This article traces Kurt H. Wolff’s involvement with Italy, from his first sojourn in the 1930s as a German Jewish intellectual in exile to the end of his life. Wolff developed profound ties with the country that hosted him, and that he was forced to abandon once racial laws were introduced there on the eve of World War II. Nonetheless, throughout his life he regarded Italy as an elective homeland of sorts. Wolff’s Italian experience is revisited through a detailed examination (...) of the places where he resided, his activities as a student, teacher, and scholar, and the many individuals with whom he associated, many of whom became his lifelong friends and collaborators. The documentary evidence collected here includes unpublished conversations with some of Wolff’s Italian connections and serves for a consideration of how his ties to Italy had an impact on the development of his sociological and esthetic theories. (shrink)

This piece seeks to explore notions of commemoration and autobiography with particular reference to the life and work of Laura Marcus. Special attention is given to her Auto/Biographical Discourses, Virginia Woolf and Autobiography, as well as Paul de Man’s essay ‘Autobiography as De-Facement’, the work of Jacques Derrida, and Woolf’s ‘biography’, Orlando.

In this paper, I would like to show how the movements of never stable meanings that link biography and religion are figured and interwoven throughout a kind of ineffable literary and philosophical notion of religion. Religion is a notion that can be understood through a cluster of topics such as origin, promise, dissociation, the unconditional, forgiveness, the undeconstructable and the possibility of the impossible—terms and expressions that Derrida suggests describe God.

This early work by Robin G. Collingwood was originally published in 1939 and we are now republishing it with a brand new introductory biography. 'An Autobiography' is the story of Collingwood's personal and academic life. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, (...) a professor of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940). (shrink)

Bibliography (p. xxiv-xxv)--Autobiography.--Thoughts on poetry and its varieties.--Bentham.--Coleridge.--Nature.--On liberty.

Using Maya Angelou’s I Know Why the Caged Bird Sings as an example, this paper introduces Wilhlem Dilthey’s hermeneutics and pedagogical theory. Dilthey saw biographies as nothing less than “the highest and most instructive form of the understanding of life.” This, then, serves as the starting point for his hermeneutics or theory of understanding, which distinguishes humanistic understanding from scientific explanation, and sees any one moment or word as having meaning only in relation to a whole—the whole of a sentence (...) or text, or the whole of one’s life. It is also the starting point of his pedagogy, whose ultimate “duty” is “to develop the child as a person who carries their own purpose within themselves.” In introducing Dilthey’s hermeneutic pedagogy, this paper draws principally from his The Formation of the Historical World in the Human Sciences, a text that has been long neglected in hermeneutic and phenomenological studies of education. (shrink)

An examination of the genre of philosophical autobiography sheds light on the role of personal judgment alongside objective rationality in philosophy. Building on Monk's conception of philosophical biography, philosophical autobiography can be seen as any autobiography that reveals some interplay between life and thought. It is argued that almost all autobiographies by philosophers are philosophical because the recounting of one's own life is almost invariably a form of extended speech act of self-revelation. When a philosopher is (...) the autobiographer, this self-revelation illuminates the interplay between thought, life, and personality. Understanding how this works allows us to address three problems of biography raised by Honderich: how to give an account of something as large and complex as a human life; how a life-story is also a judgment; and how we can justify identifying one part of a causal circumstance as 'the cause'. There is also a new ethical problem raised about the autobiographer's right to make public details of a shared private life. (shrink)

The Saami assert that "to move on is better than to stay put" (jot'tit lea buorit go orrot). The senior (in more ways than one) author, Myrdene Anderson, found as a Saami ethnographer that her life history resonated well with this Saami philosophy. In addition, Anderson had adopted from her own heritage the adage that "one can't hit a moving target". The Saami would also be comfortable with that formula. Together, one might minimally collapse and paraphrase both adages as: "a (...) rolling agent invests in the moment". Devika Chawla, the junior author, interrogates Anderson in nuancing this philosophy. To what degree is our research overdetermined and underdetermined by such factors as life history, culture, personality, and narrative reflections? The inquiry proceeds to unpack the opacities and transparencies in semiosic constructions. (shrink)

Autobiography of John Stuart Mill by John Stuart Mill John Stuart Mill (20 May 1806 - 8 May 1873) was an English philosopher, political economist and civil servant. One of the most influential thinkers in the history of liberalism, he contributed widely to social theory, political theory and political economy. He has been called "the most influential English-speaking philosopher of the nineteenth century." Mill's conception of liberty justified the freedom of the individual in opposition to unlimited state control. Mill (...) expresses his view on freedom by illustrating how an individual's drive to better their station, and for self-improvement, is the sole source of true freedom. Only when an individual is able to attain such improvements, without impeding others in their own efforts to do the same, can true freedom prevail. Mill's linking of freedom and self-improvement has inspired many. By establishing that individual efforts to excel have worth, Mill was able to show how they should achieve self-improvement without harming others, or society at large. (shrink)

John Stuart Mill was one of the most influential English-language philosophers during the Victorian era. His autobiography recounts his rigorous tutelage under a domineering father, his mental health crisis at age twenty, and his struggle to regain joy amid self-reflection and a reassessment of theories he once believed to be true.

I distinguish what I call ?minimal narrative? from narrative of the kind that might disclose a person's identity in biography or autobiography. The latter exists in what I call ?the realm of meaning?; a realm in which, in ways I try to make clear, form and content cannot be separated. The realm of meaning is also the realm in which we develop an understanding of what it means to lead a human life lucidly responsive to the defining facts (...) of the human condition and, interdependently with that, our sense of what it means to wrong someone. To show to what degree assumptions about the realm of meaning set the stage for our understanding of what it is to wrong someone, of the nature of biography and autobiography and of what it is to learn morally from someone's example, I detail the conceptual structure of a certain kind of racist perception. The racist's distinction between ?us? and ?them?, is essentially the distinction between lives that are lived in the realm of meaning and lives that are not. Much of moral philosophy, I argue, takes as it starting point a perception of human life that is little different from the racist's perception of the lives of those whom he regards as less than fully human. (shrink)

A review of Tara Abraham: Rebel Genius: Warren S. McCulloch’s transdisciplinary life in science. Cambridge, MA and London: MIT Press, 2016, 305 pages, $19.51 HB.

In this, the first full-length study of Vico's highly original autobiography, Verene discusses its place in the history of autobiography generally, and shows it to be the first work of modern intellectual autobiography which uses a genetic method. The author views the autobiography as a work in which Vico applies the principles of human history discussed in New Science, making the telling of his own life an application and verification of his own philosophy. He places Vico's (...) autobiography within the general development of the genre, considering it in relation to Augustine's Confessions, Descartes's Discourse, and Rousseau's Confessions. The author shows Vico to be not only the founder of the philosophy of history, but also the originator of a philosophical art of self-narrative which is the response by a modern thinker to the ancient problem of self-knowledge. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hazel E. Barnes BEAUVOIR AND SARTRE: THE FORMS OF FAREWELL There ARE MANY forms of farewell. The formal interview may be one of them, an autobiography another, the biography written by a relative or close friend of the deceased a third. In The Words Sartre bade farewell to his childhood. He thought he was saying goodbye to literature at the same time, though this adieu turned out (...) to be more in the nature of au revoir or even à bientôt. In an extended interview on the occasion of his seventieth birthday and in a three-hour documentary film, Sartre commented on the events ofhis life, his writings, his hopes and aspirations, his political judgments. Each of these was a summing up, and a selfappraisal, a final statement, too, inasmuch as Sartre's ill health and near blindness made it clear to him that he would not be writing anymore. Simone de Beauvoir obviously drew up some kind of final reckoning in the last volume of her autobiography, Tout comptefait {Account Closed). All of these are farewells of a sort, official valedictories. They have been much discussed, and I will not dwell on them here. Two other works bearing Beauvoir^ name are farewells in a different sense. They are preparations for leave-taking and records of remembrance for the bereaved. They have been combined in a volume published in late 1981, a year and a half after Sartre's death. The first of these is La Cérémonie des adieux (The Ceremony ofFarewells).? This is an account of the decade preceding Sartre's death. The title is itself a recollection of a poignant moment, as Beauvoir explains: "Then this is the ceremony of farewells!' Sartre said to me as we were leaving each other for a month at the beginning of one summer. I had a presentiment of the meaning these words would one day assume. The ceremony lasted ten years. It is these ten years that I recount in this book." The record is annalistic, the same kind of detailed year-by-year account of events and her reactions to them 21 22Philosophy and Literature mat Beauvoir employed in the first three volumes of her autobiography. But there her stated intention was to keep herselfas the center offocus and to speak of Sartre only insofar as his existence was intertwined with her own. In the preface to The Ceremony of Farewells she states that she has recorded these ten years as she had lived them, but that the book is devoted wholly to Sartre. Ifshe has spoken also ofherself, it is because "the witness is a part of what he witnesses." The book is dedicated "To those who loved Sartre, love him, will love him." Indeed, it has been written for them by one who is of them. The second work is Entretiens avecJean-Paul Sartre, a collection of interviews she herself conducted with Sartre in the summer of 1974. These have been subjected to superficial editing but by no means reworked into literature. Beauvoir wanted to give to readers the opportunity "to follow the meanders of his thought and to hear his living voice." Here she uses the method adopted in the fourth volume ofher autobiography, where she grouped her reminiscences by topics. Sartre responds at length to her questions on a vast variety ofsubjects, ranging from food likes and dislikes to his changing concepts of freedom, from sexual preferences to politics; there are comments on schoolboy fights with Merleau-Ponty, and later arguments with Camus, thoughts on literature, on death, on God. A reviewer has remarked that these interviews represent "a worthwhile approximation to the autobiography [Sartre] never wrote."2 Thus we have a work that falls in between biography and autobiography, because of the author's close involvement with her subject, and we have a set of autobiographical interviews. In both Beauvoir is recorder and commentator, Sartre central subject and actor. The two may serve for mutual corroboration and correction. Together diey express Beauvoir^ and Sartre's farewell to each other and his farewell to life. I will begin with the Interviews and focus my discussion on a few selected items which seem to me especially... (shrink)

This book explores major theoretical issues in the study of an individual life through its focus on Jean-Paul Sartre. Sartre's quest for an "existential psychoanalysis" led him to develop what he called "true novels" in the landmark studies of Flaubert and others. In clarifying Sartre's philosophical ideas in relation to the analysis of the self, Stuart L. Charme examines the attraction/repulsion of Freudian concepts and explores parallels to Erikson's ego psychology. Certain "mythic" qualities in religious biography and autobiography (...) are seen as central to Sartre, who presents lives--including his own--as normative models. The book concludes by making a provocative link between the modern preoccupation with self-analysis in biography and autobiography and a fundamental religious need that was once fulfilled by primitive myth. (shrink)

Originally published in Common Knowledge 11, no. 2 (Fall 2005), this essay is reprinted in 2022 as the prelude to the first installment of a project titled “Antipolitics” and dedicated to the author's memory. “To really know” what a writer “is like,” Konrád writes here, “he would have to look back on his biography from after death” — and in this piece he hauntingly does so. Explaining that he composed his first autobiography upon being expelled from university in (...) Hungary after Stalin's death in 1953, he defines the process as “the main event in the ritual of political detention.” In an overview of the writer's life, he describes any act of writing as like scratching one's initials “into the brick of a prison wall” in an effort “to avoid dying completely.” The editors of Common Knowledge, of whose editorial board Konrád was a founding member, chose to reprint this statement at the head of a symposium whose purpose is, in no small part, to help secure his posthumous existence. (shrink)

“Biography” is a sober, precise and modern word. Like other words formed from a Greek root, it has a competent and knowing air. It makes a good appearance in the summary of reviews, on the platform at conferences, between “biology” and “bibliography,” between “necrology” and “radiography,” in that scientific elite of the lexicon that travels in “business” class from one language to another, always at home in the time belts, hotel lobbies, conference rooms or amphitheaters. Compared with this prosperity, (...) the word “Life” is old-fashioned, a poor relative doomed to retirement homes. In the period between the two wars it disappeared from bookstore windows and book jackets. The hesitations of André Maurois, the author of Aspects de la biographie (1928), are characteristic of a transition: he wavered between La Vie de Disraeli (1927), Ariel ou la vie de Shelley (1923), Prométhée ou la vie de Balzac (1965) and Byron (1930). We sense that the title Vie was on the way out or had to yield to a proper name or an allegorical figure. However, it was a word in good standing, nobly Latin in origin, as great a signore in its class as those Massimi or Colonna who claimed their ancestors were mentioned by Titus Livy. Its genealogy is still more ancient, if we recall that its metonymic and literary meaning in Latin is a translation of the Greek word Bios, which the Hellenes, inventors of the genre and who had a more pedantic use of their language than we do, were content to use up until the end. “Biography,” according to Liddell-Scott, is not found in Antiquity except in a very late neo-Platonian, Damaskios, who put this humorless escogriffe into circulation when twilight was descending on the Roman Empire, between the 5th and 6th centuries A.D., at the dawn of the Middle Ages. It made its entrance into modern languages in the last quarter of the 17th century, when the humanism of the Renaissance was coming to an end, and the Enlightenment was beginning its rise. This late and ill-boding word began a slow ascension, long delayed: it did not come into usage outside the circles of antiquarians until the 19th century. The old word “Life” proudly kept its importance until the ‘20s of our era in the particularly conservative language of titles of works. Its definitive effacement to the profit of “biography” brought that of the word “memoirs” or the word “confessions,” which yielded to “autobiography,” while “hagiography” without being able to impose itself so well in usage, took much gravity and credibility away from the “Lives of the Saints.”. (shrink)

This chapter exhibits elements of the origins of David Lewis, philosopher and human being, and whose works we know. It describes important influences on David as a child, as an adolescent, and young man. The chapter begins with the last, and most important, of the forces that shaped the adult David, and made him the philosopher that he was. The chapter dealing with childhood and early adolescence draws partly on Lewis family myth and folklore, but primarily on an autobiography (...) he wrote, at the age of 14, in his next‐to‐last year of high school. David also showed early signs of the high‐mindedness that characterized him for his entire life. The chapter also looks at David's early life. What Australia, and the Australians, did for him was to take him out of himself and make him into a member of community. (shrink)

The text provides a phenomenological analysis of The Autobiography of Malcolm X taken from the subjective perspective offered by Malik Shabazz (Malcolm X). Central to this process is the ever evolving and shifting relationality between Malcolm’s specific point of view and the social world he must take-up.

In this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of the Confessions--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed. Following Wills's biography of Augustine and his translation of the Confessions, this is an unparalleled introduction to one of the most important books in the Christian and Western traditions. Understandably fascinated by the story of Augustine's (...) life, modern readers have largely succumbed to the temptation to read the Confessions as autobiography. But, Wills argues, this is a mistake. The book is not autobiography but rather a long prayer, suffused with the language of Scripture and addressed to God, not man. Augustine tells the story of his life not for its own significance but in order to discern how, as a drama of sin and salvation leading to God, it fits into sacred history. "We have to read Augustine as we do Dante," Wills writes, "alert to rich layer upon layer of Scriptural and theological symbolism." Wills also addresses the long afterlife of the book, from controversy in its own time and relative neglect during the Middle Ages to a renewed prominence beginning in the fourteenth century and persisting to today, when the Confessions has become an object of interest not just for Christians but also historians, philosophers, psychiatrists, and literary critics. With unmatched clarity and skill, Wills strips away the centuries of misunderstanding that have accumulated around Augustine's spiritual classic. (shrink)

A short scientific biography emphasising the main phases of Abramsky’s research: duality theory and domains in logical form, game semantics, categorical quantum mechanics, the sheaf-theoretic approach to contextuality, and game comonads and a structural view of resources and descriptive complexity.

This article explores André-Marie Ampère's autobiography in order to analyse the dynamics of science in early 19th century French institutions. According to recent works that have emphasised the value of biographies in the history of science, this study examines Ampère's public self-representation to show the cultural transformations of a life dedicated to science in post-revolutionary French society. With this aim, I have interpreted this manuscript as an outstanding example of the scientific rhetoric flourishing in early 19th century French Romanticism, (...) which celebrated the life and works of men of science by means of biographies. Following this approach, Ampère's account has been analysed in relation to certain commonplaces shared with other autobiographies of that time, such as his traumatic experience linked to the French Revolution. Finally, this article discusses Ampère's autobiography as revealing an emerging model of scientific personae, i.e. a new collective way of thinking, feeling and perceiving, which announced the category of the modern scientist. (shrink)

We retrieve Bakhtin's reflections on Forms of Time and the Chronotope in the Novel present in The Dialogic Imagination: Four Essays by M. M. Bakhtin in order to verify the variations of the 'Ancient Biography and Autobiography Chronotope' in contemporary autobiography novel. We thus analyze the chronotope in the autobiography novels A Moveable Feast, by Ernest Hemingway, and Chá das cinco com o vampire [Afternoon Tea with the Vampire], by the Brazilian writer Miguel Sanches Neto. Our (...) reading of Bakhtin's notion of chronotope in these narratives leads us to relate the form of public and private space configuration with different strategies of representation. (shrink)

Nineteenth-century German classical philology underpins many structures of the modern humanities. In this book, Constanze Güthenke shows how a language of love and a longing for closeness with a personified antiquity have lastingly shaped modern professional reading habits, notions of biography, and the self-image of scholars and teachers. She argues that a discourse of love was instrumental in expressing the challenges of specialisation and individual formation (Bildung), and in particular for the key importance of a Platonic scene of learning (...) and instruction for imagining the modern scholar. The book is based on detailed readings of programmatic texts from, among others, Wolf, Schleiermacher, Boeckh, Thiersch, Dilthey, Wilamowitz and Nietzsche. It makes a case for revising established narratives, but also for finding new value in imagining distance and an absence of nostalgic longing for antiquity. (shrink)

Charles Sanders Peirce , the most important and influential of the classical American philosophers, is credited as the inventor of the philosophical school of pragmatism. The scope and significance of his work have had a lasting effect not only in several fields of philosophy but also in mathematics, the history and philosophy of science, and the theory of signs, as well as in literary and cultural studies. Largely obscure until after his death, Peirce's life has long been a subject of (...) interest and dispute. Unfortunately, previous biographies often confuse as much as they clarify crucial matters in Peirce's story. Ketner's new biographical project is remarkable not only for its entertaining aspects but also for its illuminating insights into Peirce's life, his thought, and the intellectual milieu in which he worked. (shrink)

Volume 2 of Josef Pieper's three-part autobiography is here presented for the first time in English translation. The volume represents not just a simple continuation of a seamless story. The first volume dealt with Pieper's life from his birth in 1904 to the time of World War 2. The current volume deals with the post-war years, 1945-1964, offering a personal documentation of the institutional rubble through which an emerging academic and philosopher had to find his way. This included finding (...) work, re-establishing himself in the family home, completing his academic education, and beginning to teach philosophy in a climate of despair and disillusionment. In this context, the quintessential Pieper emerges. His positive philosophy of being, firmly based on Plato and Thomas Aquinas, finds extraordinary resonance with students, who flock to his lectures in surprising numbers -- seeking and finding a positive way forward. His dedication to training teachers sees him declining higher academic posts in Germany in favor of work which, though less lucrative and more obscure, he considered more fruitful. These years are also marked by his fiercely independent stance over against the Catholic hierarchy -- despite his staunch adherence to the tradition values of Christianity. His popularity as a philosopher and teacher quickly spread to America, where he was invited to teach at famous universities. His fame led to further travels -- to Switzerland, England, France, Spain, India, China, Saigon, and Thailand. Such travels enriched his thinking and nourished the open-mindedness of the Western philosopher. (shrink)

For forty years, Creighton Peden has been engaged in significant scholarship to preserve the nineteenth and twentieth-century tradition of American empirical, pragmatic theology and in particular, the work of the Chicago School. He has edited or coedited several volumes of authors’ unpublished works including one with John Gaston on Edward Scribner Ames, also published in 2011. Further, he has created a series of intellectual biographies on leaders of this unique tradition.Peden’s biography of Ames is organized in three sections. The (...) opening two chapters set the historical context of Ames’s work in the Disciples of Christ denomination and in his own personal autobiography. The middle section.. (shrink)

A short intellectual biography of Kit Fine, provided by himself.

This sequel to First Person Singular (1980) presents autobiographical sketches of 15 eminent scholars in the language sciences. These personal reminiscences on their careers in linguistics reflect developments in the field over the past decades and shed light on the role each of them played and the influences they underwent. This book is a valuable source for scholars of the history of ideas in general and for historiographers of linguistics in particular, while it makes interesting reading for every linguist interested (...) in the history of the discipline. The volume includes photographs of all contributors and is completed by an index of names and an index of subjects and languages. (shrink)

Enlightening Journey brings the life of the American philosopher, Nicholas Rescher, into the new millennium. The latest in a quartet of autobiographical works, this latest installment charts—in a single volume—the many twists and turns of Rescher's life and career. It takes the reader from Rescher's childhood in Weimar and then Nazi Germany through life as a first generation American during the Depression; as a high school student during World War II and a graduate student at Princeton; as a serviceman during (...) the Korean War to work as a Cold War warrior with the RAND Corporation during the Vietnam War. It traces the evolution of Rescher's career as a professional philosopher and his contribution of over seventy books and more than two hundred articles, many written in the construction of his signature system of pragmatic idealism. The very best in biography, Enlightening Journey offers new insight into the intellectual power and restless curiosity of an extraordinary modern scholar seeking to live out a very ordinary American life. (shrink)

The literature on the life and work of American psychiatrist Harry Stack Sullivan is used to provide a critique of Jacques Derrida’s Archive Fever. Derrida’s concept of archival violence relies on psychoanalysis both for its epistemology and for its exemplar of archival violence. The Sullivan literature shows how these positions become antagonistic when Derrida’s work is used to think about Freud’s critics. The published literature on Sullivan is described as a queer archive that has been strongly shaped by historical shifts (...) in discourses about homosexuality, but that continues to stimulate and frustrate attempts to know the essential truth about Sullivan. Sullivan scholars have been quick to read his personality theory as autobiography, belittling the importance of friendship in Sullivan’s developmental theory, which differentiates it from the heteronormative Oedipal narrative. It is argued that Derrida’s mode of critique would entrench rather than unearth such heteronormative historiographical moves. Scholars are invited to put Sullivan’s biographies and published works to a broader range of uses in the human sciences. (shrink)

Both a Popper biography and an autobiography, Agassi's "A Philosopher's Apprentice" tells the riveting story of his intellectual formation in 1950s London, a young brilliant philosopher struggling with an intellectual giant - father, mentor, and rival, all at the same time. His subsequent rebellion and declaration of independence leads to a painful break, never to be completely healed. No other writer has Agassi's psychological insight into Popper, and no other book captures like this one the intellectual excitement around (...) the Popper circle in the 1950s and the struggles of the 1960s and 1970s - personal, academic, political, all important philosophically. Agassi's Popper - whether one agrees with it or not - is an enormous contribution to scholarship. This second revised edition includes also Popper's and Agassi's last correspondence and, in a postscript it shows Agassi leafing through Popper's archives, reaching a sort of reconciliation, an appropriate ending to the drama. A must read. Malachi Hacohen, Duke University. (shrink)

Written exclusively in the third-person by a narrator who repeatedly refers to “Henry Adams” as “passive,” “submissive,” and “a helpless victim” in relation to the “forces” in the world that form him, The Education of Henry Adams attenuates both author and subject by valuing environment over eponym. The critical literature on the text has focused primarily on the formal or psychological bases of such practice in order to argue that Adams is behind, and thus exempt from, the book's paradoxical self-effacements. (...) But for Adams the rationale for the impersonal, evacuated form of The Education is more ontological than personal, the necessary consequence of his quietistic belief in a materialist determinism so absolute as to reduce persons and history alike to “sum[s].... of the forces” of “nature.” This belief, one shared by many of his contemporaries and most fully evolved in Adams's “dynamic theory of history,” entails, in the context of The Education, making the distinction between auto-biography and autobiography, between a text generated by an “automaton” and one written by a person. Routed through a discussion of de Man's and Kierkegaard's conceptions of irony, this essay explores the relevance of such a distinction to both the humanism of Adams's age and the posthumanism of our own. (shrink)

Philosophers of literature do not take much of an interest in autobiography.1 In one sense this is not surprising. As a certain prejudice has it, autobiography is, along with biography, the preferred reading of people who do not really like to read. The very words can conjure up images of what one finds on bookshelves in Florida retirement communities and in underfunded public libraries, books with titles like Under the Rainbow: The Real Liza Minnelli or Me: Stories (...) of My Life (Katharine Hepburn).2 Hardly rousing material, at least from the philosophical point of view. But on a moment’s reflection, it becomes clear that the initial prejudice is unfounded. Never mind the fact that there are obviously .. (shrink)

This book is a comprehensive study of the writings of Jean-Paul Sartre. As well as examining the drama and the fiction, the book analyses the evolution of his philosophy, explores his concern with ethics, psychoanalysis, literary theory, biography and autobiography and includes a lengthy section on the still much-neglected study of Flaubert, L'Idiot de la famille. One important aim of the book is to rebut the charges made by many theorists and philosophers by revealing that Sartre is in (...) fact a major source for concepts such as the decentred subject and detotalised truth and for the revolt against individualistic humanism. Dr Howells also takes into account much posthumously published material, in particular the Chaiers pour une morale, but also the Lettres au Castor and the Cranets de la drole de guerre. The work is a substantial contribution to Sartre studies, but has been written with the non-specialist in mind; to that end all quotations are translated into English and gathered in an appendix. (shrink)

This collection opens with an inquiry into the assumptions and methods of the historical study of culture, comparing the new cultural history with the old. Thirteen essays follow, each defining a problem within a particular culture. In the first section, Biography and Autobiography, three scholars explore historically changing types of self-conception, each reflecting larger cultural meanings; essays included examine Italian Renaissance biographers and the autobiographies of Benjamin Franklin and Mohandas Gandhi. A second group of contributors explore problems raised (...) by the writing of history itself, especially as it relates to a notion of culture. Here examples are drawn from the writings of Thucydides, Jacob Burckhardt, and the art historians Alois Riegl and Josef Strzygowski. In the third section, Politics, Nationalism, and Culture, the essays explore relationships between cultural creativity and national identity, with case studies focusing on the Holy Roman Emperor Maximilian I, the place of Castile within the national history of Spain, and the impact of World War I on work of Thomas Mann. The final section, Cultural Translation, raises the complex questions of cultural influence and the transmission of traditions over time through studies of Philo of Alexandria's interpretation of the Hebrew Bible, Erasmus' use of Socrates, Jean Bodin's conception of Roman law, and adaptations of the Hebrew Bible for American children. (shrink)

Derek Parfit (1942-2017) is the most famous philosopher you've likely never heard of. In 1984, Parfit published what was, and is still, hailed by many philosophers as a work of genius - one of the most cited works of philosophy since World War II, Reasons and Persons. At its core, he argued that we should be concerned less with our own interests and more with the common good. His book brims with brilliant argumentative detail and stunningly inventive thought experiments that (...) challenged contemporary views about what it means to be a person, why one should forego concern for oneself as an identity that persists over time, what it means to act on the basis of reasons, and what we owe to future generations. Parfit also - unfashionably at the time - believed in a kind of grand unified theory of morality, what he called theory x, a non-religious ethical theory wherein all the major moral theories were converging from different sides on the same mountaintop. Parfit has had an enormous influence not only on philosophy, but also beyond, particularly amongst those in the fields of climate ethics, poverty relief, and charitable giving. In this book, the first-full scale biography of Parfit, Dave Edmonds tells the story of the thinker that many philosophers consider the most important moral philosopher of the last century. Edmonds' rendering of the man in full skilfully illuminates the person behind the acclaimed philosopher. Despite Parfit's extraordinary mind, outward appearances suggest his was also an extraordinarily uneventful life - one largely spent in cloistered institutions from Eton to Oxford and one seemingly monomaniacally devoted to ideas. Edmonds' aim is to show how this son and grandson of missionaries went from a genial and outgoing history student to a captivating, yet monkish philosopher singularly devoted to saving morality. In doing so, Edmonds makes Parfit's profound, but often impenetrable, ideas accessible to a broad audience and gives life and body to the thoughts of a seemingly pure thinker that captured the imagination of a generation of philosophers. (shrink)

My purpose in Hume: An Intellectual Biography was to write the first comprehensive account of Hume's career as an author, beginning with what we know about his education at Edinburgh, and ending with "My Own Life," the brief autobiography that Hume wrote shortly before he died. Where Ernest Mossner, in his classic The Life of David Hume, was explicitly concerned with the man rather than with the ideas, I was concerned with the ideas, and the arguments, rather than (...) with the man. Hume's biography was of interest to me insofar as, but no further than, it shed light on Hume's intellectual development. In many respects, Mossner's achievement as a biographer remains deeply impressive, and anyone wanting to gain a full... (shrink)

Ovid's Tristia4.10 has in the past chiefly been considered as a source of biographical information rather than as a poem, but increasing interest in the poetry of Ovid's exile has now at last started to promote serious efforts to appreciate its literary qualities. The poem presents a formidable challenge to the critic: at first reading it seems a singularly pedestrian account of the poet's life and, although one may adduce plenty of parallels for details in its phrasing elsewhere in the (...) poetry of Ovid and the other Augustans, it is clear that Ovid's thought-processes are not to be explained solely in terms of the main stream of Greco-Roman poetic tradition. Prose biography and autobiography, rhetorical apology and eulogy, subliterary epitaphs and inscriptional lists of achievements: all these types of writing could have influenced Ovid's selection of data. (shrink)

Named one of the Ten Best Books of 2016 by the New York Times, a spirited account of a major intellectual movement of the twentieth century and the revolutionary thinkers who came to shape it, by the best-selling author of How to Live Sarah Bakewell. Paris, 1933: three contemporaries meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are the young Jean-Paul Sartre, Simone de Beauvoir, and longtime friend Raymond Aron, a fellow philosopher who raves to (...) them about a new conceptual framework from Berlin called Phenomenology. "You see," he says, "if you are a phenomenologist you can talk about this cocktail and make philosophy out of it!" It was this simple phrase that would ignite a movement, inspiring Sartre to integrate Phenomenology into his own French, humanistic sensibility, thereby creating an entirely new philosophical approach inspired by themes of radical freedom, authentic being, and political activism. This movement would sweep through the jazz clubs and cafés of the Left Bank before making its way across the world as Existentialism. Featuring not only philosophers, but also playwrights, anthropologists, convicts, and revolutionaries, At the Existentialist Café follows the existentialists' story, from the first rebellious spark through the Second World War, to its role in postwar liberation movements such as anti-colonialism, feminism, and gay rights. Interweaving biography and philosophy, it is the epic account of passionate encounters--fights, love affairs, mentorships, rebellions, and long partnerships--and a vital investigation into what the existentialists have to offer us today, at a moment when we are once again confronting the major questions of freedom, global responsibility, and human authenticity in a fractious and technology-driven world. (shrink)