The political history of the twentieth century can be viewed as the history of democracy’s struggle against its external enemies: fascism and communism. This struggle ended with the fall of the Berlin Wall and the collapse of the Soviet regime. Some people think that democracy now faces new enemies: Islamic fundamentalism, religious extremism and international terrorism and that this is the struggle that will define our times. Todorov disagrees: the biggest threat to democracy today is democracy itself. Its enemies (...) are within: what the ancient Greeks called 'hubris'. Todorov argues that certain democratic values have been distorted and pushed to an extreme that serves the interests of dominant states and powerful individuals. In the name of ‘democracy’ and ‘human rights’, the United States and some European countries have embarked on a crusade to enlighten some foreign populations through the use of force. Yet this mission to ‘help’ others has led to Abu Ghraib and Guantanamo, to large-scale destruction and loss of life and to a moral crisis of growing proportions. The defence of freedom, if unlimited, can lead to the tyranny of individuals. Drawing on recent history as well as his own experience of growing up in a totalitarian regime, Todorov returns to examples borrowed from the Western canon: from a dispute between Augustine and Pelagius to the fierce debates among Enlightenment thinkers to explore the origin of these perversions of democracy. He argues compellingly that the real democratic ideal is to be found in the delicate, ever-changing balance between competing principles, popular sovereignty, freedom and progress. When one of these elements breaks free and turns into an over-riding principle, it becomes dangerous: populism, ultra-liberalism and messianism, the inner enemies of democracy. (shrink)

Can humanity be divided into good and evil? And if so, is it possible for the good to vanquish the evil, eradicating it from the face of the Earth by declaring war on evildoers and bringing them to justice? Can we overcome evil by the power of memory? In Memory as a Remedy for Evil, Tzvetan Todorov answers these questions in the negative, arguing that despite all our efforts to the contrary, we cannot be delivered from evil. In this (...) work on evil, memory and justice, Todorov examines the uses of memory and the spate of memorial laws in France in order to show how memory has failed as a remedy against evil and how efforts to come to grips with past evil through trials and punitive justice have failed as well. Todorov locates the fatal flaw of all these approaches in our erroneous relationship with evil as alterity, the distinction that we draw between ourselves and others that allows us to imagine ourselves in the appealing role of hero and victim and confine others to the role of villain and criminal. Similarly, in his analysis of the South African Truth and Reconciliation Commission and Cambodia's Khmer Rouge Tribunal, Todorov argues in favor of restorative justice, which "seeks not to punish but to restore relations that should never have been interrupted" between former perpetrators and former victims. Memory as a Remedy for Evil is a powerful and timely work that asks that we recognize the good and evil within each of us--and reminds us that it is only by coming to terms with evil and trying to understand it that we can hope to tame it. (shrink)

“Racism” is the name given to a type of behavior which consists in the display of contempt or aggressiveness toward other people on account of physical differences between them and oneself. It should be noted that this definition does not contain the word “race,” and this observation leads us to the first surprise in this area which contains many: whereas racism is a well-attested social phenomenon, “race” itself does not exist! Or, to put it more clearly: there are a great (...) number of physical differences among human groups, but these differences cannot be superimposed; we obtain completely divergent subdivisions of the human species according to whether we base our description of the “races” on an analysis of their epidermis or their blood types, their genetic heritages or their bone structures. For contemporary biology, the concept of “race” is therefore useless. This fact has no influence, however, on racist behavior: to justify their contempt or aggressiveness, racists invoke not scientific analyses but the most superficial and striking of physical characteristics —namely, differences in skin color, pilosity, and body structure.Thus, it is with good cause that the word “race” was placed in quotes in the title of this issue: “races” do not exist. I am less sure, however, that all the contributors managed to avoid postulating the existence, behind this word as behind most words, of a thing. In his introduction Gates remarks that “race, in these usages, pretends to be an objective term of classification, when in fact it is a dangerous trope,” and he goes on to describe as follows the goal of the special issue: “to deconstruct, if you will, the ideas of difference inscribed in the trope of race, to explicate discourse itself in order to reveal the hidden relations of power and knowledge inherent in popular and academic usages of ‘race’ ” . Up to a point, I agree with him, even if I cannot help pointing out the insistent allusions to certain contemporary critical theories —allusions which furnish proof that the author of these lines possesses a particular knowledge and thereby sets up a particular power relationship between himself and the reader. This, however, is not the problem. The problem arises on page 15, when the same author declares, “We must, I believe, analyze the ways in which writing relates to race, how attitudes toward racial differences generate and structure literary texts by us and about us.” What bothers me about this sentence is not so much that “generate” and “structure” allude to yet another critical theory as that its author seems to be reinstating what he himself referred to as the “dangerous trope” of “race”: if “racial differences” do not exist, how can they possibly influence literary texts? Tzvetan Todorov works at the Centre National de la Recherche Scientifique in Paris. His most recent book in translation is The Conquest of America . Criticism of Criticism is forthcoming. Loulou Mack is a free-lance writer and translator living in Paris. (shrink)

The paper traces a three-century-long tradition of a mistaken attribution of the Defence of Eunuchs by Theophylact of Ohrid. Since Peter Lambeck, chief librarian of the Hofbibliothek in Vienna, identified in 1671 the author of the treatise as Theodore Pedagogue, a poorly known tutor to the emperor Constantine VII Porphyrogenitus, the incorrect attribution was readily adopted and further disseminated by a series of scholars of the next generations. Although the issue of the authorship was successfully resolved as early as 1768 (...) by Angelo Bandini, head of the Laurentian Library in Florence, the information remained unfamiliar to writers of the following centuries, leaving the entrenched error to persist until the late 1970s, on the eve of the first critical editions of the Defence. The article follows the tangled history of the erroneous attribution, attempting to establish a kind of stemmatic regularity between several branches of the abortive tradition. (shrink)

This concise book from internationally renowned historian Tzvetan Todorov establishes the Enlightenment as the philosophical cornerstone of the modern world and argues that the wisdom of those times is just as relevant today.

This paper addresses the issue of the legal status of non-human animals and the possibility of changing it from the status of things or property to the status of non-things, or better, sentient beings. Key arguments for the change of their status are discussed, including the argument from marginal cases, as well as scientific evidence indicating that many animals are sentient beings. Two ways of initiating such changes seem most promising: legislation, i.e. modification of the civil codes, and litigation, i.e. (...) filing lawsuits on behalf of individual animals. It is argued that legislative changes are necessary for moving animals out of the legal category of things and into the category of sentient beings that can bear rights. On the other hand, litigation could bring about more radical change of the legal status of some animals. (shrink)

Summary In Part 1 Small describes her discovery that an array of depicted cubes produces another and completely different illusion from that of a single cube. When a group of such cubes are viewed at an angle, they turn into rectangular boxes, and as the angle gets more severe, they become narrow ribbons. The illusion works only in one direction. In Part 2, Todorović manipulates the image to demonstrate various transformations and offers an explanation of how and why they work (...) the way they do. (shrink)

The Higher School Certificate is a certificate that recognises the successful completion of secondary education in New South Wales, Australia. The most recent enrolment information available suggests that at least 13,472 students undertaking the NSW Higher School Certificate in 2019 conducted research projects that involved human participants. During the course of their high school education current HSC students are taught research design principles and statistics so that they are equipped to plan a research project and determine the meaning of the (...) outcome; however, the students are not systematically taught the application of research ethics during their high school years. This article contends that the NSW HSC curriculum be expanded to include instruction in and application of the fundamentals of research ethics to these high school projects to ensure that all participants involved in these projects are accorded respect and protection as intended by the Australian National Statement on Ethical Conduct in Human Research. (shrink)

This paper deals with the evolutionary origin and the adaptive function of emotion. I discuss the view that emotions have evolved as functional adaptations in both humans and non-human animals in order to cope with adaptive challenges and to promote fitness. I argue that there is evolutionary continuity between humans and animals in emotions and emotional expressions, and discuss behavioural argument for this thesis, specifically, Darwin’s and Ekman’s research on similarities in how humans and animals express their basic emotions. In (...) addition to this argument, I provide neuroscientific evidence that supports the claim that basic emotions are evolutionary old and shared among humans and many other animals. Finally, I conclude that animal emotions can be considered the bases and roots of our emotions that connect us to other sentient beings. (shrink)

The political history of the twentieth century can be viewed as the history of democracy’s struggle against its external enemies: fascism and communism. This struggle ended with the fall of the Berlin Wall and the collapse of the Soviet regime. Some people think that democracy now faces new enemies: Islamic fundamentalism, religious extremism and international terrorism and that this is the struggle that will define our times. Todorov disagrees: the biggest threat to democracy today is democracy itself. Its enemies (...) are within: what the ancient Greeks called 'hubris'. Todorov argues that certain democratic values have been distorted and pushed to an extreme that serves the interests of dominant states and powerful individuals. In the name of ‘democracy’ and ‘human rights’, the United States and some European countries have embarked on a crusade to enlighten some foreign populations through the use of force. Yet this mission to ‘help’ others has led to Abu Ghraib and Guantanamo, to large-scale destruction and loss of life and to a moral crisis of growing proportions. The defence of freedom, if unlimited, can lead to the tyranny of individuals. Drawing on recent history as well as his own experience of growing up in a totalitarian regime, Todorov returns to examples borrowed from the Western canon: from a dispute between Augustine and Pelagius to the fierce debates among Enlightenment thinkers to explore the origin of these perversions of democracy. He argues compellingly that the real democratic ideal is to be found in the delicate, ever-changing balance between competing principles, popular sovereignty, freedom and progress. When one of these elements breaks free and turns into an over-riding principle, it becomes dangerous: populism, ultra-liberalism and messianism, the inner enemies of democracy. (shrink)

Summary Amodal completion involves the impression of existence and properties of visually occluded parts of objects. One aspect of this phenomenon that has been somewhat neglected is the amodal completion of color, which involves the impression that amodally completed surfaces have a particular color. In this paper, this aspect is investigated by constructing a large number of displays with identical target figures embedded in systematically varying contexts, to find out which contexts are conducive for amodal completion of color and which (...) are not. In this setup, the main effects of changes of contexts are changes of geometric and photometric features of junctions along the borders of the target regions, which can cause dramatic differences in the appearance of those regions. Generally, a certain arrangement of T-junctions supports the impression of amodal completion of color, and it can be argued that certain types of X-junctions support a variant of this effect as well. (shrink)

Every linear perspective image has a center of the perspective construction. Only when observed from that location does a 2D image provide the same stimulus as the original 3D scene. Geometric analyses indicate that observing the image from other vantage points should affect the perceived spatial structure of the scene conveyed by the image, involving transformations such as shear, compression, and dilation. Based on previous research, this paper presents a detailed account of these transformations. The analyses are presented in a (...) uniform manner, illustrated with special 3D diagrams, and embedded in a wider framework of related perspective paradigms. Such analyses provide the potential theoretical basis for empirical work on the effects of changes of observer vantage points on the perception of spatial structure in perspective images. (shrink)

The phenomenon of the body has been neglected or placed lower in the hierarchy of importance for the almost entire philosophical tradition. This is especially noticeable in the problems of modern dualism, which struggled to reconcile the gap between the soul and the body. Although placed in the lowest position on the ontological scale, the phenomenon of the body played a very important role in Ancient Greek philosophy, especially in poetics and praxis philosophy. German idealism, which, led by Hegel, tries (...) to overcome modern dualism and adopt classical ancient dialectics, reaffirms the important role of the phenomenon of the body, showing its mediating place both in the field of theoretical truths and in the field of objective spirit. Although contemporary philosophy departed from idealistic logic, this paper emphasizes how the phenomenological method led by Husserl also affirmed the phenomenon of the body. By distinguishing between the perceptual (Gegenwärtigung) and the imaginary consciousness (Vergegenwärtigung), Husserl allows us to approach the phenomenon of the body in different ways, also showing its independence in the field of aesthetics. This made an influence on structuralist tradition, especially Rancière, who develops the idea of the free field of praxis through the notion of the sensible which represents the mediating role of the body and conceives of the sphere of aesthetics as a free regime. (shrink)

This paper discusses the evolutionary origin and adaptive functions of emotions, in line with contemporary evolutionary psychology. Drawing upon Charles Darwin’s study of emotional expressions, it is argued that there is an evolutionary continuity among animals in emotional capacities, and that the differences between humans and animals are differences in degree and not in kind. The focus is on basic or primary emotions (joy, fear, sadness, anger), as it has been consistently shown that they are universal and shared among many (...) different species. Basis for this view is the neuroscientific research on brain mechanisms underlying the emotions, especially subcortical brain regions that are proven to be the evolutionary old loci of emotions, homologous across many species. These neuroscientific data provide convincing empirical evidence for the existence of emotional experiences in animals and the evolutionary continuity among species. (shrink)

We cannot "go back" to the Enlightenment today; its world is not ours. However, we should not reject it as revolutionaries and anti-humanists tried to during the last century. Rather, we need a rebirth of the Enlightenment to preserve its heritage at the same time subjecting it to a critical appraisal. The Enlightenment has taught us how to do this by lucidly and fearlessly contrasting it with its desirable and undesirable consequences. In criticizing the Enlightenment we remain faithful to it.

This paper addresses the issue of the moral standing of nonhuman animals and their moral and legal rights. First of all, two most prominent views arguing for moral significance of animals are discussed. Peter Singer’s utilitarian view is that animals are sentient beings and therefore deserve equal consideration of their interests. Next, Tom Regan’s standpoint is that many animals have inherent value as experiencing subjects of a life, and consequently an equal right to be treated with respect. This is followed (...) by a discussion about legislation and legal practice in our country and abroad. Finally, it is argued that animals should have at least some basic rights guaranteed by the law. (shrink)

Tzvetan Todorov, one of Europe’s leading intellectuals, explores the complex relations between art, politics, and ethics in the essays that make up _The Limits of Art_. In one essay, “Artists and Dictators,” Todorov traces the intimate relationship between avant-garde art and radical politics in pre-revolutionary Russia, pre-fascist Italy, and pre-Nazi Germany. Todorov sets forth the radical idea that the project of totalitarian dictators and avant-garde artists actually “emerged from the same womb”: both artists and dictators set out (...) to make it new—be it art or society. Further troubling the role of art in the world at large, in “Art and Ethics” Todorov re-examines the age-old question of what can be expected from art and whether it should be emancipated from ethics. Must art be morally instructive, or should it be self-sufficient and concept-free? The answer is not an either/or to Todorov, who believes, like Baudelaire, that art has both cognitive and ethical aspects to it—even if it is presented as art for art’s sake. Throughout the essays in _The Limits of Art_, Todorov insists on the essential need for artists to recognize, understand, and even love the world outside. “Todorov harbors no illusions about the mix of good and bad that enters into the fabric of all that is human.... He speaks throughout in his own voice, with rare breadth of sympathy and with a fine eye for the complexities of human experience.”—_New Republic_ “Like the authors he focuses on, Todorov is tolerant, understanding and wise.”—_Observer_. (shrink)

A general framework for the explanation of perceptual phenomena as internalizations of external regularities was developed by R. N. Shepard. A particular example of this framework is his account of perceived curvilinear apparent motions. This paper contains a brief summary of the relevant psychophysical data, some basic kinematical considerations and examples, and several criticisms of Shepard's account. The criticisms concern the feasibility of internalization of critical motion types, the roles of simplicity and uniqueness, the contrast between classical physics and kinematic (...) geometry, the import of perceived path curvilinearity, and the relation of perceptual and scientific knowledge. Key Words: internalization of regularities; kinematic geometry; simplicity. (shrink)

What is The Awkward Age about? It is not easy to answer that apparently simple question. But the reader can take consolation from the fact that the characters themselves seem to have just as much trouble understanding as he does. Actually, a large proportion of the words exchanged in this novel—a novel made up, moreover, almost exclusively of conversations—consists of requests for explanation. These questions may touch upon different aspects of discourse and reveal various reasons for obscurity. The first, the (...) simplest and the rarest, is an uncertainty about the very meaning of words; it is like the uncertainty a foreigner would naturally feel whose knowledge of the language was imperfect: the questions here are matters of vocabulary. In The Awkward Age there are no foreigners who speak bad English, but one of the characters, Mr. Longdon, has for a long time lived far from London; now that he has come back, he has the feeling that he no longer understands the meaning of words, and, in the course of his first conversations at least, he often asks questions like: "What do you mean by early?" "What do you mean by the strain?"1 These questions, innocent as they appear, nevertheless require those to whom they are addressed both to explain and to take full responsibility for the meaning of the words—that is why the questions sometimes provoke lively refusals. "What do you mean by fast?" Mr. Longdon asks again, but the response of the Duchess is cutting: "What should I mean but what I say?" . We shall see, however, that the Duchess' own niece is a victim of the same disorder—not understanding the meaning of words. · 1. P. 43. References are to the Penguin Modern Classics edition . All further references will appear in the text. Tzvetan Todorov has written numerous books on literary theory, the last of which is Théories du symbole , and has translated the works of the Russian Formalists into French. Two of his books have been translated into English, The Fantastic: A Structural Approach to a Literary Genre and Poetics of Prose. He is editor of the journal Poétique and works as Maître de recherche at the Centre National de la Recherche Scientifique in Paris. "The Last Barthes" appeared in the Spring 1981 issue of Critical Inquiry. (shrink)

In many studies, human reasoning has been depicted as “biased” or deviating from normative models in both areas of deductive and inductive reasoning. Two criteria for evaluation of reasoning studies are proposed in this paper. The first criterion concerns the selection and application of normative models against which human performance is assessed. The second criterion concerns the role of conversational factors in the differential selection of information used in the subsequent judgment. These two criteria were applied to studies on two (...) tasks from the fields of deductive and inductive reasoning, the Wason selection task and the base rate fallacy. In view of alternative normative systems, control of the application of the normative models used and the perceived conversational relevance of the information presented in the experimental tasks, the alleged biases have been demonstrated to be largely unsupported. The analysis is consistent with the notion that human reasoning is optimal and rational. The implications of the present account for reasoning experiments are discussed. (shrink)

In the book Remarks on Colors, Wittgenstein has claimed that transparent white objects do not and cannot exist, and that they cannot even be imagined. He had also claimed that luminous gray does not exist and cannot even be conceived. However, his arguments which aim to identify contradictory features of hypothetical transparent white media rely on incorrect assumptions about their properties and effects. Furthermore, some real objects and atmospheric phenomena can have features of transparent white media. As concrete examples of (...) Wittgenstein's 'impossible' colors, this paper contains two simple computer-generated graphical displays, one depicting a scene that includes a transparent white sheet, and another which conveys the impression of luminous gray. (shrink)

As demonstrated by several example displays, color illusions challenge color realism, because they involve a one-to-many reflectance-to-color mapping. Solving this problem by differentiating between veridical and illusory colors corresponding to the same reflectance is hampered because of the lack of an appropriate criterion. However, the difference between veridical and illusory color perception can still be maintained.

Multimedia technologies and ICT in organising e-portfolio for students An electronic portfolio, also known as an e-portfolio or digital portfolio, is a collection of electronic evidence assembled and managed by a user, usually on the Web. Such electronic evidence may include inputted text, electronic files such as Microsoft Word and Adobe PDF files, images, multimedia, Blog entries, and hyperlinks.One of the approaches, which can be used for improving the attractiveness of the e-portfolio is presented, and it is an implementation of (...) the multimedia technologies in it. In this case we are speaking about multimedia electronic portfolio. What makes them very different from the traditional portfolios is that they can include scanned or digital photos, video and sound clips, animations, recordings of the students, text, traditional writings and drawings.Two main groups of tools for creating multimedia e-portfolio are presented. (shrink)

Husserl?s concept of imagination has been systematically presented in Husserliana XXIII, in which its manifold role has been set out. Through the different texts, the author shows that phantasy should be considered as one of the modifications of pure re-presentation. The article first tries to underline the distinction between Husserl?s deliberation on this phenomenon and the traditional concept of imagination. Second, it shows the fundamental moments of constitu?tional consciousness in order to relate the notion of imagination to perceptual apprehension. At (...) the very end, the notion of phantasy is connected with the idea of first philosophy and the question of possibil?ity of its realization. (shrink)

Krueger & Funder (K&F) see social psychologists as driven to demonstrate that people's behavior falls below relevant moral and intellectual standards. We suggest that social psychologists search for demonstrations of when it is that people's actual behaviors and decisions deviate from expected or ideal behaviors and decisions, and what these “deviations” tell us about general decision processes, including those that do not produce unexpected actions. Often the discoveries are of positive rather than negative behaviors.

This article compares two different approaches to the humanities in general and to anthropology in particular, represented by two renowned French scholars, Claude Levi-Strauss (1908–2009) and Germaine Tillion (1907–2008). While Levi-Strauss emphasized the importance of an objective stance in the humanities and wanted to eliminate all subjectivity, Tillion desired to reserve an exclusive role for subjectivity, preferring human individuals to abstractions. The article suggests looking for the reason for these opposite positions within the disparate experiences the two scholars had during (...) World War II: an American university life for Levi-Strauss, and “humanist classes” in a German concentration camp for Tillion. A person who had been through the schooling at Ravensbruck could not arrive at the same conception of the field as another whose experiences came from the campus of an American university.В этой статье сравниваются два разных подхода к гуманитарным наукам вообще и к антропологии в частности, представленные двумя знаменитыми французскими учеными Клод Леви-Строссом (1908–2009) и Жерменой Тильон (1907–2008). В то время как Леви-Стросс подчеркивал важность объективной позиции в гуманитарных науках и хотел устранить всякую субъективность, Тильон хотела зарезервировать исключительную роль для субъективности, предпочитая людей абстракциям. В статье предлагается найти причину этих противоположных позиций в несопоставимом опыте двух ученых во время Второй мировой войны: жизнь американского университета у Леви-Стросса и «уроки гуманизма», усвоенные Тильон в немецком концентрационном лагере. Человек, прошедший школу жизни в Равенсбрюке, не мог прийти к той же концепции, что и другой, живший в кампусе американского университета.Artiklis korvutatakse kahte erinevat lahenemist humanitaarteadustele uldisemalt ning antropoloogiale konkreetsemalt, mida esindasid kaks tunnustatud prantsuse teadlast, Claude Levi-Strauss (1908–2009) ja Germaine Tillion (1907–2008). Kui Levi-Strauss rohutas objektiivse hoiaku olulisust humanitaarias ning tahtis vabaneda igasugusest subjektiivsusest, siis Tillion soovis reserveerida subjektiivsusele eksklusiivset rolli, eelistades inimesi abstraktsioonidele. Artiklis pannakse ette otsida nende vastandlike seisukohtade pohjusi kahe opetlase erinevatest kogemustest II maailmasoja ajal: Levi-Straussi elust Ameerika ulikoolis ning Tillioni Saksa koonduslaagris omandatud “humanismioppetundidest”. Inimene, kes oli teinud labi Ravensbrucki koolituse, ei saanud hakata valdkonda kontseptualiseerima samamoodi kui teine, kelle kogemus parines Ameerika ulikoolilinnakust. (shrink)

Combat sports and martial arts are often associated with aggressiveness among the general public, although data on judo and/or martial arts and aggressiveness seem to be unclear. This research aims to compare athletes who have trained judo for a prolonged time and athletes from various team sports, primarily regarding the manifestation of aggression, but also regarding personality traits, emotional intelligence, and self-efficacy. Also, the potential predictive value of personality traits, emotional intelligence, and self-efficacy for aggression within subsamples of judokas and (...) team athletes was tested. The research findings showed that professional judo athletes are characterized by a low degree of aggression, especially low indirect and physical manifestations of aggression. In addition, the personality traits Honesty-Humility and Openness to experience are well expressed, contrary to Emotionality and Extraversion, which are less pronounced. They are also characterized by moderate general self-efficacy. On the other hand, members of team sports produced the opposite results, as they are characterized by increased aggression, pronounced traits of Emotionality and Extraversion, somewhat less pronounced traits of Honesty-Humility, Openness to new experience, and less pronounced general self-efficacy. The percentage of explained variability of aggression is slightly higher in the subsample of team sports and constitutes 49.9% of the variability, while in the subsample of judokas it constitutes 47.8% of the variability of the criteria. Practical implications, limitations, and future research directions were discussed. (shrink)

Perceptions of criminality and remorse are critical for legal decision-making. While faces perceived as criminal are more likely to be selected in police lineups and to receive guilty verdicts, faces perceived as remorseful are more likely to receive less severe punishment recommendations. To identify the information that makes a face appear criminal and/or remorseful, we successfully used two different data-driven computational approaches that led to convergent findings: one relying on the use of computer-generated faces, and the other on photographs of (...) people. In addition to visualising and validating the perceived looks of criminality and remorse, we report correlations with earlier face models of dominance, threat, trustworthiness, masculinity/femininity, and sadness. The new face models of criminal and remorseful appearance contribute to our understanding of perceived criminality and remorse. They can be used to study the effects of perceived criminality and remorse on decision-making; research that can ultimately inform legal policies. (shrink)

In this article, we trace the analogies, parallels and affinities between bio-inspired generative art and bio art practices with strong generative flavour. We look at the creative and expressive features in these two fields, compare their shared interests in the design and development of life, and discuss the strategies they apply to communicate and engage the audience. With respect to the existing literature, which relates bio and generative art primarily within a historical context, we compare these two fields focusing on (...) generativity as their common poetic driver. We indicate their shared impetus for rendering distinctive visions of nature in order to identify, contemplate or provoke dramatic changes in the era when biological processes become programmable and living matter can be instrumentalized for various forms of labour. We also examine the epistemological and practical effectiveness of the two fields within a broader socio-technical perspective, which leads us to their constructive critique. (shrink)

We present two experiments that cast doubt on existing evidence suggesting that it is impossible to suspend belief in a comprehended proposition. In Experiment 1, we found that interrupting the encoding of a statement's veracity decreased memory for the statement's falsity when the false version of the statement was uninformative, but not when the false version was informative. This suggests that statements that are informative when false are not represented as if they were true. In Experiment 2, participants made faster (...) lexical decisions to words implied by preceding statements when they were told that the statements were true than when the veracity of the statements was unknown or when the statements were false. The findings suggest that comprehending a statement may not require believing it, and that it may be possible to suspend belief in comprehended propositions. (shrink)

The Planteome project provides a suite of reference and species-specific ontologies for plants and annotations to genes and phenotypes. Ontologies serve as common standards for semantic integration of a large and growing corpus of plant genomics, phenomics and genetics data. The reference ontologies include the Plant Ontology, Plant Trait Ontology, and the Plant Experimental Conditions Ontology developed by the Planteome project, along with the Gene Ontology, Chemical Entities of Biological Interest, Phenotype and Attribute Ontology, and others. The project also provides (...) access to species-specific Crop Ontologies developed by various plant breeding and research communities from around the world. We provide integrated data on plant traits, phenotypes, and gene function and expression from 95 plant taxa, annotated with reference ontology terms. (shrink)

Perceptual conscious experiences result from non-conscious processes that precede them. We document a new characteristic of the cognitive system: the speed with which visual meaningful stimuli are prioritized to consciousness over competing noise in visual masking paradigms. In ten experiments (N = 399) we find that an individual's non-conscious visual prioritization speed (NVPS) is ubiquitous across a wide variety of stimuli, and generalizes across visual masks, suppression tasks, and time. We also find that variation in NVPS is unique, in that (...) it cannot be explained by variation in general speed, perceptual decision thresholds, short-term visual memory, or three networks of attention (alerting, orienting and executive). Finally, we find that NVPS is correlated with subjective measures of sensitivity, as they are measured by the Highly Sensitive Person scale. We conclude by discussing the implications of variance in NVPS for understanding individual variance in behavior and the neural substrates of consciousness. (shrink)

IntroductionThe present study investigates the association of lifetime interpersonal violence exposure, related posttraumatic stress disorder, and appraisal of the degree of threat posed by facial avatars.MethodsWe recorded self-rated responses and high-density electroencephalography among women, 16 of whom with lifetime IPV-PTSD and 14 with no PTSD, during a face-evaluation task that displayed male face avatars varying in their degree of threat as rated along dimensions of dominance and trustworthiness.ResultsThe study found a significant association between lifetime IPV exposure, under-estimation of dominance, and (...) over-estimation of trustworthiness. Characterization of EEG microstates supported that lifetime IPV-PTSD modulates emotional appraisal, specifically in encoding and decoding processing associated with N170 and LPP evoked potentials. EEG source localization demonstrated an overactivation of the limbic system, in particular the parahippocampal gyrus, in response to non-threatening avatars. Additionally, dysfunctional involvement of attention-related processing anterior prefrontal cortex was found in response to relatively trustworthy avatars in IPV-PTSD individuals compared with non-PTSD controls.DiscussionThis study showed that IPV exposure and related PTSD modulate individuals’ evaluation of facial characteristics suggesting threat. Atypical processing of these avatar characteristics was marked by group differences in brain regions linked to facial processing, emotion regulation, and memory. (shrink)

We consider quantum deformations of the real symplectic (or anti-De Sitter) algebra sp(4), ℝ ≅ spin(3, 2) and of its singleton and (4-dimensional) zero-mass representations. For q a root of −1, these representations admit finite-dimensional unitary subrepresentations. It is pointed out that Uq (sp(4, ℝ)), unlike Uq (su(2, 2)), contains Uq (sl 2 ) as a quantum subalgebra.

Originally known for his groundbreaking work in literary studies, the Bulgarian-born French scholar Tzvetan Todorov (1939-2017) was one of the world's foremost cultural theorists. His interventions cover an astounding range of topics, from narratology to ethics, from painting to politics, and from the Enlightenment to current affairs. Written by an international team of experts, this volume - the first-ever comprehensive examination of Todorov as a cultural critic - discusses the crucial elements of his work as well as his (...) place in European thought. (shrink)

Can humanity be divided into good and evil? And if so, is it possible for the good to vanquish the evil, eradicating it from the face of the Earth by declaring war on evildoers and bringing them to justice? Can we overcome evil by the power of memory? In _Memory as a Remedy for Evil_, Tzvetan Todorov answers these questions in the negative, arguing that despite all our efforts to the contrary, we cannot be delivered from evil. In this (...) work on evil, memory and justice, Todorov examines the uses of memory and the spate of memorial laws in France in order to show how memory has failed as a remedy against evil and how efforts to come to grips with past evil through trials and punitive justice have failed as well. Todorov locates the fatal flaw of all these approaches in our erroneous relationship with evil as alterity, the distinction that we draw between ourselves and others that allows us to imagine ourselves in the appealing role of hero and victim and confine others to the role of villain and criminal. Similarly, in his analysis of the South African Truth and Reconciliation Commission and Cambodia’s Khmer Rouge Tribunal, Todorov argues in favor of restorative justice, which “seeks not to punish but to restore relations that should never have been interrupted” between former perpetrators and former victims. _Memory as a Remedy for Evil_ is a powerful and timely work that asks that we recognize the good and evil within each of us—and reminds us that it is only by coming to terms with evil and trying to understand it that we can hope to tame it. (shrink)

Este artigo reformula a Apologia de Sócrates de Platão como uma peça de oratória forense. Examinando os topoi retóricos utilizados por Platão, demonstro como Platão impele os limites do gênero forense da oratória em direção à criação de uma nova prática discursiva: a filosofia. Inicialmente, o artigo examina o conceito de “gênero” em conexão com a oratória forense. Esboçado a partir do trabalho de Mikhail Bakhtin, Tzvetan Todorov e Andrea Nightingale, o artigo estabelece uma consonância entre as concepções de (...) gênero destes eruditos e aquilo que outros eruditos definiram como “gênero” oratório forense. Assim, o artigo levanta a questão do porquê a Apologia de Platão tradicionalmente ter sido excluída deste gênero. Argumento que certas visões concernentes à presumida historicidade das falas rotuladas como “oratória forense” precisam ser reexaminadas, já que não há evidência clara de que os atenienses requeressem acurácia histórica de discursos que agora classificamos como oratória forense. Ao remover a exigência de historicidade, obtemos um quadro mais preciso do que constitui a oratória forense e porque a Apologia de Platão merece pertença neste gênero. O artigo, então, examina detalhadamente vários topoi retóricos na Apologia. Argumento que, pela manipulação e remodelação de tais topoi, Platão expande e redefine o gênero da oratória forense para incluir a nova prática discursiva da filosofia. O artigo revela como a redefinição platônica dos limites da oratória forense transformaram uma fala jurídica de defesa em um tribunal na condição sine qua non do filósofo e da vida filosófica. (shrink)

Tsvetan Todorov, in his book Us and Them. French Thinking on Human Diversity, asked the following question: “How does one, how should one relate to those who do not belong to the same community as we do?” This question has been posed somewhat differently by intellectuals of the Americas anxious to develop paradigms of identity that will contribute to the successful construction of a society whose aim is to integrate heterogeneous ethnic groups: “How does one, how should one relate (...) to those who are members of our new society but who live either on its margins or who are frequently considered as different?” The mixed-race (métissage) approach, applied to the Latin Americas situation, was in part a response to this question. Here the “us” did not designate metropolitan Europeans engaged in thinking about the “others,” that is to say non-Europeans, but Latin Americans thinking about relations among various dominant groups and the varying “others” within their own society, since the “others” were part of “us.” The meaning of “us” is equally problematic when applied to North America. “What happens when words like ‘community’ and ‘us’ cease to have the clear and immediate meaning that Todorov seems to ascribe to them?” Sherry Simon recently asked. Although offering a general critique of the monological conception of culture and identity – a critique based on Bakhtin's work on polyphony and dialogism, on James Snead's investigation of the hybrid nature of several texts belonging to the European canon (such as The Odyssey and The Divine Comedy), and on the studies of Angelo Ara and Claudio Magris in regard to the heterogeneity of Trieste – she nevertheless begins her essay on a personal note, describing life in the multicultural city of Montreal, where “many children come out of mixed or immigrant marriages, some going to French schools, some to English,” and who can not “define themselves as products of a single culture” (pp. 15-16). Although I agree with Sherry Simon that the “us” of culture is never a given (it should be mentioned that Todorov himself writes that we must “give up basing our thinking on such a distinction” [between us and them] p. 421), it is essential here to emphasize the special ambiguity of the conception of “us” in the ex-colonies of the New World, where the “collision of cultures” implied not only, on the one hand, a confrontation among Spanish, Portuguese, British, and French colonists, but also between the colonists and the African slaves as well as with the immigrants who arrived after independence. Todorov's conception of nationhood (p. 422) as “a more or less perfect (although never total) coincidence of a State and a culture” - which he toned down a bit by adding that a culture is often identified with a particular region, a group of countries, or even a stratum of the population (pp. 424-425) - is even less applicable to the new societies of America than it is to Europe. Not only are we talking about hybrid societies (and what society isn't, to some degree?), but of societies conceived as hybrid, either multicultural (Canada) or mixed-race (Latin America). If, as Ernest Renan insisted at the end of the XIXth century, the idea of the modern nation is based on a conscious disregard for our diverse ethnic origins, the concepts of identity of the societies of the New World have often been based on an explicit symbolization of their heterogeneity. (shrink)

This chapter offers a diagnosis of misconstructions in anti‐humanist feminism and shows how a radical or critical humanism might help to theorize feminism's critical, emancipatory interests. It traces something of the troubled history of modern feminism's relationship with humanism. The chapter suggests that feminism's repudiation has been based on a narrow version; on one that confuses humanism with the rationalist agendas of modern science. It also considers how feminism has rebuilt itself by reinterpreting its critical agendas through the lens provided (...) by critical humanism. Todorov stresses that humanism is concerned with human ways of knowing. He advances three general propositions: that all humans belong to the same species, that they are inherently sociable, and finally that they are essentially indeterminate. Feminism's critical purposes is re‐fashioned and strengthened as it rearticulates its appropriations along with dynamic changes occurring within Enlightenment thinking. (shrink)

The essay thematises the question of care in conditions of total power – not merely _extra muros_, in the everyday life of the Third Reich, but in its most radical articulation, the concentration camp. Drawing inspiration from Todorov’s work, the essay engages with Levinas, Agamben, Derrida and Nancy, to investigate Heidegger’s determination of _Da-sein_’s horizon through a solitary confrontation with death. Drawing extensively on primary testimonies, the essay shows that when the enclosure of the camp became the _Da _of (...) existence, care assumed a radical significance as the link between the death of another and the death of oneself. In the face of an apparatus of total power and its attempt to individuate and isolate death, the sharing of death in the figure of care remained one’s most inalienable act of resistance and the last means to hold on to death as something that could be truly one’s own. (shrink)

This article takes as its starting point a recurring complaint in the popular reception of horror movies: that the characters in them behave foolishly. I argue that such complaints fail to recognize that the horror genre exploits a fundamental tension in fiction, between the perspective on a fictional world offered to its audience and that available to its characters. This distinction is highlighted in horror, which often depicts characters with everyday expectations facing extraordinary threats. Horror characters are frequently taken by (...) surprise, and even the better prepared can be thwarted by the malevolence of the generic world. The extent of characters’ misfortunes can resemble deliberate persecution, self-consciously flaunting authorial manipulation. I draw on Todorov’s notion of “pan-determinism” and suggest that a more sinister variant operates in horror. Occasionally, a character’s experiences can help equip them to survive; I argue that this can be inflected politically in films where the malevolent horror world is placed alongside forms of real-life persecution and abuse. Critical attention to the world of horror, and how it is understood from both the outside and within, can clarify the connections between different theoretical understandings of the genre and bring out important but overlooked generic conventions. (shrink)

ABSTRACT This article presents the analysis of a data sample collected from a survey conducted with Brazilian and Portuguese youngsters. Our aim was to identify textual supports used for literary reading, as well as the authors and works most read by this public so that we may reflect upon the influences subjacent to those choices. To do so, we analyzed the answers given to a questionnaire applied to students in the last year of High School, in both contexts. This is (...) research is exploratory, of quantitative and qualitative nature, with theoretical support in Barthes (2004), Balça and Costa (2017), Pennac (1993), Petit (2009), Todorov (2010), among others who discuss the subject. Results show that young people prefer to read literary works in print, which are mostly chosen according to the requirements of school institutions and the publishing market. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 28.1 (2004) 223-225 [Access article in PDF] Devoirs et Délices d'une vie de passeur: Entretiens avec Catherine Portevin, by Tzvetan Todorov; 395 pp. Paris: Les Éditions du Seuil, 2002, €22. Caveat lector. Let the reader beware: this is no leisurely, nostalgic stroll by another Parisian intellectual now ruminating and pontificating over issues and events outside his competence. True to his vocation as ferryman (passeur), (...) class='Hi'>Todorov guides the reader over the vast expanses of historical, ideological, and intensely personal terrain that he has explored as an émigré of Bulgaria, a brilliant Structuralist, French citizen, father, spouse, and son caring for his aged father. The resulting mosaic composes a narrative itinerary rich in intellectual history.The exceptional range of Todorov's experience and research affords him a unique perspective. Having first lived and studied under Stalinism, he distinguished himself as a Parisian literary scholar stressing the primacy of the linguistic. Now internationally renowned, his books cover a broad spectrum of human experience, including the Holocaust, WWII, totalitarianism, the ethics of memory, the role and function of the intellectual, race and culture, ethnocentrism and conquest, and, most recently, human identity and a new humanism. Having immersed himself in numerous contexts, Todorov has acquired extensive firsthand knowledge from within. He is nevertheless adept at standing back and assessing them from without, revealing idiosyncrasies and limitations. His uncompromising scrutiny bows to no ideological a priori, nor spares any sacred cow.Some pronouncements will ruffle feathers in a number of intellectual aviaries. He values literature, for example, above philosophy, science, and the social sciences as a source of not only beauty, but meaning and truth. Contrary to the tendency to view literature as an arbitrary construction used to further an agenda of socio-economic domination and political repression, he contends that literary texts can best enrich our vision of the world and our personal sensibilities. Stressing art's essential humanity while challenging the obsession with science and technology, Todorov views language as neither estranged from reality nor subjugated by politics. Hence the impossibility of isolating literature from ethics and existence: writers legitimately seek to come to terms with the human condition, communicating experiences and sensibilities we would otherwise ignore. [End Page 223]Criticism, contends Todorov, should accordingly plunge back into the work's context or thought, as does Bénichou in studying French Classicism, or Joseph Frank in analyzing Dostoyevsky, or else it should explore anthropological perspectives, as does René Girard. Todorov's focus remains squarely on the literary work, not on the genius of theory: we have more to learn from texts of all ages than from contemporary critics who embed them in systems, reducing them to mere examples of theory.Beyond the "ethnocentrism" (p. 124) that he sees in the tendency to approach literary works through current preoccupations, Todorov delivers a severe verdict on the Marxist intellectuals so prominent throughout the 1950s, 60s, and 70s: "... the thirty years (1945-1975) that were so glorious for the French economy [were] disastrous for political thought. Ideologically, these are years of stagnation and of an intellectual straight jacket in which all discourse was judged by the measure of Marxist-Leninist dogma" (pp. 144-45, translation mine). Todorov thus deplores such irresponsibility: all while enjoying the many material comforts and civil freedoms of a free-market, democratic society, "bobos" (bourgeois bohèmes) advocated the instauration of a totalitarian regime whose economic failures and political repression Todorov had known only too well. Their actions thus were not in keeping with their discourse, for they made no effort to seriously weigh the concrete results of their ideology.Like Tony Judt, who voices similar criticisms in Past Imperfect and The Burden of Responsibility, Todorov prefers Raymond Aron's intellectual rigor and Camus's humane moderation to Sartre's knee-jerk radicalism and futile gesticulations. Given Todorov's experience and erudition, such criticisms can neither be brushed aside nor attributed to being a rear-guard action. He moreover distributes incisive criticisms to the Right, to the Left, and even to the Center. But... (shrink)

Louis Dumont is a distinguished Indianist but his later work has undertaken to ground an allegedly general need for holism and hierarchy in comparative historical sociology. Dumont's anti‐individualist thrust, depicting as it does modern Western culture as an aberration, a kind of social disease inviting in the long run an even worse cure—the nemesis of totalitarianism— enjoyed in the 80s the status of a modern classic of sociological wisdom. Even those who, like the new humanist thinkers in France (Luc Ferry, (...) Alain Renaut, Tzvetan Todorov) fight the influential antimodern stances of Heidegger or Leo Strauss, have come to share Dumont's strictures against individualism. This paper describes the main theses of Dumont's latest book, translated into English as Essays on Individualism, while at the same time sketching a liberal critique of his anti‐individualist bias. (shrink)

The article examines the surprising role of Rousseau in the revival of liberal and humanist thought in contemporary French political thought. The choice of Rousseau as an inspiration and source of humanism is an illuminating indication of a shift in French thought. The authors concentrate on the natural- rights republicanism of Luc Ferry and Alain Renaut and the critical humanism of Tzvetan Todorov. While these thinkers all appeal to Rousseau's definition of humanity in terms of freedom, they draw on (...) different aspects of his thought and his relationship to the philosophic tradition. Their different receptions of Rousseau reveal tensions in the humanist revival and provoke reflection on the relationships among republicanism, liberalism and humanism in contemporary France. (shrink)

The first and preliminary part of this discussion examines Todorov's remark, in his article "Structural Analysis of Narrative" , on certain tales in the Decameron. These are advanced as dealing with a "concrete problem" which "illustrates" what Todorov "conceive[s] to be the structural approach to literature." The second part offers an alternative analysis of the Decameron tales. The third part comprises some observations, from a similar point of view, on Crime and Punishment. The anterior purpose of the whole (...) discussion is to identify at least some points where insights about "structure," in a fairly strict sense, seem to bear genuinely upon the insights of the literary critic. John Holloway, Professor of Modern English at the University of Cambridge, is the author of, among others, The Victorian Sage, The Charted Mirror, The Story of the Night, Blake: The Lyric Poetry, The Proud Knowledge, Planet of Winds, and five volumes of verse. His previous contribution to Critical Inquiry, "Narrative Structure and Text Structure," appeared in the March 1975 issue. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Bataille in Theory: Afterimages (Lascaux)Suzanne Guerlac (bio)If there is a single term poststructuralism could not live without—at least within the intellectual circles associated with the review Tel quel—it is “transgression,” inherited from Bataille. “God-meaning,” Philippe Sollers writes in an early essay, “... is a figure of linguistic interdiction whereas writing—which is metaphoricity itself (Derrida)—transgresses... the hierarchic order of discourse and of the world associated with it” [“La science de (...) Lautréamont” 808, my emphasis]. In their Dictionnaire des sciences du langage Ducrot and Todorov declare grandly that text “has always functioned as a transgressive field with respect to the system according to which we organize our perception, our grammar, our metaphysics and even our science” [443–44, my emphasis]. They describe the advent of poststructuralism as a “Copernican revolution,” and it became customary to characterize the before and after of this break by referring to Bataille’s distinction between “restrained” and “general” economies.An influential essay by Foucault, “Préface à la transgression” (1963), might be considered the opening move in what would become Tel quel’s appropriation of Bataille. Foucault’s essay examines Bataille’s L’érotisme (1955), a study that theorized transgression in a complex elaboration which articulated philosophical discourse (Hegel/Kojève) with a “sociological” discourse of the sacred (Caillois). Foucault’s reading of the text removes the transgression of eroticism from both these discursive horizons and moves it toward late Heidegger (an ontology of the limit) and Nietzsche. If one of Bataille’s most radical gestures was to insert the ethnographic distinction sacred/profane into philosophical discussion, Foucault’s analysis reinscribes transgression within the intertextual field of philosophy, radicalized, of course, through the inclusion of the “marginal” figure, Nietzsche, and the philosopher who announced the end of philosophy, Heidegger. Foucault’s rewriting of Bataille may read philosophy against itself, may even propose the transgression of philosophy; nevertheless, it is structured by the vicissitudes of philosophical discourse. Bataille on the other hand had confronted philosophy with something radically other—tout autre.In “Préface à la transgression,” Foucault defined transgression as “a gesture concerning the limit.” He presented it as a flash of lightning, an image that not only figures transgression but also emblematizes the move into what will become the philosophical register of poststructuralism. It traces a line, a line that figures the Heideggerian ontology of limitation, the coming into being (or appearance) of beings on the horizon of Being; it suggests the limit of the ontological difference between Being and beings.Anticipating Derrida through Heidegger, Foucault analyzed transgression as an event of difference, alluding to Blanchot’s “principe de contestation” and to a Nietzschean notion of affirmation. “Might not the instantaneous play of the limit and transgression be today the essential test of a thinking of ‘origin’ which Nietzsche bequeathed to us... a thinking that would be absolutely, and in the same movement, a Critique and an Ontology, a thinking that would think finitude and being?” [Foucault 759]. Transgression becomes identified with a “philosophy of eroticism” (which plays on Sade’s “philosophie dans le boudoir”), a gesture that transvalues philosophy from the realm of cognitive or rational activity to “an experience of finitude and of being, of the limit and of transgression.” The [End Page 6] “philosophy” of eroticism is thus a “test/ordeal [épreuve} of the limit,” one that “no dialectical movement, no analysis of fundamental laws [constitutions] and of their transcendental foundation [leur sol]” can help us think. Foucault then asks a rhetorical question that could be said to structure much of the discourse of theory in the next decade: “Would it be an exaggeration, to say,” he asks, “... that it would be necessary to find a language for the transgressive that would be what dialectic has been for contradiction?” [759].In this way Foucault established transgression as an alternative to the machine of dialectical contradiction. Attuned to the recent discoveries of structuralism, which had begun to reverse the conventional understanding of relations between the subject and language (the subject is no longer considered master of his or her language but structured by it), Foucault announced that “the gesture of transgression replaces the movement of contradiction by plunging the... (shrink)

This article presents a dialogue between Roland Barthes and Paolo Fabbri, which took place on 18 December 1965 in Florence, Italy. Barthes offers an engaging account of his structuralist approach to narrative, as was later published in essay form, ‘Introduction to the Structural Analysis of Narrative’, included in a special issue of Communications (Issue 8, 1966). In a cordial exchange with Fabbri, Barthes provides a more candid presentation of method than found in print, along with critical reflection of the underlying (...) importance of the structuralist approach, as perceived at the time. The interview took place as part of a small conference on narrativity. Participants included Algirdas Julien Greimas, Claude Bremond, Umberto Eco, Jules Gritti, Violette Morin, Christian Metz, and Tzvetan Todorov. Subsequently, a number of these participants contributed articles to the same issue of Communications, on the structural analysis of narrative. (shrink)