"This paper investigates musical relationships in the case of the early mother-infant dyadic interactions. To accomplish this task, it is first needed to come back to some important authors from the tradition of both phenomenology and psychoanalysis. The theories of Husserl, Schutz and Taipale will prove themselves to be useful. Secondly, I shall deepen the investigation of the early mother-infant interactions through the prism of theories coming from Winnicott, Stern and Thomas Fuchs. My main task will be to demonstrate that (...) these early interactions have a musical quality, similar to Colwyn Trevarthen’s thematization of communicative musicality. To prove my point, I have to first establish the features that make these early interactions be musical-like. Winnicott’s potential space and the example of babbling will follow my argumentation. I will also stress on the importance of the face-to-face interaction through affect attunement and mutual tuning-in. All these interactions are modes of being-with-another (Stern). An example will be found throughout this paper, namely a specific mode of being-with-another, which was called by Winnicott the primary maternal preoccupation. Keywords: musical relationships, babbling, potential space, face-to-face interaction, mutual tuning-in, affect attunement, primary maternal preoccupation, synchronization, rhythm, being-with. ". (shrink)

"The aim of this paper is to propose some philosophical interpretations of Winnicott’s concept of “the use of an object”. These interpretations will be coming from Heidegger’s fundamental ontology and from Buber’s late philosophical anthropology. We also noticed that Winnicott’s theory of “the use of an object” was already in some way or another present in the Phenomenology of Spirit, in the fourth chapter, where consciousness is treated in terms of desire. Our main thesis is that after the subject encounters (...) the resistance of the external world, its adversity and contrasting feature, the subject recognizes it as something independent and autonomous from the self, so the subject is able therefore to set that being at a distance, enter into relation with it, and finally establish the world qua world. We are going also to draw lines between Winnicott’s perspective and the views of some phenomenological authors such as Eugen Fink, Merleau-Ponty or Marc Richir. Keywords: Hegel, Buber, Winnicott, Heidegger, resistance, distance, relation, object, destructiveness, aggressivity. ". (shrink)

[Open access] In this book symposium the author takes up questions from phenomenology, hermeneutics, ethical theory, and intellectual history raised by a group of scholarly interlocutors from a range of backgrounds. In the course of engaging with these issues, he discusses, inter alia, McDowell’s realism, Jonathon Lear’s work on the end of a world, Michael Oakeshott’s view of selfhood, Heidegger’s conception of Jemeinigkeit, Uexküll’s notion of Umwelt, and Gadamer’s hermeneutic conception of truth.

Buddhisms and Deconstructions considers the connection between Buddhism and Derridean deconstruction, focusing on the work of Robert Magliola. Fourteen distinguished contributors discuss deconstruction and various Buddhisms—Indian, Tibetan, and Chinese —followed by an afterword in which Magliola responds directly to his critics.

This book is a collection of secondary essays on America's most important philosophic thinkers—statesmen, judges, writers, educators, and activists—from the colonial period to the present. Each essay is a comprehensive introduction to the thought of a noted American on the fundamental meaning of the American regime.

What were Shakespeare's final thoughts on history, tragedy, and comedy? Shakespeare's Last Plays focuses much needed scholarly attention on Shakespeare's "Late Romances." The work--a collection of newly commissioned essays by leading scholars of classical political philosophy and literature--offers careful textual analysis of Pericles, Prince of Tyre, Cymbeline, The Winter's Tale, The Tempest, All is True, and The Two Noble Kinsmen. The essays reveal how Shakespeare's thought in these final works compliments, challenges, fulfills, or transforms previously held conceptions of the playwright (...) and his political-philosophical views. (shrink)

Ecological developmental biology (eco‐devo) explores the mechanistic relationships between the processes of individual development and environmental factors. Recent studies imply that some of these relationships have deep evolutionary origins, and may even pre‐date the divergences of the simplest extant animals, including cnidarians and sponges. Development of these early diverging metazoans is often sensitive to environmental factors, and these interactions occur in the context of conserved signaling pathways and mechanisms of tissue homeostasis whose detailed molecular logic remain elusive. Efficient methods for (...) transgenesis in cnidarians together with the ease of experimental manipulation in cnidarians and sponges make them ideal models for understanding causal relationships between environmental factors and developmental mechanisms. Here, we identify major questions at the interface between animal evolution and development and outline a road map for research aimed at identifying the mechanisms that link environmental factors to developmental mechanisms in early diverging metazoans.Also watch the Video Abstract. (shrink)

The present study aims to investigate the psychological mechanisms beneath the change in the facial expression of some of the beheaded characters in Caravaggio’s works, starting from The Head of Medusa, from the artist’s youth, and reaching David with the Head of Goliath, a mature workpiece, searching the continuity between them through a series of self-portraits/ self-insertions of the artist in his work. The psychodynamic analysis is limited by the constitution of its practice to the study of the process (...) of image production and the artistic imaginary, rather than to the investigation of man or the artist out of reach by means of figurative and symbolic language. This approach aims to highlight the drives of the unconscious, the structures of censorship and the technique of operating of the defensive mechanisms that ultimately could contribute to the production of such masterful images that are both seductive and confusing. The study incorporates and continues the contribution of authors such as Leo Bersani and Ulysse Dutoit who applied Laplanche’s theory of generalized seduction theory in the analysis of Caravaggio’s works, but also the mirror stage of Lacan and the masterful study of Winnicott regarding the reflection of the baby in the mimics of his mother, an unconscious unclear image that will stand forever for the perception of the self. The change of the affective resonance, expressiveness and emotional relating to violence is natural in the course of human evolution. While not even the artist Caravaggio can elude it, his work can illustrate by deflection these transforma­tions of the dynamics of the mind, it can raise new questions and open new perspectives of understanding the artistic drive. (shrink)

This paper seeks to rehabilitate St. Augustine’s widely dismissed response to the alleged incompatibility of divine foreknowledge and free will. This requires taking a fresh look at his analysis in On Free Choice of the Will, and arguing its relevance to the current debate. Along the way, mistaken interpretations of Augustine are rebutted, his real solution is developed and defended, a reason for his not anticipating Boethius’s a temporalist solution is suggested, a favorable comparison with Ockham is made, rival solutions (...) are rejected, and the aporetic nature of the problem is explained. (shrink)

In the eleventh book of the Confessiones Augustine puts forward several considerations about the nature of time. The received view is that he held that only the present exists, while the past and the future do not exist. This received view has recently been attacked by Paul Helm and Katherin Rogers, who have offered alternative interpretations according to which Augustine held that the present has no privileged ontological status, and that past, present and future all equally exist. The aim of (...) this paper is to defend the received view vis-à-vis these attacks. I argue that the received view fits best Augustine’s view of God’s eternity and relation to time and should therefore be preferred. (shrink)

It has been over a decade since the first edition of The Cambridge Companion to Augustine was published. In that time, reflection on Augustine's life and labors has continued to bear much fruit: significant new studies into major aspects of his thinking have appeared, as well as studies of his life and times and new translations of his work. This new edition of the Companion, which replaces the earlier volume, has eleven new chapters, revised versions of others, and a comprehensive (...) updated bibliography. It will furnish students and scholars of Augustine with a rich resource on a philosopher whose work continues to inspire discussion and debate. (shrink)

Augustine’s De Magistro is a short and relatively minor dialogue that often is overlooked. Nevertheless, it is an important text, both for its role in the development of key themes in Augustine’s thought and because of its epistemological and pedagogical contributions to the philosophy of education. This paper explores the significance of De Magistro in three steps. First, it introduces the dialogue and offers a summary of Augustine’s argument therein. It then examines important contributions that this dialogue makes in the (...) development of Augustine’s thought regarding signs and the inner teacher. Finally, it explores some educational implications of De Magistro regarding the nature of teaching and the use of Socratic dialogue that Augustine plunders from the previous work of the pagan Plato. (shrink)

This paper draws on a number of parallels between Wittgenstein’s Philosophical Investigations and St. Augustine’s Confessions to suggest that Wittgenstein’s relation to the text with which he opens the Investigations is less adversarial than is normally supposed. In particular, the paper draws attention to two important parallels: the difficulty both Philosophical Investigations and Confessions have with beginning and with arrogating to themselves the authority to begin, and the role of conversion in both texts. These parallels help us read the methodological (...) remarks of Philosophical Investigations §§89–133 as a conversion narrative of sorts. However, Wittgenstein’s conception of conversion runs counter to Augustine’s: where Augustine aspires to overcome the lusts of the physical world and and toward the purity of the divine, Wittgenstein turns away from the aspiration for purity toward a humbler acceptance of the ordinary. Augustine’s text is an exhortation to conversion, but not the kind of conversion Wittgenstein seeks, and this is the deeper provocation that Wittgenstein finds in Augustine’s text. (shrink)

We mortals can't read other people's minds directly. But we make good guesses from what they say, what we read between the lines, what they show in their face and eyes, and what best explains their behavior. It is our species' most remarkable talent.1augustine's reflections on the topic of seeing other souls have attracted interest in recent years. It is generally supposed in the scholarly literature that his view that our mental lives are essentially private leads to a deep-seated concern (...) with what we manifest to others. Further, Phillip Cary charges Augustine with introducing a "powerful fantasy" and "nostalgia" into western thought in Augustine's desire to see the thoughts of other souls directly;... (shrink)

This offering in Routledge's acclaimed History of Philosophy series completes the acclaimed 10-volume collection. This work explores the schools of thought that developed in the wake of Platonism through the time of Augustine. The 11 separately authored in-depth articles include: Aristotle the scientist-- David Furley, Princeton University; Aristotle: logic and metaphysics-- Alan Code, Ohio State University; Aristotle: aesthetics and philosophy of mind -- David Gallop, Trent University, Ontario; Aristotle: ethics and politics-- Stephen White, University of Texas at Austin; (...) The peripatetic school-- Robert Sharples, University College, London; Hellenistic science and mathematics-- Alan C. Bowen, Institute for Research in Classical Philosophy and Science, New Jersey; Epicureanism-- Philip Mitsis, Cornell University; Stoicism-- Brad Inwood, University of Toronto; Ancient skepticism-- Michael Frede, Keble College, Oxford; Neo-Platonism-- Eyjdfur Kjalar Emilsson, University of Iceland; Augustine-- G.J.P. O'Daly, University College London. Order the entire Routledge History of Philosophy series and save 10% off each volume! (shrink)

From Aristotle to Augustine surveys the work of philosophers who wrote in Greek and Latin from the mid-4th century BC to the 5th century AD. This second volume opens with Aristotle's immense influence on philosophy from the beginnings of ...

The publication of Hannah Arendt's doctoral these Love and Saint Augustine forces reappraisal of the view that Arendt's concept of evil originates in her experience of totalitarianism and coverage of the Eichmann trial. Augustine's account of the original nature of evil in the contexts of ontology, society and divine providence in fact provides the basis for Arendt's analysis of the banality of evil in the individual, the social, and the political spheres. Augustine's internal and external mental triads moreover contribute to (...) Arendt's own thinking‐willing‐judging triad and allow a clearer understanding of its dynamics. The fact that Arendt's analysis derives much of its power from her appropriation of Augustinian theological concepts suggests a need for the increased diffusion of theological concepts in political thought. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Erictho and Demogorgon: Poetry against Metaphysics DAVID QUINT Epic without the gods? The Roman poet Lucan (39–65 ce) created a secular counter-epic inside classical epic, removing the genre’s usual pantheon of Olympian deities and replacing them with Fortune. His Bellum civile (titled De bello civili in manuscripts, alternately titled Pharsalia) a poem about the conflict between Julius Caesar and Pompey, thereby delegitimizes the emperors who succeeded the dying (...) Roman republic, including Nero, the reigning emperor of Lucan’s day.1 They are not part of a divine plan: no such plan has ever existed. In an epic where the gods are silent or refuse to speak, Pompey’s son, Sextus, anxious to know the future, has to seek other means. In Book 6, he consults the Thessalian witch Erictho about the outcome of the approaching battle in Pharsalia. She reanimates the corpse of a dead soldier on Pompey’s republican side and makes it talk (BC 6.419–830).2 Lucan’s scene of necromancy gave birth to a major antimetaphysical strain in the European literary tradition. Among others, Dante, Cervantes, Marlowe, Spenser, Goethe, and Shelley confronted this episode of the Pharsalia and pondered its implications. Erictho’s magic is a figure for poetic making itself. It turns the supernatural into theater— the divine machinery of epic exposed as a deus ex machina— and these authors’ responses to Erictho will shift from epic into dramatic forms. In place of the gods, in place of the epic visit to the underworld, particularly in place of and in response to Aeneas’s trip to the realm of the dead arion 28.2 fall 2020 2 erictho and demogorgon in the corresponding Book 6 of the Aeneid, Lucan presents Erictho’s macabre performance: human witchcraft and intimations of an alternate, eerie numen residing in the earth, a force of nature. Subsequent readers would give this latter power a name: Demogorgon.3 Lucan links republicanism and freedom to a kind of atheism and to historical contingency. He unmasks and strips the props of religion from Caesarism and monarchy. (In vain for the poet: Lucan was forced to commit suicide in 65 ce, after he was implicated in the failed Pisonian conspiracy against Nero.) Lucan desacralizes poetry itself, which here confesses its limits, which are the limits of human mortality, even as Erictho seems, however briefly, to overcome them. No, poetry cannot literally raise the dead: it is a magic trick that makes the words on the page form into images, take life, and speak to us. Lucan answers the criticisms the philosopher and theologian make to poetry by openly acknowledging the false bottom of the hat from which poetry pulls its rabbits. It has no access to a real bottom, an underworld beyond death; it is all representation.4 The philosopher and the theologian may be poets no less than he is, but they do not want to know it, too busy, perhaps, in supporting tyranny over human minds and bodies. Plato and Augustine are two such critics on either historical side of Lucan, and they help us to understand the stakes of the Roman poet’s project. Both were dissatisfied with literature and they wanted to be something more than the great rhetoricians that they were. In the Symposium, Plato demystifies the archetypal myth of poetry, the singing of Orpheus that sought to bring Eurydice back from death: the gods sent Orpheus away from Hades empty-handed and showed him the mere shadow [eidolon] of the woman he had come to seek: Eurydice herself they would not let him take, because he seemed, like the mere minstrel that he was, to be a lukewarm lover, lacking the courage to die as Alcestis died for love, and choosing rather to scheme his way, living, into Hades. And it was for this that the gods doomed him, and doomed him justly, David Quint 3 to meet his death at the hands of women. (179d)5 Behind the words of his shallowly sentimental speaker Phaedrus we can detect Plato’s familiar hostility to poetry, his objection in Book 10 of the Republic that the poet merely imitates the appearances of things and is... (shrink)

Augustine advances the view that morally devout interpreters of a Biblical text, such as the Psalter, can each advance contradictory interpretations of the very same portion of the text and yet both interpretations can be true. But the moral character of the interpreter is paramount in weighing the validity of the interpretation. I explore this hermeneutical principle Augustine advances with Donald Davidson’s secular “Principle of Charity”.

Augustine’s teaching on the indissolubility of marriage profoundly influenced the Western Christian tradition on the matter of divorce and remarriage. Augustine famously insisted that while divorce was allowed in limited circumstances, remarriage was prohibited for both the guilty and the innocent parties. Less frequently acknowledged is the degree to which Augustine expressed doubt about the validity of his own teaching. In this essay I argue that even though Augustine offered a strict interpretation of the biblical evidence, he did so only (...) tentatively and often expressed doubts about the adequacy of his own views. The reason for this hesitation, I suggest, was Augustine’s knowledge that the meaning of the scriptural texts was ambiguous at best and that a significant portion of the previous tradition differed from the interpretation he favored. (shrink)

The pronunciation of Augustine’s name is a matter of some dispute, between those (including most British scholars) who pronounce it aw-GUS-tin, and those who pronounce it AW-gus-teen. This essay argues for the former as the preferred pronunciation. It is (humorously) modeled on the technical argumentative model of the medieval disputation, which is known best by philosophers in the form of Thomas Aquinas’s masterwork, Summa Theologiae.

The final volume to be published in the acclaimed _Routledge History of Philosophy series_ provides an authoritative and comprehensive survey and analysis of the key areas of late Greek and early Christian Philosophy.

This book traces the development of conceptions of God and the relationship between God's being and activity from Aristotle, through the pagan Neoplatonists, to thinkers such as Augustine, Boethius and Aquinas and Dionysius the Areopagite, Maximus the Confessor and Gregory Palamas. The result is a comparative history of philosophical thought in the two halves of Christendom, providing a philosophical backdrop to the schism between the Eastern and Western Churches.

Suicide has been condemned in our culture in one way or another since Augustine offered theological arguments against it in the sixth century. More recently, theological condemnation has given way to the view that suicidal behavior must always be symptomatic of emotional disturbance and mental illness. However, suicide has not always been viewed so negatively. In other times and cultures, it has been held that circumstances might befall a person in which suicide would be a perfectly rational course of action, (...) in the same sense that any other course of action could be rational: that it could be sensible, i.e., defensible by good reasons, or that it could be in keeping with the agent's fundamental interests. Indiscriminate use of modern life-sustaining technologies has renewed interest in the possibility of rational suicide. Today proponents of rational suicide tend to equate the rationality of suicide with the competence of the decision to commit suicide. (shrink)

Augustine famously defends the justice of killing in certain public contexts such as just wars. He also claims that private citizens who intentionally kill are guilty of murder, regardless of their reasons. Just as famously, Augustine seems to prohibit lying categorically. Analyzing these features of his thought and their connections, I argue that Augustine is best understood as endorsing the justice of lying in certain public contexts, even though he does not explicitly do so. Specifically, I show that parallels between (...) his treatments of killing and lying along with his “agent (auctor)–instrument (minister)” distinction, in which God is the true agent or “author” of certain acts and humans are merely God's instruments, together imply that he would regard certain instances of public lying as permissible and even obligatory. I buttress my argument by examining several key but neglected passages and by responding to various objections and rival interpretations. Throughout, I challenge standard interpretations of Augustine's ethics of killing and lying and seek to deepen our overall understanding of these dimensions of his thought. In so doing, I contribute to ongoing discussions of public and private lying and to the task of relating Augustine's thought to contemporary debate and deliberation on war, killing, and lying. (shrink)