Results for 'Plato's cave (Allegory) '

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  1. Plato's Simile of Light . Part II. The Allegory of the Cave.A. S. Ferguson - 1922 - Classical Quarterly 16 (1):15-28.
    The first part of this paper argued that the traditional application of the Cave to the Line was not intended by Plato, and led to a misunderstanding of both similes. The Cave, it was said, is attached to the simile of the Sun and the Line by the visible region outside the cave, which is a reintegration of the symbolism of sun, originals and images in the sunlight, and the new system of objects inside the cave (...)
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  2.  83
    Husserl and Heidegger on Plato’s Cave Allegory.Douglas R. McGaughey - 1976 - International Philosophical Quarterly 16 (3):331-348.
  3. Interpreting Plato's Cave as an Allegory of the Human Condition.Dale Hall - 1980 - Apeiron 14 (2):74 - 86.
  4.  51
    The essence of truth: on Plato's cave allegory and theaetetus.Martin Heidegger - 2013 - London: Bloomsbury Academic.
    Martin Heidegger is one of the most important and influential philosophers of the 20th Century. A major figure in the development of phenomenology, his work also profoundly influenced many of the intellectual movements that followed in his wake, from Sartre's Existentialism to Derrida's deconstructionism. Towards the Definition of Philosophy brings together two seminal lectures that mark a breakthrough moment in Heidegger's thought and introduces the major themes that he would develop in his opus Being and Time.
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  5. Plato's Republic, Books Seven & Eight: Audio Cd. Plato - 1999 - Agora Publications.
    Book Seven of The Republic begins with the famous Allegory of the Cave, an exploration of the natural process of being educated. Socrates and Glaucon probe the meaning of this story both as it relates to the discussion of knowledge and reality developed earlier and to the concept of dialectic, the over-all method of Plato's dialogues. In Book Eight, Socrates and Plato's brothers explore five different kinds of republic and five different kinds of individual, showing how (...)
     
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  6. Plato's Republic, Books Seven & Eight. Plato - forthcoming - Audio CD.
    Book Seven of The Republic begins with the famous Allegory of the Cave, an exploration of the natural process of being educated. Socrates and Glaucon probe the meaning of this story both as it relates to the discussion of knowledge and reality developed earlier and to the concept of dialectic, the over-all method of Plato's dialogues. In Book Eight, Socrates and Plato's brothers explore five different kinds of republic and five different kinds of individual, showing how (...)
     
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  7. Against the Sovereignty of Philosophy over Politics: Arendt's Reading of Plato's Cave Allegory.Miguel Abensour - 2007 - Social Research: An International Quarterly 74 (4):955-982.
  8.  66
    EikaΣia and πiΣtiΣ in Plato's Cave Allegory.Corinne Praus Sze - 1977 - Classical Quarterly 27 (01):127-.
    This allegory is among the most well-traversed passages in Plato's dialogues and deservedly so. Its emotional impact is undeniable, yet it confronts the reader with several problems of interpretation. There is a strong sense that it is of central importance to the crucial questions of the Platonic philosopher's education and his role in society, and it possibly holds one key to an understanding of the Republic as a whole.
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  9.  27
    Aletheia and Heidegger's Transitional Readings of Plato's Cave Allegory.James N. McGuirk - 2008 - Journal of the British Society for Phenomenology 39 (2):167-185.
  10.  36
    Mining Plato’s Cave: Silver Mining, Slavery, and Philosophical Education.Geoffrey Bakewell - 2023 - Polis 40 (3):436-456.
    The Allegory of the Cave (Pl. Resp. 514a1–520e2) is often analyzed in terms of metaphysical, epistemological, political, and psychic hierarchies that are clarified and reinforced by philosophical education. But the Allegory also contains an important historical allusion to the silver mining that took place in classical Attica. Examining the Cave in light of the enslaved miners around Lavrio leads us to reconsider the philosophical ‘liberation’ (λύσιν … τῶν δεσμῶν, 515c4) at the Allegory’s heart in the (...)
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  11.  40
    Teaching Plato’s Cave through Your Students’ Past Experiences.Audrey L. Anton - 2016 - American Association of Philosophy Teachers Studies in Pedagogy 2:143-166.
    Plato’s Allegory of the Cave is both a staple in the philosopher’s diet and the lesson that is often difficult to digest. In this paper, I describe one way to teach the Sun, Line, and Cave analogies in reference to students’ personal past experiences. After first learning about Plato’s metaphysics and epistemology through reading Republic VI-VII, students are asked to reflect upon a time in their lives when they emerged from a particular “cave of ignorance.” In (...)
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  12. Teaching Plato’s Cave.Stephen Barnes - 2002 - Questions: Philosophy for Young People 2:6-7.
    Barnes focuses and examines Plato’s ideals on life through “Allegory of the Cave”. The nature of selfhood, moral/ political issues, and enlightenment demonstrate in any classroom the alternatives to a dry session on philosophy to young children through an engaging discussion.
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  13.  58
    Shadow Philosophy: Plato’s Cave and Cinema.Nathan Andersen - 2014 - New York: Routledge.
    Shadow Philosophy: Plato’s Cave and Cinema is an accessible and exciting new contribution to film-philosophy, which shows that to take film seriously is also to engage with the fundamental questions of philosophy. Nathan Andersen brings Stanley Kubrick’s film A Clockwork Orange into philosophical conversation with Plato’s Republic , comparing their contributions to themes such as the nature of experience and meaning, the character of justice, the contrast between appearance and reality, the importance of art, and the impact of images. (...)
  14. Review of Martin Heidegger, The Essence of Human Freedom: An Introduction to Philosophy and the Essence of Truth: On Plato's Cave Allegory and Theaetetus[REVIEW]William McNeill - 2003 - Notre Dame Philosophical Reviews 2003 (1).
  15. George Carlin as Philosopher: It’s All Bullshit. Is It Bad for Ya?Kimberly S. Engels - 2022 - In David Kyle Johnson (ed.), The Palgrave Handbook of Popular Culture as Philosophy. Palgrave-Macmillan. pp. 1511-1531.
    This chapter explores the comedy of George Carlin (1937–2008) as a powerful statement about the value of truth over ignorance. Carlin challenged his audience to confront the truth, regularly using clever rhetorical strategies to force viewers to grapple with inconvenient realities about the world in which they lived. This chapter examines historical and contemporary philosophical arguments for the importance of the pursuing truth over comforting fictions. I begin with Plato’s Allegory of the Cave, which argues it is preferable (...)
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  16.  65
    Are we trapped in Plato’s cave?David Weissman - 2021 - Metaphilosophy 52 (5):650-654.
    We often read Plato’s cave allegory for its trajectory: out of darkness into light. The back of the cave—where imagination projects fantasies onto shadows—is a place to flee. This part of the allegory reduces reality testing to thought or imagining, ignoring action and the people or things engaged. Yet thinkers prominent in our time—Immanuel Kant and W. V. O. Quine—suppose that our experience of the world is that of the cave’s prisoners: we too mistake fantasies (...)
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  17.  61
    Leaving Plato’s Cave.Patrick Lee Miller - 2016 - American Association of Philosophy Teachers Studies in Pedagogy 2:94-116.
    In Republic, Plato presents a pedagogy whose crucial component is the conversion of the student’s soul. This is clearest in the Allegory of the Cave, where the prisoner begins her liberation by turning herself away from the images on the wall. Conversion is not something we professors typically seek to provoke in a philosophy course, even when we teach Plato. But if this were our goal, what could we do to achieve it within the limits of the modern (...)
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  18. Cinematic Spelunking Inside Plato's Cave.Maureen Eckert - 2012 - Glipmse Journal 9:42-49.
    Detailed exploration of the Allegory of the Cave, utilizing notions from film studies, may provide us with insight regarding the identity of the puppet masters in Plato's allegory.
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  19. The Political Significance of Plato’s Allegory of the Cave.Gabriel Zamosc - 2017 - Ideas Y Valores 66 (165):237-265.
    Abstract: In this paper I claim that Plato’s Cave is fundamentally a political, not an epistemological image, and that only by treating it as such can we appreciate correctly its relation to the images of the Sun and the Line. On the basis of textual evidence, I question the two main assumptions that support (in my view, mistakenly) the effort to find an epistemological parallel between the Cave and the Line: first, that the prisoners represent humankind in general, (...)
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  20.  79
    The Structure of Plato’s Republic and the Cave Allegory.Raul Gutiérrez - 2019 - Peitho 10 (1):65-84.
    As Plato’s Phaedrus 246c stipulates, every logos must be structured like a living being, i.e., the relation of all its parts to one another and to the whole must be appropriate. Thus, the present paper argues that Plato’s masterwork has been organized in accord with the ascent/descent movement as presented in the Allegory of the Cave: Book I represents eikasia, Books II–IV.434c exemplify pistis, Book IV.434d–444e illustrates dianoia and Books V–VII express noesis. Having reached the anabasis the philosopher (...)
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  21.  30
    Lessons on knowledge transmission from Plato’s allegory of the cave: the influence of reason and companionship on transmissive and participatory pedagogies.Mark Debono - 2023 - Ethics and Education 18 (2):181-194.
    The narrative of Plato’s cave story is loaded with ‘some of the most suggestive opposites in the repertoire, namely the contrasts between down and up, darkness and light, chains and freedom’ (Hrach...
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  22.  28
    “Educating Children for Wisdom”: Reflecting on the Philosophy for Children Community of Inquiry Approach Through Plato’s Allegory of the Cave.Cathlyne Abarejo - 2024 - Childhood and Philosophy 20:01-28.
    There is a widespread belief in Philosophy for Children that Plato, the famed Greek thinker who introduced philosophizing to the world as a form of dialogue, was averse to teaching philosophy to young children. Decades of the implementation of P4C program’s inquiry pedagogy have shown conclusively that children are not, in fact, incapable of receiving philosophical training and education. But was Plato wrong? Or has he been largely misunderstood? Does his theory of education show the value of cultivating virtues in (...)
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  23. Between ascent and descent: self-knowledge and Platoʹs Allegory of the cave. James - 2018 - In James M. Ambury & Andy R. German (eds.), Knowledge and Ignorance of Self in Platonic Philosophy. New York, NY: Cambridge University Press.
  24. Self-Knowledge and Education in Plato's Allegory of the Cave.Betty A. Sichel - 1985 - Philosophy of Education: Proceedings of the Annual Meeting of the Philosophy of Education Society 41:429-439.
     
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  25.  26
    Mysticism and the Political: Stairway to the Good in Plato’s Allegory of the Cave.Deepa Majumdar - 2007 - Philotheos 7:144-159.
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  26.  18
    There’s something in your eye: ethical implications of augmented visual field devices.Marty J. Wolf, Frances S. Grodzinsky & Keith W. Miller - 2016 - Journal of Information, Communication and Ethics in Society 14 (3):214-230.
    Purpose This paper aims to explore the ethical and social impact of augmented visual field devices, identifying issues that AVFDs share with existing devices and suggesting new ethical and social issues that arise with the adoption of AVFDs. Design/methodology/approach This essay incorporates both a philosophical and an ethical analysis approach. It is based on Plato’s Allegory of the Cave, philosophical notions of transparency and presence and human values including psychological well-being, physical well-being, privacy, deception, informed consent, ownership and (...)
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  27. πολλαχῶς ἔστι; Plato’s Neglected Ontology.Mohammad Bagher Ghomi - manuscript
    This paper aims to suggest a new approach to Plato’s theory of being in Republic V and Sophist based on the notion of difference and the being of a copy. To understand Plato’s ontology in these two dialogues we are going to suggest a theory we call Pollachos Esti; a name we took from Aristotle’s pollachos legetai both to remind the similarities of the two structures and to reach a consistent view of Plato’s ontology. Based on this theory, when Plato (...)
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  28. Plato’s Metaphysical Development before Middle Period Dialogues.Mohammad Bagher Ghomi - manuscript
    Regarding the relation of Plato’s early and middle period dialogues, scholars have been divided to two opposing groups: unitarists and developmentalists. While developmentalists try to prove that there are some noticeable and even fundamental differences between Plato’s early and middle period dialogues, the unitarists assert that there is no essential difference in there. The main goal of this article is to suggest that some of Plato’s ontological as well as epistemological principles change, both radically and fundamentally, between the early and (...)
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  29. Plato's Theory of Forms and Other Papers.John-Michael Kuczynski - 2020 - Madison, WI, USA: College Papers Plus.
    Easy to understand philosophy papers in all areas. Table of contents: Three Short Philosophy Papers on Human Freedom The Paradox of Religions Institutions Different Perspectives on Religious Belief: O’Reilly v. Dawkins. v. James v. Clifford Schopenhauer on Suicide Schopenhauer’s Fractal Conception of Reality Theodore Roszak’s Views on Bicameral Consciousness Philosophy Exam Questions and Answers Locke, Aristotle and Kant on Virtue Logic Lecture for Erika Kant’s Ethics Van Cleve on Epistemic Circularity Plato’s Theory of Forms Can we trust our senses? Yes (...)
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  30.  5
    Plato, Or Return to the Cave.Naomi Hodgson - 2016-05-04 - In Citizenship for the Learning Society. Chichester, UK: Wiley. pp. 188–205.
    Plato's texts have been subject to re‐reading in recent years, reflecting new ways in which philosophy has sought to understand the relationship between the author, the reader, and the text. This chapter begins by restating the allegory of the Stanley Cavell in The Republic, before turning to Cavell's reading of this in relation to the opening of the text. It further illustrates the idea of education as a finding of voice, which Cavell articulates through Emersonian moral perfectionism with (...)
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  31.  29
    The Captivated Gaze. Diderot’s Allegory of the Cave and Democracy.Christine Abbt - 2023 - Critical Horizons 24 (4):339-352.
    ABSTRACT The problem of the captivated gaze has been taken up repeatedly in philosophy. Plato's Allegory of the Cave stands paradigmatically for this. Here, the gaze at the shadowy images prevents people from taking the path to the sun. Denis Diderot's critical reinterpretation of Plato's Allegory of the Cave is less well known. In Diderot, the view of the artificial light images is just as captivating as Plato's shadow images. Unlike there, however, Diderot (...)
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  32.  60
    Plato’s “Introduction to Philosophy”.Dan Passell - 2000 - Teaching Philosophy 23 (4):315-328.
    This paper argues that Plato’s “what-is-T” questions offer a more instructive method for introducing students to philosophy than his use of the Allegory of the Cave. In supporting this claim, the paper presents a Socratic dialogue that illustrates how what-is-T questions along with an answer to said questions via a list (a list-of-T's) can be used as a starting point for introducing philosophy. However, this Socratic dialogue also reveals that this initial answer cannot succeed and so it motivates (...)
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  33. The Soul-Turning Metaphor in Plato’s Republic Book 7.Damien Storey - 2022 - Classical Philology 177 (3):525-542.
    This paper examines the soul-turning metaphor in Book 7 of Plato’s Republic. It argues that the failure to find a consistent reading of how the metaphor is used has contributed to a number of long-standing disagreements, especially concerning the more famous metaphor with which it is intertwined, the Cave allegory. A full reading of the metaphor, as it occurs throughout Book 7, is offered, with particularly close attention to what is one of the most difficult and stubbornly divisive (...)
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  34.  71
    « The Allegory Of The Cave: The Necessity Of The Philosopher’s Descent ».Georgia Mouroutsou - 2011 - Plato Journal 11.
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  35.  13
    Porphyry’s On the Cave of the Nymphs in its Intellectual Context.K. Nilüfer Akçay - 2019 - Leiden, the Netherlands: BRILL.
    Neoplatonic allegorical interpretation expounds how literary texts present philosophical ideas in an enigmatic and coded form, offering an alternative path to the divine truths. The Neoplatonist Porphyry’s _On the Cave of the Nymphs_ is one of the most significant allegorical interpretation handed down to us from Antiquity. This monograph, exclusively dedicated to the analysis of _On the Cave of Nymphs_, demonstrates that Porphyry interprets Homer’s verse from Odyssey 13.102-112 to convey his philosophical thoughts, particularly on the material world, (...)
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  36.  12
    Abduction and Model-Based Reasoning in Plato’s Republic.Priyedarshi Jetli - 2006 - In Lorenzo Magnani & Claudia Casadio (eds.), Model Based Reasoning in Science and Technology. Logical, Epistemological, and Cognitive Issues. Cham, Switzerland: Springer International Publishing. pp. 351-374.
    I begin with a typology of reasoning and cross it with types of processes. I demonstrate that the thrust of Plato’s Republic is theory-building. This involves the critical and dialectic processes which are paradigms of Platonic methodology. Book I displays abductive analogical reasoning joined by an induction that is embedded in a deduction; hence there is a deduction–induction–abduction chain. In Book VI, Plato constructs a visual model of the divided line, which also displays model-based and abductive hypothesis generation that is (...)
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  37.  32
    A philosophical enquiry into the nature of Suhrawardī's illuminationism: light in the cave.Tianyi Zhang - 2023 - Boston: Brill.
    Tianyi Zhang offers in this study an innovative philosophical reconstruction of Shihāb al-Dīn al-Suhrawardī's (d. 1191) Illuminationism. Commonly portrayed as either a theosophist or an Avicennian in disguise, Suhrawardīappears here as an original and hardheaded philosopher who adopts mysticism only as a tool of philosophical inquiry. Zhang makes use of Plato's cave allegory to explain Suhrawardī's Illuminationist project. Focusing on three areas-the theory of presential knowledge, the ontological discussion of mental considerations, and Light Metaphysics-Zhang convincingly reveals the (...)
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  38.  85
    What Plato Knew About Enron.Michele C. Henderson, M. Gregory Oakes & Marilyn Smith - 2009 - Journal of Business Ethics 86 (4):463-471.
    This paper applies Plato's cave allegory to Enron's success and downfall. Plato's famous tale of cave dwellers illustrates the different levels of truth and understanding. These levels include images, the sources of images, and the ultimate reality behind both. The paper first describes these levels of perception as they apply to Plato's cave dwellers and then provides a brief history of the rise of Enron. Then we apply Plato's levels of understanding to (...)
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  39.  18
    What Plato Knew About Enron.Michele Henderson, M. Gregory Oakes & Marilyn Smith - 2009 - Journal of Business Ethics 86 (4):463-471.
    This paper applies Plato’s cave allegory to Enron’s success and downfall. Plato’s famous tale of cave dwellers illustrates the different levels of truth and understanding. These levels include images, the sources of images, and the ultimate reality behind both. The paper first describes these levels of perception as they apply to Plato’s cave dwellers and then provides a brief history of the rise of Enron. Then we apply Plato’s levels of understanding to Enron, showing how the (...)
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  40.  74
    The 'Simile Of Light' In Plato'S Republic.N. R. Murphy - 1932 - Classical Quarterly 26 (02):93-.
    At the end of Republic VI. Socrates compares the Good with the sun as a cause both of existence and intelligibility. Afterwards, when he continues and expands this comparison, the symbolism becomes so complex that the interpretation of almost every part of it is in dispute. We start with the contrast of light and darkness; to this is next added the contrast of image and original, and also of up and down along a vertical line; in the allegory of (...)
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  41.  21
    The ‘Simile Of Light’ In Plato'S Republic.N. R. Murphy - 1932 - Classical Quarterly 26 (2):93-102.
    At the end of Republic VI. Socrates compares the Good with the sun as a cause both of existence and intelligibility. Afterwards, when he continues and expands this comparison, the symbolism becomes so complex that the interpretation of almost every part of it is in dispute. We start with the contrast of light and darkness; to this is next added the contrast of image and original, and also of up and down along a vertical line; in the allegory of (...)
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  42. From Ancient Cave to Virtual Cave: Metaverse (Antik Mağaradan Sanal Mağaraya: Metaverse).Ergün Avcı - 2022 - Beytulhikme An International Journal of Philosophy 12 (12:4):981-1006.
    As much as reality itself, its reflections and appearances have taken a significant place in philosophical discussions. While Plato's Allegory of the Cave is one of the first of these discussions, the philosophy of the virtual shows the final state of these discussions today. The virtual cave is the modern-day version of Plato's cave. Appearances in Plato's cave have their own mode of existence, and likewise, virtual objects in the virtual cave (...)
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  43.  15
    Conformity as the Use of Knowledge – Bernardo Bertolucci, Plato, Cave.Goran Radonjić - 2022 - Filozofska Istrazivanja 42 (2):365-381.
    This paper examines the intertextual relations between Bertolucci’s film The Conformist and Plato’s allegory of the cave. The importance of interpretation for the Plato’s allegory is emphasized: it is central in the thematic, in its form, and in the way it is communicated. The interpretation of the world is inseparable from self-interpretation. By using elements from Plato’s allegory of the cave, Bertolucci’s film becomes the interpretation of Plato. At the same time, the reality of the (...)
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  44. Plato, fetters round the neck, and the Quran.Victoria Holbrook - 2021 - Studia Philosophica Wratislaviensia 4 (XVI):27-45.
    I analyze figures and themes of Plato’s “Allegory of the Cave” evident in chapter thirty-six of the Quran. I argue that the two texts share (1) a neck fetter fixing the head; (2) a spatial organization of barriers before and behind and cover- ing above; (3) a theme of failure to see the truth and assault upon those who tell the truth, and (4) a theme of transcendent reality as a context of meaning. I argue that the Quran (...)
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  45.  19
    Myth, Allegory and Inspired Symbolism in Early and Late Antique Platonism.Emilie Kutash - 2020 - International Journal of the Platonic Tradition 14 (2):128-152.
    The idea that mythos and logos are incompatible, and that truth is a product of scientific and dialectical thinking, was certainly disproven by later Platonic philosophers. Deploying the works of Hesiod and Homer, Homeric Hymns and other such literature, they considered myth a valuable and significant augment to philosophical discourse. Plato’s denigration of myth gave his followers an incentive to read myth as allegory. The Stoics and first-century philosophers such as Philo, treated allegory as a legitimate interpretive strategy. (...)
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  46.  72
    The Cave Revisited.J. Malcolm - 1981 - Classical Quarterly 31 (01):60-.
    In 1962 I offered an analysis of the Line and Cave which maintained that the four main divisions of each are parallel and interpreted the three stages of ascent in the Cave allegory as representing the three stages in Plato's educational programme: music and gymnastic, mathematics and dialectic. At that time a major portion of my task was to counter arguments which purported to show that the Line and Cave could not be parallel. The present (...)
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  47.  10
    German Political Thought and the Discourse of Platonism: Finding the Way Out of the Cave.Paul Bishop - 2019 - Cham: Springer Verlag.
    Taking Plato’s allegory of the cave as its starting-point, this book demonstrates how later European thinkers can be read as a reaction and a response to key aspects of this allegory and its discourse of enchainment and liberation. Focusing on key thinkers in the tradition of European political thought including Kant, Marx, Hegel, Nietzsche, Heidegger, and the Frankfurt School, it relates them back to such foundational figures as Rousseau, Aristotle, and in particular Plato. All these thinkers are (...)
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  48.  26
    Allegory and Ethical Education: Stories for People Who Know Too Many Stories.Eileen John - 2018 - Journal of Philosophy of Education 52 (4):642-659.
    How can stories contribute to ethical education, when they reach people who have already been shaped by many stories, including ethically problematic ones? This question is pursued here by considering Plato’s allegory of the cave, focusing on a reading of it offered by Jonathan Lear. Lear claims that the cave allegory aims to undermine its audience’s inheritance of stories. I question the possibility and desirability of that project, especially in relation to ethical education. Some works of (...)
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  49. Science Meets Philosophy: Metaphysical Gap & Bilateral Brain.Hermann G. W. Burchard - 2020 - Philosophy Study 10 (10):599-614.
    The essay brings a summation of human efforts seeking to understand our existence. Plato and Kant & cognitive science complete reduction of philosophy to a neural mechanism, evolved along elementary Darwinian principles. Plato in his famous Cave Allegory explains that between reality and our experience of it there exists a great chasm, a metaphysical gap, fully confirmed through particle-wave duality of quantum physics. Kant found that we have two kinds of perception, two senses: By the spatial outer sense (...)
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  50.  5
    Höhlengleichnisse: Thema mit Variationen.Wilhelm Blum - 2004 - Bielefeld: Aisthesis Verlag.
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