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References
In Dominic McIver Lopes & Berys Gaut (eds.), Once‐Told Tales. Wiley‐Blackwell. pp. 190–193 (2011-04-15)
Abstract
This chapter contains sections titled: What Am I Doing? My Experience The Title Literature: What Is It? A Friendly Witness?
philosophy of literature experience of the art form ‐ the novel long‐standing philosophical ‐ and pre‐systematic intuitions reading experience ‐ coeval with very beginnings of human experience a kind of reading experience ‐ deeply entrenched in age‐old experience of story‐telling raising issues for philosophy of literature literary works, inviting multiple readings ‐ content with depth, inviting reflection eighteenth century, Tristram Shandy ‐ and Proust and Joyce in twentieth century contrast being made, between novels ‐ gripping stories, read once E.M. Forster in Aspects of the Novel, friendly witness saying ‐ Yes—oh, dear, yes—the novel tells a story Novel
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References found in this work
The spandrels of San Marco and the Panglossian paradigm : a critique of the adaptationist programme.S. J. Gould & R. C. Lewontin - 2014 - In Francisco José Ayala & John C. Avise (eds.), Essential readings in evolutionary biology. Baltimore: The Johns Hopkins University Press.
The mysteries of nature: How deeply hidden?Noam Chomsky - 2009 - Journal of Philosophy 106 (4):167-200.
Art and the domain of the aesthetic.N. Carroll - 2000 - British Journal of Aesthetics 40 (2):191-208.
Non-perceptual aesthetic properties: Comments for James Shelley.Noël Carroll - 2004 - British Journal of Aesthetics 44 (4):413-423.
Techniques of reading in classical antiquity.A. K. Gavrilov - 1997 - Classical Quarterly 47 (1):56-73.
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