value. Money plays a crucial role in the regulation of social relationships and their normative determination. It is thus integral to the very nature of the "social," and the question of how society is kept together by a network of agreements, conventions, exchanges, and codes. All of (...)
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  33. Cocktail di Searle.Maurizio Ferraris - 2006 - Rivista di Estetica 46 (33):205-209.
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  34. Come guarire dal nichilismo con meno di 1 euro.Maurizio Ferraris - 2006 - Rivista di Estetica 46 (32):151-156.
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  35. Cristo è veramente risorto? L’estetica come filosofia prima.Maurizio Ferraris - 1997 - Rivista di Estetica 37 (1).
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  36. Dibattito: Interventi di: Maurizio Ferraris, Gianni Carchia, Piero Palmero, Gianni Vattimo, Franco Rella, Fausto Curi.Maurizio Ferraris, Gianni Carchia, Piero Palmero, Gianni Vattimo & Franco Rella - 1983 - Studi di Estetica 2:90-112.
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  37. Documentalità: Ontologia Del Mondo Sociale.Maurizio Ferraris - 2007 - Etica E Politica 9 (2):240-329.
    Objects come in three kinds: physical objects that exist in space and in time, and are independent from subjects knowing them, even though they may have built them, as for artifacts ; ideal objects that exist outside of space and time, and are independent from the subjects knowing them, but which, after having been discovered, can be socialized; social objects, that do not exist as such in space, since their physical presence is limited to the inscription, but last in time, (...)
     
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  38. Discorso per il conferimento del Premio Castiglioncello, 25 febbraio 2006.Maurizio Ferraris - 2006 - Rivista di Estetica 46 (31):215-220.
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  39. Goodman e San Gennaro.Maurizio Ferraris - 2005 - Nuova Civiltà Delle Macchine 23 (1):122-132.
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  40. Idioms.Maurizio Ferraris - 2008 - Encyclopaideia 23:45-64.
     
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  41. Indiana James.Maurizio Ferraris - 2011 - In Rosa M. Calcaterra (ed.), New Perspectives on Pragmatism and Analytic Philosophy. Editions Rodopi.
     
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  42. Il problema non è l'ornitorinco. E Kant.Maurizio Ferraris - 2000 - Rivista di Estetica 40 (13):110-220.
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  43. Jackie Derrida: Ritratto a Memoria.Maurizio Ferraris - 2006 - Bollati Boringhieri.
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  44. La carne del fantasma.Maurizio Ferraris - 1997 - Rivista di Estetica 37 (2).
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  45. Lessico Dell'estetica.Maurizio Ferraris & Mario Pezzella - 1996 - Iride: Filosofia e Discussione Pubblica 9:277.
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  46. L'opera d'Arte come fidanzata automatica.Maurizio Ferraris - 2004 - Rivista di Estetica 44 (26):153-170.
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  47. L'ontologia di Kant come naturalizzazione della fisica.Maurizio Ferraris - 2003 - Rivista di Estetica 43 (22):40-70.
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  48. La Filosofia E Lo Spirito Vivente la Parabola Della Filosofia Classica Tedesca.Maurizio Ferraris - 1991
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  49. Le Rivelazioni Della Tecnica.Maurizio Ferraris - 2010 - Kainós 10.
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  50.  1
    Learning to Live: Six Essays on Marcel Proust.Maurizio Ferraris - 2020 - Brill | Rodopi.
    Maurizio Ferraris explores how, through the reading of Proust's _In Search of Lost Time_, one can explore memory, art, and society, using the book as a guide for living life.
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