The word “romanticism” designates in German as in other European languages a broad movement in literature that originated at the beginning of the nineteenth century and has often been characterized as an opposition to the preceding age of rationalism and Enlightenment. Situated between the classicist schools of taste of the previous century and the realistic and naturalistic trends in literature of the later nineteenth century, Romanticism or romantic literature is the product of the creative power of the imagination; it appeals (...) to the emotions, has a preference for the mysterious aspects of nature, and shows a strong predilection for the past, the Middle Ages, and mythological traditions. With its strong affinity to the novel, romantic literature departs from the classical forms and the classicist canon of literature, but when these classical forms were nevertheless used by the authors of this movement, something new was created – the romantic tale, the romantic drama, and romantic poetry. The great romantic authors in Germany were E. T. A. Hoffmann, Eichendorff, Brentano, Arnim, and Fouqué. There is both a narrower and a broader notion of Romanticism in Germany, the broader also relating to painting (Friedrich, Runge) and music (Schumann, Schubert, Mendelssohn, Bartholdy, Wagner). Romanticism had a great impact on the general view of the world and was influential in the rise of the historical consciousness, the revival of a religious spirit, and the emergence of a conservative political attitude. As far as philosophy and the sciences are concerned, Romanticism is associated with figures such as Schelling and Schopenhauer, the development of a philosophy of art, of nature, and of the subconscious. On the whole, Romanticism is one of those movements that shaped an entire age and manifested itself down to the most particular features of popular belief and scientific interest. (shrink)

In this essay, Hegel attempted to show how Fichte’s Science of Knowledge was an advance from the position of Kant in the Critique of Pure Reason, and how Schelling (and incidentally Hegel himself) had made a further advance from the position of Fichte.

Critic, poet and philosopher Friedrich von Schlegel was a leading figure of German Romanticism. In the two years before his untimely death, he wrote three cycles of lectures intended as part of a larger project to lay the foundations of a new general philosophy. Two of these cycles, 'Philosophie des Lebens' and 'Philosophie des Sprache und des Wortes', are reissued here in an 1847 English translation. The first presents Schlegel's understanding of philosophy as independent of theology or politics, (...) concerned with the 'inner spiritual life' of humankind. The second explores the nature of communication through language and art. Schlegel argues that full human consciousness cannot be restored by Enlightenment science, but only by divine revelation and redemption. He offers no ready-made solutions, but encourages his listeners to develop their own responses to these questions. (shrink)

With selections from Parts Two and Three, together with Marx's "Introduction to a Critique of Political Economy".

Critic, poet and philosopher Friedrich von Schlegel (1772–1829) was a leading figure of German Romanticism. In the two years before his untimely death, he wrote three cycles of lectures intended as part of a larger project to lay the foundations of a new general philosophy. Two of these cycles, 'Philosophie des Lebens' (given in 1827, published 1828) and 'Philosophie des Sprache und des Wortes' (given in December 1828 and published posthumously), are reissued here in an 1847 English translation. The (...) first presents Schlegel's understanding of philosophy as independent of theology or politics, concerned with the 'inner spiritual life' of humankind. The second explores the nature of communication through language and art. Schlegel argues that full human consciousness cannot be restored by Enlightenment science, but only by divine revelation and redemption. He offers no ready-made solutions, but encourages his listeners to develop their own responses to these questions. (shrink)

In this study I have presented Early-German Romanticism as a philosophical movement and Friedrich Schlegel as its major philsopher. The central philosophical problem which concerned this movement was the problem of philosophy's beginning. Schlegel's skeptical view led him to reject both Reinhold's foundationalism and Jacobi's irrationalism. This skeptical position distinguishes Early-German Romanticism from Fichte's idealism. ;Schlegel's rejection of Fichte's solution to the problem of philosophy's beginning led to a unique solution: the Wechselerweis. This involves the (...) claim that philosophy cannot begin with any single principle, but only with the interaction between at least two principles. This interactive model involves an ever-changing dialogue between the knowing subject and the world. For Schlegel, philosophy cannot be understood without an understanding of change. Therefore, history becomes a central part of the activity of philosophizing. According to Schlegel's view, philosophy never begins with a point of absolute certainty but always in the middle. (shrink)

This essay investigates what a nuanced and revisionary interpretation of Fichte’s Critical-idealist philosophy could reveal about its impact on the philosophic thought of Friedrich Schlegel. It argues that Schlegel sees the Wissenschaftslehre through the lens of the distinction Fichte famous draws between the “spirit” (Geist) and the “letter” (Buchstaben) of a philosophy. He considers the spirit of the Wissenschaftslehre to lie in its acute awareness of its own limitation as a work of art and its letter in (...) the deductive or demonstrative form it inevitably assumes upon being expounded. In the face of the discrepancy, Schlegel rejects the letter of the Wissenschaftslehre in favor of its spirit. (shrink)

This essay investigates what a nuanced and revisionary interpretation of Fichte’s Critical-idealist philosophy could reveal about its impact on the philosophic thought of Friedrich Schlegel. It argues that Schlegel sees the Wissenschaftslehre through the lens of the distinction Fichte famous draws between the “spirit” (Geist) and the “letter” (Buchstaben) of a philosophy. He considers the spirit of the Wissenschaftslehre to lie in its acute awareness of its own limitation as a work of art and its letter in (...) the deductive or demonstrative form it inevitably assumes upon being expounded. In the face of the discrepancy, Schlegel rejects the letter of the Wissenschaftslehre in favor of its spirit. (shrink)

On the History of Modern Philosophy is a key transitional text in the history of European philosophy. In it, F. W. J. Schelling surveys philosophy from Descartes to German Idealism and shows why the Idealist project is ultimately doomed to failure. The lectures trace the path of philosophy from Descartes through Spinoza, Leibniz, Kant, Fichte, Jacobi, to Hegel and Schelling's own work. The extensive critiques of Hegel prefigure many of the arguments to be found in Feuerbach, Kierkegaard, Marx, Nietzsche, (...) Heidegger, and Derrida. This is the first English translation of On the History of Modern Philosophy. In his introduction Andrew Bowie sets the work in the context of Schelling's career and clarifies its philosophical issues. The translation will be of special interest to philosophers, intellectual historians, literary theorists, and theologians. (shrink)

The conceptions of wit and irony of the early Friedrich Schlegel together constitute a philosophically ambitious form of early-romantic dialectic. This dialectic was directed especially against the closed philosophical system of Fichte, and tries to show a third way between the abandonment of a system and a closed system. The result is an open system, which can accommodate historical change and an infinite approach to the absolute. The article discusses the origin of this third way in romantic irony, (...) and Schlegel’s critique of Fichte, as well as the role poetry and the fragment as a form of philosophical discourse plays for Schlegel’s dialectic. (shrink)

In The Birth of Tragedy Nietzsche expounds on the origins of Greek tragedy and its relevance to the German culture of its time. He declares it to be the expression of a culture which has achieved a delicate but powerful balance between Dionysian insight into the chaos and suffering which underlies all existence and the discipline and clarity of rational Apollonian form. In order to promote a return to these values, Nietzsche critiques the complacent rationalism of late nineteenth-century German culture (...) and makes an impassioned plea for the regenerative potential of the music of Wagner. A wide ranging discussion of the nature of art, science, and religion, The Birth of Tragedy's argument raises important questions about the problematic nature of cultural origins which are still valid today. (shrink)

Shaftesbury started his literary career in 1698 with an edition of Whichcote’s sermons. At the same time he worked on An Inquiry Concerning Virtue and his ‘Crudities’, which were incorporated after August 1698 in the Askêmata manuscripts. In this paper I argue that Shaftesbury’s critique of John Locke is based on central ideas from Whichcote’s sermons. In his examination of Locke’s epistemology and moral philosophy he uses Whichcote’s arguments, concepts and keywords. Locke’s rejection of the ‘innate ideas’ reduces man (...) to an abstract being, ‘absolutely indifferent towards whatever is presented to him’. In opposition to this reduction he posits Whichcote’s Connatural Notions, ‘the principles of which Man doth consist, in his very first Make’, i.e. the categorial form of human feeling, discernment, understanding and judgment. These connatural principles include the idea of good and evil, i.e. the foundation of a non-legalistic, autonomous morality. (shrink)

Introduction to the Difference Essay. FICHTE, SCHELLING, AND HEGEL The essay on the Difference between Fichte's and Schelling's System of Philosophy was ...

Kant's 'Copernican Revolution', which began in the Critique of Pure Reason (1781/1787), had, by the early 1790s, fundamentally altered the terrain of German philosophy – but not entirely in the way that Kant had foreseen. Skeptical challenges to Kant's discursive account of cognition, in which experience arises from the separate faculties of sensibility and understanding, had led thinkers such as K.L. Reinhold and J.G. Fichte to attempt to provide a first, foundational principle for the critical philosophy. These efforts (...) were enormously influential, but by the middle of the 1790s, they too were facing a great deal of critical scrutiny. The central challenge to the Fichtean project came from an unlikely quarter: a group of young thinkers and poets who are collectively known as the early Romantics. For the Romantics, Fichte's project remains too 'subjectivist', for it tries to provide an account of the world by beginning with the conditions that govern subjectivity alone. Rather, the Romantics argue that the world must be understood in terms of a monistic Absolute, akin to Spinoza's substance, in which all dualisms are overcome. It is with this step that Absolute Idealism comes on the scene, and sets the stage for the development of Hegel's system in the early 1800s. This essay, which continues the story of 'Who's Who from Kant to Hegel I', examines the ways in which early Romanticism reacted to the Fichtean project, looks at a variety of anti-foundationalist idealisms that the Romantics – in particular Hölderlin, Novalis, Schlegel, and Schleiermacher – developed, and traces the role that Friedrich Schelling plays in offering the first systematic account of Absolute Idealism. (shrink)

'Yes, what is Dionysian? - This book provides an answer - "a man who knows" speaks in it, the initiate and disciple of his god.' The Birth of Tragedy is a book about the origins of Greek tragedy and its relevance to the German culture of its time. For Nietzsche, Greek tragedy is the expression of a culture which has achieved a delicate but powerful balance between Dionysian insight into the chaos and suffering which underlies all existence and the discipline (...) and clarity of rational Apollonian form. In order to promote a return to these values, Nietzsche undertakes a critique of the complacent rationalism of late nineteenth-century German culture and makes an impassioned plea for the regenerative potential of the music of Wagner. In its wide-ranging discussion of the nature of art, science and religion, Nietzsche's argument raises important questions about the problematic nature of cultural origins which are still of concern today. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

First published in 1955, this volume contains three works by Friedrich von Hardenberg, the German Romantic philosopher and poet whose pseudonym Novalis was an ancient family name. The works, each given in the original German, include the only existing sections of Novalis's unfinished novel, Die Lehrlinge zu Sais; a selection of ideas published as a literary fragment in 1798 under the title Blütenstaub; and Die Christenheit oder Europa, an essay in cultural history. Of these, only Blütenstaub was published (...) before Novalis's death in 1801 at the age of 28. This volume also contains a preface in English by Brian A. Rowley, which contextualizes the three works and offers a cursory description of Novalis's life. (shrink)

Though irony is a category familiar to rhetoric and literature, its philosophical forms are far less explored, and this is especially true with regards to its articulation in the work of Friedrich Schlegel. Schlegel’s engagement with irony is essential to the Romantic philosophical project, one that is fundamentally concerned with contradiction and posits itself as a challenge to and continuation of idealism. Through exploring his relation to the philosophies of Kant and Fichte, this essay demonstrates that Schlegel can (...) deploy irony as a method of taking up the philosophical paradigm of idealism without limiting himself to their systems. He can use Kant and Fichte against themselves, making sincere philosophical arguments through a brazen playfulness. Further, Schlegel’s concept of irony is shown to be a philosophical faculty that is concerned with the limits of philosophy in language. Irony is much more than a rhetorical device – it is a form that allows Schlegel to approach the limits of discursivity from within and so continually stage instances of philosophical contradiction, undermining systematicity. This centering of contradiction is one of Schlegel’s major contributions to the development of German philosophy, critical of those who precede him and spurning their presuppositions of univocal logic. The outworking of Schlegel’s philosophical concern with irony is unmistakably humorous, full of puns, jokes and witticisms, which nevertheless need to be taken seriously. This paper contends that irony is at the crux of Schlegel’s philosophical project, simultaneously the content and mode of his criticism, the source and justification of his humour, and one of Romanticism’s most significant conceptual developments. (shrink)

In a 1978 lecture in Tokyo, Foucault drew a comparison between his own philosophical methodology and that of ‘Anglo-Saxon analytic philosophy’, claiming the label ‘analytic philosophy of politics’ for his own approach. This may seem like a somewhat surprising comparison given the gulf between contemporary analytic and continental philosophy, but I argue that it is a very productive one which indeed might help us reconsider this gulf. I proceed through a comparison between Foucault and the speech act theory of J. (...) L. Austin, one of the analytic philosophers Foucault had in mind in his Tokyo lecture. By focusing on the methodological commonalities between Foucault and Austin, this article identifies the core of a philosophical methodology that cuts across the analytic/continental divide in philosophy in general while constituting a powerful alternative to the methods applied by analytic political philosophers specifically. This approach, which I term ‘analytic critique’, is one that starts from a critical analysis of what happens in ordinary lived experience and theorizes ‘bottom-up’ in an avowedly politically engaged way – thereby challenging the conceptual and political aloofness of contemporary political philosophy in the liberal-Rawlsian tradition. Foucault’s appropriation of the label ‘analytic philosophy’, it is argued, ought to function as a call to more imaginative methodological-theoretical engagement across the traditional division between continental and analytic approaches. (shrink)

The Attempt at a Critique of All Revelation was the first published work of Johann Gottlieb Fichte, the founder of the German idealist movement in philosophy. It predated the system of philosophy which Fichte developed during his years in Jena, and for that reason - and possibly also because of its religious orientation - later commentators have tended to overlook the work in their treatments of Fichte's philosophy. It is, however, already representative of the most interesting (...) aspects of Fichte's thought. It displays an affinity with his later moral psychology, introduces Fichte's distinctively 'second-person' conception of moral requirements, and employs the 'synthetic method' which is crucial to the transcendental systems Fichte developed during his Jena period. This volume offers a clear and accessible translation of the work by Garrett Green, while an introduction by Allen Wood sets the work in its historical and philosophical contexts. (shrink)

“Supposing that truth is a women-what then?” This is the very first sentence in Nietzsche’s Beyond Good and Evil . Not very often are philosophers so disarmingly explicit in their intention to discomfort the reader. In fact, one might say that the natural state of Nietzsche’s reader is one of perplexity. Yet it is in the process of overcoming the perplexity that one realizes how rewarding to have one’s ideas challenged. In Beyond Good and Evil, Nietzsche critiques the mediocre in (...) modernity and challenges the reader to accept their state of becoming and accept improvisation and creativity of the process. Nietzsche’s book is carefully designed to disorient the reader, to systematically provoke and tease her to the point of stealing away her certainties. It is challenging yet rewarding to overcome the perplexities of Nietzsche’s teachings. (shrink)

Friedrich Nietzsche is one of the most influential thinkers of the past 150 years and On the Genealogy of Morality (1887) is his most important work on ethics and politics. A polemical contribution to moral and political theory, it offers a critique of moral values and traces the historical evolution of concepts such as guilt, conscience, responsibility, law and justice. This is a revised and updated edition of one of the most successful volumes to appear in Cambridge Texts (...) in the History of Political Thought. Keith Ansell-Pearson has modified his introduction to Nietzsche's classic text, and Carol Diethe has incorporated a number of changes to the translation itself, reflecting the considerable advances in our understanding of Nietzsche in the twelve years since this edition first appeared. In this new guise the Cambridge Texts edition of Nietzsche's Genealogy should continue to enjoy widespread adoption, at both undergraduate and graduate level. (shrink)

This paper draws upon my research into the posthumously published fragmentary remains of Hölderlin and Novalis's philosophical reflections to describe how their explanations of the possibility of self-consciousness are far more convincing than those provided by their philosophical contemporaries, and still have much to contribute to contemporary debates concerning the nature of 'consciousness' and 'selfhood.' The paper begins by sketching the background to their accounts of self-consciousness, that is, Fichte's critique of Kant's 'reflection model' of self-consciousness and (...) the subsequent critique of Fichte's 'solution' to this problem by more orthodox Kantians. I shall then present an account of how Hölderlin and Novalis may be said to enact a 'synthesis' of the opposed Kantian and Fichtean positions, to formulate an account of self-consciousness that on one hand acknowledges the power of—in Henrich's words—Fichtes ursprüngliche Einsicht into the inadequacy of the Kantian 'reflection model,' whilst, on the other hand, re-appropriating such a 'reflection model.' They thus argue that I am only aware of myself as T by means of a reflective act, whilst at the same time arguing that such awareness nevertheless involves a non-reflective 'dimension.' For Hölderlin and Novalis, therefore, consciousness is always intentionally directed, and yet in being intentionally directed, it is also non-reflectively related to itself or "self-luminous" sea conception of consciousness which has similarities with Sartre's conception of the 'pre-reflective cogito.'. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Controversy Between Schelling and Jacobi LEWIS S. FORD SCHELLING, ALONGWITH FICHTE, has suffered the fate of being labelled one of tIegel's predecessors. Richard Kroner provides the classic expression of this viewpoint in his monumental study, Von Kant bis Hegel, which examines Schelling's thought primarily for its contribution to Hegel's final synthesis.I In English we have Josiah Royce's sympathetic and lively account of Schelling's early romantic exuberance, regarded (...) as a transitional stage in the development of German idealism. 2 But this emphasis on the early ScheUing has led to an unfortunate neglect of his work subsequent to the break with Hegel in 1807. Schelling's romanticism, so ably documented by E. D. Hirsch, Jr., 3 can only be regarded as one phase in the total sweep of his thought, for, after the break with Hegel, Schelling produced at least three major works: the essay •ber das Wesen der menschlichen Freiheit,4 wrestling with the problem of evil and human freedom, the fragmentary Weltalter, 5 which in scope and dialectical intricacy should be compared with Hegel's Logic, and the Philosophie der Mythologie und Offenbarung, 6 furnishing a fundamental critique of the whole dialectical enterprise. Save for the essay on human freedom, however, none of these works were published during his lifetinm, as Schelling withdrew from the public eye after his controversies with Hegel and Jacobi. Thus the publishing histories of Schelling and Hegel are exactly reverse. Schelling rushed into print his early speculative gropings, while Hegel suppressed his/making the Ph~nomenologic des Geistes his first major publication. Then while Hegel's Logic and Encyclopedia were being publicly acclaimed, Schelling remained silent. This accident of history is largely responsible for the illusion that Schelling is the older of the two x (Tiibingen: J. C. B. Mohr, 1921-24),2 vols. 2The Spirit of Modern Philosophy (Boston: Houghton Mifflin, 1892), Lecture VI, 164-189. Wordsworth and ScheUing, A Typological Study of Romanticism (New Haven: Yale University Press, 1960),Yale Studies in English, Vol. CXLV. 4Friedrich Wilhelm Joseph yon Sehelling, Philosophische Untersuchungen i~berdas Wesen der menschlichen Freyheit und die damit zusaramenhdngenden Gegenstdnde, 1809. Reprinted in the Sdmmtliche Werke, Erste Abtheilung, VII. Band (Stuttgart und Augsburg: J. G. Cotta, 1856), 331-416. English translation by James Gutmann: Of Human Freedom (Chicago: Open Court, 1936). 5Three fragmentary versions of the Weltalter have been published. The Urfassungen of 1811 and 1813were edited by Manfrcd SehrSter and published as a separate Naehlassband to the M~nchener Jubildumsausgabe of the collected works: Die Weltalter, Fragmente (Munich: Biederstein, Leibniz, 1946). A later version is published in S.W. I: 8, pp. 195-344,which has been translated by Frederick de Wolfe Bolman, Jr. : The Ages of the World (NewYork: Columbia University Press, 1942). 6Philosophie der Mythologie is published in S.W. II: 1-2; Philosophie der Offenbarung in S.W. II: 3-4. These essays were first collected and published by Herman Nohl in Hegels theologische Jugendschriften (Tiibingen: 1907).T. M. Knox translated them into English, with an introduction by Richard Kroner: GeorgWilhelm Friedrich Hegel, Early Theological Writings (Chicago: University of Chicago Press, 1948). [75] 76 HISTORY OF PHILOSOPHY thinkers (actually he was five years Hegel's junior), who retired from the philosophical scene after making his contribution to the Hegelian synthesis. Paul Tillich's doctoral dissertations s and Ernst Cassirer's studies in post-Kantian thought 9 made serious inroads on this conception, yet the iIInsion persisted. Their insistence on the importance of the later Schelling has been brilliantly sustained by two recent studies: Horst Fuhrmans's Schellings Philosophie der Weltalter1~and Walter Schulz's Die Vollendung des deutschen Idealismus in der Spdtphilosophie Schellings, ~ and we may hope that the conventional estimate of Schelling will be drastically revised. Fuhrmans has demonstrated that the split between the early and the later Schelling must be placed in the year 1806 when he came in contact with Franz yon Bander in Munich, who encouraged him to delve deeper into the theological and cosmological ramifications of Jacob Boehme's thought. TM The reorientation this caused is apparent in the essay on human freedom, published in 1809, but it was not fully exploited until the... (shrink)

This scholarly edition is the first extensive English translation of Jacobi's major literary and philosophical classics. A key but somewhat eclipsed figure in the German Enlightenment, Jacobi had an enormous impact on philosophical thought in the later part of the eighteenth century, notably the way Kant was received And The early development of post-Kantian idealism. Jacobi's polemical tract Concerning the Doctrine of Spinoza in Letters to Herr Moses Mendelssohn propelled him to notoriety in 1785. This work, As well as David (...) Hume on Faith, or Idealism and Realism, Jacobi to Fichte, And The novel Allwill, Is included in George di Giovanni's translation. In a comprehensive introductory essay di Giovanni situates Jacobi in the historical and philosophical context of his time, and shows how Jacobi's life and work reflect the tensions inherent in the late Enlightenment. (shrink)

Nietzsche referred to his critique of Judeo-Christian moral values as philosophizing with the hammer. On the Genealogy of Morals (originally subtitled A Polemic) is divided into three essays. The first is an investigation into the origins of our moral values, or as Nietzsche calls them moral prejudices. The second essay addresses the concept of guilt and its role in the development of civilization and religion. The third essay considers suffering and its role in human existence. What might be of (...) most value to today's reader is not necessarily Nietzsche's views on particular ethical issues, but rather his encouragement to think independently and to actualize the self. (shrink)

Daybreak marks the arrival of Nietzsche's 'mature' philosophy and is indispensable for an understanding of his critique of morality and 'revaluation of all values'. This volume presents the distinguished translation by R. J. Hollingdale, with a new introduction that argues for a dramatic change in Nietzsche's views from Human, All Too Human to Daybreak, and shows how this change, in turn, presages the main themes of Nietzsche's later and better-known works such as On the Genealogy of Morality. The main (...) themes of Daybreak are located in their intellectual and philosophical contexts: in Nietzsche's training as a classical philologist and his fascination with the Sophists and Thucydides; in the moral philosophies of Kant and Schopenhauer, which are the central foci of Nietzsche's critique of morality; and in the German Materialist movement of the 1850s and after, which shaped Nietzsche's conception of persons. The edition is completed by a chronology, notes and a guide to further reading. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 485 consent to suffer or die? Consent, contractual obligations, and free acts of commitment certainly have a place in a complete ethical theory. But do they have the only place? If Wolff has consigned certain of Kant's central theses to the deep, he also has managed to salvage and restore others. In The Right and the Good, for instance, Ross argues that it is logically absurd to (...) suppose that we ought to act from a sense of duty. But Wolff argues convincinglythat "what Kant actually says is that our acts have moral worth only insofar as they are done from a certain motive (namely, respect for the law). Their rightness is quite independent of their motive. We have, according to Kant, an obligation to do what is right. We do not have an obligation to perform morally meritorious acts" (p. 81). Wolff also manages to shed light on Kant's analysis of rational agency and the nature of will. He enables us to see more clearly than Kant himself does that "will" does not name a faculty but rather has a home in such phrases as "to have a will" which, in turn, "simply means to be capable of being moved by reason rather than by natural causes.... To be free is simply to be moved by reason" (p. 216). Despite its flaws as a commentary, The Autonomy of Reason contributes significantly to our understanding of Kant and the problems he addresses. Wolff's critique is especially valuable because it attempts to relate Kant's ethics to his metaphysics and epistemology in more than a superficial manner. If it does not always succeed, it never ceases to be provocative, imaginative, and well-argued. The Autonomy of Reason offers us a flesh opportunity not only to grapple with the central problems of Kantian ethics but to face the central issues of contemporary ethics as well. HANS OBERDIEK Swarthmore College Philosophic als System bei Fichte Schelling und Hegel. By Adolf Schurr. (Stuttgart-Bad Cannstatt: Friedrich Frommann, 1974, Pp. 192. DM 58) Fichte and Schelling often seem to have existed merely to serve as a bridge between the genius of Kant and Hegel. Whether or not they deserve better can here be left unanswered, but in any case Schurr's study has supported this common conception. It begins with a "Kantian" Fichte, passes through a confused Schelling, and ends with a young and confident Hegel. The particular topic developed by Schurr is the attempts made by Fichte and Schelling to forge a unitary system from the brilliant yet fundamentally unresolved conceptions of the Kantian legacy. The study was initiallyprepared as Schurr's Habilitationschrift at Regensburg University, and it evidences all of the virtues and vices of these advanced forms of doctoral dissertations: it is orderly and firmly documented, virtues that when pressed pass into the vices of a deadening style and an uninspired recital of textual references. Perhaps the best single term encompassing these virtues and vices is "conscientiousness." The study should arouse neither speculative enthusiasm nor scholarly disdain, being principally a direct and uncomplicated exposition of some central principles found in the philosophy of Fichte, the thought of young Schelling, and a single text of Hegel. It covers the brief historical period from Fichte's review of Schulze's Aenesidemus in 1794 to the appearance of Hegel's 1801 study Differenz des Fichteschen und Sehellingsehen Systems der Philosophic. The work, then, is naturally divided into three chapters of uneven length. Were the reader to rely upon pagination alone to determine importance, Fichte leads by far, and Hegel is the least, being granted only nineteen pages. Insofar as each philosopher is confined to his chapter, the length allowed seems more than usually significant. In this regard, as the final chapter on Hegel can hardly be said to touch directly upon Hegel's own conception of a system, the title of Schurr's work could be misleading to anyone more closely interested in Hegel. 486 HISTORY OF PHILOSOPHY The work lacks both a general introduction and a conclusion, not only as separate sections but in any form whatsoever. Certainly the reader is prepared, for whatever unspoken necessity, to surrender such amenities... (shrink)

_Friedrich Schlegel's Lucinde and the Fragments _ was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. For the last century and a half, Friedrich Schlegel has enjoyed a reputation for being the critical grey eminence behind the coming to power of the Romantic Movement. It was Schlegel, in his three series of aphoristic fragments _, who actually first (...) defined and employed the word "romantic" in the present sense; and it was he who in a chaotic, fragmentary, and often mysterious but forceful manner first proclaimed the doctrine that was to usher in the modern age in literature. He too was among the first to put his new program into practice in the shape of his unfinished _Lucinde_,a work variously denounced as pornography and heralded as a forerunner of modern novelistic experimentation, and probably the most famous novel to come out of German Romanticism. Both the _Fragments _and _Lucinde_,along with a brilliant _tour de force_, the "Essay on Incomprehensibility," are available now for the first time in a complete English translation in this volume, together with a brief scholarly introduction. This translation will enable non-German readers to examine at first hand the work of a man whom Rene Wellck has called "one of the greatest critics of history." At a time when the function of criticism is coming once again under close skeptical scrutiny, Friedrich Schlegel's unorthodox, unsystematic but seminal critical mind—all of literature, philosophy, art, and history were grist to his mill—should find many sympathetic readers. The book will be of particular interest to theorists of literature and fiction, comparative literature scholars, and historians of the intellectual history of Germany, and it is appropriate for course use in German and comparative literature classes. (shrink)

At the turn of the nineteenth century, Friedrich Schlegel developed an influential theory of irony that anticipated some of the central concerns of postmodernity. His most vocal contemporary critic, the philosopher Hegel, sought to demonstrate that Schlegel’s theory of irony tacitly relied on certain problematic aspects of Fichte’s philosophy. While Schlegel’s theory of irony has generated seemingly endless commentary in recent critical discourse, Hegel’s critique of Schlegelian irony has gone neglected. This essay’s primary aim is to defend (...) Hegel’s critique of Schlegel by isolating irony’s underlying Fichtean epistemology. Drawing on Søren Kierkegaard’s The Concept of Irony in the final section of this essay, I argue that Hegel’s critique of irony can motivate a dialectical hermeneutics that offers a powerful alternative both to Paul de Man’s poststructuralist hermeneutics and to recent cultural-studies-oriented criticism that tends to reduce literary texts to sociohistorical epiphenomena. (shrink)

Friedrich Wilhelm Nietzsche (1844-1900) was a German philosopher. His writing included critiques of religion, morality, contemporary culture, philosophy and science, using a distinctive style and displaying a fondness for aphorism. Nietzsche s influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism. He began his career as a philologist before turning to philosophy. At the age of 24 he became Professor of Classical Philology at the University of Basel, but resigned in 1879 due to health problems, which (...) would plague him for most of his life. In 1889 he exhibited symptoms of serious mental illness, living out his remaining years in the care of his mother and sister until his death in 1900. His works include From my Life (1858), On Music (1858), Napoleon III as a President (1862), Free Willand Fate (1862), My Life (1864), The Birth of Tragedy (1872), Richard Wagner in Bayreuth (1876), Human, All-Too-Human (1878), Beyond Good and Evil (1886), The Antichrist (1888) and Ecce Homo (1888). (shrink)

In this paper I reconstruct Schlegel's idea that romantic poetry can re-enchant nature in a way that is uniquely compatible with modernity's epistemic and political values of criticism, self-criticism, and freedom. I trace several stages in Schlegel's early thinking concerning nature. First, he criticises modern culture for its analytic, reflective form of rationality which encourages a disenchanting view of nature. Second, he re-evaluates this modern form of rationality as making possible an ironic, romantic, poetry, which portrays natural phenomena (...) as mysterious indications of an underlying reality that transcends knowledge. Yet Schlegel relies here on a contrast between human freedom and natural necessity that reinstates a disenchanting view of nature as fully intelligible and predictable. Third, therefore, he reconceives nature as inherently creative and poetic, rethinking human creativity as consisting in participation in natural creative processes. He replaces his earlier "idealist" view that reality is in itself unknowable with the "idealist realist" view that reality is knowable as creative nature, yet, in its spontaneous creativity, still eludes full comprehension. I argue that Schlegel's third approach to the re-enchantment of nature is his most consistent and satisfactory, and is important for contemporary environmental philosophy in showing how re-enchantment is compatible with modernity. (shrink)

This is the first English translation of the majority of Fichte’s 1807 essay on Machiavelli, which has been hailed as a masterpiece and was important for the development of German idealist political thought, as well as for its reception by figures such as Carl von Clausewitz, Max Weber, Leo Strauss, and Carl Schmitt. Fichte’s essay attempts to resuscitate Machiavelli as a legitimate political thinker and an “honest, reasonable, and meritorious man.” It tacitly critiques Napoleon, who was occupying Prussia (...) when Fichte composed the piece, and calls on the Germans to resist the French. And some have argued that it marks a shift in Fichte’s political thought toward a more realist position. (shrink)

This is the first English translation of the majority of Fichte’s 1807 essay on Machiavelli, which has been hailed as a masterpiece and was important for the development of German idealist political thought, as well as for its reception by figures such as Carl von Clausewitz, Max Weber, Leo Strauss, and Carl Schmitt. Fichte’s essay attempts to resuscitate Machiavelli as a legitimate political thinker and an “honest, reasonable, and meritorious man.” It tacitly critiques Napoleon, who was occupying Prussia (...) when Fichte composed the piece, and calls on the Germans to resist the French. And some have argued that it marks a shift in Fichte’s political thought toward a more realist position. (shrink)

Of all the world thinkers on whom the author of The Philosophy of the Common Task [Filosofiia obshchego dela] reflected, the one to whom he devoted the most attention, thought, and passion was perhaps a contemporary of his who, though fifteen years his junior, had already thrown some "impossible" works in the face of a fascinated, flabbergasted, and shocked public and had lived for almost ten years outside the world of culture and history, in a state of complete insanity. I (...) speak, of course, of Friedrich Nietzsche. He burst into Russia as a deafening European intellectual novelty, which intoxicated and swept away quite a few young people and even some experienced wise heads with the audacity of his "transvaluation of all values," his prophetic eruptions of new ideas and life principles, his exciting style of free philosophizing, and, finally, his existential tragedy. Fedorov could not but have been sensitive to and, I would say, personally affected by this phenomenon-Nietzsche and Nietzscheanism and the fashion for them. (shrink)

The debate about how to interpret Foucault’s writings on neoliberalism has been going on for a while now: where some see in The Birth of Biopolitics a devastating critique of neoliberal reason, others see a laudatory exposition. Mitchell Dean and Daniel Zamora’s recent book The Last Man Takes LSD: Foucault and the End of Revolution is the newest contribution to this dispute. In it, the two authors rearticulate in book-length the position they have previously defended in several articles and (...) book chapters: that Foucault was enticed by neoliberal thought and that his reading of Gary Becker and others significantly affected the intellectual trajectory of his later years. While the arguments about what Foucault really thought of neoliberalism are central to the book – and many will no doubt find fault with its interpretation of Foucault in this regard – I set the somewhat tired exegetical debates aside for the purposes of this review. Instead, I focus on the book’s, in my opinion, more interesting project of analysing the broader relations between neoliberalism, Foucauldian thought and Left politics. Despite being a well-written and in many places highly interesting and worthwhile book, it ultimately falls short of a compelling analysis in this regard. (shrink)

This paper reads Blumenberg’s posthumously published study Die nackte Wahrheit as a book left unfinished because a major, if not central, chapter was still pending: a chapter on Husserl’s metaphor of a dress of ideas (“Ideenkleid”) that veils the lifeworld. Arguing that Blumenberg aimed at a phenomenological foundation for his metaphorology based on his critique and inversion of the Husserlian concept of lifeworld, the article reveals resulting tensions between Blumenberg’s late and early theoretical approaches to a theory of metaphor (...) that sought, but did not find, a solution in his own theory of lifeworld, which remained unfinished as well. (shrink)

This essay examines the earliest reception of Johann Gottlieb Fichte’s Wissenschaftslehre focusing on his notion of consciousness as “Wechselbestimmung”. The adoption of this notion leads to a divergent discussion which casts doubts on the idea of a reliable continuity in the history of reception. At this point in history, Fichte’s readers seem to be interested in a cultural aspect of his philosophical argument that is not discussed by him. Fichte is looking for a way to explain the (...) unity of consciousness in a strictly epistemological sense, whereas his poetically orientated readers identify his concept of conflicting consciousness with a cultural problem. Only Holderlin discusses the logical problem addressed by Fichte, but deliberately transfers it into his poetics. Schiller and Friedrich Schlegel discuss the concept of “Wechselwirkung” in respect of problems within modern culture partially evoking a theory of alienation. They are not interested in Fichte’s epistemological problem, even though it also is central to modern subjectivity in philosophical terms.Der Aufsatz untersucht die fruheste Rezeption der Wissenschaftslehre Johann Gottlieb Fichtes im Blick auf seinen Begriff vom Bewusstsein: die „Wechselbestimmung“. Dabei zeigt die Momentaufnahme ein divergentes bis disparates Bild der philosophischen Diskussion, das zur Geltung kommen soll gegenuber einer idealisierten Auffassung von hermeneutisch zuverlassiger Rezeptionsgeschichte. Es wird gezeigt, dass die ‚Rezipienten‘ sich gewisserma.en fur einen externen Aspekt des Theorems interessieren, das in dem philosophischen Werk nicht Thema ist. Wahrend Fichte mit der in Frage stehenden Einheit des Bewusstseins ein Grundproblem der theoretischen Philosophie diskutiert, behandeln seine poetisch ausgerichteten Leser die „Wechselbestimmung“ eher aus kulturkritischer Perspektive. Allein Holderlin setzt sich mit Fichtes eigentlich gemeintem, logischen Widerspruch auseinander, verschiebt seine Darstellung und ‚Losung‘ jedoch bewusst auf die Ebene seiner philosophischen Dichtung. Schiller und Friedrich Schlegel diskutieren unter „Wechselwirkung“ ein Problem der modernen Kultur, das teilweise Zuge einer Entfremdungstheorie annimmt. Sie gehen nicht auf den epistemologischen Gedankengang Fichtes ein, auch wenn dieser ebenfalls ein typisch modernes Problem behandelt: die Moglichkeit von Gewissheit im Rahmen der Subjektivitatsphilosophie. (shrink)

In order to reflect on the morality of the health care market this paper critiques some of H. T. Engelhardt's presuppositions. Engelhardt has created the vivid term ‘moral stranger’ and suggested that there can be a ‘morality of moral strangers’. However his position relies either on certain necessary presuppositions which he leaves unmentioned or on presuppositions that are—in a strict sense—not moral ones. Engelhardt advocates the market economy as the guiding principle of health care, and claims that the market needs (...) no moral presuppositions. But when the preconditions of a functioning market are examined it turns out that a functioning market requires property and ownership, and that property and ownership are moral institutions. Therefore the application of the idea of the market to health care undoubtedly has morally serious consequences: most important, the difference between commodities and human beings is obscured. (shrink)

At first glance, Fichte and Nietzsche may strike us as intellectual contraries. For example, Fichte’s belief in historical progress and universal moral law appears to be diametrically opposed to Nietzsche’s searching critique of Enlightenment optimism. This impression is reinforced by Nietzsche’s disparaging remarks about Fichte. What is more, from the dearth of critical literature comparing the two thinkers, one might be tempted to conclude that they are broadly irrelevant to one another. In this paper, however, I (...) argue that their theories of subjectivity are in many respects remarkably similar and worthy of comparison. But I also explain how, despite this convergence, their normative philosophies end up so conspicuously at odds with one another. I begin by examining the resemblance between their denials of the substantial self (Section 1). In Sections 2 and 3, I analyse Fichte’s and Nietzsche’s positive accounts of subjectivity, self-cultivation, and the political preconditions of self-cultivation. In these latter two sections, I focus on pinpointing the conceptual juncture at which their practical outlooks begin to part, which I argue can be located in their drive psychologies and their distinct conceptions of conscience (Gewissen). These theoretical differences then generate a large-scale disagreement regarding the political systems they believe best enable self-cultivation, with Fichte favouring for a democratic regime, and Nietzsche opting for an aristocratic one. I conclude Section 3 by sketching a possible way out of this dilemma. (shrink)

Friedrich Nietzsche described The gay science as a book of 'exuberance, restlessness, contrariety and April showers'. A deeply personal and affirmative work, it straddleshis middle and late periods and contains some of the most important ideas he would ever express in writing. Moving from a critique of conventional morality, the arts and modernity to an exhilarating doctrine of self-emancipation, this playful combination of aphorisms, poetry and prose is a treasure trove of philosophical insights, brought to new life in (...) R. Kevin Hill's clear, graceful translation. (shrink)

We attempt to offer a new interpretation of Schlegel’s original solution for the problem of the new mythology. We claim that, while grasping the problem of the missing center as the structure of modern thought, Schlegel develops a theory of literature which implies an ontology of time. We advance that, by identifying myth with romantic literature, Schlegel’s argumentative economy leads him to apply the metaphysical predicates of myth to romantic literature as such. We propose then to read the status of (...) literary forms as constituting the substance which precedes them but, paradoxically, only exists through them. (shrink)

Die von Nietzsche und Friedrich Schlegel entwickelten philologischen Theorien weisen bestimmte Ähnlichkeiten auf, die deren grundsätzliche philologische Konzeptionen und Verfahrensweisen bestimmen. Ausgehend von Walter Benjamins Idee einer romantischen Kunstkritik, die ihr Objekt im Moment seiner Kritik verfolkommnet, versucht dieser Beitrag zu demonstrieren, dass Schlegels und Nietzsches Wende von einer auf Praxis bezogenen zu einer fundamental-theoretische orientierten Philologie mit der Formulierung eines Verständnisses der griechischen Kultur verbunden ist, das diese als kritisches Instrument für eine Transformation der gegenwärtigen Kultur anwenden will. (...) Durch dieses gemeinsame kulturkritische Ziel entpuppen sich Schlegel und Nietzsche als Zukunftsphilologen in dem Sinne, dass ihre anwendung philologischer Einsichten auf die zeitgenössische Kulturpraxis die ideologiekritische Tendenz von bestimmten heute praktizierten philologischen Richtungen vorwegnimmt.Nietzsche's and Friedrich Schlegel's philological theories share certain similarities that extend into their deeper philological conceptions and methodologies. Taking at its point of departure Walter Benjamin's notion of a Romantic art criticism that perfects its object in the monument of its critique, this essay attempts to demonstrate that when Schlegel and Nietzsche turn from philological practice to a more fundamental theory of a proper philological methodology, each seeks to formulate an understanding of Greek culture that can be applied as a critical tool for the transformation of their own present-day culture. This common cultural-critical thrust reveals Schlegel and Nietzsche to be future-oriented philologists in the sense that their application of philological insights to contemporary cultural concerns anticipates the ideology-critical direction evident in certain forms of philology as practiced today. (shrink)

Written on the threshold of Thus Spoke Zarathustra during a highpoint of social, intellectual and psychic vibrancy, The Joyful Science is one of Nietzsche's thematically tighter books. Here he debuts and practices the art of amor fati, love of fate, to explore what is "species preserving" in relation to happiness (Book One); inspiration and the role of art as they keep us mentally fit for inhabiting a world dominated by science (Book Two); the challenges of living authentically and overcoming after (...) the death of God (Book Three); and the crescendo of life affirmation in which Nietzsche revealed the doctrine of eternal recurrence and previewed the figure of Zarathustra (Book Four). Invigorated and motivated by Thus Spoke Zarathustra and Beyond Good and Evil, Nietzsche in 1887 added a new preface, an appendix of poems, and Book Five, where he deepened the critique of science and displayed a more genealogical approach. This volume provides the first English translation of the Idylls from Messina and, more importantly, it includes the first English translation of the notebooks of 1881-1882, in which Nietzsche first formulated the eternal recurrence. Structurally and stylistically, The Joyful Science remains Nietzsche's most effective book of aphorisms, immediately after which he took on the voice and alter ego of Zarathustra in order to push beyond the boundaries of even the most liberating prose. (shrink)