Alors même que les Grecs, dans l’Égypte des Ptolémées (323-330 av. nè), se trouvaient globalement dans une situation de « minorité dominante », il est généralement admis que la condition des femmes grecques était inférieure à celle des femmes égyptiennes en raison de l’obligation qui leur était faite d’être assistées en certaines matières par un représentant légal, leur kurios. Dans la pratique néanmoins, le kurios n’est pas nécessairement le signe d’une incapacité juridique de la Grecque d’Égypte. Avoir un kurios pouvait (...) même être le moyen d’afficher une appartenance à l’élite de la société ptolémaïque. (shrink)

Thoughtprints Anne E. Berger andMarta Segarra I admit to it in the name of autobiography and in order to confide in you the following: [...] I have a particularly animalist perception and interpretation of what I do, think, write, live, ...

Demenageries, Thinking (of) Animals after Derrida is a collection of essays on animality following Jacques Derrida's work. The Western philosophical tradition separated animals from men by excluding the former from everything that was considered “proper to man”: laughing, suffering, mourning, and above all, thinking. The “animal” has traditionally been considered the absolute Other of humans. This radical otherness has served as the rationale for the domination, exploitation and slaughter of animals. What Derrida called “la pensée de l'animal” (which means both (...) thinking concerning the animal and “animal thinking”) may help us understand differently such apparently human features as language, thought and writing. It may also help us think anew about such highly philosophical concerns as differences, otherness, the end(s) of history and the world at large. Thanks to the ethical and epistemological crisis of Western humanism, “animality” has become an almost fashionable topic. However,Demenageries is the first collection to take Derrida's thinking on animal thinking as a starting point, a way of reflecting not only on animals but starting from them, in order to address a variety of issues from a vast range of theoretical perspectives: philosophy, literature, cultural theory, anthropology, ethics, politics, religion, feminism, postcolonialism and, of course, posthumanism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Newly Veiled Woman: Irigaray, Specularity, and the Islamic VeilAnne-Emmanuelle Berger (bio)In 1995, in a piece published in a special issue of Les temps modernes devoted to the Algerian “Guerre des frères,” the late Monique Gadant, a sociologist of postcolonial Algeria, called for a dispassionate reflection on the reasons why a sizable number of Algerian women, in Algeria but also in France, decided to wear the hijab, or (...) “Islamic veil,” without, she said, being coerced into doing it. Warning against a naive French ethnocentrism which may have led people to mistake the hijab too quickly for a sign of women’s oppression, she wrote:C’est s’aveugler que de ne pas voir qu’il y a de très nombreuses femmes qui portent le hidjab sans y être forcées par personne.... Avant de se dresser contre le hidjab, réduit à un symbole d’oppression (les femmes qui le portent étant jugées en contradiction avec ce qui est censé être leurs intérêts et la vérité sur elles-mêmes dites par d’autres), on devrait prendre un peu de temps pour réfléchir aux motivations de ces femmes.[”Femmes alibi” 228][One would be blind not to see that numerous women are wearing the hijab without being forced to do it by anybody.... Before denouncing the hijab, reductively conceived as a symbol of oppression—the women wearing it being found to contradict what are supposed to be their interests and the truth about themselves as told by others—one should take some time to reflect on these women’s motivation.]Indeed, a growing number of women have adopted the hijab in the past decade, in Muslim or predominantly Muslim countries where the “Islamic veil” has not yet been made state law, as is the case in Iran. One thinks of Egypt or Indonesia, for instance, as two other examples where—against weak attempts by the governments in place to curb the powerful development of Islamism, after they helped foster it—the hijab has enjoyed considerable though unequal success. One should not underestimate coercion as a factor, especially within the last few years, when terrorism directed against civilians in Algeria and ever-growing intimidation stemming from Islamism’s social success in Egypt have undeniably led tens of thousands of scared, weary, or energetically “persuaded” women to wear the veil. Nonetheless, I want to take up Monique Gadant’s suggestion that we seriously try to think through at least some of the stakes of the phenomenon she identifies: an impressive number of women today affirm that they want to wear the hijab, and they do it. This raises at least two series of questions: (1) if the hijab fulfills a wish, rather than indicating a state of oppression or alienation, one has to reflect on the nature and structure of this wish or desire, and perhaps ask what the relation might be between desire and the veil, or rather this veil. For the hijab, as it is called in Arabic, is indeed a new kind of veil, or rather a new way of using an old Koranic precept, one intended to replace traditional modes of dressing and veiling. (2) If the hijab, and sometimes even the nikab and the jelbab, which cover women’s faces and bodies entirely, are willingly worn, should one [End Page 93] take this as a particularly blatant testimony to the radical relativity of cultures, which would in turn preclude any “Westerner” or non-Muslim individuals or groups, beginning with women, from making any assumptions concerning the condition of women or the hermeneutics of gender relations across cultures? This is indeed what Gadant hints at when she denounces the “naive [French] ethnocentrism” [228] at work in the negative response to the hijab. 1 One encounters here, as we know, a most divisive, philosophically crucial, and politically decisive issue, one that not only pitches non-Westerners against Westerners, but sometimes equally forcefully, as in this case, “Westerners” against “Westerners.” Ethnocentrism, as a tendency to (mis)understand a different culture in terms of one’s own, hence as a veiled form of cultural imperialism, should be uncovered and indeed denounced... (shrink)

This essay ponders over the dismissal of reading practices and theories that were linked to the modernist shift from ‘literature’ to ‘writing’ (écriture) in the second half of the twentieth century. It provides an intellectual genealogy of the rise and fall of the writing/reading couple, before going on to consider the cultural effects – as well as the educational and institutional consequences in academia – of the challenge to literature’s ‘cultural difference’ mounted by both cognitivist and culturalist approaches to literature, (...) in their turn away from or against ‘language’. (shrink)

The emphasis on sexuality from a queer perspective has led to what is deemed to be a radical rethinking, and what is oftentimes also a reinventing, of sexuality's medium or element, namely the body. Looking back at literary writings produced in the 1970s by some of the women engaged in the French Women's Liberation Movement, and more specifically at the ways in which the body and bodies were at once celebrated, figured and dismantled in a number of these texts, I (...) argue that a proto-queer de-normativization and reconceptualization of the body with respect to ‘sex’ and sexual duality was already at work. A serious look back at the writings of that period makes the hypothesis of an epistemological break between second-wave feminism and queer thinking and activism, or of the conceptual supersession of the former by the latter, more difficult to argue in this respect. (shrink)

Un spectre hante l'Université française : celui de la déconstruction. Créé par Jacques Derrida à la fin des années 1960, ce concept est devenu, dans l'esprit des réactionnaires de tout poil, le mot-valise désignant tout ce qu'ils haïssent dans la pensée, lorsque celle-ci cherche à émanciper davantage qu'à ordonner. Dégénérescence de la culture, mépris pour les grandes œuvres, délire interprétatif, amphigouri linguistique, danger politique, confusion sexuelle, licence morale : à en croire les ennemis de la déconstruction, tout ce qui va' (...) mal dans le monde lui est imputable. Que signifie la fixation frénétique d'une frange d'intellectuels sur tout ce qui peut ressembler à une pensée différente, inventive et fondamentalement démocratique? Que cela signifie-t-il, si ce n'est la volonté de policer la pensée et ses institutions, pour mieux, ensuite, policer les corps? Telle est l'interrogation qui a présidé au colloque "Qui a peur de la déconstruction?", qui s'est tenu à l'École normale supérieure et à la Sorbonne en janvier 2023. En voici les actes."--Cover page 4. (shrink)

Zur Genealogie der Moral : la spécificité du titre de cette œuvre nietzschéenne a longtemps été atténuée subrepticement par une traduction commode, mais inexacte. « La » Généalogie de la morale : ce titre français ne fait pas droit à l’invitation exprimée par la préposition zu en allemand, qui note un travail de contribution, une tension vers une tâche, des éléments à verser au dossier. Car cette Généalogie de la morale, telle que l’a voulue son auteur, est une tâche, et (...) elle engage dans l’es... (shrink)

In this article, we apply a special case of holographic representations to letter position coding. We translate different well-known schemes into this format, which uses distributed representations and supports constituent structure. We show that in addition to these brain-like characteristics, performances on a standard benchmark of behavioral effects are improved in the holographic format relative to the standard localist one. This notably occurs because of emerging properties in holographic codes, like transposition and edge effects, for which we give formal demonstrations. (...) Finally, we outline the limits of the approach as well as its possible future extensions. (shrink)

While distinguishing between the actions and physical boundaries of self and other (non-self) is usually straightforward there are contexts in which such differentiation is challenging. For example, self-other ambiguity may occur when actions of others are similar or complementary to those of the self. Even in the absence of such situational challenges, individuals experiencing hallucinations have difficulties with this distinction, often experiencing thoughts or actions of self as belonging to other agents. This paper explores the role of ambiguity in self-other (...) differentiation, drawing from developmental, psychodynamic and neurocognitive perspectives. A key proposal is that engagement in contexts that make distinctions between self and other challenging yet necessary allow reality-testing skills related to agency to develop. Attunement in typical caregiver-infant interactions is framed as a safe but inherently ambiguous environment that provides optimal condition for the infant to develop a coherent self-other sense. Vulnerability to psychosis may be related to limited access to such an environment in early development. However, the perceptual, cognitive and social skills that contribution to attribution are likely to be malleable following infancy and improve though opportunities for boundary play in similarly ambiguous settings. Using music-making to illustrate, we postulate that engagement in intricate joint-actions that blurs agentic boundaries can contribute to the continued development of an adaptive sense of self and other essential to healthy social functioning. Increased insight into the self-other ambiguity may enhance our understanding of mechanisms underlying ‘self-disorders’ such as schizophrenia and eventually extend the range of social and arts-based therapeutic possibilities. (shrink)

Second person social cognition cannot be restricted to dyadic interactions between two persons (the and the ). Many instances of social communication are triadic, and involve a third person (the ), which is the object of the interaction. We discuss neuropsychological and brain imaging data showing that triadic interactions involve dedicated brain networks distinct from those of dyadic interactions.

Objective: The aim of the study was to identify clinical variables associated with changes in specific domains of self-reported depression during treatment by antidepressant and/or repetitive Transcranial Magnetic Stimulation in patients with Major Depressive Disorder.Methods: Data from a trial involving 170 patients with MDD receiving either venlafaxine, rTMS or both were re-analyzed. Depressive symptoms were assessed each week during the 2 to 6 weeks of treatment with the 13-item Beck Depression Inventory. Associations between depression changes on BDI13 domains, treatment arm, (...) time, and clinical variables were tested in a mixed linear model.Results: A significant decrease of self-reported depressive symptoms was observed over time. The main characteristics associated with persistent higher depressive symptomatology on Negative Self-Reference domain of the BDI13 were personality disorders, a past history of suicide attempt, age under 65 years old, and female sex.Conclusions: Early cognitive intervention targeting specifically negative self-referencing process could be considered during pharmacological or rTMS treatment for patients with personality disorders and past history of suicide attempt. (shrink)

En dépit des déclarations fracassantes sur le « tabou » qui pèserait en France sur l’histoire de la colonisation, celle-ci se porte bien. Les recherches se sont multipliées dans les vingt dernières années et elles sont à l’origine d’une production bien insérée dans les revues et en bonne place sur les tables des librairies. Au fil d’échanges nourris avec les réseaux anglophones, ces recherches se sont postcolonialisées de façon critique et participent de plain pied aux débats de la « nouvelle (...) histoire impériale ». L’histoire de la colonisation est enseignée dans le secondaire et à l’université et là aussi la discordance est flagrante entre des débats publics qui dénoncent sempiternellement sa marginalisation, ou au contraire sa surreprésentation, et une diffusion active reposant notamment sur la traduction de travaux influents comme l’important programme de recherche formulé au cours des années 1990 par Frederick Cooper et Ann Stoler. Dès lors, comment relier ces trois éléments : le discret mais solide épanouissement académique de l’histoire de la colonisation depuis la fin des années 1990, la virulente controverse ouverte à partir de 2005 autour des études postcoloniales et un sens commun qui s’est approprié ce terme séduisant, mais qui peine à lui donner un contenu allant au-delà de la fausse évidence d’une distanciation mécaniquement produite par l’usure du temps? (shrink)

En dépit des déclarations fracassantes sur le « tabou » qui pèserait en France sur l’histoire de la colonisation, celle-ci se porte bien. Les recherches se sont multipliées dans les vingt dernières années et elles sont à l’origine d’une production bien insérée dans les revues et en bonne place sur les tables des librairies. Au fil d’échanges nourris avec les réseaux anglophones, ces recherches se sont postcolonialisées de façon critique et participent de plain pied aux débats de la « nouvelle (...) histoire impériale ». L’histoire de la colonisation est enseignée dans le secondaire et à l’université et là aussi la discordance est flagrante entre des débats publics qui dénoncent sempiternellement sa marginalisation, ou au contraire sa surreprésentation, et une diffusion active reposant notamment sur la traduction de travaux influents comme l’important programme de recherche formulé au cours des années 1990 par Frederick Cooper et Ann Stoler. Dès lors, comment relier ces trois éléments : le discret mais solide épanouissement académique de l’histoire de la colonisation depuis la fin des années 1990, la virulente controverse ouverte à partir de 2005 autour des études postcoloniales et un sens commun qui s’est approprié ce terme séduisant, mais qui peine à lui donner un contenu allant au-delà de la fausse évidence d’une distanciation mécaniquement produite par l’usure du temps? (shrink)

Education has long been charged with the taskof forming and shaping subjectivity andidentity. However, the prevailing view ofeducation as a project of producing rationalautonomous subjects has been challenged bypostmodern and poststructuralist critiques ofsubstantial subjectivity. In a similar vein,Emmanuel Levinas inverts the traditionalconception of subjectivity, claiming that weare constituted as subjects only in respondingto the other. In other words, subjectivity isderivative of an existentially priorresponsibility to and for the other. Hisconception of ethical responsibility is thusalso a radical departure from the prevailingview (...) of what it means to be a responsible moralagent. In this paper, I use jazz improvisationas a metaphor to focus on three interrelatedaspects of ethical responsibility on Levinas'saccount: passivity, heteronomy, andinescapability. I then point toward some waysin which reframing responsibility andsubjectivity along this line might offer newpossibilities for conceiving subjectivity andmoral agency in education. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:MATERNAL COMPASSION IN THE THOUGHT OF RENÉ GIRARD, EMIL FACKENHEIM, AND EMMANUEL LÉVINAS Ann W. Astell Purdue University l;ike empathy, compassion is a word that seldom occurs in the /writings of René Girard,' who prefers to answer to Martin Heidegger's "anxiety" [Die Sorge] before death by speaking instead of a "concern for victims" [le souci des victims].2 Maternal corn-passion does enter Girardian analysis directly, however, in his discussion ofthe (...) biblical good harlot, a compassionate mother whom Girard calls "the most perfect figura Christi that can be imagined" (1978, 241). In this paper I focus on the neglected theme of maternal compassion in the writings of Girard, letting them enter into conversation, first, with Emil Fackenheim's reflections on the plight and actions of Jewish mothers during the Holocaust and, second, with themes sounded in the philosophy of Emmanuel Lévinas. I argue that maternal compassion is actually central to Girard's understanding of the unveiling of the victimage mechanism, because it sees goodness in the very life of every potential victim, regardless ofwhat that person has done or is capable ofdoing, simply because he or she exists, has a face. The "innocence" of every victim is reducible to the innocence of the infant, because an infant within a sacrificial system can substitute for every other possible victim. The infant and, even more, the unborn bring us back to the very origins of life, to the Creator. There 1 On empathy and Girard, see my "Saintly Mimesis, Contagion, and Empathy." " See James William's comment on this topic in René Girard, ISee Satan Fall Like Lightning (177, note 4). The locus classicus for Martin Heidegger's "anxiety" is his Being and Time, sections 39-42. 16Ann W. Astell is, as Plato asserts and Lévinas reminds us, a "Good beyond being" that, on a transcendent plane, constitutes the "innocence" ofevery human being that lives, protesting against any one's murder. To illustrate the triangulation of desire, the rivalry of doubles, the mimetic crisis, and its possible outcome in victimage, René Girard turns to the famous biblical story ofthe judgment of Solomon in 3 Kings 3:16-28. In that story two women, two harlots, approach the king, each claiming to be the mother ofa single, living infant, over whom they are fighting. "The symmetry is obvious," Girard writes, "and it represents the very essence of human conflict" (1978, 238). Unable to determine the truth ofthe case on the basis of their conflicting testimonies, the wise king tests them by proposinga sacrificial solution that parodies distributivejustice. He decides to cut the baby in half, giving each woman an equal share, the symmetrical division ofthe victim mirroring the symmetry between the litigants. "The Latin word decidere," Girard notes, "mean etymologicalIy to divide by the sacrificial knife, to cut the throat of a victim" (1978, 238). The proposed sacrifice is averted because its horrific promise of an equal apportionment of parts of the baby's body—a sameness that would confirm the two as doubles—reveals a significant difference between the two women. According to the usual reading of the passage, one of the mothers, having (either deliberately or accidentally) killed her own baby by smothering him, lacks any genuine love for the other woman's infant. As Girard explains, "The only thing that counts for her ispossessing what the other onepossesses. In the last resort, she is ready to accept being deprived ofthe child as long as her opponent is deprived of it in the same way.... All that counts is her fascination with her hated model and rival" (1978, 239). The other woman, however, filled with yearning for the life ofthe child to whom she has given birth, reveals herself to be its true mother by renouncing her maternal rights in a passionate plea: "I beseech thee, my lord, give her the child alive, and do not kill it" (3 Kings 3:26). Commenting on the passage, Girard characterizes the values of the false mother as sacrificial, those ofthe good mother as anti-sacrificial. With reference to the child whose fate hangs in the balance, the distinction is clear enough. The true mother begs for the baby... (shrink)

In this article, I investigate the similarities and differences between the ways we relate to the other in ethics and in love through an engagement with the thinking of K.E. Løgstrup and Emmanuel Levinas. My point of departure will be a reading of a novel by Maja Lucas, Mother, which brings out the important and complicated nature of the relation between ethics and love. My main concern, however, is to investigate how Løgstrup’s and Levinas’s different conceptions of natural love point (...) to differences in their understanding of the ethical relationship to the other. (shrink)

In this paper I explore the connection between narrative ethics and the increasing emphasis on historical consciousness as a way to cultivate moral responsibility in history education. I use Timothy Findley’s World War I novel, The Wars, as an example of how teachers might help students to see history neither simply as a collection of artefacts from the past, nor as an effort to construct an objective view about what went on in those other times and places, but rather as (...) something that makes ethical demands on us here and now. Theoretically, this paper draws on Adam Zachary Newton’s conception of narrative ethics and Roger Simon’s conception of historical consciousness, both of which rest on the Levinasian themes of irreducible difference, the face, and subjectivity as a position of ethical responsibility to and for the other. (shrink)

The phenomenon of ‘innocent guilt’ regards cases where people feel guilty without being responsible for the wrongdoing or suffering at which the guilt is directed. The aim of this article is to develop a consistent account of innocent guilt and show how it may arise in the aftermath of conflicts. In order to do this, innocent guilt is contrasted with guilt and collective guilt, and the account is substantiated by drawing on the writings of Ludwig Wittgenstein and Emmanuel Levinas, who (...) both consider the phenomenon of innocent guilt a necessary element in the fundamental structure of the ethical subject. These thinkers, furthermore, show a connection between guilt and possible victims of wrongdoing, rather than between guilt and personal acts of wrongdoing. Innocent guilt may thus appear in the aftermath of conflicts as an ethical and emotional response to the fact of finding oneself in a post-conflict situation still marked by suffering. It thus reveals a fundamental need to contribute to the relieving of such suffering. (shrink)

The phenomenon of ‘innocent guilt’ regards cases where people feel guilty without being responsible for the wrongdoing or suffering at which the guilt is directed. The aim of this article is to develop a consistent account of innocent guilt and show how it may arise in the aftermath of conflicts. In order to do this, innocent guilt is contrasted with guilt and collective guilt, and the account is substantiated by drawing on the writings of Ludwig Wittgenstein and Emmanuel Levinas, who (...) both consider the phenomenon of innocent guilt a necessary element in the fundamental structure of the ethical subject. These thinkers, furthermore, show a connection between guilt and possible victims of wrongdoing, rather than between guilt and personal acts of wrongdoing. Innocent guilt may thus appear in the aftermath of conflicts as an ethical and emotional response to the fact of finding oneself in a post-conflict situation still marked by suffering. It thus reveals a fundamental need to contribute to the relieving of such suffering. (shrink)

Premier volet d'une relecture transversale de l'œuvre de Merleau-Ponty à la lumière d'une connaissance d'ensemble de ses inédits, cet ouvrage se consacre à une période encore mal connue de l'évolution du philosophe, les années 1945 ...

The Archaeology of Bhakti II: Royal Bhakti, Local Bhakti. Edited by Emmanuel Francis and Charlotte Schmid. Collection Indologie, no. 132. Pondicherry: Institut Français de Pondichéry; Paris: École Française d’Extrême-Orient, 2016. Pp. x + 609, illus.

This volume contains the speech given by Derrida at Emmanuel Levinas's funeral on December 27, 1995, and his contribution to a colloquium organized to mark the first anniversary of Levinas's death. For both thinkers, the word _adieu_ names a fundamental characteristic of human being: the salutation or benediction prior to all constative language and that given at the moment of separation, sometimes forever, as at the moment of death, it is also the _a-dieu_, for God or to God before and (...) in any relation to the other. In this book, Derrida extends his work on Levinas in previously unexplored directions via a radical rereading of _Totality and Infinity_ and other texts, including the lesser-known talmudic readings. He argues that Levinas, especially in _Totality and Infinity,_ bequeaths to us an "immense treatise of hospitality," a meditation on the welcome offered to the other. The conjunction of an ethics of pure prescription with the idea of an infinite and absolute hospitality confronts us with the most pressing political, juridical, and institutional concerns of our time. What, then, is an ethics and what is a politics of hospitality? And what, if it ever _is,_ would be a hospitality surpassing any ethics and any politics we know? As always, Derrida raises these questions in the most explicit of terms, moving back and forth between philosophical argument and the political discussion of immigration laws, peace, the state of Israel, xenophobia—reminding us with every move that thinking is not a matter of neutralizing abstraction, but a gesture of hospitality for what happens and still may happen. (shrink)

Günther Anders, Hannah Arendt, Hans Jonas, Emmanuel Levinas, Karl Làwith, Herbert Marcuse, Leo Strauss, Eric Weil... Non sans quelque paradoxe, la philosophie sociale, politique, métaphysique de l'après-guerre a été largement représentée par des penseurs allemands ou formés en Allemagne, qui avaient la particularité d'avoir été des étudiants de Martin Heidegger et d'être en même temps d'origine juive. Ce volume, issu d'un colloque international tenu à Paris en 2012, a voulu les penser ensemble pour la première fois et étudier sur quel (...) fond historique et intellectuel cette double spécificité a été possible. Quelle dette chacun d'entre eux a-t-il pu contracter à l'égard de ce maître commun et quelle distance ont-ils pu prendre (ou ne pas prendre) par rapport à lui après la Seconde Guerre mondiale? Un double questionnement qui permettra d'écrire une nouvelle page de la philosophie allemande, qui pourrait bien être aussi une page de la philosophie juive au XXe siècle. (shrink)

Jacques Derrida is, in the words of the_ New York Times_, "perhaps the world's most famous philosopher—if not the only famous philosopher." He often provokes controversy as soon as his name is mentioned. But he also inspires the respect that comes from an illustrious career, and, among many who were his colleagues and peers, he inspired friendship. _The Work of Mourning_ is a collection that honors those friendships in the wake of passing. Gathered here are texts—letters of condolence, memorial essays, (...) eulogies, funeral orations—written after the deaths of well-known figures: Roland Barthes, Paul de Man, Michel Foucault, Louis Althusser, Edmond Jabès, Louis Marin, Sarah Kofman, Gilles Deleuze, Emmanuel Levinas, Jean-François Lyotard, Max Loreau, Jean-Marie Benoist, Joseph Riddel, and Michel Servière. With his words, Derrida bears witness to the singularity of a friendship and to the absolute uniqueness of each relationship. In each case, he is acutely aware of the questions of tact, taste, and ethical responsibility involved in speaking of the dead—the risks of using the occasion for one's own purposes, political calculation, personal vendetta, and the expiation of guilt. More than a collection of memorial addresses, this volume sheds light not only on Derrida's relation to some of the most prominent French thinkers of the past quarter century but also on some of the most important themes of Derrida's entire oeuvre-mourning, the "gift of death," time, memory, and friendship itself. "In his rapt attention to his subjects' work and their influence upon him, the book also offers a hesitant and tangential retelling of Derrida's own life in French philosophical history. There are illuminating and playful anecdotes—how Lyotard led Derrida to begin using a word-processor; how Paul de Man talked knowledgeably of jazz with Derrida's son. Anyone who still thinks that Derrida is a facetious punster will find such resentful prejudice unable to survive a reading of this beautiful work."—Steven Poole, _Guardian_ "Strikingly _simpa_ meditations on friendship, on shared vocations and avocations and on philosophy and history."—_Publishers Weekly _. (shrink)

Jacques Derrida is, in the words of the_ New York Times_, "perhaps the world's most famous philosopher—if not the only famous philosopher." He often provokes controversy as soon as his name is mentioned. But he also inspires the respect that comes from an illustrious career, and, among many who were his colleagues and peers, he inspired friendship. _The Work of Mourning_ is a collection that honors those friendships in the wake of passing. Gathered here are texts—letters of condolence, memorial essays, (...) eulogies, funeral orations—written after the deaths of well-known figures: Roland Barthes, Paul de Man, Michel Foucault, Louis Althusser, Edmond Jabès, Louis Marin, Sarah Kofman, Gilles Deleuze, Emmanuel Levinas, Jean-François Lyotard, Max Loreau, Jean-Marie Benoist, Joseph Riddel, and Michel Servière. With his words, Derrida bears witness to the singularity of a friendship and to the absolute uniqueness of each relationship. In each case, he is acutely aware of the questions of tact, taste, and ethical responsibility involved in speaking of the dead—the risks of using the occasion for one's own purposes, political calculation, personal vendetta, and the expiation of guilt. More than a collection of memorial addresses, this volume sheds light not only on Derrida's relation to some of the most prominent French thinkers of the past quarter century but also on some of the most important themes of Derrida's entire oeuvre-mourning, the "gift of death," time, memory, and friendship itself. "In his rapt attention to his subjects' work and their influence upon him, the book also offers a hesitant and tangential retelling of Derrida's own life in French philosophical history. There are illuminating and playful anecdotes—how Lyotard led Derrida to begin using a word-processor; how Paul de Man talked knowledgeably of jazz with Derrida's son. Anyone who still thinks that Derrida is a facetious punster will find such resentful prejudice unable to survive a reading of this beautiful work."—Steven Poole, _Guardian_ "Strikingly _simpa_ meditations on friendship, on shared vocations and avocations and on philosophy and history."—_Publishers Weekly _. (shrink)

Anne-Emmanuelle Demartini est professeure d’histoire contemporaine à l’université Paris 3 et avait consacré sa thèse au criminel Lacenaire ; elle y décortiquait la construction d’un monstre polymorphe et surtout l’utilisait pour interroger l’imaginaire social de la monarchie de Juillet. Avec ce nouvel ouvrage, centré sur la parricide Violette Nozière, elle réussit de nouveau à déployer tout l’imaginaire social des années 1930 et propose in fine « une manière de faire de l’histoire avec une af...