This chapter contains sections titled: What Am I Doing? My Experience The Title Literature: What Is It? A Friendly Witness?

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.1 (2003) 98-115 [Access article in PDF] Tristram Shandy, David Hume and Epistemological Fiction Christina Lupton I LAURENCE STERNE's Tristram Shandy, the nine-volume novel which dominated London's literary marketplace during the years of its publication between 1759 and 1767, has served over the course of its reception as a case in point for reading literature and philosophy side by side. Yet even (...) in this lengthy and variegated history of Sterne appreciation, "side by side" has more often than not proved to be a question of reading philosophy as literature's source and the key to its logic. In most secondary work on the novel, Sterne's references to empirical psychology appear as clues to a line of influence which leads, depending on the turn of the critic and his or her milieu, either back to a Lockean faith in self-knowledge and to a Humean skepticism with its residual stress on the realm of social accountability and the merits of mental association, or forward to the terrain of modernism, with its insistence on the constitutive power of language itself. From the ongoing measured attempts to monitor Sterne's use of Locke to the conviction, instigated by John Traugott in 1954, that Sterne's dramatization of rationalism shares much with David Hume's positive account of association, this complex critical history is well rehearsed, and its variants soundly warranted by Sterne's liberal borrowing from each of the well-stocked Rabelaisian, empiricist, and Augustan shelves of his own library.In recent decades, this critical debate runs towards a view of Sterne working self-consciously with an emergent sense of the aesthetic as a response to the epistemological quandaries of rationalism under pressure. In this essay, I will diverge from the critical tradition which has [End Page 98] combed the texts of British empiricism for the right "key" to Tristram Shandy. 1 I want to avoid this avenue of investigation not because it promises poor results—in the case of Sterne, rich moments of "unlocking" are undeniable—but because it relies on lining up philosophy and literature in a particular generic relation to one another. In general, this method assigns problem-raising to philosophy and problem-echoing to literature. Established Sterne critics, including John Traugott, Melvin New, and Arthur Cash, routinely ask how Tristram Shandy follows up or even solves the formal articulations of a problem raised by Locke or Hume.Despite the importance to date of this philosophical-problems-played-out-in-literature model for reading Tristram Shandy, the model of reading literature and philosophy together which I want to introduce in this piece is much more a side-by-side one. More specifically, I want to suggest that the epistemological problem which shows up in Tristram Shandy is less a rearticulation of grand philosophical concerns at a local register than a transformation of the problem of epistemology at the site of its articulation. While knowledge can be seen as the problem which Locke's rationalism, Hume's rhetorical and social projects, or Kant's account of aesthetic judgment set out to solve, for Sterne, I will argue, epistemological uncertainty is less a problem than the basis of the productive relationship Tristram Shandy develops between, on one hand, literature as an object of knowledge and, on the other, the acknowledgement that words, particularly literary words, depend on subjective responses. By comparing Hume's Treatise and Tristram Shandy, my aim is to show how the closely allied texts diverge in their strategies for exploring and containing the fracturing implications of skepticism. II Like many other literary authors of the eighteenth century, Sterne is engaged in debates crossing what we now think of as the disciplinary boundary between philosophy and literature and, despite its celebrated status as an inaugural work of modern fiction, Tristram Shandy intimately incorporates nonfictional forms of political and philosophical inquiry. 2 One of Tristram's more celebrated briefs to his reader is a witty but revealingly knowing description of Locke's Essay Concerning Human Understanding: "I will tell you in three words what the book... (shrink)

Philosophers can learn a lot about scientific methodology when great scientists square off to debate the foundations of their discipline. The Leibniz/newton controversy over the nature of physical space and the Einstein/bohr exchanges over quantum theory provide paradigm examples of this phenomenon. David Howie’s splendid recent book describes another philosophically laden dispute of this sort. Throughout the 1930s, R. A. Fisher and Harold Jeffries squabbled over the methodology for the nascent discipline of statistics. Their debate has come to symbolize the (...) controversy between the “frequentist” and “Bayesian” schools of statistical thought. Though much has been written about the Fisher/jeffreys exchange, Howie’s book is now the definitive treatment of the subject. Though billed as a piece of history of science, it brims with philosophical insights. (shrink)

In his travels, and in his accompanying readings, he had come to the conclusion that the essential secret of life was harmony. . . . And he proceeded to put his philosophy into practice by forcing order into the established world, translating the mystic word harmony into the practical word organisation.1 Harmony becomes organization. And Gerald dedicates himself to work, to feverish, totally absorbing work, inspired with an almost religious exaltation in his fight with matter. The world is split in (...) two: on one side matter , on the other side his own isolated will. He wants to create on earth a perfect machine, "an activity of pure order, pure mechanical repetition"; a man of the twentieth century with no nostalgia for the superannuated ideals of Christianity or democracy, he wishes to found his eternity, his infinity, in the machine. So inchoate and mysterious is the imaginative world Lawrence creates for Women in Love that we find no difficulty in reading Gerald Crich as an allegorical figure in certain chapters and as a quite human, even fluid personality in others. As Gudrun's frenzied lover, as Birkin's elusive beloved, he seems a substantially different person from the Gerald Crich who is a ruthless god of the machine; yet as his cultural role demands extinction , so does his private emotional life, his confusion of the individual will with that of the cosmos, demand death—death by perfect cold. He is Lawrence's only tragic figure, a remarkable creation on a remarkable novel, and though it is a commonplace thing to say that Birkin represents Lawrence, it seems equally likely that Gerald Crich represents Lawrence—in his deepest, most aggrieved, most nihilist soul. · 1. All quotations from Women in Love are taken from the Modern Library edition. Joyce Carol Oates' works include the novels Childhood, Son of the Morning, and a collection of short stories, Night-Side. “Lawrence’s Götterdämmerung” is part of a larger work exploring tragedy and comedy. Her contributions to Critical Inquiry include "Jocoserious Joyce" , and "The Picture of Dorian Gray: Wilde's Parable about the Fall". (shrink)

SummaryWhen mathematical instrument-makers brought the craft to London from the continent in the mid-sixteenth century, the severity of the legislation obliged them to join a guild company. As there was no company specialising in their craft, they joined the company of their choice, a practice allowed by the so-called ‘custom of London’. Research has revealed many in the Grocers' Company, and their position there is compared with that of instrument-makers who joined the Clockmakers' Company after its incorporation in 1631. (...) While the Grocers' Company steadily declined from this date in its industrial function, the Clock-makers' Company strove to exert a tight trade control over its members, and this continued until the end of the eighteenth century. Numbers of apprentices bound in each company are compared, and instrument-makers in the Clockmakers' Company listed. Much of interest to our understanding of the origins and organisation of the instrument-making trade can be discovered through the examination of guild company records. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Origins of War: A Catholic Perspective by Matthew A. ShadleJoyce Kloc BabyakThe Origins of War: A Catholic Perspective Matthew A. Shadle Washington, DC: Georgetown University Press, 2011.246pp. $29.95Matthew A. Shadle’s The Origins of War, in Georgetown University Press’s Moral Traditions series, makes a genuinely fresh contribution to contemporary scholarship on Christianity and war. This is not a work on the morality of war, just war theory, or (...) alternatives to that theory. Instead, Shadle directs our attention to Christian understandings of war’s origins. Through a rich and careful analysis of the early tradition’s treatment of the origin of war in light of its overall understanding of human existence, Shadle sets the stage for his examination of the decentering of Christianity in modernity and the implication of this for assumptions about humanity and human possibilities that became encoded in both political theory and Catholic writings on war. In the process, Shadle offers us not only a primer on international theory but also an account of the transition of fundamental liberal assumptions from their beginnings as anti-Christian to their twentieth-century embrace by Catholic theologians and a thoughtful new approach to understanding the causes of war today.Making his case serially, Shadle moves from biblical and early Christian thought on the origins of war to the Middle Ages and onward. He argues that the overriding context for a Christian understanding of the origins of war is the Christian worldview that sees human life in a theological framework (25), and he locates the impulse to war in the human struggle between sin and grace (5). With modernity, however, war has come to be seen as a result not of sin but of unresolved conflicts, clashes of interest and power—all viewed in materialist rather than transcendent terms. Moving into the twentieth century, he demonstrates that Roman Catholic writings on war, including church writings, have adopted a liberal framework for articulating positions on the causes of war. This liberal framework has in turn supported the hope that international institutions will be able to resolve the conflicts of interests that lead to war by fostering dialogue across divides but at the same time have also led away from the more fundamental Christian view that sees war as the result of sin.Shadle criticizes the liberal optimism that has infused Catholic writings with the hope that international structures will succeed at preventing war. Linking [End Page 215] that optimism to dominant versions of international relations theory, he argues instead for a new version of international relations theory known as “constructivism.” This theory challenges presumptions of earlier versions of international relations theory and sees war as the result of “a clash of the identities, interests, and norms of states... all of which are socially constructed by both domestic and international factors” (86). In Shadle’s view, constructivism is a theory that is more compatible with traditional Christian views on the origin of war as well as contemporary Catholic theology because it focuses on clashes in socially constructed (though not entirely relativistic) identities and values as causes of war. Avoiding war on this view will take more than relying on international structures such as the United Nations to resolve conflicts by translating conflicting interests into terms erroneously presumed to be accessible to all.The Origins of War: A Catholic Perspective deserves serious study. From its careful account of the biblical and early Christian understanding of the origin of war to its analysis of the ways that liberal assumptions came to undergird Catholic writings on war, it sheds new light on how assumptions about the origins of war influence all aspects of our thinking about war. And it is in the end provocative. Shadle’s historicist orientation reminds us that the liberal optimism that undervalued the role of sin as a cause of war was itself tempting because of the challenges of the time and dominant political theories. Yet Shadle’s preference for constructivism is no less historically shaped. Liberalism’s fit with Catholic understanding of human existence has certainly been strained, but it remains to be seen whether a historicist, constructivist set of assumptions can do... (shrink)

"A valuable contribution to the existing literature on Edith Stein. These quality essays are written by a well-established international network of commentators and translators of Stein." —_Elisabeth Young-Bruehl, author of _Hannah Arendt: For Love of the World__ "We badly need this new book on Edith Stein, so that we may ponder how a brilliant Jewish woman in Weimar Germany could become a Carmelite nun, yet retain a vivid Jewish identity and close ties to her family. The essays help us synthesize (...) Stein's troubling legacy as an accomplished philosopher, a Catholic saint, a Jewish daughter, and a stubborn feminist who was trapped in very dark times indeed." —_Deborah Hertz, Herman Wouk Chair in Modern Jewish Studies, University of California at San Diego, and author of _Jewish High Society in Old Regime Berlin__ "Readers will be fascinated by this multidisciplinary, state-of-the-art, well-contextualized essay collage on the life and writings of Edith Stein. A remarkable woman in every respect, the deeply spiritual Edith Stein crossed many seemingly uncrossable boundaries—national, linguistic, religious, intellectual—in her search for understanding of the human condition. This volume, ably orchestrated by Joyce Berkman, provides English-language readers an excellent introduction to a brilliant, complex, twentieth-century European woman: intellectual, philosopher, feminist, Jew, Christian, and Catholic saint." —_Karen Offen, Ph.D., Institute for Research on Women and Gender, Stanford University_ Controversy surrounding the beatification and canonization of Edith Stein, a Catholic convert of Jewish heritage who was murdered at Auschwitz, has eclipsed scholarly and public attention to Stein’s extraordinary development as a philosopher. Divided into three sections—biographical explorations, Stein's feminist theory and pedagogy, and her creative philosophical contributions—the sixteen essays in this volume represent the first comprehensive interdisciplinary analysis in English of Stein’s life and philosophical writings. (shrink)

Humanist and scientific analyses of the Anthropocene concept may be distinctive as a coinvestigation across disciplinary borders. While scientists only in 2023 hypothesized the Anthropocene’s inception in the 1950s (as measured by atomic residue), humanists have for several decades been investigating the concept as a probable reality and argue for its longer chronology. The six books reviewed here identify the early modern period, especially the eighteenth century, as a convincing moment of transition, indicating a longer era of relevant (...) anthropogenic activity. This periodization has important implications for addressing the ongoing environmental crisis, which will require both humanist and scientific knowledge. (shrink)

Widely regarded as the greatest stylist of twentieth-century English literature,James Joycedeserves the term “revolutionary.” His literary experiments in form and structure, language and content, signaled the modernist movement and continue to influence writers today. His two earliest, and perhaps most accessible, successes—A Portrait of the Artist as a Young ManandDubliners—are here brought together in one volume. Both works reflect Joyce’s lifelong love-hate relationship with Dublin and the Irish culture that formed him. In the semi-autobiographicalPortrait, young Stephen Dedalus (...) yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book’s inventive style is apparent from its opening pages, a record of an infant’s impressions of the world around him—and one of the first examples of the “stream of consciousness” technique. Comprising fifteen stories,Dublinerspresents a community of mesmerizing, humorous, and haunting characters—a group portrait. The interactions among them form one long meditation on the human condition, culminating with “The Dead,” one of Joyce’s most graceful compositions centering around a character’s epiphany. A carefully woven tapestry of Dublin life at the turn of the last century,Dublinersrealizes Joyce’s ambition to give his countrymen “one good look at themselves.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Origins of War: A Catholic Perspective by Matthew A. ShadleJoyce Kloc BabyakThe Origins of War: A Catholic Perspective Matthew A. Shadle Washington, DC: Georgetown University Press, 2011.246pp. $29.95Matthew A. Shadle’s The Origins of War, in Georgetown University Press’s Moral Traditions series, makes a genuinely fresh contribution to contemporary scholarship on Christianity and war. This is not a work on the morality of war, just war theory, or (...) alternatives to that theory. Instead, Shadle directs our attention to Christian understandings of war’s origins. Through a rich and careful analysis of the early tradition’s treatment of the origin of war in light of its overall understanding of human existence, Shadle sets the stage for his examination of the decentering of Christianity in modernity and the implication of this for assumptions about humanity and human possibilities that became encoded in both political theory and Catholic writings on war. In the process, Shadle offers us not only a primer on international theory but also an account of the transition of fundamental liberal assumptions from their beginnings as anti-Christian to their twentieth-century embrace by Catholic theologians and a thoughtful new approach to understanding the causes of war today.Making his case serially, Shadle moves from biblical and early Christian thought on the origins of war to the Middle Ages and onward. He argues that the overriding context for a Christian understanding of the origins of war is the Christian worldview that sees human life in a theological framework (25), and he locates the impulse to war in the human struggle between sin and grace (5). With modernity, however, war has come to be seen as a result not of sin but of unresolved conflicts, clashes of interest and power—all viewed in materialist rather than transcendent terms. Moving into the twentieth century, he demonstrates that Roman Catholic writings on war, including church writings, have adopted a liberal framework for articulating positions on the causes of war. This liberal framework has in turn supported the hope that international institutions will be able to resolve the conflicts of interests that lead to war by fostering dialogue across divides but at the same time have also led away from the more fundamental Christian view that sees war as the result of sin.Shadle criticizes the liberal optimism that has infused Catholic writings with the hope that international structures will succeed at preventing war. Linking [End Page 215] that optimism to dominant versions of international relations theory, he argues instead for a new version of international relations theory known as “constructivism.” This theory challenges presumptions of earlier versions of international relations theory and sees war as the result of “a clash of the identities, interests, and norms of states... all of which are socially constructed by both domestic and international factors” (86). In Shadle’s view, constructivism is a theory that is more compatible with traditional Christian views on the origin of war as well as contemporary Catholic theology because it focuses on clashes in socially constructed (though not entirely relativistic) identities and values as causes of war. Avoiding war on this view will take more than relying on international structures such as the United Nations to resolve conflicts by translating conflicting interests into terms erroneously presumed to be accessible to all.The Origins of War: A Catholic Perspective deserves serious study. From its careful account of the biblical and early Christian understanding of the origin of war to its analysis of the ways that liberal assumptions came to undergird Catholic writings on war, it sheds new light on how assumptions about the origins of war influence all aspects of our thinking about war. And it is in the end provocative. Shadle’s historicist orientation reminds us that the liberal optimism that undervalued the role of sin as a cause of war was itself tempting because of the challenges of the time and dominant political theories. Yet Shadle’s preference for constructivism is no less historically shaped. Liberalism’s fit with Catholic understanding of human existence has certainly been strained, but it remains to be seen whether a historicist, constructivist set of assumptions can do... (shrink)

ABSTRACTJulian of Norwich, anchorite and seer, was, according to the twentieth-century mystic poet and monk Thomas Merton, “one of the most wonderful of all Christian voices” and “with Newman the greatest English theologian.” Her Shewings, or Revelations of Divine Love, are an account, meditation, and teaching proceeding from sixteen visions she experienced on a single day in May of 1373. This “Soundproof Room” encounter takes the form of a mild creole of medieval and postmodern English of the sort (...) that in prior works, most notably Paris Views and Foucault in Winter, in the Linnaeus Garden, the author has called “mixed language.” Here also the author takes his cue from Merton’s reputed avowal that “Rather than ‘Sister’, one calls her the ‘Lady Julian’,” by making dialogue a like instance of seeking how to address another. (shrink)

The contemporary societies of the West are characterized by a collision of radically incommensurable cultures, that of traditional Christianity and that of the robustly laicist cultures that took shape in the nineteenth and twentieth centuries, drawing not only on the French Revolution and the Western European Enlightenment but also on deep roots in the synthesis of faith and reason that framed the thirteenth-century Western Christian Middle ages. This article explores the foundational contrast and conflict between traditional Christian bioethics (...) and the now-dominant secular culture through a portrayal of the historical and conceptual geography of the collapse of the Christendom established by St. Constantine the Great, Equal-to-the-Apostles, and on account of the emergence of secular fundamentalist states. The question is addressed anew as to what Athens can have to do with Jerusalem, as well as to what the Academy can have to do with the Church. The differences between a traditional Christian bioethics and a secular bioethics are illustrated in terms of questions bearing on the use of life-prolonging and death-postponing treatment. (shrink)

The present article examines the textual transmission of the Aristotelian Mechanics, a treatise on mechanical questions now generally ascribed to the Peripatetic School. The treatise was edited three times in the nineteenth century, namely by Johannes van Cappelle, Immanuel Bekker and Otto Apelt ; most recently, an edition was produced in the twentieth century by Maria Elisabetta Bottecchia. Bottecchia's edition is a clear improvement over the previous editions in the extent of its research. Whereas the other editors (...) of the Mechanics altogether consulted a total of nine manuscripts, Bottecchia considered nearly the complete manuscript material for her critical edition of the text. When I started my project I did not expect to find significant new results which would make a completely new critical edition of the text necessary. (shrink)

English interpretations, appropriations, and transpositions of the figure of Don Quixote play a pivotal role in eighteenth-century constructions of so-called English national character. A corpus of quixotic narratives worked to reinforce the centrality of Don Quixote and the practice of quixotism in the national literary landscape. They stressed the man from La Mancha’s eccentricity and melancholy in ways inextricable from English self-constructions of these traits.2 This is why Stuart Tave is able to write that eighteenth-century Britons (...) could “recast” Don Quixote in a fashion that followed “national pride” in the “freedom” of their humors.1 However, Don Quixote’s integral place in patriotic self-constructions was troubled by gender. While national character was construed as masculine by default, quixotism’s association with masculinity was complicated by the potential passive penetrability of quixotism and the proliferation of narratives about female quixotic readers. This essay will analyze these tensions. Henry Fielding’s Joseph Andrews (1742) and Laurence Sterne’s Tristram Shandy (1759–67) are key examples of quixotic texts that respond to the figure of the female quixote by interrogating the relationship between Englishness, masculinity, and quixotism. (shrink)

Are the words that a novelist uses adequate to his or her elusive subject&—the human condition? Are they pertinent, accurate, invariably fair, unflinchingly honest? Or do the novelist's words execute essentially formal maneuvers, engaging our interest through their patterns rather than their reach? And what about a possible third, synthesizing option? Robert W. Greene discovers that the two apparently divergent intentions in question (metalinguistic vs. moralistic) often paradoxically coexist in French fiction. Also, no doubt because it is more consistently self-conscious (...) than that of any previous era, the fiction of twentieth-century France seems to illustrate this convergence with special brillance. From L'lmmoralist (1902) to L'Usage de la parole (1980) Greene explores combinations and permutations of moralistic analysis and metalinguistic commentary in a particular sequence of prose narrative. Along the way, he observes Gide, Proust, Malraux, Camus, Duras, and Sarraute, each in his or her own fashion, moving ceaselessly back and forth between soundings of the heart and diagnoses of the tongue. (shrink)

Patterns in Twentieth-Century European Thought contains interpretive essays in the history of the century's Marxism, psychoanalysis, quantum physics, logic, language theory, philosophy, art, literature, and theology. A concluding essay argues that the philosophy and social theory - not to mention the physics and theology - constitute a twentieth-century Counter-Enlightenment that has replaced the Cartesian- and Newtonian-based Enlightenment of the eighteenth century.

This collection contains the first English translations of a group of important eighteenth-century German essays that address the question, "What is Enlightenment?" The book also includes newly translated and newly written interpretive essays by leading historians and philosophers, which examine the origins of eighteenth-century debate on Enlightenment and explore its significance for the present. In recent years, critics from across the political and philosophical spectrum have condemned the Enlightenment for its complicity with any number of present-day (...) social and cultural maladies. It has rarely been noticed, however, that at the end of the Enlightenment, German thinkers had already begun a scrutiny of their age so wide-ranging that there are few subsequent criticisms that had not been considered by the close of the eighteenth century. Among the concerns these essays address are the importance of freedom of expression, the relationship between faith and reason, and the responsibility of the Enlightenment for revolutions. Included are translations of works by such well-known figures as Immanuel Kant, Moses Mendelssohn, Johann Gottlieb Fichte, and Johann Georg Hamann, as well as essays by thinkers whose work is virtually unknown to American readers. These eighteenth-century texts are set against interpretive essays by such major twentieth-century figures as Max Horkheimer, Jürgen Habermas, and Michel Foucault. (shrink)

Taste and Experience in Eighteenth Century Aesthetics acknowledges theories of taste, beauty, the fine arts, genius, expression, the sublime and the picturesque in their own right, distinct from later theories of an exclusively aesthetic kind of experience. By drawing on a wealth of thinkers, including several marginalised philosophers, Dabney Townsend presents a novel reading of the century to challenge our understanding of art and move towards a unique way of thinking about aesthetics. Speaking of a proto-aesthetic, Townsend (...) surveys theories of taste and beauty arising from the empiricist shift in philosophy. A proto-aesthetic was shaped by the philosophers who followed Locke and accepted that theories of taste and beauty must be products of experience alone. Francis Hutcheson, David Hume, Alexander Gerard and Thomas Reid were among the most important advocates, joined by others who re-thought traditional topics. Featuring chapters tracing its philosophical principles, issues raised by the subjectivity of the empiricist approach and the more academic proto-aesthetic formed toward the end of the century, Townsend argues that Lockean empiricism laid the foundations for what we now call aesthetics. (shrink)

Peter Groenewegen's reputation as a chronicler of the history of economics is unparalleled. Building on his respected collection on eighteenth century economics, this new book focuses on the nineteenth and early twentieth centuries, reprinting essays on classical and modern economics. Several of the included essays have never been published before, whilst many have previously been difficult to access having been written across the 1970s, 1980s and 1990s. This important collection will be an invaluable resource for any historian, (...) student or academic involved in the history of economics. (shrink)

Knowledge and Postmodernism in Historical Perspective offers answers to the questions, what is postmodernism? and what exactly are the characteristics of the modernism that postmodernism supercedes? This comprehensive reader chronicles the western engagement with the nature of knowledge during the past four centuries while providing the historical context for the postmodernist thought of Jacques Derrida, Michel Foucault, Richard Rorty and Hayden White, and the challenges their ideas have posed to our conventional ways of thinking, writing and knowing. From the science (...) of things to the science of human beings to the grand social theorizing associated with Adam Smith, Alexis de Tocqueville, Karl Marx and Max Weber, Knowledge and Postmodernism in Historical Perspective presents readings from the succession of thinkers whose writings helped define modern sensibilities by analyzing the human capacity for generating knowledge. The volume follows the knowledge-generating project of the modern age as it blossoms in the Enlightenment and bears fruit in the nineteenth century. The writings included reveal the linkages between science, the history of science, hermeneutics, anthropology, sociology, linguistics and philosophy from Francis Bacon's call for experimental engagement with nature in the seventeenth century to Jurgen Habermas' recent analysis of the civil society spawned by the Enlightenment. (shrink)

Written by leading international scholars, this interesting book traces how our modern understanding of faith and reason has evolved. It provides an invaluable guide to the history of modern philosophical theology and clearly identifies why the relationship between faith and reason is of such social and philosophical importance today.

In this paper I trace the development of one of the central debates of late twentieth-century moral philosophy—the debate between realism and what Rawls called “constructivism.” Realism, I argue, is a reactive position that arises in response to almost every attempt to give a substantive explanation of morality. It results from the realist’s belief that such explanations inevitably reduce moral phenomena to natural phenomena. I trace this belief, and the essence of realism, to a view about the nature (...) of concepts—that it is the function of all concepts to describe reality. Constructivism may be understood as the alternative view that a normative concept refers schematically to the solution to a practical problem. A constructivist account of a concept, unlike a traditional analysis, is an attemptto work out the solution to that problem. I explain how the philosophies of Kant and Rawls can be understood on this model. (shrink)

In the 1950s–60s biochemists searched intensively for a series of high-energy molecules in the cell. Although we now believe that these molecules do not exist, biochemists claimed to have isolated or identified them on at least sixteen occasions. The episode parallels the familiar eighteenth-century case of phlogiston, in illustrating how error is not simply the loss of facts but, instead, must be actively constructed. In addition, the debates surrounding each case demonstrate how revolutionary-scale disagreement is sometimes resolved by (...) differentiating or partitioning empirical domains, rather than by replacement of one theory by another. (shrink)

The term probability can be used in two main senses. In the frequency interpretation it is a limiting ratio in a sequence of repeatable events. In the Bayesian view, probability is a mental construct representing uncertainty. This 2002 book is about these two types of probability and investigates how, despite being adopted by scientists and statisticians in the eighteenth and nineteenth centuries, Bayesianism was discredited as a theory of scientific inference during the 1920s and 1930s. Through the examination of (...) a dispute between two British scientists, the author argues that a choice between the two interpretations is not forced by pure logic or the mathematics of the situation, but depends on the experiences and aims of the individuals involved. The book should be of interest to students and scientists interested in statistics and probability theories and to general readers with an interest in the history, sociology and philosophy of science. (shrink)

Viewed through the prism of gender, race and generational change, memories of the Holocaust acquire a dynamic and a salience that differ substantially from one group to the next. This article examines the role of gender in sustaining and reconfiguring such memories in Germany; it argues that female victims and perpetrators are moving towards common ground in processing Second World War experiences as they anticipate their own deaths. Ranging from active collaborators to bold resistance fighters, some women proved both deeply (...) reflective, others almost oblivious to the horrors occurring around them, as revealed by (auto)biographical texts. ‘Women under the Nazis’ were not a subordinate, uninformed mass, easily exploited by a megalomaniacal patriarchal establishment; still, their many roles were rated as ‘insignificant’ in configuring the master narrative. The unequal treatment accorded women in the 1940s still shapes the unequal slave-labor compensation accorded women half a century later. This raises new questions about the need to re-establish communication between the generations for the purpose of transmitting lessons of world-historical magnitude linked to the Holocaust. (shrink)

Marcel Proust offered the twentieth century a new psychology of memory and seeing. His novel In Search of Lost Time was written in the modern age of photography and art history. In Looking Back One Learns to See: Marcel Proust and Photography is an intellectual adventure that brings to light Proust’s visual imagination, his visual metaphors, and his photographic resources and imaginings. The book features over 90 illustrations. Mary Bergstein highlights various kinds of photography: daguerreotypes, (...) stereoscopic cards, cartes-de-visite, postcards, book illustrations, and other photographic mediums. Portraiture, medical photography, spirit photography, architectural photography, Orientalism, ethnographic photography, and fin-de-siècle studies of Botticelli, Leonardo, and Vermeer, are considered in terms of Proust’s life and work. The net is cast wide, and each image under discussion has been researched with subtle attention to art, literature, and cultural history. This scholarly study in literature and visual culture will be a delight, too, for general readers who love photography or Proust. Mary Bergstein is professor of History of Art and Visual Culture at the Rhode Island School of Design. She won the 2012 “Courage to Dream” book prize from the American Psychoanalytic Association for, Mirrors of Memory: Freud, Photography, and the History of Art (Cornell 2010). She has published numerous books and articles on art and visual culture from Italian Renaissance sculpture to contemporary photography. (shrink)

This work provides an overall review and analysis of the history of education and of its key research priorities in the British context. It investigates the extent to which education has contributed historically to social change in Britain, how it has itself been moulded by society, and the needs and opportunities that remain for further research in this general area. Contributors review the strengths and limitations of the historical literature on social change in British education over the past forty years, (...) ascertain what this literature tells us about the relationship between education and social change, and map areas and themes for future historical research. They consider both formal and informal education, different levels and stages of the education system, the process and experience of education, and regional and national perspectives. They also engage with broader discussions about theory and methodology. The collection covers a large amount of historical territory, from the sixteenth century to the present, including the emergence of the learned professions, the relationship between society and the economy, the role of higher technological education, the historical experiences of Ireland, Scotland and Wales, the social significance of teaching and learning, and the importance of social class, gender, ethnicity, and disability. It involves personal biography no less than broad national and international movements in its considerations. This book will be a major contribution to research as well as a general resource in the history and historiography of education in Britain. (shrink)

European intellectuals diagnosed the end of the nineteenth century as “the sickness of an age.” Schopenhauer's pessimistic books suddenly became popular; Nietzsche announced the “death of god”; and Max Nordeau's Degeneration was an international best seller. To be sure, this mood of despair was initially limited to a handful of poets and philosophers. But once the outbreak of World War I revealed what “the treacherous years were all the while making for and meaning,” the sense that the West had (...) somehow been betrayed by its own most fundamental accomplishments and beliefs was globalized. Thomas Mann's Magic Mountain captured the idea neatly by describing Europe as a tuberculosis sanatorium behind whose walls splendid accomplishment rapidly rotted toward calamity. Spengler's Decay of the West and the early volumes of Toynbee's Study of History argued that decline was inevitable. As Europeans lost faith in their ability to erect The Heavenly City Of The Eighteenth Century Philosophers [Becker, 1932], the era of “enlightenment optimism” gave way to Auden's “Age of Anxiety.” If, as T.S. Eliot put it in East Coker, “the quiet-voiced elders” bequeathed us “merely a receipt for deceit,” then, to cite again W.B. Yeats’ famous poem, it became increasingly obvious that “things fall apart, the center cannot hold.” “[F]ollowing some rough beast” that “slouches toward Bethlehem to be born,” modern civilization began a desperate search for new values that could orient society in an unexpected world. (shrink)

The idea of considering the archive as a political technology of liberal governmentality is developed in this article, questions of the uses of archives (important as these are) taking second place here to the politics apparent in the design and idea of one particular form of the archive. This form is the public archive as it became apparent in the 19th-century institution of the public library, the two chief examples being in Manchester and at the British Museum in London. (...) The public archive can be seen to constitute a liberal public which was itself increasingly a democratic one. This constitution turned upon ideas such as the ‘free library’, ‘self-help’ and the active constitution of new readings of social life and social conditions. These readings involved the management of class relations at the time, and parallels are drawn between a sort of ‘anthropologizing’ of the archive evident in India and its ‘sociologizing’ in Britain at the same time. The constitution of democratic, liberal citizenship through the archive also turned upon particular readings of the centre-locality relationship and upon notions of urban community. Library catalogues are considered, and the design of libraries, so that the importance of spatial dimensions of the archive is evident. (shrink)

The publication of 'Animal Rights and Souls in the 18th Century' will be welcomed by everyone interested in the development of the modern animal liberation movement, as well as by those who simply want to savour the work of enlightenment thinkers pushing back the boundaries of both science and ethics. At last these long out-of-print texts are again available to be read and enjoyed - and what texts they are! Gems like Bougeant's witty reductio of the Christian view of (...) animals are included together with path-breaking works of ethics such as Primatt's A Dissertation on the Duty of Mercy and Sin of Cruelty to Brute Animals . There are works I have never seen before, including the remarkable Cry of Nature by the Scottish revolutionary Jacobin, John Oswald. In this set, everyone will find something novel, delightful and truly enlightening. - Peter Singer The discussion of animal rights and the moral status of animals, so prevalent in the late twentieth century, has its roots in the mid to late eighteenth century. Some of the themes we consider of recent invention - the legal standing of animals, the ethical status of vegetarians, cruelty towards animals, ultimately resulting in cruelty to humans - are of long standing. But in the eighteenth-century literature they are interconnected with theological issues surrounding animal souls, the birth of the life sciences, the great chain of being and other peculiarly eighteenth-century problems. This collection explores the exciting early discussions of moral theories concerning animals, placing them within their historical and social context. It reveals that issues such as vivisection, animal souls and vegetarianism were very much live philosophical subjects 200 years ago. The six volumes reprinted here includes complete works and edited extracts from such key eighteenth-century thinkers as Oswald, Primatt, Smellie, Monboddo and Jenyns. Many of the materials are extremely rare and never previously reprinted. The collection, edited with a new introduction and bio-bibliography by Aaron V. Garrett provides valuable original source material to supplement contemporary discussions of animal rights. --18th-century material on the theme of animal rights and practical ethics --an important supplement to contemporary animal rights discussions --provides a broader account of early discussions of the 'science of human nature' through animals --widens our understanding of 18th-century ethics through an important area of practical ethics --includes many scarce texts, most of which have never been reprinted before. (shrink)

ArgumentThe eighteenth-century natural histories ofParaquaria, a Jesuit province in South America ranging from the tropical forest to Río de la Plata (the River Plate), constitute a rich and consistent tradition of nature writing. The way the material is organized, the frequent use of lists of aboriginal names, and the focus on naming, all attest to the missionaries' preoccupation with language, understandable given that they were engaged in writing dictionaries and thesauri of the native tongues. During the nineteenth and (...) twentieth centuries, this body of work went through a series of appropriations, reflecting the various intellectual programs that contributed to the making of the national tradition in Argentina. While these natural histories are still often interpreted in terms of Argentina's national history, science, and literature, I will argue that they should be considered a product of a mixed culture oriented toward the practical and religious goals that are characteristic of most of Jesuit missionary culture, the result of the missionaries' attempt at organizing their experience of the wilderness and their encounter with the aboriginal peoples. (shrink)

This book examines the transmission processes of the Aristotelian Mechanics. It does so to enable readers to appreciate the value of the treatise based on solid knowledge of the principles of the text. In addition, the book’s critical examination helps clear up many of the current misunderstandings about the transmission of the text and the diagrams. The first part of the book sets out the Greek manuscript tradition of the Mechanics, resulting in a newly established stemma codicum that illustrates the (...) affiliations of the manuscripts. This research has led to new insights into the transmission of the treatise, most importantly, it also demonstrates an urgent need for a new text. A first critical edition of the diagrams contained in the Greek manuscripts of the treatise is also presented. These diagrams are not only significant for a reconstruction of the text but can also be considered as a commentary on the text. Diagrams are thus revealed to be a powerful tool in studying processes of the transfer and transformation of knowledge. This becomes especially relevant when the manuscript diagrams are compared with those in the printed editions and in commentaries from the early modern period. The final part of the book shows that these early modern diagrams and images reflect the altered scope of the mechanical discipline in the sixteenth century. (shrink)

In the early twentieth century, The Eastern Buddhist journal pioneered the presentation of Buddhism to the west and encouraged the west's engagement in interpretation. This interactive process increased dramatically in the post-war period, when dialogue between Buddhist and Christian thought began to take off in earnest. These debates and dialogues brought in voices with a Zen orientation, influenced in part by the philosophical Buddhism of the Kyoto School. Also to be heard however were contributions from the Pure Land (...) and the Shin Buddhist traditions, which also have a strong tradition in the city. The book brings together a wide range of authors who have significantly influenced subsequent Buddhist-Christian dialogue and the interaction between east and west. (shrink)

How did humans respond to the eighteenth-century discovery of countless new species of animals? This book explores the gamut of human-animal interactions: from love to cultural identifications, moral reflections, philosophical debates, classification systems, mechanical copies, insults and literary creativity.

The distinction between taxonomic plant geography and ecological plant geography was never absolute: it would be historically inaccurate to portray them as totally divergent. Taxonomists occasionally borrowed ecological concepts, and ecologists never completely repudiated taxonomy. Indeed, some botanists pursued the two types of geographic study. The American taxonomist Henry Allan Gleason (1882–1975), for one, made noteworthy contributions to both. Most of Gleason's research appeared in short articles, however. He never published a major synthetic work comparable in scope or influence to (...) the ecological texts of Clements, Schimper, and Warming.Despite exceptions such as Gleason, most plant geographers throughout the twentieth century have emphasized the distinction between ecological and taxonomic plant geographies. Why have these distinct traditions developed? In his book Geographical Ecology, Robert MacArthur has suggested a psychological explanation for the dichotomy: “Unraveling the history of a phenemenon has always appealed to some people and describing the machinery of the phenomenon to others... The ecologist and physical scientist tend to be machinery oriented, whereas paleontologists and most biogeographers tend to be history oriented.”46Without necessarily rejecting MacArthur's explanation, my study suggests a more complex relationship between taxonomic and ecological plant geographies. At the turn of the century a group of botanists self-consciously defined a new area of botanical research. These ecologists defined their new discipline in opposition to what they believed was a moribund, nineteenth-century, natural-history tradition. They turned from historically oriented, descriptive, taxonomic plant geography to experimental physiology. The new ecological plant geography was to focus on communities rather than on species, on proximate environmental causes rather than on historical explanations, and on physiological experiments rather than on morphological descriptions.As we look back, much of the “revolt from morphology” was rhetorical. Ecologists never completely replaced species as units of distribution, nor did they set geography on an explicitly physiological basis. Indeed, much of early ecological research was, quite simply, descriptive. Plant communities were defined in terms of dominant species, representative life forms, or general physiognomy. The underlying physiological basis for community characteristics was more often assumed than demonstrated by experiments.Despite the fact that ecological plant geography was not a truly physiological specialty, it was significantly different from more traditional taxonomic plant geography. First, ecologists were less explicitly evolutionary in their approach than were taxonomists. Following Darwin, most taxonomic plant geographers viewed distribution in historical terms. In contrast, early ecologists tended to ignore the traditional geographic problems. Most ecologists were skeptical of historical explanations, emphasizing instead the proximate, environmental causes of distribution. While some nineteenth-century biogeographers had studied the correlation between climate and vegetation, twentieth-century ecologists focused much more sharply on the interactions between plant and environment. Plant ecologists did not place biogeography on a physiological basis, but by emphasizing physiology they laid the foundation for a more detailed understanding of adaption. This emphasis on physiology and environmental causation was a second distinguishing characteristic of ecological plant geography. Finally, the idea of the plant community, articulated by Eugenius Warming in 1895, provided ecologists with a unique perspective on the distribution of plants. For early ecologists, the community was more than an assemblage of species; it was an integrated unit. The distribution of these units became the major focus of ecological plant geography. Communities never completely replaced species as geographic units, and the distinction between flora and vegetation was often blurred. Nonetheless, ecologists were innovative in studying the distribution of structurally and functionally integrated groups of plants.In the twentieth century plant geography has occupied an anomalous position in biology. It has not developed into an autonomous discipline, nor has it been incorporated into the developing discipline of ecology. Ecologists and taxonomists have pursued fairly distinct styles of geographic research, with the result that two relatively independent approaches to the study of plant distribution have persisted. (shrink)

Because other cultures classify mental disorders very differently from ours, it behooves us to inquire into the philosophical and cultural sources of our own guiding nosological categories. This paper is a philosophical exploration into the historical and theoretical bases of the late nineteenth-century, Kraepelinian division between disorders of mood or affect, and schizophrenia, in which our present day nosological categories are rooted. By tracing the early nosologists’ divisions into eighteenth-century and Kantian faculty psychology, and following the fate (...) of faculty psychology through the nineteenth century, we discover genealogical elements of our taxonomy likely to affect clinical diagnosis and understanding. (shrink)

This paper analyzes debates on animal language in eighteenth-century German philosophy and science. Adopting a history of ideas approach, I explain how the study of animal language became tied to the investigation into the origin and development of language towards the end of the eighteenth century. I argue that for large parts of the eighteenth century, the question of the existence of animal languages was studied within the context of the philosophical question of whether (...) animals possess reason. In Germany, the debate concerning animal reason was influenced by Christian Wolff and was taken up by diverse thinkers such as Winkler, Meier, and Reimarus. I argue that in the second half of the eighteenth century the study of animal language became more loosely related to the question of whether animals possess reason: animal language was studied not only in light of the debate on animal reason but also because it sheds light on the nature of animals, on the differences and similarities between animals and humans, and on the origin and development of language. This systematic study of animal language coincided with the rise of linguistics, anthropology, and biology as independent sciences. (shrink)