It is difficult to overestimate the impact, beginning in the 1960s, which Gombrich’s discussion of visual representation made on a good number of theorists in an entire generation of thinking about art and—even more—about literary art. For literary theory and criticism were at least as affected by his work as were theory and criticism in the plastic arts. Art and Illusion radically undermined the terms which had controlled discussion of how art represented “reality”—or, rather, how viewers or members of the (...) audience perceived that representation and related it to their versions of “reality.” And, for those who accompanied or followed him—from Rosalie Colie to Wolfgang Iser—Gombrich helped transform for good the meaning of a long revered term like “imitation” as it could be applied to both the visual and verbal arts. I believe he must, then, be seen as responsible for some of the most provocative turns that art theory, literary theory, and aesthetics have taken in the last two decades.In much of his work since the 1960s, however, Gombrich has appeared more and more anxious to dissociate himself from those who have treated his earlier books and essays as leading to the theoretical innovations which have claimed support from them. In The Image and the Eye, the statements which put distance between himself and such followers seem utterly unambiguous. And against the charge that his work has become more conservative with the passing years, I suspect Gombrich would argue that any claim of difference between, say, Art and Illusion and The Image and the Eye is a result of an original misreading, that the recent work is only more explicitly defending a traditional position which was quietly there all along, though supposedly friendly theorists wrongly saw him as subverting it in the earlier work. Thus Gombrich is now self-consciously committed to undoing what he sees as our errors of reading rather than his own errors of writing. Murray Krieger is University Professor of English at the University of California, Irvine. He is the author of, among other works, The Tragic Vision, The Classic Vision, Theory of Criticism: A Tradition and Its System, Poetic Presence and Illusion: Essays in Critical History and Theory, and, most recently, Arts on the Level. He is presently working on Ekphrasis: Space, Time, and Illusion in Literary Theory . His latest contribution to Critical Inquiry, “Poetic Presence and Illusion: Renaissance Theory and the Duplicity of Metaphor,” appeared in the Summer 1979 issue. (shrink)

I begin by asking an engagingly naive question that a layman would have every right to put to us - and often has. Why should we interest ourselves seriously in the once-upon-a-time worlds of fiction - these unreal stories about unreal individuals? It has been a persistent question in the history of criticism - ever since Plato called the poet a liar - and it is a question at once obvious and embarrassing. It is obvious because, for the apologist for (...) imaginative literature, it becomes a prolegomenon to all further questions; and it is embarrassing because merely to ask it threatens to put literature out of business and, with it, all those who treat it as a serious and world-affecting art. Why, then, should we interest ourselves seriously in fictions? However elementary, it is a question that is more easily asked than answered. Murray Krieger is the author of The Tragic Vision and The Classic Vision, which have recently been reprinted in the two-volume paperback Visions of Extremity in Modern Literature. He is University Professor of English and director of the Program of Critical Theory at the University of California at Irvine. "Poetic Presence and Illusion: Renaissance Theory and the Duplicity of Metaphor," another contribution to Critical Inquiry, appeared in the Winter 1974 issue. See also: "The Dismantling of a Marionette Theater; or, Psychology and the Misinterpretation of Literature" by Erich Heller in Vol. 4, No. 3. (shrink)

I am troubled by the temper of E. H. Gombrich’s response, “Representation and Misrepresentation” , to my “Ambiguities of Representation and Illusion: An E. H. Gombrich Retrospective” and by his preferring not to sense the profound admiration—indeed, the homage—intended by my essay, both for his contributions to recent theory and for their influence upon its recent developments. But I am more troubled by the confusions his remarks may cause in the interpretation of his own work as well as in the (...) judgment of mine. There are important issues at stake, I feel, especially as regards the relation between scientific and aesthetic inquiry.The very irritated tone of his reaction helps make what I see as my major point: his work has contained a conflict between two Gombrichs—one, the skeptical humanist and, the other, the positive scientist—and with the passing years the second has increasingly sought to obliterate signs of the first, becoming increasingly impatient with any attempt to revive those signs or remind us of their existence. On the other side, since the line of literary criticism with which I associate myself has drawn strength from the first Gombrich, this development in his work and in his attitudes has caused some disappointment. Murray Krieger is University Professor of English at the University of California. He is the author of many works, including The Tragic Vision, The Classic Vision, Theory of Criticism: A Tradition and its System, Poetic Presence and Illusion: Essays in Critical History and Theory, and Arts on the Level. His previous contributions to Critical Inquiry are “Fiction, History, and Empirical Reality” , “Poetic Presence and Illusion: Renaissance Theory and the Duplicity of Metaphor” , and “The Ambiguities of Representation and Illusion: An E. H. Gombrich Retrospective”. (shrink)

Our usual view of the Renaissance poetic, as we derive it from the explicit statements which we normally cite, sees it primarily as a rhetorical theory which is essentially Platonic in the universal meanings behind individual words, images, or fictions. Accordingly, poetic words, images, or fictions are taken to be purely allegorical, functioning as arbitrary or at most as conventional signs: each word, image, or fiction is seen as thoroughly dispensable, indeed interchangeable with others, to be used just so long (...) as we can get beyond it to the ultimate meaning which it presumably signifies. This rather simple—if not simplistic—semiology leaves the body of poetry as empty as modern post-Saussurean linguistics often leaves the body of language. By treating all poetic devices as transparent elements through which various universal "truths" are revealed, the rhetorical/allegorical theory converts all the poet's dispositions of words into devices of persuasion on the service of a function higher than that of poetry. Such is the way that, for example, a conservative, widely influential theorist like Scaliger clearly formulated the principle. And for as careful a commentator on Renaissance imagery as Rosemund Tuve, these are the farthest reaches of the Renaissance poetic; she argues that any more subtle a claim is merely the consequence of the modern mind trying anachronistically to sophisticate an older tradition. Her examination of explicit statements by major Renaissance writers on poetics finds reinforcement in the logic of Petrus Ramus as she extends it to a total stylistics, or even to a linguistics.1 · 1. Rosemund Tuve, Elizabethan and Metaphysical Imagery: Renaissance Poetic and Twentieth-Century Critics . Murray Krieger, University Professor of English and director of The Irvine School of Criticism and Theory at the University of California at Irvine, is the author of, among other works, The Tragic Vision, The Classic Vision, and, most recently, Theory of Criticism: A Tradition and its System. The present essay is part of his book, Poetic Presence and Illusion: Essays in Critical History and Theory. "Fiction, History, and Empirical Reality," his previous contribution to Critical Inquiry, appeared in the Winter 1974 issue. (shrink)

From this post-reflective point of view, the book argues for an intimate relationship between cognition, sensorimotor embodiment, and the integrative character ...

(Re)presentations of evil in media, philosophy and literature -- The dangerous ones : when evil was a woman -- Space/times of evil : political life and social worlds.

" With this succinct formulation, Murray Bookchin launches his most ambitious work, The Ecology of Freedom.

Increasingly, Western culture embraces confusion as a virtue and decries certainty as a sin. Those who are confused about sexuality and identity are viewed as heroes. Those who are confused about morality are progressive pioneers. Those who are confused about spirituality are praised as tolerant. Conversely, those who express certainty about any of these issues are seen as bigoted, oppressive, arrogant, or intolerant. This cultural phenomenon led the compilers of the Oxford English Dictionary to name "post-truth" their word of the (...) year in 2016. How can Christians offer truth and clarity to a world that shuns both? By accurately describing the Culture of Confusion and how it has affected our society, author Abdu Murray seeks to awaken Westerners to the plight we find ourselves in. He also challenges Christians to consider how they have played a part in fostering the Culture of Confusion through bad arguments, unwise labeling, and emotional attacks. Ultimately, Saving Truth provides arguments from a Christian perspective for the foundations of truth and how those foundations apply to sexuality, identity, morality, and spirituality. For those enmeshed in the culture of confusion, the book offers a way to untangle oneself and find hope in the clarity that Christ offers. (shrink)

A challenging new work of cultural and political theory rethinks the concept of hegemony.

This volume assesses the ethical, quantitative, and qualitative questions posed by the current financing of biomedical research.

This work represents Murray Bookchin's riposte to the antihumanism, mysticism and antirationalism which are influencing many people's attitudes to environmental problems. Bookchin offers a critique of, among others, social Darwinists, deep ecologists, new agers, technophobes, Foucault, Derrida and Baudrillard.

A qualitative analysis of societal silences, demonstrating how the unsaid directs social action and shapes individual and collective lives.

In his new introduction to this current edition of this classic in the field originally published in 1982 (Humanities Press), Hoppe (economics, U. of Nevada, Las Vegas--as was the late author) extols Rothbard's marriage of the "value-free" science of economics with the normative enterprise of ethics and their offspring: libertarianism. Discussion areas are: natural law, a theory of liberty, the state vs. liberty, modern alternative theories of liberty, and toward a theory of strategy for liberty. Annotation copyrighted by Book News, (...) Inc., Portland, OR. (shrink)

Roots present first‐hand accounts of discoveries in genetics, molecular biology, cellular biology, and developmental biology. In the following article, Murray L. Barr describes the background to and the events surrounding the discovery of the cytogenetic evidence for inactive × chromosomes in mammals. In the accompanying article, Michael W. McBurney reviews current molecular knowledge about the inactive × and proposes a hypothesis to explain the phenomenon.

In this study of the works of Sren Kierkegaard, Murray Rae focuses on his understanding of the Christian faith and the nature of Christian conversion. The transformation of an individual under the impact of revelation is explored both in terms of the New Testament concept of metanoia and in comparison with claims to cognitive progress in other fields.

Citizenship education in established democracies is challenged by declining youth participation in democracy. Youth disenchantment and disengagement in democracy is primarily evident in formal political behaviour, especially through voting, declining membership of political parties, assisting at elections, contacting politicians, and the like. If citizenship education is to play a major role in addressing these concerns it will need to review the impact it is making on young people in schools. This paper reviews a major national project on youth participation in (...) democracy in Australia set in the context of a national citizenship education programme. The Youth Electoral Study found that citizenship education in Australian schools has at best been marginally successful and substantially more is required to raise levels of democratic engagement. The paper explores many opportunities available to education systems and schools to address these issues through reconceptualising aspects of the formal and the informal curriculum. (shrink)

The third volume of Bucer's _Correspondance_ covers the years from 1527 to 1529. In this period the reformer played an increasing part in Strasbourg, while his renown started growing abroad. In Strasbourg he was put in charge of the St. Thomas parish, located closer to the city center. Along with his colleagues he appealed relentlessly to the City Council for a stricter moral discipline, for struggle against anabaptism and celebration of the mass, which was suspended on February 20, 1529. Moreover (...) he engaged in great activity in publishing five important biblical commentaries. Outside Strasbourg he intensified his evangelical propaganda in countries speaking romanic languages. His active involvement in the Berne disputation in January 1528 helped him make contact with the European Reformation. In the disastrous sacramentary strife he continued taking part in advocating concord between the protestant theologians. That is why he joined Philip von Hessen in setting up the Marburg colloquium. Faced with whose partial failure, he did his best to encourage Zwingli's project of a defensive alliance among evangelical cities in Switzerland and in the South-West of Germany, called the “Burgrecht”. (shrink)

The third volume of Bucer's _Correspondance_ covers the years from 1527 to 1529. In this period the reformer played an increasing part in Strasbourg, while his renown started growing abroad. In Strasbourg he was put in charge of the St. Thomas parish, located closer to the city center. Along with his colleagues he appealed relentlessly to the City Council for a stricter moral discipline, for struggle against anabaptism and celebration of the mass, which was suspended on February 20, 1529. Moreover (...) he engaged in great activity in publishing five important biblical commentaries. Outside Strasbourg he intensified his evangelical propaganda in countries speaking romanic languages. His active involvement in the Berne disputation in January 1528 helped him make contact with the European Reformation. In the disastrous sacramentary strife he continued taking part in advocating concord between the protestant theologians. That is why he joined Philip von Hessen in setting up the Marburg colloquium. Faced with whose partial failure, he did his best to encourage Zwingli's project of a defensive alliance among evangelical cities in Switzerland and in the South-West of Germany, called the “Burgrecht”. (shrink)