A ghost is a supernatural being that is typically described as capable of appearing to, speaking to, and even doing harm to a person. But it is also described as a being that you cannot touch or affect in the usual ways. Lots of things seem weird at first, but humans don't think of them as supernatural. It's easy to see how material things interact with each other. After all, they are, by their very essence as things filling (...) space, things that cannot merge into each other. Descartes' view is not just a philosophical speculation; it is also a scientific hypothesis. Although Descartes' reasons for dualism are based primarily in deep philosophical meditation, his reason for identifying the pineal gland as the seat of the soul is based in his investigation of the human brain where Descartes finds an anatomical explanation for some obvious facts about human perception. (shrink)

Name der Zeitschrift: Der Islam Jahrgang: 92 Heft: 2 Seiten: 442-467.

This study aimed to see if context in the form of priming can alter a participants thinking style based on their level of implicit association with either a religious or paranormal belief. This was based on the theory of alief, when a person’s explicit belief and behaviour are mismatched. This was also linked to dual process theory, with alief being analogous to type one thinking styles (fast and automatic). One hundred and seventy-two participants were recruited from the University of Derby (...) and social media. Implicit association was measured using a modified Brief Implicit Association Test that looked at paranormal and religious belief. Explicit supernatural belief, cognitive reflection, metacognition, and confidence were also measured. A hierarchical multiple regression revealed that a lower belief in the supernatural (apart from psychokinesis), a religious prime and high confidence predicted reflective thinking. Common paranormal perceptions, religious prime and confidence were significant predictors in the model. It was concluded that the prime worked on a moral level and influenced someone with an already open mind to different beliefs to be more analytical, positive, and confident. This study does not support the theory of alief, however, it indicates certain beliefs are susceptible to a certain prime, and that a person can be influenced to be more analytical. (shrink)

IN ADDITION TO SENSORY PERCEPTION AND POSSIBLE SPECIAL INSIGHT, FEUERBACH RAISES THE QUESTION OF THE ’NATURE’ OF MAN. THAT IS, DO WE HAVE ONLY ONE FIXED NATURE, OR IS IT POSSIBLE THAT MAN HAS NO ONE NATURE WHICH CAN BE DEFINED AND FIXED IN A UNIVERSAL MANNER AS THE ATOM CAN BE? IF SO, SOCIAL SCIENTISTS ARE DEALING WITH A MORE FLUID COMMODITY THAN THEY HAD HOPED FOR. IF THERE IS NO HUMAN NATURE, SOCIAL SCIENTISTS WILL REACH A FIXED (...) DECISION AND CONCLUSION ONLY TO HAVE IT OUTMODED BY A SHIFT IN HUMAN BEHAVIOUR. THUS, IF MEN LACK DEFINITIVENESS, THERE IS NO RIGID OPPOSITION OF NATURE VERSUS SUPERNATURE. SOME ’NATURES’ COULD OVERLAP AND INTERPENETRATE INTO SUPERNATURE. MY OWN RESPONSE TO THESE ISSUES IS TO SAY THAT WE MUST NOT BEG THE QUESTION BY ASSUMING CERTAIN MODES OF PERCEPTION AS ALONE VALID, OR RULE OUT THE POSSIBILITY THAT SOME HUMAN BEINGS ARE PERCEPTIVE WHERE OTHERS ARE NOT. (shrink)

How might the supernatural be represented in religious paintings that imply continuity between the virtual space of painting and the real space of the beholder? Such an implied continuity might be thought to threaten a necessary distance demanded of religious works. This article examines how a number of Italian paintings employ strategies for representing the supernatural through displacement devices that create a ‘gap’ within perception – an inviolable space that is implied as being outside normal spatiotemporal relations. (...) The contention is that these distancing devices are dependent on an imagined spatial proximity that is established but then broken. They exploit inherent ambiguities as to where a painting is relative to its beholder, by means of withholding both perspectival distance and positional cues for a discrete section of the work. (shrink)

En lisant l'œuvre de Lévy-Bruhl à travers le problème de la causalité mentale, on voit que le concept de participation, emprunté à la philosophie de Malebranche, lui permet de dépasser l'opposition entre deux conceptions : — d'une part, la « causalité naturelle », empruntée à Tylor et à Tassociationnisme britannique, qui explique les opérations magiques par des erreurs intellectuelles ; — d'autre part, la « causalité sociale », élaborée par Durkheim et la sociologie française, qui explique les phénomènes moraux et (...) religieux par l'intervention de la « société » comme sujet collectif. Le concept de participation désigne un mode de causalité qui opère au niveau de l'expérience naturelle sans lui ajouter un niveau surnaturel et proprement social : « Cette analyse est comparable à celle de l'imagination chez Bergson et éclaire la réception ambivalente de Lévy-Bruhl dans la phénoménologie et dans le structuralisme. » Reading Lévy-Bruhl's work through the topic of mental causality, one sees that the concept of participation – borrowed from Malebranche's philosophy – enables him to overpass the opposition between two conceptions : — on the one hand, « natural causality », borrowed from Tylor and British associationnism, which accounts for magical operations through intellectual mistakes, and — on the other hand, « social causality », elaborated by Durkheim and French sociology, which accounts for moral and religious events through the intervention of society as a collective subject. The concept of participation refers to a mode of causality which works on the level of natural experience without adding to it a supernatural and specifically social level: « This analysis can be compared to that of imagination by Bergson, and throws a light on the ambivalent reception of Lévy-Bruhl by phenomenology and structuralism. ». (shrink)

In two parts of his work Introduction to Universal History, Ibn Khaldun studies those perceptions of supernatural character which some individuals possess. In respect to these, an essential notion to him is that of “Veil of the senses”. according to him –and to other previous authors of whom he takes this notion– sensitivity, which is usually a basic element in common human perception, is seen as an obstacle to supernatural perceptions, for these are not reached by the (...) usual means of knowledge, but by what he conceives as particular revelations of the angelic world. This paper deals about that notion in the first part of his aforesaid work. (shrink)

Abstract This article identifies the tropes of “maturity” and “immaturity” in the dialogue between religion and science. On both sides of the aisle, authors charge, either directly or indirectly, that their dissenting interlocutors are not mature enough to see the value of their respective positions. Such accusations have recently emerged in discussions pertaining to Hindu theology, Indology, and science. Those who dismiss the substance dualism of Hindu yoga, according to Jonathan B. Edelmann, evince immaturity. Appeals to Hindu yoga are yet (...) one more appeal to religious experience. Indeed, what we find in Edelmann's text is an appeal to appreciate the private, unverifiable—or falsifiable, for that matter—“insights” of Hindu yogis. Yogic experience is interminably steeped in motivated perception and confirmation bias. There is simply no good evidence or rational argument to take yogic claims seriously. Insofar as that is the case, Indology must achieve consilience with the natural and human sciences, remaining thereby reductive of such supernatural claims. (shrink)

The perception opens the visible world. How it is then with intuition when the visible is hemmed by the invisible? What are the phenomenological and anthropological conditions of experience of invisible? We can proceed from mirror-reflections which provoked a number of beliefs in supernatural. They are inseparable from dimension of the sacred, from that what at the same time shows and hides itself. In final analysis, can we find in category of the sacred, in its diverse forms, the (...) affective and cognitive key to the invisible? (shrink)

Reestablishing feelings of control after experiencing uncertainty has long been considered a fundamental motive for human behavior. We propose that rituals (i.e., socially stipulated, causally opaque practices) provide a means for coping with the aversive feelings associated with randomness due to the perception of a connection between ritual action and a desired outcome. Two experiments were conducted (one in Brazil [n = 40] and another in the United States [n = 94]) to evaluate how the perceived efficacy of rituals (...) is affected by feelings of randomness. In a between-subjects design, the Scramble Sentence Task was used as a priming procedure in three conditions (i.e., randomness, negativity, and neutral) and participants were then asked to rate the efficacy of rituals used for problem-solving purposes. The results demonstrate that priming randomness increased participants' perception of ritual efficacy relative to negativity and neutral conditions. Implications for increasing our understanding of the relationship between perceived control and ritualistic behavior are discussed. (shrink)

This study investigated personal perceptions and comprehensions of self-ascribed paranormal abilities. Twelve participants with supposed supernatural powers took part in semi-structured interviews exploring the origin, phenomenology, and nature of their powers. Interview transcripts were analysed using reflexive thematic analysis, a qualitative method that identifies patterns within data. Four major themes expressed meanings and representations held by participants: Formative Influences, Subjective Paranormal Experience, Embodied Processes, and Perception of Reality. Consideration of themes identified an inextricable link between perception, interpretation, (...) and belief in ability. Within narratives, interviewees outlined, contextualised, and established the validity of their powers. They drew upon supporting autobiographical evidence from their life histories and obfuscated and/or discounted conventional explanations. Generally, accounts reflected individual attempts to comprehend and justify the nature and experience of professed abilities. The authors discuss these processes and suggest ways to extend and develop ensuing research. (shrink)

-/- The term “natural religion” is sometimes taken to refer to a pantheistic doctrine according to which nature itself is divine. “Natural theology”, by contrast, originally referred to (and still sometimes refers to)[1] the project of arguing for the existence of God on the basis of observed natural facts. -/- In contemporary philosophy, however, both “natural religion” and “natural theology” typically refer to the project of using all of the cognitive faculties that are “natural” to human beings—reason, sense-perception, introspection—to (...) investigate religious or theological matters. Natural religion or theology, on the present understanding, is not limited to empirical inquiry into nature, and it is not wedded to a pantheistic result. It does, however, avoid appeals to special non-natural faculties (ESP, telepathy, mystical experience) or supernatural sources of information (sacred texts, revealed theology, creedal authorities, direct supernatural communication). In general, natural religion or theology (hereafter “natural theology”) aims to adhere to the same standards of rational investigation as other philosophical and scientific enterprises, and is subject to the same methods of evaluation and critique. Natural theology is typically contrasted with “revealed theology”, where the latter explicitly appeals to special revelations such as miracles, scriptures, and divinely-superintended commentaries and creedal formulations. (See DeCruz and DeSmedt 2015) -/- Philosophers and religious thinkers across almost every epoch and tradition (Near Eastern, African, Asian, and European) have engaged the project of natural theology, either as proponents or critics. The question of whether natural theology is a viable project is at the root of some of the deepest religious divisions: Shi’ite thinkers are optimistic about reason’s ability to prove various theological and ethical truths, for instance, while Sunnis are not; Roman Catholic theologians typically think that reason provides demonstrations of the existence of God, while many Protestant theologians do not. Unlike most of the topics discussed in an encyclopedia of philosophy, this is one over which wars have been fought and throats have been cut. -/- The most active discussions of natural theology in the West occurred during the high medieval period (roughly 1100–1400 C.E.) and the early modern period (1600–1800 C.E.). The past few decades have witnessed a revival of natural theological debate in the public sphere: there are now institutes promoting “Intelligent Design Theory”, popular apologetics courses, campus debates between believers and agnostics, a “New Atheist” movement, Youtube debates between apologists and atheists regarding new books in natural theology (such as the one between Nathan Lewis and Bernie Dehler on the Blackwell Companion to Natural Theology),[2] and TED talks by famous atheists on how to resist natural religion (such as the one by Richard Dawkins in February 2002).[3] -/- Among professional philosophers (who aren’t typically part of these more popular debates), arguments over our ability to justify positive or negative answers to religious questions have become fairly technical, often employing sophisticated logical techniques in an effort to advance the discussion instead of retreading the same old ground. The prestigious Gifford Lectures series hosted by a consortium of Scottish universities, however, has tried to feature new but still accessible work in natural theology for over 100 years (it too has a Youtube channel!)[4] -/- In this article, we aim to avoid most the more recent complexities but also explain their origins by focusing on some central developments in the early modern period that helped to frame contemporary natural theological debates. We are focused here only on theoretical arguments (both a priori and a posteriori or empirical ones). It is controversial whether moral arguments are also part of natural theology, but we set them aside here (see also the entry on God, arguments for the existence of: moral arguments). (shrink)

A fundamental problem in science is how to make logical inferences from scientific data. Mere data does not suffice since additional information is necessary to select a domain of models or hypotheses and thus determine the likelihood of each model or hypothesis. Thomas Bayes’ Theorem relates the data and prior information to posterior probabilities associated with differing models or hypotheses and thus is useful in identifying the roles played by the known data and the assumed prior information when making inferences. (...) Scientists, philosophers, and theologians accumulate knowledge when analyzing different aspects of reality and search for particular hypotheses or models to fit their respective subject matters. Of course, a main goal is then to integrate all kinds of knowledge into an all-encompassing worldview that would describe the whole of reality. A generous description of the whole of reality would span, in the order of complexity, from the purely physical to the supernatural. These two extreme aspects of reality are bridged by a nonphysical realm, which would include elements of life, man, consciousness, rationality, mental and mathematical abstractions, etc. An urgent problem in the theory of knowledge is what science is and what it is not. Albert Einstein’s notion of science in terms of sense perception is refined by defining operationally the data that makes up the subject matter of science. It is shown, for instance, that theological considerations included in the prior information assumed by Isaac Newton is irrelevant in relating the data logically to the model or hypothesis. In addition, the concepts of naturalism, intelligent design, and evolutionary theory are critically analyzed. Finally, Eugene P. Wigner’s suggestions concerning the nature of human consciousness, life, and the success of mathematics in the natural sciences is considered in the context of the creative power endowed in humans by God. (shrink)

Hypnagogic and hypnopompic experiences (HHEs) accompanying sleep paralysis (SP) are often cited as sources of accounts of supernatural nocturnal assaults and paranormal experiences. Descriptions of such experiences are remarkably consistent across time and cultures and consistent also with known mechanisms of REM states. A three-factor structural model of HHEs based on their relations both to cultural narratives and REM neurophysiology is developed and tested with several large samples. One factor, labeled Intruder, consisting of sensed presence, fear, and auditory and (...) visual hallucinations, is conjectured to originate in a hypervigilant state initiated in the midbrain. Another factor, Incubus, comprising pressure on the chest, breathing difficulties, and pain, is attributed to effects of hyperpolarization of motoneurons on perceptions of respiration. These two factors have in common an implied alien ''other'' consistent with occult narratives identified in numerous contemporary and historical cultures. A third factor, labeled Unusual Bodily Experiences, consisting of floating/flying sensations, out-of-body experiences, and feelings of bliss, is related to physically impossible experiences generated by conflicts of endogenous and exogenous activation related to body position, orientation, and movement. Implications of this last factor for understanding of orientational primacy in self-consciousness are considered. Central features of the model developed here are consistent with recent work on hallucinations associated with hypnosis and schizophrenia. (shrink)

The aim of this work is to elucidate the meaning of 'infinity' from a phenomenological perspective, especially within the framework of Husserl’s theory of knowledge and perception. In the first chapter I firstly sketch the basics of Husserl’s phenomenology of knowledge. Thereafter I delve into the questions concerning the reduction to the 'reellen Bestand', which is hold to be the ground of verification of purports in the "Logical Investigations". I then propose an interpretation of the categorial intuition as directed (...) to the laws an 'Auffassung' follows when it organizes the sensual contents related to an object. In the second chapter I briefly expound Husserl’s phenomenology of perception and I show how perception can be hold as an intentional experience. Afterwards I concentrate on the constitution of space and of thing (Ding). I show in which sense the structures of both constitutions are dependent on the sensations and kinesthesis (i.e. proprioceptions) experienced by the subject. In the third chapter I finally deal with the problem of infinity. I face some recent interpretations of Husserl’s theory of perception according to which infinity is somehow intertwined in and even intuited through thing-perception (Dingwahrnehmung). I claim that thing-perception can not be hold as an access to infinity, i.e. no thing-perception is a perception of something as infinite. Following I show how some other kinds of sensual experience can correspond to a perception of infinity. On the base of some Husserl’s manuscripts and through a brief confrontation with Kant’s Analytic of the Sublime I sustain that infinity can be sensually intuited in the senses of limitlessness and of formlessness. I then show that categorial intuition is necessary in order to constitute the meaning of mathematical infinity, i.e. an endless whole of discrete parts. In fact, the idea of such an “entity” is dependent on the capacity of grasping the law of a serial production. In the conclusion I establish that mathematical infinity is the only kind of infinity which can not find any sensual correlate. This is due to the fact that it is a meaning composed by two contradictory prescriptions: 'reach the limitless' and 'go on without an end'. I consequently argue that the idea of infinity is grounded on sensual experience and does not need any supernatural origin. (shrink)

It has been hypothesized that illusory agency detection is at the basis of belief in supernatural agents and paranormal beliefs. In the present study a biological motion perception task was used to study illusory agency detection in a group of skeptics and a group of paranormal believers. Participants were required to detect the presence or absence of a human agent in a point-light display. It was found that paranormal believers had a lower perceptual sensitivity than skeptics, which was (...) due to a response bias to ‘yes’ for stimuli in which no agent was present. The relation between paranormal beliefs and illusory agency detection held only for stimuli with low to intermediate ambiguity, but for stimuli with a high number of visual distractors responses of believers and skeptics were at the same level. Furthermore, it was found that illusory agency detection was unrelated to traditional religious belief and belief in witchcraft, whereas paranormal beliefs were strongly related to illusory agency detection. These findings qualify the relation between illusory pattern perception and supernatural and paranormal beliefs and suggest that paranormal beliefs are strongly related to agency detection biases. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Knowledge and Faıth in Thomas Aquinas by John I. JenkinsE.J. AshworthJohn I. Jenkins. Knowledge and Faıth in Thomas Aquinas. Cambridge: Cambridge University Press, 1997. Pp. xv + 267. Cloth, $59.95.There is a strong tension in the thought of Thomas Aquinas. On the one hand, he is strongly naturalist. He insists that our cognition is rooted in sense-perception and that [End Page 673] it is normally reliable. He (...) insists that our moral life is grounded in our nature both as physical beings, able to feel pain and pleasure, and as social beings, depending on each other for our welfare. But he is also strongly supernaturalist. Human nature by virtue of its cognitive orientation toward the physical is not able through its own powers to know God. Still less is human nature able to achieve moral virtue by its own powers. This is not just because we are cut off from God by original sin; rather, there is a primal lack that was there even before the Fall. To achieve our true end, both cognitive and moral, we depend on God’s free gift of grace which elevates our nature and renders it able both to know God through the beatific vision in Heaven and to respond to God through loving, virtuous action. The gift of faith becomes central to human nature and destiny in a way that was to worry later thinkers such as Duns Scotus, who pertinently asked how our intellect can have the ultimate end of knowing God if it has to be made a different intellect before it achieves that end.Jenkins does not worry about the point raised by Scotus. Instead, he sets out to give an interpretation of the Summa theologiae which will help us understand more deeply the interplay between the natural and the supernatural in Aquinas. He begins by taking advantage of new readings of Aristode’s Posterior Analytics which present Aristode’s account of the demonstration which moves from cause to effect, not just as a pedagogic device for presenting material obtained by moving from effect to cause, but as a recipe for cognitive restructuring. Certainly we have to begin with mere observation, and with the piecemeal discovery of causes, but to achieve true scıentia (to use the medieval Latin term for organized, necessary knowledge) we need to acquire a new vision of how reality is structured and to see how effects flow necessarily from their causes. True demonstration is an expression of this new vision. Jenkins applies this reading of Aristotle to Aquinas. He takes with absolute seriousness Aquinas’s claim at the beginning of the Summa theologıae that theology too is an Aristotelian scientıa, and he sees the work as presenting a recipe for the cognitive restructuring of apprentice theologians (those to whom the work is addressed).The scientıa of the Summa theologiae differs from the scientia of the Posterior Analytics in two ways. First, Aquinas allows the term scientia to have an extended sense, so that God too can have scientia, even though he does not move from principles to conclusions by a process of syllogistic demonstration, but instead grasps all that is knowable in one simple act. Second, the basic principles which are the foundation of theological demonstration are the articles of faith, especially those of the creeds, which cannot be known by us in any naturalistic way. It is through God’s infused light that we assent to these articles as divinely revealed. After a lengthy examination of the role of faith in Aquinas’s account, Jenkins describes the epistemology involved as supernatural externalism.Although Jenkins’s presentation of the relationship between scientıa and faith in the Summa is carefully and lucidly argued, there are two aspects of the book that I would question.First, while it is true that Aquinas does present theology as an Aristotelian scientia, I doubt that this single fact “determines the purpose and structure of the Summa theologiae” (15) in any very detailed way. Jenkins further claims that the structure of the Summa is determined by the structure of God’s knowledge (220), but if God is truly [End... (shrink)

To a first-order approximation we can place most worship services on a continuum between clarity and mystery, depending on the setting and content of the service. This liturgical space can be thought of as a combination of the physical acoustics of the worship space and the qualities of the sound created during the worship service. A very clear acoustic channel emphasizes semantic content, especially speech intelligibility. An immersive, reverberant acoustic emphasizes mystery and music. One of the chief challenges in acoustical (...) design is the fact that both clarity and immersion are subjectively preferred by audiences, yet these two goals are almost mutually exclusive of one another. The movement along this continuum in liturgical space can also be seen in the religious contexts for many of the worship spaces constructed in the West in the last two millennia. In the case of religious ceremony, a free field acoustic environment provides more clarity and precision in the spoken word received from God and given to the congregation. Yet a diffuse field environment provides an embodied, otherworldly sense of the supernatural: the mystery of the faith received which cannot merely be put into words. This tension is perceptible in many of the religious controversies in the West during this time period. This article examines the history of the spaces used by early Western Catholic Christians as well as those of the traditions—Lutheran and Calvinist—that left the Catholic faith during the 16th century Reformation. By considering the stated goals of these traditions alongside the architectural and liturgical innovations they created, it can be seen that emergent liturgical spaces mirror the assumptions of their respective traditions regarding the proper balance between semantic and aesthetic communication during the worship service. The Reformed faiths' emphasis on the power of the Word is reflected in the liturgical space of their services, while the Catholic faith gave greater priority to the role of Mystery, in their liturgical space as well as their explicit theology. Once constructed, these spaces also aid the cultural transmission of the sung or spoken liturgy of each tradition to future generations. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

The nine essays in The Appearing of God are situated on the fluid border of philosophy and theology, and follow a path leading from classic modern philosophical discussions of experience to some leading themes in contemporary phenomenology. After an introductory exploration of Kierkegaard's classic text that straddles the border between philosophy and theology, the reader is introduced to Husserl's account of perception, with its demonstration that the field of phenomena is wider than that of perceptible entities, allowing phenomena that (...) give themselves primarily to feeling. Husserl's theory of reduction is then subjected to a critique, which identifies phenomena wholly resistant to reduction. John Paul II's encyclical on Faith and Reason elicits a critical rejection of its attempt to reify the boundary between natural and supernatural, the author asserting in its place that love is the distinguishing mark of the knowledge of God. This theme is continued in a discussion of Heidegger's Being and Time, where a passing reference to Pascal invites interrogation of the work's 'methodological atheism', which is found to leave more room than appears for love of the divine. The next three chapters deal with the themes of Anticipation, Gift and Self-Identity, all exploring aspects of a single theme, the relation of present experience to the passage of time, and especially to the future. The final chapter puts that theme, together with the theme of love and knowledge, to the service of an enquiry into how theology as an intellectual enterprise relates to the practice of worship. (shrink)

_ Source: _Page Count 31 This paper analyzes the theories of three representatives of Second Scholasticism, namely Francisco Suárez, SJ, John Poinsot, OP, and Francisco de Oviedo, SJ, on the issue of the intuitive and abstractive cognition of the external senses. Based on a comparison of their theories, linked to the historical starting point of the debate in the first decades of the fourteenth century, the paper argues that the doctrinal and argumentative matrix of these authors’ texts is significantly ‘present’ (...) in the Second Scholastics as well. 1) As far as naturally produced sensation is concerned, all these authors, including Poinsot, follow the Scotistic justification of the natural infallibility of the external senses; 2) regarding the possibility of supernaturally caused objectless perception, Poinsot’s position can be labelled, surprisingly, Scotistic; 3) Suárez’s theory, although partly similar to the doctrine of the late Ockham, is an idiosyncratic stance; 4) Oviedo’s conception, even more distant from that of Ockham, can be characterized as ‘Auriolian’ and ‘Chattonian’. (shrink)

For centuries humans have considered just two main possibilities for what awaits us at death: a “nothingness” like that of our before-life or some type of supernatural afterlife. The theory of a natural afterlife defines a vastly different, real possibility. The natural afterlife embodies all of the sensory perceptions, thoughts, and emotions present in the final moment of a near-death, dreamlike experience. With death this moment becomes timeless and everlasting to the dying person—essentially, a never-ending experience. The relativeness and (...) timelessness of the natural afterlife must be clearly understood to appreciate why it’s not supernatural yet indeed an afterlife and potentially the optimal heaven. The theory of a natural afterlife is now only a hypothesis; however, science, human experience, and logical deduction suggest that it’s extremely plausible and advances in science and technology could someday make it a scientific theory. This paper states the theory, describes the unconventional afterlife it defines, extensively analyzes its validity, and briefly addresses how it can significantly impact how people view death. Analytical tools, typically used for system modeling and language definition, are applied here to present an abstract model of a lifetime within time eternal. The model is used to support and explain the theory. (shrink)

This paper analyzes the theories of three representatives of Second Scholasticism, namely Francisco Suárez, sj, John Poinsot, op, and Francisco de Oviedo, sj, on the issue of the intuitive and abstractive cognition of the external senses. Based on a comparison of their theories, linked to the historical starting point of the debate in the first decades of the fourteenth century, the paper argues that the doctrinal and argumentative matrix of these authors’ texts is significantly ‘present’ in the Second Scholastics as (...) well. 1) As far as naturally produced sensation is concerned, all these authors, including Poinsot, follow the Scotistic justification of the natural infallibility of the external senses; 2) regarding the possibility of supernaturally caused objectless perception, Poinsot’s position can be labelled, surprisingly, Scotistic; 3) Suárez’s theory, although partly similar to the doctrine of the late Ockham, is an idiosyncratic stance; 4) Oviedo’s conception, even more distant from that of Ockham, can be characterized as ‘Auriolian’ and ‘Chattonian’. (shrink)

In the final chapter of Warrant and Proper Function, Alvin Planting a presents an “evolutionary argument against naturalism” (where naturalism is the claim that there are no supernatural beings). According to this argument, the conjunction of naturalism and evolution cannot be rationally believed by anyone who understands its epistemic implications. In this paper, I argue that if Plantinga’s evolutionary argument is sound, it follows that (what I call) perceptive naturalists have no propositional knowledge. Since it is plausible that perceptive (...) naturalists do have some propositional knowledge, I infer that the evolutionary argument (EA) is unsound. However, I conclude the paper with the suggestion that even if EA is unsound, it may still provide important insights about the epistemic shortcomings of naturalism. (shrink)

In the final chapter of Warrant and Proper Function, Alvin Planting a presents an “evolutionary argument against naturalism” (where naturalism is the claim that there are no supernatural beings). According to this argument, the conjunction of naturalism and evolution cannot be rationally believed by anyone who understands its epistemic implications. In this paper, I argue that if Plantinga’s evolutionary argument is sound, it follows that (what I call) perceptive naturalists have no propositional knowledge. Since it is plausible that perceptive (...) naturalists do have some propositional knowledge, I infer that the evolutionary argument (EA) is unsound. However, I conclude the paper with the suggestion that even if EA is unsound, it may still provide important insights about the epistemic shortcomings of naturalism. (shrink)

Until recently, the Church and culture in the confessional sense could not be equal and equal in magnitude. The dichotomy of the Church-Culture dichotomy was denied by both the first and the second. The historical Church tried to stand above the culture, and the culture tried to distance itself from the Church. Perceptions of culture The church was only associated with religious culture, which was defined as the socially reproductive or creative activity of people in the sphere of life and (...) consciousness, which was associated with belief in the supernatural. Religious culture has always been confessionally differentiated, expressing the historically achieved level of development of religious movements. Religious culture differed in terms of both material and spiritual. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy of Music Education Review 11.2 (2003) 112-129 [Access article in PDF] Musical Aphorisms and Common Aesthetic Quandaries Yaroslav Senyshyn Simon Fraser University, Canada I have written in the style of aphorisms because their form is useful for both the sake of brevity and possible complexity. As well, they are historically significant as they have served many philosophers in the past and in our own time. Some will argue (...) that they do not say enough, but this is unfounded as in saying less there is often scope for more. Who knows perhaps academe will experiment with this mode of writing more frequently?For the sake of a sense of direction, I will borrow Russell Nieli's title to his thoughtful book on Wittgenstein's philosophy, From Mysticism to Ordinary Language, 1 to characterize the procedure of these aphorisms. Thus my initial aphorisms begin with music as a thing-in-itself, a striving toward a Kantian noumenon 2 and move toward the everyday practical concerns of music education. There are no determinate limits to a philosophy of music; unfortunately, this is also true of confusion. The following aphorisms (while hardly exhaustive of any possible gamut of music philosophy) strive to demystify some of the more common aesthetic quandaries and hopefully provide an opportunity for a wider field of discussion in music philosophy and education. [End Page 112] Music: External and Internal Inferences Sound and silence as potentiation of music precedes human existence.If music precedes existence then it can never be defined in absolute terms of thought. It remains thus even if nothingness were an all-pervasive, encompassing silence (that is, the silence of music or music as silence). 3 Silence as music in our culture may be perceived to be music by some and not necessarily by all cultures. As the sound and silence that preceded our being, it is indeed music in everlasting potentiation.In this sense sound can only be philosophically inferred as the "other," outside music, which the pre-Socratic philosophers referred to mystically and metaphorically as "the music of the spheres"; it is that music outside of us and finds its origins in sounds indirectly related to us. 4 It is what I prefer to call the Sound and Silence that define and are defined by each other in their potentiation for music. Thus this sound is music as potential or dynamis if intended to be music and perceived as such. It is also the possible music or sounds of the environment and non-humans such as whales, elephants, and monkeys. But the latter is our perception of their "music" and not necessarily their own appropriation. In the former we can use or intend the sounds of the environment to be music if these are perceived as such by at least one other person.Thus all sound is music in potentiation.The notion of a possible pre-existence of music, as stated in the first aphorism, is then defined by music as both a source and external entity.As an external inference (that is, the possibility of such) music does not communicate with us; rather, we utilize it through our own means and culture to communicate by it indirectly. It becomes our social construct and thus not an absolute notion.This source of music can be verified as it is implicit in our respective societies and world cultures.A music which possibly or inferentially precedes existence is, of necessity, part of that possible catalyst of sound waves identified by modern-day physics by which the universe may have been formed. For this reason, such notions usually appropriated by world mythologies have made it possible to worship music, perceive it as a supernatural force, or even view it is a possible cause in the big bang theory. 5Music is embodied in experience in that it is appropriated by members of extant cultures for its own particular use. We can speak of music from within our personal experiences of it. But this can only be appropriated or understood properly by others when our description of it accords with that cultural... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Buddhist Ethics: A Philosophical Exploration by Jay L. GarfieldYilun Zhai (bio)Buddhist Ethics: A Philosophical Exploration. By Jay L. Garfield. New York: Oxford University Press, 2021. Pp. xiv + 248. Paperback $24.95, ISBN 978-0-19-090764-8.Jay L. Garfield's Buddhist Ethics: A Philosophical Exploration offers a comprehensive presentation of Buddhist ethics as well as one of the most ingenious metaethical developments in the field. With Western philosophers as its potential readers, the (...) tone and the choice of examples of this book contain a typical philosophical flavor. Most interestingly, it is not only an objective interpretation of the existing Buddhist ethical theories, but also an innovative work that expands the current theoretical boundary. Buddhist Ethics is divided into three parts: in the first part ("Structure") Garfield argues that Buddhist ethics is best characterized by "moral phenomenology," a metaethical theory that emphasizes how we experience over what we do. The second part ("Doctrine") elaborates on how both the Theravāda and Mahāyāna paths are ethical in nature and compatible with a phenomenological interpretation. The third part ("Contemporary Issues") introduces Engaged Buddhism, and claims that Buddhist ethics can function naturalistically without supernatural concepts such as rebirth and the six realms of transmigration.The first part of Buddhist Ethics maps a structural framework of moral phenomenology. Over the past decades, philosophers have endeavored to place Buddhist ethics under the existing Western metaethical categories, for Buddhist ethical thought bears a striking resemblance to all of the major traditions of Western ethics--consequentialism, virtue ethics, and deontology. But Garfield rejects any simple generalization and proposes a particularist reading of Buddhist ethics, which he calls "moral phenomenology." For Garfield, Buddhist ethics cannot be captured by any universal, overarching moral principle; not because Buddhists neglected ethics or failed to create metaethical theory, he argues, but that no universal moral principle is sufficiently sophisticated as a guidance for real life (p. 23). The complexity of dependent origination and the unique goal-oriented paths make the Buddhist definitions of action, agent, free will, pleasure, and pain utterly distinct from their Western counterparts. In particular, while Western philosophers often rely on our natural perceptual capacities and the conceptual mind as sources of information (such as the Cartesian "clear and distinct ideas"), according to Garfield, Buddhist ethicists regard ordinary perception as [End Page 1] fundamentally flawed and the source of all suffering. Thus, they "aim to correct a 'natural' way of experiencing ourselves," characterized by moral phenomenology (p. 22).Although moral phenomenology is the nucleus of Garfield's entire project, a comprehensive, formal definition of the term is lacking throughout the book. To help the reader understand this sophisticated term and its ethical stance, I will briefly summarize it here. Buddhist moral phenomenology centers on the transformation of our mental experiences, which Garfield calls an "input ethics," in contrast to the Western "output ethics" that emphasize explicit rules, external actions and their consequences, and cultivation of virtues (p. 29). The process of ethical cultivation--completed through prescriptive paths--replaces our natural egocentric experiences with a liberated perspective stemming from the interdependence of all things. Such a perceptual transformation in turn replaces one's instinctive reactions with a spontaneous and responsive mode of comportment toward the world (p. 27). The final goal of moral phenomenology is the elimination of suffering for all sentient beings, with the buddhas and bodhisattvas as exemplary models of its perfection. In this sense, it is a combination of an ethical path and a soteriological path.To the best of my knowledge, Garfield is the first person to explicitly identify a moral phenomenological reading of Buddhist ethics: His 2010 article "What Is It Like to Be a Bodhisattva" and 2015 book Engaging Buddhism include pioneering research on this theory. The current book (Buddhist Ethics) further develops the theory, offering a more mature metaethical structure and in-depth explorations of canonical texts from the Indo-Tibetan traditions. By endorsing a moderate form of ethical particularism, Buddhist phenomenology refrains from committing to a single Western metaethical category, and gains notable advantage in synthesizing a myriad of Buddhist moral discourses into a united whole. This theory is undoubtedly Garfield's paramount contribution in the... (shrink)

Tschumi believes that the quality of architecture depends on the theoretical factor it contains. Such a view led to the creation of architecture that would achieve visibility and comprehensibility only after its interpretation. On his way to creating such an architecture he took on a purely philosophical reflection on the basic building block of architecture, which is space. In 1975, he wrote an essay entitled Questions of Space, in which he included several dozen questions about the nature of space. The (...) questions he formulated could be regarded as analogous to the situation in the philosophy of the time, in which the interest in questioning the most obvious forms of understanding the world and intellectual categories increased. The research on space is an area common to many fields of natural sciences, humanities and artistic creation, but it also deals with other problems, such as issues of experience. The concept of space-time continuum proposed by Hermann Minkowski drew attention to the identity of time and space with the events taking place. Probably regardless of the postulates of physicists commenting on Einstein’s discoveries, also in philosophy it increased the importance of the concept of the event which became dominant in Heidegger’s latest work Contributions of Philosophy. Of the event. Furthermore, Tschumi’s reflections on space entered into relation with the problem of experience, which aroused the interest of a group of French philosophers trying to assimilate Georges Bataille’s concept of “inner experience”. Both Tschumi and Derrida referred to Bataille because his views could be used not only to modify the concept of the subject, but also to change the understanding of what constitutes the area of architecture. The discussion on experience has led to the recognition that the subject is not sovereign, but actually a form of what is on their outside. Such insights make it possible to treat the area of the Parc de La Villette as existing mainly when it is organised by its users. The decisive features of the Park are its assumptions, according to which it is a variety of active void that leads to agreeing new social relations with it. The park does not force to participate in already existing moral or political communities, but tries to move into an unknown future in which the scope of free functioning of individuals will be increased. Doubts about the principles of functioning of the individual self and its discovery as a whole composed of non-coherent parts, as well as its dependence on its own depth full of disordered forces, influenced the understanding of architecture as a set of contradictions whose source is a fundamental void anticipating the empty phenomenal space. The use of this phenomenal void in architecture, as well as the rejection of the whole and unity, had a specific political purpose and drew its inspiration from political analyses. In the Parc de La Villette, metaphysics and politics were brought closer together because the philosophy of void was used to create new conditions for community action. It can be argued that the source of this philosophy was the perception of errors in existing societies dependent on the shortcomings of traditional metaphysics. Spacing (espacement) was one of the key terms in Derrida’s philosophy, which was also combined with the concepts of différance and chôra. The study of the nature of space, especially its transition from the level of pure possibility to the level of sensual phenomenon, also contributes to understanding how well designed space can have an impact on its audience. This explanation is based on Tschumi’s assumption that the space of the Parc de La Villette contradicts the integrating approaches and instead exposes contradictions, but it does so in a way that combines incompatible properties into a single piece of architecture. The specificity of such integration is similar to the invention of a musical phrase, which is an ideological message: moral and political. Such a thesis may raise doubts, however, if both the clearly adopted assumptions and those deduced from the work allow for their ↪Quart Nr 2(52)/2019 logically ordered presentation then to a limited extent it may be assumed that the work has achieved a connection between a specific philosophy of space and its practical application. Derrida combined the problem of spatiality with the problem of transcendental imagination in Kant’s philosophy, who in the first version of Critique of Pure Reason assumed that pure imagination precedes the appearance of time and space, even in their transcendental forms. The imagination in such a situation can be described as a factor activating time and space, which indicates what function is played by movement in this activity. This leads us to recognize that the ultra originary source of pure forms of sensual intuition is movement, which in early Greek philosophy was identified with void and its lack of resistance to phenomena occurring in it. Derrida’s philosophy in search of a certain super-transcendental source of time and space pointed to différance which, like void or the chôra, does not have material features or even any other form of being. Différance is the primary cause of the disruption of motionlessness and the introduction of activity into motionless time and space, thus its activity can be described as spacing (espacement). Derrida’s discoveries in this respect are not entirely original, because Hegel already pointed out when examining the present that it is primarily a differential relation (differente Beziehung), which, being seemingly neutral, influences the present with supernatural force and makes it unidentifiable with itself. Differente Beziehung must similarly influence the originary space, negating its initial character by multiplying its divisions and expanding its boundaries. Différance acts by revealing contradictions wherever there is apparent undifferentiation. Tschumi, composing the Parc de La Villette as a variety of void and a set of incompatible layers, followed the rules of différance or the chôra: he made void visible together with its saturation with contradictions. If space can be considered to be the result of the activity of difference, such activity has a certain regularity, which influences the behaviour of its observers. Differences or contradictions fall into a certain rhythm, which can be considered a manifestation of transcendent order. The problem is that what can be considered the source of such order, namely the logos or God, is partly disorder and error. According to descriptions contained in Timaeus, the world is a combination of forces that drive to order with forces of erroneous necessity that resounds in every order and forces it to return to disorder. Derrida denied the possibility of understanding différance as a theological value, even if it were a negative or apophatic theology, but no categorical denial could be perfect. The assumption that différance or the chôra are not endowed with any substance properties cannot deny their activity, and thus a certain force. Already since Democritus, philosophy has multiplied the names of such a force and the contradictory variety of its manifestations, never forgetting also the necessity for reason to withdraw from the possibility of giving its correct characteristics. Such a withdrawal may be interpreted as an expression of respect and, in certain situations, as a cult of the force that precedes reasonableness. The Parc de La Villette, which is an artistic divagation about the contradictions and forces behind them, can be considered as a place of their sublimation, and therefore as a variation of the temple of what differs from order and disorder. (shrink)

This paper explores small-scale farmers’ cultural beliefs about the causes of drought events and the reasoning behind their beliefs. Cultural beliefs vary across countries, regions, communities, and social groups; this paper takes the case of farmers from Gaza Province in southern Mozambique as its focus. Findings show that the farmers have a limited knowledge and understanding of the scientific explanation about drought. Thus, farmers’ beliefs about the causes of drought are strongly based on the indigenous and Christian philosophies that attribute (...) drought to supernatural forces, such as ancestors or God, and as a punishment for wrongdoings. Farmers have a distinct and under-explored repertoire of possible wrongdoings to justify the punishments driven by those cultural beliefs. Some of their reasoning is static, while some is mutable, and is based on their observation and perception of the negative, unexpected, or harmful recent or current events which happen in their surrounding environment, and which they believe could be avoided or prevented. Farmers’ beliefs about drought causes, and their underlying reasoning for those beliefs, are what will primarily influence their perception of their own capacity to adapt, their motivation to respond, and their behavioral responses. Yet, their social groups exert a great influence on their choices of response. The paper concludes that more context-specific investigations into the socio-psychological nature of farmers’ beliefs are required prior to interventions in order to better help farmers to respond to future drought risks. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Integralism and Justice for AllJames Dominic Rooney O.P.Catholic integralism has received a lot of attention recently, promoted by pundits and scholars alike.1 Much ink has been spilled in scholarly venues discussing historical evidence marshaled by defenders of integralism who argue that the Catholic Church has rights to the coercive power of the state in service of its religious mission, notably Thomas Pink.2 My interest in this piece is different. (...) I aim simply to show that integralism is unjust. To prove this, I propose two problems that illustrate the integralist position entails violations of distributive justice concerning the rights of non-Catholics. It is important to highlight that my argument that integralism is unjust will not require denying Pink's controversial views about the power of the Church to direct state policy. In other words, I presume the truth of Catholicism and Pink's controversial readings of Church documents, but show that these readings do not allow us to arrive at the view that integralism is true. What my argument attacks is not that the Church has such powers, but that there is any identifiable "ideal" political arrangement in which these powers are exercised.Pink has attempted to show that—contrary to popular perception—the [End Page 1059] Second Vatican Council's declaration on religious freedom, Dignitatis humanae (DH), is compatible with integralist positions. Appealing to arguments given by Francisco Suarez, Pink argues that the Church has rights to the coercive power or authority of the state. On this reading, "the authority to direct and coerce in matters religious...belongs to the Church. It no more belongs to the state than it belongs to private individuals."3 Instead, the Church is a coercive authority which can impose "temporal penalties" on its members.4 Further, the baptized acquire obligations to lend the Church their temporal authority in service of its mission; thus, "rulers and officials of Christian states—[fulfill] their baptismal obligations to the Church in lending her their power and resources to hold other baptized Christians to their baptismal obligations."5 Consequently, the Church has a right, given its coercive authority to impose temporal penalties on its members, to the temporal power which baptized rulers hold, in service of its mission.6Pink's interpretation of what was called the Church's "indirect power" over government therefore involves a strong thesis that the Church has God-given rights to utilize civic coercion for its own supernatural ends. I will refer to this controversial thesis about "indirect power" as the "Suarezian thesis" (but will not be concerned with whether his view accurately represents Suarez). Pink and other integralists claim that this strong thesis about a native or intrinsic right of the Church to the coercive power of the state is doctrinally binding on Catholics.7 But Pink's view of that indirect power is controversial among Catholic theologians. Theologians as noteworthy as Avery Dulles, Joseph Ratzinger, and John Henry Newman explicitly reject this interpretation that the Church has native or intrinsic rights to civil coercive authority.8 For my purposes, I will concede the Suarezian thesis and [End Page 1060] illustrate that it is theoretically independent of integralism. Indeed, I will argue that integralism is false even if the Church did have a claim to temporal coercive power of the state. Integralism is more than the Suarezian thesis, does not follow from it, and does not strictly require it.The essay will be structured as follows. I will begin by providing clarifications on the meaning and nature of the integralist thesis. Then I will propose two arguments to show that, even if the Suarezian thesis were true, it would not entail that integralist states are the ideal political arrangement. What I will show is that there is no good sense in which integralist states are politically ideal. This is not to say integralist states are always impermissible. There are constraints that integralists themselves accept on when integralist states are permissible, and only when these constraints are met is an integralist state supposed to be politically ideal. I will construe the constraints charitably. Then I will show both that integralism lacks any good justification for the claim that... (shrink)

Within the context of sports, the term 'miracle' is regularly associated with game-winning shots, holes-in-one, completed Hail Marys and other improbable outcomes. These conceptions of miracles largely focus on the success of specific sport actions at specific times when such success is deemed highly improbable. While prominent in the popular sports literature, most scholars agree that this perspective on miracles is very simple and highly unsophisticated. Events portrayed as simply 'beating the odds' would represent pale versions of miracles at best. (...) Some conceptions of miracles, however, include characteristics that reach beyond improbable outcomes. From more sophisticated perspectives, miracles are often viewed as divine action guiding the ordinary course of human experience. To be considered 'miraculous', improbable outcomes in sport would need to be perceived as interactions between the supernatural (God or other divine entity) and the natural (physical world). In addition, miraculous occurrences would have to be a part of a divine master-plan. Scholars argue that without such connections, miracles would yield no direction or meaning to the evolving world. The differences between these two perceptions raises several questions: Why do some view these extraordinary athletic performances from spiritually sophisticated perspectives while others have not the 'ears to hear' or the 'eyes to see' the divine possibilities in these experiences? Why are common uses and perceptions of miracles in sport simplistic and thin? What is a sophisticated view of miracles? What human abilities and processes are needed for one to achieve a sophisticated perspective? And, finally, what is the purpose of the true or sophisticated miracle in sport? In this paper, I will examine the notion of the miracle in sport. At its core, this paper describes how an athlete intellectually and spiritually moves from the unsophisticated to the sophisticated conception of a miracle. Through the writings of James, Lewis, Polanyi and others, I will show how human intellectual operations allow one to have 'ears to hear' and 'eyes to see' the spiritually miraculous in sport. I will begin by presenting an unsophisticated version of miracles in sport. After critically examining several types of miracles, I will present a more sophisticated definition. I will then explore the human processes necessary to view miraculous experiences in sport as interactions between the natural and the supernatural rather than interpreting these experiences simply as improbable outcomes. Finally, I will show how miracles present opportunities for spiritual conversion and have a use and place in the divine's master plan. (shrink)

The paper begins by challenging a received view of Descartes as preoccupied with scepticism and setting out entirely on his own to build up everything from scratch. In reality, his procedure in the Meditations presupposes trust in the mind’s reliable powers of rational intuition. God, the source of those powers, is never fully eclipsed by the darkness of doubt. The second section establishes some common links between the approach taken by Descartes in the Meditations and the ‘faith seeking understanding’ tradition. (...) So far from insisting on the autonomy and independence of human inquiry, Descartes sees the meditator as finding freedom in spontaneous submission to both the natural light of reason and also the supernatural light of faith. The approach to God which lies at the heart of the Meditations in some ways resembles a direct cognitive encounter as much as a formal demonstrative proof. The paper’s final section deals with Descartes’ ‘incarnational’ theodicy of the passions. Lacking the clarity and transparency of intellectual perceptions, the passions can often lead to confusion and error. Nevertheless they are part of the (divinely bestowed) endowment of our human nature, which is not a pure intellect plugged into a machine, but a genuine psycho-physical unity. The passions can serve as valued auxiliaries of reason in the search for goodness and truth. (shrink)

The aim of this article is to reveal with an overall approach, how the psycho-social background, starting from woman image in first periods and reach modern day, is embraced by outstanding theorists of modern psychology, and also how these collected works are reflected in their definitions of woman. If it is considered that woman has been discussed with reflections against and not from primary sources throughout history, it can be seen that the most essential roots of woman narrations can be (...) found in oral culture and the parts of written texts are made over symbol, metaphor, proposition and story. However myths (stories) that take place in oral and partly written culture about primitive man, are sacred tales, they will also present data regarding human image. Therefore with a limited effort of human being to understand the infinite, it can be understood what human being think, feel and how they interpret rather than gods/goddesses ontology. From this point of view, this article that consists of two parts, first of all will mention especially about perception of Goddess in those reflected to image of God, maintaining its efficiency in conscious or unconscious as a system of symbols intrinsic to human nature and cultural code background and then the woman image will be roughly discussed with a descriptive style over the world of mythology, psychology and faith. In the second part, it will be examined in detail how all the written and oral information about understanding woman by modern anthropologists are interpreted with the perspective of modern psychology specific to theorists such as Freud, Jung and Fromm. Eventually, it will be emphasized that past and future are integrated with information, experience and feelings with an active relationship; perception and approach of woman have stayed up to date in time continually; mythology, psychology and religion are important factors within this matter.Summary: Human being has also used historical, temporal and spatial attributions for God. Infinite human being has expressed their thoughts about the finite God by analogy. Despite the dominance of male gender in the images of God in these analogies which are the products of human experience, female Gods that is to say Goddesses are not few. The matter of how the image of goddess come to the fore in a distinctly male-dominant society is a noteworthy matter. The narration of Earth Mother over female symbol in myths in which the harmony is constantly secured within the inner and exterior world and mention about living in harmony with the universe is an important data in order to understand female characteristics attributed to God. Human being has also used historical, temporal and spatial attributions for God. Infinite human being has expressed their thoughts about the finite God by analogy.The woman subject is influenced by transferred life experience within the historical process, and it is an undeniable fact that ancient “woman perception” has reflections to the present day. Within the history of humanity, striking definitions about woman can be seen in sacred statements in symbol language. Therefore, it is proper to examine primarily the image of sacred and then examine female meaning that is charged on that image. The aim of this study can be summed up with two themes: a) try to understand the general framework of reflections of the present image of woman, style of narration and comprehension in psychological, sociological, and religious terms by getting help from myths which mention about ancient image of God, although there is centuries old difference between those stories and us, b) reveal the image of woman in Freud, Jung, and Fromm’s approach which establishes a bond between mythology that is a system of symbols special to human nature and human psychology and discuss this subject by using psychology of religion.When reviewed ancient Far East and Middle East myths and also Ancient Greek mythology, it can be seen that gods are not cloistered supernatural beings who do not have abstract personalities and also do not lead a wholly metaphysic life. The crucial issue here is; the reality that Gods and Goddesses are shown as a model to both man and woman. Psychologists who examine religion in terms of psychology state that first outcomes about the image of God come up not with behavior but with emotion. The attributions of gender, related to the emotion in question are cited during the transfer of those emotions as well. Therefore; philosophers, culture and religion historians, theologians, anthropologists, archaeologists, psychologists, and sociologists have contributed to this transfer when they discuss the cult of God or Goddess throughout the history. It is interesting that the usage of the term of God maintains while the usage of the term of Goddess decreases. Civilization historians claim that the appearance of divine religions particularly quickens the course of transition from goddess to god. According to them, during this period in which there is a transfer from polytheist image of God to monotheist image of God, the quantitative change in the perception of God comes with a qualitative change. According to Fromm, during this power gathering period, there has been a transfer from mother and feminine (woman) centered religion to father and masculine (man) centered religious experience/ God image. According to him, in the second stage of humanity development, “the children of Earth Mother turn into the children of divine father”, there is a transition from unconditional love of mother to authoritarian sympathy of father, from an image of supplemental and surrounding Goddess to authoritarian image of God who makes requests by his nature, lays down principles and laws, and supports the power and search for a successor to deliver the power.The perception of women who led to Prophet Adam deviated from the truth and expelled from heaven is spread around especially the regions of one-God religions. This has strengthened the idea that divine religions have a negative view towards women. Including Islam, the reason of all divine religions’ encountering with claims that they have a negative approach against woman stem from applying to that religions’ human resources rather than essential religious sources which are existing or lost earliest forms.Oedipus complex is an important thesis of Freud which explains the development of religion and morals; establish the base of his psychology, and in fact, important in terms of his making connection with difference of kinds and flow or non-flow of request and needs while explaining human behaviors. According to Freud who points to sexuality and aggression which are the most powerful two instinct in the biology of male or female; the first three or five years of a newly born human- this is the period in which the basic part of personality is formed- the definition of self is extremely influenced by his/her gender (in both biological and sociocultural terms). Freud who put forward father-son conflict in the struggle to survive between Zeus and his sons in Moses and Monotheism (1998c) and Totem and Taboo (1998a), makes an explanation about the origin of religion and humanity over two male characters. Jung pays attention to goddess image as much as the image of god and do not approach this situation only as a polytheism or sociocultural explanation or childish appearances of a primitive mind. He accepts goddesses as a reflection of archetypes in human. Male has a feminine side, female has a masculine side, and a unity occurs when both complete each other. According to Fromm, a taxonomy referring to woman and man is primarily a sociology-based approach rather than a biology-based one. Fromm (1995) thinks that the whole depiction shows individuals’ own desire and needs, that is to say, their psychology rather than a theology. Transition from mother (woman) centered religion to father (man) centered religious experience and God image is essentially one of the most important breaking/inversion points of human being, not humanity. As a result, it can be said that it is an important point to clearly understand the story of mankind to examine that intense freshness at hand and centeredness of quantitative and qualitative changes of divine or God image of ancient societies come down after psychological, sociological, religious, economic, political, and cultural changes. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:René Girard LOVE DELIGHTS IN PRAISES: A READING OF THE TWO GENTLEMEN OF VERONA Valentine and Proteus have been friends since their earliest childhood in Verona, and their two fathers want to send them to Milan for their education. Because of his love for a girl named Julia, Proteus refuses to leave Verona; Valentine goes to Milan alone. In spite ofJulia, however, Proteus misses Valentine greatly and, after a (...) while, he, too, goes to Milan. The two friends are reunited in the ducal palace; the duke's daughter, Silvia, is present and Valentine briefly introduces Proteus. After she departs, Valentine announces that he loves her and his hyperbolical passion irritates Proteus. Once alone, however, Proteus has his own announcement to make: he no longer loves Julia; he, too, has fallen in love with Silvia: Even as one heat another heat expels, Or as one nail by strength drives out another, So the remembrance of my former love Is by a newer object quite forgotten.1 If there ever was a "love at first sight," this must be it, we think, but Proteus is not so sure: in three crucial lines, he suggests a different explanation: Is it mine eye, or Valentinus' praise, Her true perfection or my false transgression, That makes me reasonless, to reason thus? (Il.iv. 196-98) 231 232Philosophy and Literature The entire comedy massively confirms the crucial role of Valentine in the genesis of Proteus's sudden passion for Silvia. According to our romantic and individualistic ideology, a borrowed sentiment such as this one is not genuine enough to be really intense. This is not true in Shakespeare; Proteus's desire is so furious that he would actually rape Silvia if Valentine did not rescue her in extremis. When Shakespeare wrote his plays, the second-hand desire he portrays had no name, no official existence, but this is no longer true. We call it mimetic or mediated desire. Valentine is the model or mediator of this desire. Proteus is its mediated subject and Silvia is their common object. Mimetic desire can strike with the speed of lightning because it does not really depend upon the visual impact made by the object; it only seems to. Proteus desires Silvia not because their brief encounter made a decisive impression on him but because he is predisposed in favor of whatever Valentine desires. Mimetic desire is not some modern idea that I would force upon an unwilling writer; it is Shakespeare's own idea and we can see this again in Proteus's soliloquy, which keeps minimizing the role of perception in the genesis of his desire for Silvia: She is fair; and so is Julia that I love, That I did love,... (Il.iv. 199-200) IfSilvia is no more desirable objectively thanJulia, her only advantage is that Valentine already desires her. Shakespeare undermines the predominance of sight in the expression love at first sight. In A Midsummer Night's Dream as well, the two girls are said to be equally beautiful, also for the purpose of reinforcing the case for mimetic desire. II The dramatic context of this first mimetic desire, and of many others in Shakespeare, is the close and ancient friendship of the two protagonists. When Proteus is about to arrive in Milan, Valentine describes this friendship to Silvia and her father: I knew him as myself; for from our infancy We have convers'd and spent our hours together. (II.iv.62-63) René Girard233 When two young men grow up together, they learn the same lessons, they read the same books, they play the same games, and they agree on just about everything. They also tend to desire the same objects. This perpetual convergence is not incidental but essential to the friendship ; it occurs so regularly and inevitably that it seems preordained by some supernatural fate; it really depends on a mutual imitation so spontaneous and constant that it remains unconscious. When we think of imitation, we imagine two people copying each other's manners, habits, accents, and even their likes and dislikes in the still childish and innocent manner of two childish friends. We never think of what Proteus's desire for... (shrink)

In this study we examined the applicability of personality measures to assessing God representations, and we explored how the overlap between personality judgments of self and God relate to strength of (dis)belief and closeness to God among atheists and agnostics. Using sample of 1,088 atheists/agnostics, we applied Goldberg’s Big Five bipolar markers as a standardized measure of personality dimensions, along with measures of identity fusion with God, belief strength, and sociosexuality, as this trait has been shown to be relevant in (...) predicting religiosity. Our study revealed that personality measures can be used for research on the personality of supernatural agents. We also found that personality self-assessments were related to the assessments of God personality. Agreeableness was positively related to the perception of emotional stability of God, while conscientiousness and surgency were negatively related to perceived intellect and surgency of god, respectively. Also, intellect of the participants was related negatively to perceptions of God’s emotional stability and intellect. Perceived distance between the assessment of one’s own personality and the personality of God predicted the strength of (dis)belief, thus opening new interpretations into possible sources of belief and disbelief. Finally, echoing previous studies, we found that conscientiousness of God had a negative effect on SOI-R score. (shrink)

Looking to understand religiosity as a social factor, contributory of constructions of meaning and omnipresent in diverse historical and cultural universes, this article focuses on the ritualistic dimension of religiosity. Adopting as a research problem the religious pilgrimages, take particular note of the shrines as symbolic markers towards the supernatural. This work has a double aim: to carry out a review and critical analysis of the religious pilgrimages and to study the specificity of the pilgrimages to the Shrine of (...) Fatima, located in Portugal. After a brief mention of the dialectic dissidence-coexistence of ancient religious practices in secularized societies, the concepts of worship, rites and sacrifices are revisited. There follows a more in-depth analysis of the theme of pilgrimages to shrines, from the concept and historical review to the particularity of pilgrimages to the Shrine of Fatima, the latter viewed as a geo-symbol of religious tourism in Portugal. The results of a survey of 784 pilgrims to the Shrine of Fátima are presented, focusing on the beliefs, experiences, perceptions, purposes and expectations regarding the pilgrimage, as well as the nature of the requests addressed to the Lady of Fatima and promises fulfilled. Throughout the article the pilgrim character is emphasized, not neglecting the analysis of the active, voluntary and sacrificial behavioral implication as legitimating the benefits already granted or to be granted. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Passion and Action: The Emotions in Seventeenth-Century Philosophy by Susan JamesRichard A. WatsonSusan James. Passion and Action: The Emotions in Seventeenth-Century Philosophy. New York: Oxford University Press, 1997. Pp. vii + 318. Cloth, $35.00.Susan James shows how during the seventeenth century philosophers moved from the three souls of Aristotle and the tripartite soul of Thomas Aquinas in which passions and reasons compete for the attention of the will, (...) to a Cartesian view of man as a single soul in union with the body who wills under the influence of both passions and reasons, to a Hobbesian view that the soul is the body and that the bodily motions we call reasons and passions are desires; acts of will are merely the deciding desires in deterministic causal sequences of the material motions of the body that constitute desires. This sets up the contemporary view that, motions are caused by desires and beliefs, leaving behind the difficulties of integrating with one another Aristotelian souls, Thomistic faculties, and Cartesian mind and body. James conceives of this evolution as one of unification of mental and bodily powers, and of integration of the active and passive powers of the mind. This concourse also represents a development from theories meant to explain to theories calculated for control and finally to theories facilitating therapy. Aristotle and Thomas adapted their ontologies to perceived differences in powers and faculties, while Descartes and Hobbes worked toward an ideal of unity of science and nature. The Christian Descartes brought together all the substances and powers of nature under a single extended matter divided into parts by the single force of motion, but he excepted the human soul with its power of will to alter the course of nature. The atheist Hobbes simply dispensed with supernatural [End Page 168] mental substance and occult power of will in order to integrate the whole of nature (including sensing and reasoning) under a cause and effect sequence of moving material bodies in which the last desire in a sequence of human bodily motions is designated as an act of will.James intends her book “as a contribution to the reinstatement of the emotions within philosophy, to the… opinion that we need to take account of our emotional life if we are to understand… moral motivation and growth, the springs of action (rational and otherwise), and the nature of reasoning” (22). She agrees that the sharp division between ideas and passions or emotions is properly abolished to be replaced by the view that all ideas have an emotional component, and all passions an ideational component. This fits with the parallel development of the notion that all sensible perceptions are propositional, and the somewhat less widespread notion that all concepts have a sensible component.But did this development result in a view of passions and ideas, learning and knowing, thinking and action, that is more true to nature than Aristotelian ontology? It is very hard to answer this question, and despite her sympathies with the notion that all human thought is both conceptual and emotional, James does not try. The reason we don’t know lies under the surface of the movement from Aristotle to Hobbes (i.e., to Daniel Dennett) like a monster in the deep. The monster is the monotheistic God, the perfection and unity of which underlies the Western drive to a unitary view of nature including man. The possibility that this God could be a deceiver, and so all our sensations and ideas might not represent the real world, set up Cartesianism and modern hypothetico-deductive science. But lurking throughout James’ book is a more palpable dreadnought, a demoness, the woman Eve. The female is responsible for the Fall of Man, and thus the fear and suspicion of women that suffuses patriarchic Christianity, and is expressed openly by such philosophers as Malebranche. Bodily passions and emotions (particularly the concupiscent ones) are nasty, evil, irrational, overpowering; to wit, they are feminine. They are not to be trusted, and must be subdued. So while still driven by ideals of monotheism, Descartes and Hobbes do move beyond the dogmatic Christian association of the emotions with female treachery. Even so... (shrink)

The unique value of Mickiewicz’s “Vision” is its included image of the structure of the supernatural order. The poet described is as an infinite, continually spreading space, spherical in shape and filled with a luminous divine element penetrating everything most easily, in the middle of which there is an eternally sinking well that emits out that element. The well emitting the luminous transparent matter is God Himself. Contrary to Christian dogmas He is obviously de-anthropomorphised but not de-animated, as also (...) in that form He means the source of life and love. In ecstasy, the experiencing individual adopted godly attributes: he united with the material-spiritual being that continually came out of God, and he found himself in the centre of the universe where he was given the ability of receiving all its movements and signals, and at the same time — the privilege of being everywhere. According to Mickiewicz’s “Vision”, eternal life has an active and creative nature - it is characterised by supply of the animating love element, endless development and growth, the grace of eternal watching the transcendental reality, excellent contact with Creator, and the gift of creation. The second fragment of the “Vision” reveals valuable information on the nature of extrasensory perception. It is absolute, free from any difficulties, prompt and insensible; it is perfect perception. (shrink)

Fasting during pregnancy is an enigma: why would a woman restrict her food intake during a period of increased nutritional need? Relative to the costs to healthy individuals who are not pregnant, the physiological costs of fasting in pregnancy are amplified, with intrauterine death being one possible outcome. Given these physiological costs, the question arises as to the socioecological factors that give rise to fasting during pregnancy. There has been little formal research regarding the emic perceptions and socioecological factors associated (...) with such fasting. This study therefore took an emic approach and investigated the types of fasts that are common in pregnancy, women’s perceptions of the consequences of fasting, and the socioecological models of pregnancy fasting in three Indian communities. This cross-sectional study took place in Bhubaneshwar, Odisha state, and Mysore, Karnataka state, among two populations of Hindu women and one population of Muslim women (_N_ = 85). In total, 64% of women fasted in prior pregnancies. Findings revealed variation in the number and types of fasts that are common in pregnancy across the three communities. Each community reported differences in positive and negative consequences of fasting, with varied emphasis on reproductive health, religiosity, and general health and well-being. Finally, quantitative analyses indicated that the best-fitting model for fasting during pregnancy was religiosity, and the poorest-fitting models were resource scarcity and general health. This study provides insight into motivations for such fasting and highlights the need to investigate the relationship between supernatural beliefs and maternal–fetal protection further, as well as social functions of pregnancy fasting within the family and community. (shrink)

This paper examines demonic agency and epistemology in the thought of Augustine. When Augustine claims that demons can “work miracles,” he means this in a specific sense: the actions and intelligence of demons are only miraculous from the standpoint of humans, whose powers of perception and action are limited in relation to those of demons. The character of demons’ bodies and the length of their lives provide abilities beyond what humans possess, but, as natural, created beings, demons adhere to (...) the physical rules of nature. Demons possess neither supernatural powers, nor perfect knowledge. Just as our wonder ceases when we are shown how a magic trick is executed, human astonishment makes way for rational understanding once we comprehend demonic nature. (shrink)

In Chapter 1 I discuss the basic problem which made me undertake the issue of human death. That problem was the dualism in the depiction of human nature which has not been fully overcome yet, the dualism which leads to the emergence of new difficulties in contemporary attempts at adequately solving the problem of human death. They include the separation of soul from the body in the moment of death, and the borderline between the moment of death and the moment (...) of resurrection. Chapter 2 is devoted to the presentation of a new anthropological perspective, of an anthropology build “from the bottom up”, that is “from foundations”, and taking into account man’s rooting in the biological environment, and thus also in the genetic heritage taken over from our pre-human ancestors. That anthropology brings new aspects into traditional anthropology by extending it to include new ways of explaining the genesis of the human body and spirit, and new depictions of man’s death. In Chapter 2 I will also present the concept of evolution proposed by P.T. de Chardin, which I appreciate for its comprehensive evolutionary perception of the world. This concept has provoked various responses, but it certainly provides a creative inspiration for further attempts at applying the idea of evolution to various issues. The general framework of the evolutionary model proposed by the French researcher turns out to be useful also when applied to the evolutionary understanding of human death. Chapter 3 contains a discussion of the principal premises of the evolutionary concept of human death taken from analyses carried out by T. Wojciechowski concerning the issue of time, space, and the structure of variable material beings. A being is variable because it has a temporal structure, and the changes that occur are the derivatives of that structure. The temporal structure may be seen as endless, in which a being, even though its existence had a beginning, will exist for ever. Material substance should not be seen statically, but in dynamic and evolutionary terms. In evolution, time becomes a driver of development, an element shaping and directing the evolution of the entire cosmos. Man’s substance has been made capable of two levels of being and acting: the spatial and temporal level, and the endless and immanent level. Together, they form the one essence of man. Thus, the human person is partially immersed in the material cosmos, and partially elevated above it. Chapter 4 presents the evolutionary approach to the moment of man’s death. The views of T. Wojciechowski will be presented in which the moment of death is seen as a moment of transformation and perfection of the structure of the essence of human existence. Furthermore, the issue of the relationship existing, according to T. Wojciechowski, between man’s death and resurrection will be discussed. Understood in evolutionary terms, the moment of death is the time when the structure of human existence is transformed. Death transfers man fully into eternity and enables his life on a higher level of existential being. The element of flesh is retained, but changes its nature. Such view of death allows it to be understood as the moment of resurrection and the culmination of the evolutionary process of life. Death is therefore an “invention” of the evolution and should be seen as a natural and positive phenomenon. At this point, I also propose a solution to the question about reconciliation between temporal and endless existence. In Chapter 5 I take up the issue of consequences flowing from the postulated understanding of human death. They have been pointed to by T. Wojciechowski, but need to be further developed and clarified. He believed two lines in man’s development need to be recognized: that of natural and that of supernatural evolution. Both have the same direction, while occurring on different planes. In each of these lines, death is a natural element of life, pre-planned and, so to say, “encoded” in the cosmic matter. Therefore, the treatment of biological death as the consequence of sin is not only contrary to the evolutionary understanding of life, but in addition artificially combines that which is natural with that which is supernatural. Man’s authentic experience of his own present is a condition of his achieving full existential perfection in the moment of this death. Full engagement in the present is, in a way, a harbinger of the future; thus, the life “here” and “there” may not be inherently inconsistent. In the light of the evolutionary concept, death is not a punishment, but the most positive experience of man’s life in that it enables him to achieve full existential perfection. Chapter 6 is devoted to a substantiation of the possibility of evolutionary transformation of the structure of human existence in the moment of death. An adequate cause needs to be identified which could substantiate that transformation and achievement of perfection. I believe an appropriate substantiation can be found in God’s creative act, interpreted in evolutionary terms. The process of evolution, with its subsequent stages, is only a necessary condition for that “transformation” and “elevation”. The sufficient condition is fulfilled by the continuous creative intervention of God. The concept of God’s creative activity in the moment of man’s death finds its continuation in Chapter 7, where I present a detailed analysis of God’s activity at the time of man’s death. The concept of God’s creative activity extended over the entire process of evolution makes it possible to consider the moment of death as the moment of man’s resurrection. The moment of death is thus a moment of creation in evolutionary terms. Thus, as long as man is related to temporal and spatial elements, his development, or creation, continues. Death is only the completion of the final stage of creation, which may be painful and evoke fear, but in fact should give hope, for it involves resurrection. I also propose that the creative act in the moment of man’s death-resurrection be considered a basic action of God, which explains the manner in which God’s activity is contained within the framework of the creative act, encompassing also the moment of death-resurrection. The final Chapter 8 describes a didactic model illustrating the concept proposed here. I use the analogy of white light dispersion effect in the prism, and compare the incident ray to the creative act, and the dispersed rays going through the prism to the line of man’s natural and supernatural evolution. This model also shows the difference in the perspectives from which the phenomenon of death is seen by God and by man. (shrink)