This chapter contains sections titled: The Need for Certainty Indifference to the Goods of This World A Cause of Violence The Hope of the World?

continent. 1.4 (2011): 253—278. A Sense of French Politics Politics itself is not the exercise of power or struggle for power. Politics is first of all the configuration of a space as political, the framing of a specific sphere of experience, the setting of objects posed as "common" and of subjects to whom the capacity is recognized to designate these objects and discuss about them.(1) On April 14, 2011, France implemented its controversial ban of the niqab and burqa , commonly (...) referred to as the Islamic veil, in public places. On the coattails of the 2004 prohibition of religious artifacts, including the less concealing hijab or Islamic headscarves, in schools, the veil ban sparked equal outrage across both political and theological spectra, and many on both sides of the debate were quick to inquire about enforcement. As Steven Erlanger reports, “The police do not have the authority under the law to remove full veils, only to fine or require citizenship lessons for those who violate the new law.”(2) While the legal and social implications of this interdiction are ripe for study, the reprisals for breaking the law, notably compulsory citizenship classes, illuminate the strategic governmentality underlying the French government's targeting of the Muslim community, particularly those elements it considers affiliated with fundamentalist factions and/or terrorist organizations, if only through fashion—an integral component of French citizenship. Indeed, in allowing the (fashion) police to mandate instructional courses in citizenship for offenders, France implies that any Muslim choosing to wear the niqab or burqa , perhaps even for those who are already citizens, must not be aware of the subtle nuances of dress indicative of the French citizenry within public space. Furthermore, the degree of instruction requisite to citizenship, which clearly can and must be updated as the state sees fit, cements the imagined relation between citizens and states within the discourses on the veil ban. As Sharma contends, “Concepts of citizenship are the ideological glue that bonds the nation to the state. Citizenship provides the legal framework through which the state performs its role as ruler for the nation.”(3) Speaking for/as the state, French President Nicolas Sarkozy declared in a 2009 presentation before members of the government and other citizens that the burqa “is not welcome on the territory of France.”(4) Although there is nothing unique, especially recently, about a nation-state taking extreme measures to guard itself against what it deems to be threats to its sovereignty, the way in which the ongoing discourses on hijab have (d)evolved, which coincide with recent pronouncements by governmental leaders in Germany, Britain, and France that policies of multiculturalism have “failed,”(5) points toward nationalist reterritorializations, which is also to say physical and ideological re-appropriations, of public space within democratic milieux, which remain predicated upon the mediation of spaces. As Panagia deduces from Rancière, “Democracy […] is not an institutional form of government […], but an appearance whose visibilities and audibilites arise out of the dissonant blur of the everyday.”(6) Ultimately, the veil ban represents a calculated move to regulate the every day, which is to say the micropolitics of, that which is visible and invisible within French society, which makes it nothing short of a struggle to manage (the sensation of) bodies. Re-situating the political within the context of sense, Rancière argues that the fundamental essence of politics lies within the distinction between consensus and dissensus , and whereas most consider politics proper as fundamentally concerned with the fluid operations of the state— consensus , Rancière actually locates the political within events that disrupt the normative sensory order of things— dissensus . He explains, “Politics revolves around what is seen and what can be said about it, around who has the ability to see and the talent to speak, around the properties of spaces and the possibilities of time.”(7) This reformulation of politics centers on agency and, albeit perhaps unintended, representationality and offers a useful formulation for spatializing the discourses surrounding the Islamic veil, which are mired within seemingly senseless policies and practices of objectification. Instituting a normative “regime of visibility,” the French veil ban encapsulates the political economy of agency, now both mediated and representational, under the rule of nationalist governmentalities in increasingly transnational contexts.(8) Adjudicating presence within public space signals a concern with the sensory aspects of agency itself—what Rancière terms the “distribution of the sensible,” which is “a matrix that defines a set of relations between sense and sense: that is, between a form of sensory experience and an interpretation which makes sense of it.”(9) To be concerned with sense is to focus upon the body, and this somatic repositioning of the (fashionable) citizen within the territory of the state augurs the resurgence of nationalist bio-politics within Europe, since, as Hage explicates, “Nationalism, before being an explicit practice or a mode of classification, is a state of the body. It is a way of imagining one's position within the nation and what one can aspire to as a national.”(10) The French government's attempt to make (bodily) sense of public space for its citizens by and through policies aimed against a burqa-clad Muslim minority, which might only apply to “less then 400 to fewer than 2,000” women(11), reveals the necessary, yet mercurial, transmutation of public space into national space through bio-political strategies of sense-making, which, as Hage observes, denotes that “nationalists perceive themselves as spatial managers.”(12) At the center of this concern over public space is the equally contentious dimension of governing female Islamic identity, which has become one of the main critiques levied against Islam from outsiders who view the veil in its various forms as a clear sign of the religion's actual and symbolic violence against women, even if such critiques remain ensconced within nationalist discourses. As Halim and Meyers argue, “Although Western news media may focus their coverage of Muslim women on the debate over whether and the extent to which the veil may by oppressive to the women who wear it, they have exhibited little interest in the physical oppression of violence against women in Islamic countries.”(13) While it falls outside of the scope of this analysis to arbitrate all of the dimensions of this debate, understanding some of the issues related to female identity and hijab within public space are crucial to this study. As these topics are extraordinarily complex, even and perhaps especially within the Muslim community, it is necessary to provide some context concerning the value, purpose, and meaning of the Islamic veil, which has a rich and arduous history. The Art of the Veil At present, there are only two countries, Iran and Saudi Arabia, that require women to wear hijab , which is a decidedly problematic term and concept whose locus is itself caught within a struggle of sensation. Noting the strategic reterritorialization of the term, Berger explains: The choice of the name, hijab , now widely adopted to designate the “Islamic veil,” it itself interesting, although the semantic shift it operates is not directly commented upon by its users. Although the design (both the cut and the symbolic function) of the hijab and the Iranian chador are indeed the same, as opposed, for instance, to the traditional Algerian haik , the word hijab has come to replace the term chador popularized by the Iranian revolution, as a properly Arabic (hence Koranic) designation. This discursive shift points to the successful reclaiming of the national revolution in Iran by a transnational pan-Islamic movement, whose language of reference can only be Koranic Arabic.(14) While the hijab is certainly a point of contention within various countries dealing with immigrant Islamic populations (of which France has the largest in Europe as part of its colonial legacy in Algeria), it is clear that the veil is a historically contextualized artifact of Muslim identity with a variety of manifestations, even as forces outside of and within Islam seek to codify its actual and symbolic value. Ultimately, the varieties of hijab , including the full-faced burqa and niqab , are complex assemblages of meaning that speak to the multitudinous flows of Islamic identities over time and space. As Gökariksel and McLarney observe, “Wearing a certain style of veil may simultaneously be a disciplinary practice crucial to the cultivation of piety (Mahmood 2005; Gokariksel 2009) and a gendered performance of social distinction in terms of class, taste, and urbanity (White 1999; Navaro-Yashin 2002; Gokariksel and Secor 2009) or of ethnicity and race (Dwyer 1999).”(15) The ideological marketplace from which the varieties of hijab ebb and flow serves both as a reflection of the ever-present materiality and dynamic functionality of spiritual economies, which are derivative of the equally ubiquitous flows of transnational capital driving agency and representationality within our historical moment. Keeping these dual, yet deeply interconnected, capital ecologies as the site of exploration for how the veil is represented within public space, one might begin to sense what lurks behind such veiled agendas. Examining the symbolic and representational nature of the Islamic “veil” in its various forms, this project situates the decidedly political contestations of public space at stake in the French ban alongside recent condemnations of multiculturalism as calculated efforts to re-distribute the sensible so as to valorize national identity within increasingly transnational and globalized socio-economic spaces, which collapse exchange values between distinct, yet interwoven, economies of (cultural/material/spiritual) capital. As the discourses on the veil rely upon representational imag(in)ings, it seems fitting to explore the political economy and art of the veil through the phenomenon of street art, which, much like hijab , is a complex assemblage of meaning of sensation mired in representationality and capital exchange. As street artists have taken up hijab in various forms, the movement offers a lens with which to situate critical responses to the veil debate across both spiritual and material economies. Situating this street art both aesthetically and historically, Lewisohn explains, “'Street art' is a sub-genre of graffiti writing and owes much to its predecessor. Though there is a good deal of crossover between the genres, they are distinct and separate in their own right.”(16) Evolving out of the graffiti explosion of the late 1970's and 1980's, street art broke the unspoken rules of the artistic underground by challenging and re-examining one's sensory experience of art in public space by experimenting with both content and form in ways that harken back to the Situationist International, which as a collective challenged one's experience of urban space through various media and experiential phenomena. Again, Lewisohn observes, “It's important to note street art's break with the tradition of the tag, and its focus on visual symbols that embrace a much wider range of media than graffiti writers would use.”(17) From stencils to prints and murals to one-liners, street artists developed a reputation for critical social and political commentary, and while it is certainly the case that not all street art is intentionally political, in challenging the normative “regime of visibility,” as Rancière puts it, of public space, street artists—even if unconsciously—call into question the common sensory experience of the politics underlying the formation of (nationalist) space.(18) Indeed, Rancière refers to the partisan sensory managers as “police,” who ultimately forge “the rules governing the circulation of appearances, of their visibility and audibility, and the proper distribution of bodies therein.”(19) As such, one can sense that street art's relationship with the police is tenous for a variety of reasons. Writing about his own experience as a street artist, Shepard Fairey observes, “With street art, there's no committee deciding whether I can put my work up on the street, there's no censorship, and I have total freedom of expression, and that concept of freedom is expressed just by using the street as a medium.”(20) As Fairey and other street artists demonstrate, the medium, to paraphrase Marshall McLuhan, is the most glaring aspect of street art's message, and even as it now finds itself in galleries and usurped by private collectors, the ethos of the movement remains relavent to politics as it is, first and foremost, concerned with the configuration and experience of space. Just as examining the punishments for breaking the veil ban can map the terrain of French politics, a representational genealogy of street artist's deployment of hijab and female Muslim identity can assist in mining the depths of public space as a site of bio-political control and contestation in light of recent events in France and the rising tide of anti-multiculturalist rhetoric across Europe, even though the Islamic presence there is radically heterogenous. Using the work of Shepard Fairey, Princess Hijab, br1, and Banksy, this paper sets out to answer a number of key questions concerning the deployment of hijab, and female Islamic identity in particular, within street art as a movement now integral to and critical of the economies of exchange underlying global capitalism, which as a force of influence cannot be underestimated as a driver in the resurgence of nationalist biopolitical governmentalities. Although there exists a litany of artists to choose from, the aforementioned quartet of designers integrate hijab into their work in a seminal and critical fashion, and all have been working with the veil in some way prior to the French ban, which grants some additional context to their usage of it as a symbol in regards to the breakdown of multiculturalism across Europe, even if unconsciously. Although each artist depicts various amalgamations of hijab in their respective corpus, they share common tropes that raise significant questions concerning the veil debate, namely: what are the conditions of possibility for hijab to become a marker of Islamic identity within public space? How can we make sense of the representational topologies within street art's utilization of the hijab and female Islamic identity in light of the French ban? How might these aesthetic imag(in)ings simultaneously inhabit and combat normative discourses concerning hijab , multiculturalism, female Islamic identity, and public space? With these considerations as a backdrop, it is first necessary to outline more fully the hijab as a representative marker of female Islamic identity. The (Veiled) Writing on the Wall

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“Living involves being exposed to pain every second—not necessarily as an insistent reality, but always as a possibility,” writes Arne Vetlesen in _A Philosophy of Pain_, a thought-provoking look at an inevitable and essential aspect of the human condition. Here, Vetlesen addresses pain in many forms, including the pain inflicted during torture; the pain suffered in disease; the pain accompanying anxiety, grief, and depression; and the pain brought by violence. He examines the dual nature of pain: how we attempt (...) to avoid it as much as possible in our daily lives, and yet conversely, we obtain a thrill from seeking it. Vetlesen’s analysis of pain is revealing, plumbing the very center of many of our most intense and complicated emotions. He looks at pain within different arenas of modern life such as family and work, and he specifically probes at a very common modern phenomenon, the idea of pushing oneself to the limit. Engaging throughout with the ideas of thinkers such as Søren Kierkegaard, Sigmund Freud, Martin Heidegger, Jean-Paul Sartre, Maurice Merleau-Ponty, Max Horkheimer, Theodor Adorno, Alice Miller, Susan Sontag, and Melanie Klein, _A Philosophy of Pain_ asks which came first, thinking or feeling, and explores the concept and possibility of empathy. Vetlesen offers an original and insightful perspective on something that all of us suffer and endure—from a sprained ankle to a broken heart. Although pain is in itself unpleasant, our ability to feel it reminds us that we are alive. (shrink)

This collection was inspired by the observation that film remakes offer us the opportunity to revisit important issues, stories, themes, and topics in a manner that is especially relevant and meaningful to contemporary audiences. Like mythic stories that are told again and again in differing ways, film remakes present us with updated perspectives on timeless ideas. While some remakes succeed and others fail aesthetically, they always say something about the culture in which_and for which_they are produced. Contributors explore the ways (...) in which the fears of death, loss of self, and bodily violence have been expressed and then reinterpreted in such films and remakes as Invasion of the Body Snatchers, Night of the Living Dead, and Dawn of the Dead. Films such as Rollerball, The Ring, The Grudge, The Great Yokai Wars, and Insomnia are discussed as well because of their ability to give voice to collective anxieties concerning cultural change, nihilism, and globalization. While opening on a note that emphasizes the compulsion of filmmakers to revisit issues concerning fear and anxiety, this collection ends by using films like Solaris, King Kong, Star Trek, Doom, and Van Helsing to suggest that repeated confrontation with these issues allows the opportunity for creative and positive transformation. (shrink)

Ever since Copernicus, scientists have continually adjusted their view of human nature, moving it further and further from its ancient position at the center of Creation. But in recent years, a startling new concept has evolved that places it more firmly than ever in a special position. Known as the Anthropic Cosmological Principle, this collection of ideas holds that the existence of intelligent observers determines the fundamental structure of the Universe. In its most radical version, the Anthropic Principle asserts that (...) "intelligent information-processing must come into existence in the Universe, and once it comes into existence, it will never die out." This wide-ranging and detailed book explores the many ramifications of the Anthropic Cosmological Principle, covering the whole spectrum of human inquiry from Aristotle to Z bosons. Bringing a unique combination of skills and knowledge to the subject, John D. Barrow and Frank J. Tipler--two of the world's leading cosmologists--cover the definition and nature of life, the search for extraterrestrial intelligence, and the interpretation of the quantum theory in relation to the existence of observers. The book will be of vital interest to philosophers, theologians, mathematicians, scientists, and historians, as well as to anyone concerned with the connection between the vastness of the universe of stars and galaxies and the existence of life within it on a small planet out in the suburbs of the Milky Way. (shrink)

The essays in this collection are concerned with the psychology of moral agency. They focus on moral feelings and moral motivation, and seek to understand the operations and origins of these phenomena as rooted in the natural desires and emotions of human beings. An important feature of the essays, and one that distinguishes the book from most philosophical work in moral psychology, is the attention to the writings of Freud. Many of the essays draw on Freud's ideas about conscience and (...) morality, while several explore the depths and limits of Freud's theories. An underlying theme of the volume is a critique of influential rationalist accounts of moral agency. John Deigh shows that one can subject the principles of morality to rational inquiry without thereby holding that reason alone can originate action. (shrink)

This article explores ideas of a student-centred curriculum through an oral history project undertaken with minoritised students on an undergraduate health ethics module at a UK HEI. It analyses oral history interviews about student expereinces, reflects on the co-creation of knowledge via collective praxis, and re-thinks what it is to 'centre' students in a socially just classroom, institution, and wider HE sector. Furthermore, it discusses conceptualisations of trustful and dialogic classroom conditions and considers issues of intersectionality, decolonising, resisting the (...) 'mythical norm' and addressing epistemic injustice in HE. (shrink)

The Poetic Character of Human Activity: Collected Essays on the Thought of Michael Oakshott is a collection of nine essays by two Oakeshott scholars, most of which explore the meaning of Oakeshott’s pregnant phrase, “the poetic character of human activity” by comparing and contrasting this central idea with similar and opposing ones, in particular those of the Chinese thinkers, Zhuangzi and Confucius, but also of Western thinkers such as Plato, Leo Strauss and Eric Voegelin. Common themes addressed include the (...) poetic or non-instrumental aspects of philosophizing, teaching and learning, morality and governance. (shrink)

The phenomenon of volunteer produced and freely disseminated information is a significant feature of the digitally networked environment. Notwithstanding recent expansions of copyright law and the development of rights management technology the Internet remains a platform for the free distribution of information and ideas. This article argues that, contrary to the predictions of enclosure, a flourishing commons exists in respect of information that is communicated via the Internet. The commons, however, remains a relatively under-theorized concept in political and legal (...) theory. This article explores the meaning of ‘the commons’ and its relationship to property and advances it as a useful explanatory tool for describing free information environments in cyberspace. (shrink)

The purpose of this paper is to explore some of the moral problems that arise out of the interrelationships between individuals and formal organizations in our society. In particular, I shall be concerned with the moral implications of the so-called ideal of rationality of formal organizations with regard to, on the one hand, the obligations of individuals both inside and outside an organization to that organization and, on the other hand, the moral responsibilities of organizations to individuals and to the (...) public at large. I shall argue that certain facets of the organizational ideal are incompatible with the ordinary principles of morality and that the dilemma created by this incompatibility is one source of alienation in our contemporary, industrial society. The very conception of a formal organization or bureaucracy presents us with an ideological challenge that desperately needs to be met in some way or other. (shrink)

_Purpose._ The purpose of this research is to analyse and systematize modern philosophical and anthropological ideas about the nature, essence, causes and sources of collective violence. _Theoretical basis._ Given the complexity and multifaceted nature of the phenomenon of violence, the authors used a range of philosophical and general scientific research methods. In particular, the comparative method helped to identify the main advantages and disadvantages of using philosophical and anthropological approaches to studying the nature and patterns of (...) violence in the social environment. The use of the systemic and structural-functional methods contributed to a better understanding of the structure, features, mechanisms and criteria for ethical justification of the permissibility of collective violence. The psychological approach made it possible to analyse the role of social dissatisfaction, disappointment, relative deprivation and frustration in the process of radicalization of individuals and their readiness to use violence. _Originality._ The originality of this research lies in the application of modern analytical approaches to the study and philosophical understanding of the phenomenon of violence. It has been proven that at the current stage of social development, the following non-traditional forms of violence are becoming widespread: structural, symbolic, cultural, and psychological. It has been established that the main sources of collective violence are value, cultural, ideological and structural contradictions, as well as socio-psychological dissatisfaction, economic inequality and discrimination. _Conclusions._ Throughout history, violence has been an integral part of spiritual, social, value and economic transformations. The study of such a complex phenomenon requires the creation of an effective interdisciplinary theory that would take into account various anthropological, social, philosophical, psychological, physiological and biological dimensions and forms of its use. That is why there is a need to further improve scientific theories and approaches to studying the nature, forms and sources of violence. Taking advantage of a comprehensive approach, we have been able to establish that violence is a form of social influence that involves the use of physical force against individuals, social groups or institutions to cause physical, mental or moral harm and to subordinate their behaviour and will. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Comparative Critical Perspectives on the AnthropoceneAn IntroductionAdeline Johns-Putra (bio) and Xianmin Shen (bio)Ever since Eugene Stoermer coined the term Anthropocene in the 1980s and Nobel Prize laureate Paul Crutzen identified the present period as the Anthropocene, this ecological and geographical concept has been adopted in other disciplines beyond the realm of science and has taken on particular resonance in the environmental humanities. This is because the advent of the (...) Anthropocene not only connotes a physical phenomenon, that is, a possible new geological epoch in which the damaging effect of the human species on all other species and on our planetary home has become so great as to leave a mark in the planet's fabric. It is also a revelation of human liability and responsibility, in which that stratigraphical scar must be recognized and the global socioeconomic dynamics of exceptionalism and exploitation that it belies reckoned with. This reckoning is one between those with the greatest responsibility for that impact, who are also the ones who will feel that impact least, and those with the least responsibility, who will feel that impact most. Moreover, those vulnerabilities lie with both human and nonhuman individuals: the Anthropocene demands that human-nonhuman as well as intra-human injustices are dealt with, that the ways in which global systems are interlocked with planetary ones are properly understood.Such questions of justice require a critical response, in various senses of the word and its origins. This encompasses a measure of scrutiny and critique; an honest judgment and even criticism of faults and shortcomings; and an awareness of urgency and crisis. With this in mind, and with both planetary and global questions of justice before us, we have [End Page 1] sought with this special issue of Intertexts to bring together analyses of sociocultural representations and discourse in the widest sense (not just literary or other artistic texts, but political events). We asked that these analyses consider how such discourse has been shaped by global workings now taken for granted—the trappings of modernity and the impulses of capitalism—and also to ponder the potential for reshaping those dynamics as part of a collective consciousness.Anthropocene Criticality: The Planetary, the Global, and the WorldWhat kind of Anthropocene criticality would be both an act of recognition of human responsibility and a reckoning across boundaries (whether intra- or interspecies) of agency, power, and vulnerability? How, in other words, do we take full stock of what is signified by anthropos in the term Anthropocene? We invoke here a range of frames for understanding the place of anthropos both as and within the collective that experiences—altogether but not all the same—the Anthropocene. We call these the "planetary," the "global," and the "world."1 We are not the first to distinguish between these terms and to employ them as devices for (re)framing and (re)visualizing the web of human-nonhuman as well as human-human relationships. In 1999, Gayatri Spivak spoke of the "imperative to re-imagine the planet" and, in this talk and updates of it in 2012 and 2014, outlined the need to contemplate "planetarity" instead of "globalism" (An Aesthetic Education, 335–50). In the fields of comparative literature and world literature, debates have occurred over what Pheng Cheah suggests is the encroachment of ideas of "globalization" on to notions of "worldliness" (28), with the question complicated more recently by what Sarah Nuttall sees as the possibility for a "planetary literature" (924–41). What we offer here adopts and adapts these conversations, and as we define and deploy our terms below we will indicate how these overlap.Under the rubric of the "planetary" we place Anthropocene discussions of how to truly comprehend the human as species and as geological agent, that is, both as one species of many and as a species that has occupied an outsized positionality alongside any other species (even [End Page 2] the idea of an "alpha species" seems hardly to do justice to the magnitude of anthropogenic effect on every inch of the biospheric fabric, from the deepest oceans to the upper levels of atmosphere, lasting for millennia). This is not merely about sentimental catch-phrasing... (shrink)

"A person is not explainable in molecular, field-theoretical, or physiological terms alone." With that declaration, Nobel laureate Gerald M. Edelman goes straight to the heart of Nature's Imagination, a vibrant and important collection of essays by some of the world's foremost scientists. Ever since the Enlightenment, the authors write, science has pursued reductionism: the idea that the whole can be understood by examining and explaining each of its parts. But as this book shows, scientists in every discipline are reaching (...) for a new paradigm that accounts for the whole--from the individual person to the universe itself. Nature's Imagination gathers together the work of thirteen leading mathematicians, astronomers, neuroscientists, and philosophers, as they discuss the revolution sweeping the sciences. Here Roger Penrose, Oliver Sacks, John Barrow, Gregory Chaitin, Maragret Boden, and others explore how and why classic reductionism is falling by the wayside in their own fields. As Freeman Dyson writes in the introduction, science is an art form, not a philosophical method, and it is always in search of new tools. Reductionism has done its work, and scientists are in search of another. Roger Penrose offers a fascinating account of irreducibility in mathematics, starting with the example of an impossible triangle--a drawing of a triangular object twisted so that could not exist in three dimensions. He breaks the triangle into three parts, showing that each corner is physically possible; only in combination is the triangle impossible. Both Penrose and mathematician Gregory Chaitin explore Godel's incompleteness theorem--as does John Barrow, who explains that Chaitin's proof of the theorem shows that, if we ever arrive at a Theory of Everything, there may be a still deeper and simpler unifying theory beyond that. Other contributors discuss the changing thinking in neuroscience, and the limitations of a mechanical view of the mind: as Oliver Sacks writes, "if we are to have a model or theory of mind as this actually occurs in living creatures in the world, it may have to be radically different from anything like a computational one." In addition, this volume includes staunch defenders of the classic scientific approach, such as Peter Atkins ("The omnicompetence of science, and in particular the simplicity its reductionist insight reveals, should be accepted as a working hypothesis until, if ever, it is proved inadequate"). The advance of science has been so startlingly swift in the last century that it has begun to approach limits never dreamed of before. This remarkable volume captures the latest thinking on where we must turn if we are to truly understand oursevles and the universe we live in. (shrink)

This book brings together a comprehensive collection of the writings of one of the greatest philosophers in the Western tradition. Along with five of John Locke's major essays, seventy shorter essays are included that stand outside the canonical works that Locke published during his lifetime. For the first time students will be able to fully explore the evolution of Locke's ideas concerning the philosophical foundations of morality and sociability, the boundary of church and state, the shaping of constitutions, and (...) the conduct of government and public policy. (shrink)

This book brings together a comprehensive collection of the writings of one of the greatest philosophers in the Western tradition. Along with five of John Locke's major essays, seventy shorter essays are included that stand outside the canonical works that Locke published during his lifetime. For the first time students will be able to fully explore the evolution of Locke's ideas concerning the philosophical foundations of morality and sociability, the boundary of church and state, the shaping of constitutions, and (...) the conduct of government and public policy. (shrink)

The first study of its kind, The Impact of Idealism assesses the impact of classical German philosophy on science, religion and culture. This second volume explores German Idealism's impact on the historical, social and political thought of the nineteenth, twentieth and twenty-first centuries. Each essay focuses on an idea or concept from the high point of German philosophy around 1800, tracing out its influence on the intervening period and its importance for contemporary discussions. New light is shed on key (...) developments of Idealist thought, such as Marxism, Critical Theory and feminism, and previously unexamined areas of Idealism's influence are discussed for the first time. This unique, interdisciplinary collection traces the impact of Kant, Hegel, Schelling, Fichte and others in Britain, Europe, North America and beyond. Its insights represent vital contributions to their respective fields, as well as to our understanding of German Idealism itself. (shrink)

This collection of articles explores a broad range of issues relating to the development of Platonism. The volume takes in such figures as John Scotus Eriugena and Salomon ibn Gabirol, while bearing witness to an understanding and appreciation of the last head of the Platonic Academy, Damascius. The volume begins with a study of an aspect of Plato himself, his distinctly ironic way of making use of the ancient concept of the golden age and the history of a notion (...) that he bequeathed to his successors, the idea that the philosopher should develop something of an art or science of erotics. The volume continues on to explore areas such as the philosophical stature of Plato's nephew and successor, Speusippus, the functioning of Platonic dialogues within the intellectual life of the school, issues and figures within middle Platonism - notably Philo of Alexandria and Plutarch - various aspects of Plotinus' thought, evidence from Porphyry and Iamblichus and different aspects of the philosophy of Proclus. (shrink)

The polis, the dominant political form around which ancient Greeks structured their lives and activities, is perhaps their most fundamental creation and enduring legacy. It was a highly successful form of social organization in which Greek culture thrived, including architecture, literature, and philosophy. In this book, ancient historian John Ma offers a new history of the polis from its origins in the Early Iron Age through its eclipse in Late Antiquity. He aims to answer a few big questions about (...) it-Why did it emerge? What needs did it fulfill? How did it work? In addition, it is often assumed that the polis, along with the concomitant values of democracy and freedom, came to an end with the Classical period. Taking a contrary view, Ma explores how it endured under imperial control (the Persian Achaimenids, the Hellenistic kings, the Roman Empire), as well as why and how it eventually ended. In addressing these questions, Ma examines not only the most well-known ancient city-states like Sparta and Athens but also many lesser-known ones. He shows how complex the relations of power, access, and membership between the city, the territory, and the members of the polis were. Ma also examines the polis's significance as a social form and looks to the people who constitute the polis, from free adult men-stakeholders in institutional power, slaveowners, or heads of households-and elites to women, foreigners, and enslaved peoples, however disempowered. He draws on recent work on gender and slavery to evaluate the place of domination and violence in the polis. In doing so, Ma shows how the composition of the citizen body is both a political and social issue. The powerful combination of central political ideas and conflict around the issues of autonomy and social power led, Ma argues, to a "great convergence" of polis forms, producing a relatively uniform, stable organism, centred on communitarian, democratic forms and bargains between the community and its elites. This convergence led to the diffusion and harmonization of polis forms, both within and beyond the Aegean, and which allowed them to endure for almost a thousand years with an even longer legacy. (shrink)

In Alice Walker’s vignette “The Flowers,” a young black girl’s walk in the woods is interrupted when she treads “smack” into the skull of a lynched man. As her name predicates, Myop’s age and innocence obstruct her from seeing deeply into the full implications of the scene, while the more worldly reader is jarred and confronted with a whole history of racial violence and slavery. The skeleton, its teeth cracked and broken, is a temporal irruption, a Gothic “smack” that (...) shatters the transience of the pastoral scene with the intrusion of a deeper past from which dead matter/material de-composes the story’s present with the violent matter/issue of racism. Walker’s story is representative of an important trope in fiction, where the pastoral dead speak through the details of their remains, and the temporal fabric of text is disrupted by the very substance of death. Against the backdrops of Terry Gifford’s post-pastoral and Fred Botting’s Gothic understanding of the literary corpse as “negative[ly] sublime,” this essay explores the fictional dead as matter unfettered by genre, consistently signifying beyond their own inanimate silences, revealing suppressed and unpalatable themes of racial and sexual violence, child abuse and cannibalistic consumerism. Along with Walker’s story, this study considers these ideas through new readings of Stephen King’s novella The Body, Raymond Carver’s story “So Much Water So Close to Home,” and The Road by Cormac McCarthy. While these writers may form an unlikely grouping in terms of style, each uses pastoral remains as significant material, deploying the dead as Gothic entities that force the reader to confront America’s darkest social and historical matters. (shrink)

A collection of more than 30 specially commissioned essays, this volume surveys the work of the 17th-century philosopher-scientist commonly regarded as the founder of modern philosophy, while integrating unique essays detailing the context and impact of his work. Covers the full range of historical and philosophical perspectives on the work of Descartes Discusses his seminal contributions to our understanding of skepticism, mind-body dualism, self-knowledge, innate ideas, substance, causality, God, and the nature of animals Explores the philosophical significance of his contributions (...) to mathematics and science Concludes with a section on the impact of Descartes's work on subsequent philosophers. (shrink)

"John Locke (1632-1704) was a prolific correspondent and he left behind him over 3,600 letters, a collection almost unmatched in pre-modern times. A man of insatiable curiosity and wide social connections, his letters open up the cultural, social, intellectual, and political worlds of the later Stuart age. Spanning half a century, they mark the transition from the era of revolutionary Puritanism to the dawn of the Enlightenment. This book brings together 244 of the most important and revealing letters. Half (...) of them are letters written by Locke (12 per cent of the total number surviving), the other half are letters written to him. If Locke's place is already secure among those who explore philosophy and political ideas, these letters will give Locke a new presence among those who are interested in the social and cultural worlds of seventeenth-century Britain."--Jacket. (shrink)

John R. Searle has made profoundly influential contributions to three areas of philosophy: philosophy of mind, philosophy of language, and philosophy of society. This volume gathers together in accessible form a selection of his essays in these areas. They range widely across social ontology, where Searle presents concise and informative statements of positions developed in more detail elsewhere; artificial intelligence and cognitive science, where Searle assesses the current state of the debate and develops his most recent thoughts; and philosophy (...) of language, where Searle connects ideas from various strands of his work in order to develop original answers to fundamental questions. There are also explorations of the limitations of phenomenological inquiry, the mind-body problem, and the nature and future of philosophy. This rich collection from one of America's leading contemporary philosophers will be valuable for all who are interested in these central philosophical questions. (shrink)

This collection of essays explores the metaphysical thesis that the living world is not made up of substantial particles or things, as has often been assumed, but is rather constituted by processes. The biological domain is organised as an interdependent hierarchy of processes, which are stabilised and actively maintained at different timescales. Even entities that intuitively appear to be paradigms of things, such as organisms, are actually better understood as processes. Unlike previous attempts to articulate processual views of biology, which (...) have tended to use Alfred North Whitehead’s panpsychist metaphysics as a foundation, this book takes a naturalistic approach to metaphysics. It submits that the main motivations for replacing an ontology of substances with one of processes are to be found in the empirical findings of science. Biology provides compelling reasons for thinking that the living realm is fundamentally dynamic, and that the existence of things is always conditional on the existence of processes. The phenomenon of life cries out for theories that prioritise processes over things, and it suggests that the central explanandum of biology is not change but rather stability, or more precisely, stability attained through constant change. This edited volume brings together philosophers of science and metaphysicians interested in exploring the consequences of a processual philosophy of biology. The contributors draw on an extremely wide range of biological case studies, and employ a process perspective to cast new light on a number of traditional philosophical problems, such as identity, persistence, and individuality. (shrink)

ABSTRACTThis is the first English translation of Pierre Bayle’s political pamphlet, Réponse d’un nouveau converti à la Lettre d’un refugié of 1689. It may be one of the most critical attacks on a writer’s own side in the history of political ideas. It is a stinging rebuke of Bayle’s own party, the Protestants, for their incoherence, hypocrisy, and violence. It came three years after his similarly savage refutation of the Catholics in The Condition of Wholly Catholic France, also recently (...) published in its first English translation in this journal. A substantial introduction explains some of the context, explores the political theology of this pamphlet, and reviews scholarly interpretations. (shrink)

ABSTRACT Despite being generally recognised as Camus’ most important philosophical essay, L’Homme révolté is rather neglected in the scholarship and enjoys a limited readership, especially among Anglophone critics and readers – a fact brightly reflected in the questionable quality of the only English translation, by Anthony Bower, and in the decision of Hamish Hamilton and Penguin, Camus’ publishers in the UK, to cut about thirty pages of text from their edition, ‘in the interests of economy.’. This essay examines one brief (...) but crucially important section of L’Homme révolté concerned with Rousseau’s Du contrat social. It explores the centrality of Camus’ analysis of Rousseau’s essay and its influence on the French Revolution to the arguments of L’Homme révolté, especially as these pertain to political or revolutionary violence. It also examines in close detail some striking parallels between Camus’ analysis of Rousseau and that found in essays by Isaiah Berlin and Philip Pettit. (shrink)

This paper argues that professionals who make boundary-related decisions should be guided by relationship-based practice. In our roles as service users and professionals, drawing from our lived experiences of professional relationships, we argue we need to move away from distance-based practice. This includes understanding the boundary stories and narratives that exist for all of us – including the people we support, other professionals, as well as the organisations and systems within which we work. When we are dealing with professional boundary (...) issues, we should centre relationship-building skills that are central to many other aspects of our work. Skills that foster relationships at all levels – between professionals, service users, and services – need to be revalued. Our final recommendation is to create, develop, and foster safer spaces within and outside of organisations, as well as inter-professionally, for the discussion and exploration of boundary-related issues and practice. We are interested in hearing from those with experiences of being marginalised by boundaries so that they can inform a reshaping of our collective ideas around boundary related practices. To foster relationship-based practices in organisations, we have outlined several recommendations here; however, we recognize that these do not go far enough, and that collective action is needed to inform systemic change. (shrink)

This book, originally published in 1973 by Wadsworth, is a collection of important past and present discussions of ethical relativism designed to bring out the diversity and controversial nature of the issues.

The possibilities and importance of a spiritual dimension to education are subjects receiving increased consideration from educational practitioners, policymakers and philosophers. Spirituality, Philosophy and Education brings together contributions to the debate by a team of renowned philosophers of education. They bring to this subject a depth of scholarly and philosophical sophistication that was previously missing, and between them offer a wide-ranging exploration and analysis of what spiritual values have to offer contemporary education. The contributors address such subjects as what we (...) mean by 'spiritual values'; scholarship and spirituality; spirituality and virtue; spirituality, science and morality; the shaping of character; the value of spiritual learning; spiritual development and the curriculum and many others. All students of the philosophy of education and anyone interested in how spiritual values might play a part in informing education policy and practice will find this stimulating collection a rich source of ideas and a major addition to the thinking on the meaning, role and possibilities of spirituality in education. (shrink)

When we think of getting older, we know we will slowly lose more and more of our memory—and with it, our sense of where we belong and how we connect to others. We might relax a little if we considered the improvements in computer data storage, which may lead us into a future when the limits of our memory become less constricting. In this book, John Scanlan explores the nature of memory and how we have come to live both (...) with and within it, as well as what might come from memory becoming a process as simple as retrieving and reading data. Probing the ways philosophers look at memory, Scanlan reveals that some argue that being human means having the ability to remember, to see oneself as a being in time, with a past and future. At the same time, he shows, our memories can undo our present sense of time and place by presenting us with our past lives. And in a digital age, we are immersed in a vast archive of data that not only colors our everyday experiences, but also supplies us with information on anything we might otherwise have forgotten—breaking down the distinction between the memories of the individual and the collective. Drawing on history, philosophy, and technology, _Memory_ offers an engaging investigation of how we comprehend recollection and how memory, as a phenomenon, continually remakes everyday life. (shrink)

This paper examines the implications for sustainability policy of environmental uncertainty and indeterminacy, and relates the associated problems with a conventional understanding of sustainable development to Hayek's critique of collective planning. It suggests that the appropriate recourse is not, however, a Hayekian endorsement of the free market, but an extension of his key idea of spontaneous order to characterise the learning society. The argument is illustrated by a practical application: the analysis of natural capital explored in this Special (...) Issue is shown to be directly relevant to the improvement of the UK's headline sustainability indicators package. (shrink)

_Screen, Culture, Psyche_ illuminates recent developments in Jungian modes of media analysis, and illustrates how psychoanalytic theories have been adapted to allow for the interpretation of films and television programmes, employing Post-Jungian methods in the deep reading of a whole range of films. Readings of this kind can demonstrate the way that some films bear the psychological projections not only of their makers but of their audience, and assess the manner in which films engage the writer’s own psyche. Seeking to (...) go beyond existing theories, John Izod explores the question of whether Jungian screen analysis can work for ordinary filmgoers - can what functions for the scholar be said to be true for people without a background in Jung’s ideas? Through detailed readings of a number of films and programmes, John Izod builds on the work previously done by Jungian film analysts, and moves on to contemplate the level of audience engagement. Offering deep readings of films directed by Kubrick and Bernardo Bertolucci, as well as satirical comedy, documentaries and twenty-first century Westerns, the book explores the extent to which they manage to make the psychological impact on spectators that films of a similar kind have done on Jungian writers. The author concludes that the screen texts with the best likelihood of impacting the culture of the audience through their collective psychological force fall at opposite ends of the size and budget range: highly personal documentaries, and the most affecting of mainstream genre movies. This innovative text will be essential reading for psychoanalysts and therapists, as well as students and scholars of film with an interest in understanding how screen products work psychologically to engage the viewer. (shrink)

Central Works of Philosophy is a major multi-volume collection of essays on the core texts of the Western philosophical tradition. From Plato's Republic to the present day, the five volumes range over 2,500 years of philosophical writing covering the best, most representative, and most influential work of some of our greatest philosophers. Each essay has been specially commissioned and provides an overview of the work, clear and authoritative exposition of its central ideas, and an assessment of the work's importance. Together (...) these books provide an unrivaled companion for studying and reading philosophy, one that introduces the reader to the masterpieces of the western philosophical canon. Much of nineteenth-century philosophy may be viewed as either an affirmation or rejection of Kant. This volume therefore begins with Kant's magnum opus, the Critique of Pure Reason. Michelle Grier provides a masterly distillation of this monumental work. Curtis Bowman explores the central text of the first of the great post-Kantian idealists, Fichte who extended Kantian philosophy in a new direction. Hegel, one of Kant's most formidable critics, is given incisive treatment by Michael Inwood in his presentation of the Phenomenology of Spirit. Schopenhauer's World as Will and Representation, which hoped to solve many of the problems that Kant's philosophy left unsolved is explored in Dale Jacquette's chapter. The moral philosophy of John Stuart Mill, perhaps the only philosopher in this volume to circumvent Kant's influence, is examined in Jonathan Riley's essay on his classic work On Liberty. The philosophical ideas of Kierkegaard, widely credited as the founder of modern existentialism, are explored by Stephen Evans in his essay on Philosophical Fragments. Marx's Capital, one of the most influential books of the modern age, is given expert treatment by Tom Rockmore. The volume closes with Nietzsche, whose appropriation of Kant led to a radical anti-philosophy. Rex Welshon dissects his most philosophical and widely read work, On the Genealogy of Morals. (shrink)

Central Works of Philosophy is a major multi-volume collection of essays on the core texts of the Western philosophical tradition. From Plato's Republic to the present day, the five volumes range over 2,500 years of philosophical writing covering the best, most representative, and most influential work of some of our greatest philosophers. Each essay has been specially commissioned and provides an overview of the work, clear and authoritative exposition of its central ideas, and an assessment of the work's importance. Together (...) these books provide an unrivaled companion for studying and reading philosophy, one that introduces the reader to the masterpieces of the western philosophical canon. Much of nineteenth-century philosophy may be viewed as either an affirmation or rejection of Kant. This volume therefore begins with Kant's magnum opus, the Critique of Pure Reason. Michelle Grier provides a masterly distillation of this monumental work. Curtis Bowman explores the central text of the first of the great post-Kantian idealists, Fichte who extended Kantian philosophy in a new direction. Hegel, one of Kant's most formidable critics, is given incisive treatment by Michael Inwood in his presentation of the Phenomenology of Spirit. Schopenhauer's World as Will and Representation, which hoped to solve many of the problems that Kant's philosophy left unsolved is explored in Dale Jacquette's chapter. The moral philosophy of John Stuart Mill, perhaps the only philosopher in this volume to circumvent Kant's influence, is examined in Jonathan Riley's essay on his classic work On Liberty. The philosophical ideas of Kierkegaard, widely credited as the founder of modern existentialism, are explored by Stephen Evans in his essay on Philosophical Fragments. Marx's Capital, one of the most influential books of the modern age, is given expert treatment by Tom Rockmore. The volume closes with Nietzsche, whose appropriation of Kant led to a radical anti-philosophy. Rex Welshon dissects his most philosophical and widely read work, On the Genealogy of Morals. (shrink)

US conservatives have repeatedly turned to classical Greece for inspiration and rhetorical power. In the 1950s they used Plato to defend moral absolutism; in the 1960s it was Aristotle as a means to develop a uniquely conservative social science; and then Thucydides helped to justify a more assertive foreign policy in the 1990s. By tracing this phenomenon and analysing these, and various other, examples of selectivity, subversion and adaptation within their broader social and political contexts, John Bloxham here (...) employs classical thought as a prism through which to explore competing strands in American conservatism. From the early years of the Cold War to the 2003 invasion of Iraq, Bloxham illuminates the depth of conservatives' engagement with Greece, the singular flexibility of Greek ideas and the varied and diverse ways that Greek thought has reinforced and invigorated conservatism. This innovative work of reception studies offers a richer understanding of the American Right and is important reading for classicists, modern US historians and political scientists alike. (shrink)

"Central Works of Philosophy" is a major multi-volume collection of essays on the core texts of the Western philosophical tradition. From Plato's "Republic" to the present day, the five volumes range over 2,500 years of philosophical writing covering the best, most representative, and most influential work of some of our greatest philosophers. Each essay has been specially commissioned and provides an overview of the work, clear and authoritative exposition of its central ideas, and an assessment of the work's importance. Together (...) these books provide an unrivaled companion for studying and reading philosophy, one that introduces the reader to the masterpieces of the western philosophical canon. The period, 1900-60, which this volume covers, witnessed changes in logical and linguistic analysis far beyond anything dreamt of in the previous history of the subject. The volume begins with chapters on the key texts of the Cambridge philosophers, Moore, Russell and Wittgenstein, which together marked the emergence of analytical philosophy. The Vienna Circle of the 1920s, and the development of logical positivism in the 1930s and 1940s are represented by chapters on two fundamental works by Carnap and Ayer. William James' "Pragmatism," which formulated pragmatism's epistemology and made it known throughout the world represents in the volume the distinctive ideas of the American pragmatists. Essays on Husserl's "The Idea of Phenomenology," Heidegger's "Being and Time," Sartre's "Being and Nothingness" and Merleau-Ponty's "Phenomenology of Perception" cover the core texts of the hugely significant phenomenological movement. Of the linguistic philosophy that dominated the English-speaking world in the immediate postwar years, Wittgenstein's "Philosophical Investigations" and Ryle's "The Concept of the Mind" are discussed in turn. The volume concludes with Karl Popper's influential account of the nature of science. Volume 4 covers the key works of philosophy written in the period 1900-60, which witnessed developments in logical and linguistic analysis far beyond anything dreamt of in the previous history of the subject. The volume includes chapters on central works by the Cambridge philosophers Moore, Russell and Wittgenstein, which together contributed to the emergence of analytic philosophy. The ideas of the Vienna Circle of the 1920s, and the logical positivism of the 1930s and 1940s are explored in chapters dealing with the works of Carnap and Ayer, and the distinctive ideas of the American pragmatists are discussed in a chapter on William James' Pragmatism, which propagated pragmatism by presenting its central tenets in a clear and accessible form. Essays on Husserl's "The Idea of Phenomenology," Heidegger's "Being and Time," Sartre's "Being and Nothingness" and Merleau-Ponty's "Phenomenology of Perception" cover the core texts of the continental European traditions of phenomenology and existentialism. Of the linguistic philosophy that dominated the English-speaking world in the immediate postwar years, Wittgenstein's "Philosophical Investigations" and Ryle's "The Concept of Mind" are discussed in turn. The volume concludes with a chapter on Karl Popper's influential account of the nature of scientific method in his seminal work, "The Logic of Scientific Discovery.". (shrink)

"Central Works of Philosophy" is a major multi-volume collection of essays on the core texts of the Western philosophical tradition. From Plato's "Republic" to the present day, the five volumes range over 2,500 years of philosophical writing covering the best, most representative, and most influential work of some of our greatest philosophers. Each essay has been specially commissioned and provides an overview of the work, clear and authoritative exposition of its central ideas, and an assessment of the work's importance. Together (...) these books provide an unrivaled companion for studying and reading philosophy, one that introduces the reader to the masterpieces of the western philosophical canon. The period, 1900-60, which this volume covers, witnessed changes in logical and linguistic analysis far beyond anything dreamt of in the previous history of the subject. The volume begins with chapters on the key texts of the Cambridge philosophers, Moore, Russell and Wittgenstein, which together marked the emergence of analytical philosophy. The Vienna Circle of the 1920s, and the development of logical positivism in the 1930s and 1940s are represented by chapters on two fundamental works by Carnap and Ayer. William James' "Pragmatism," which formulated pragmatism's epistemology and made it known throughout the world represents in the volume the distinctive ideas of the American pragmatists. Essays on Husserl's "The Idea of Phenomenology," Heidegger's "Being and Time," Sartre's "Being and Nothingness" and Merleau-Ponty's "Phenomenology of Perception" cover the core texts of the hugely significant phenomenological movement. Of the linguistic philosophy that dominated the English-speaking world in the immediate postwar years, Wittgenstein's "Philosophical Investigations" and Ryle's "The Concept of the Mind" are discussed in turn. The volume concludes with Karl Popper's influential account of the nature of science. Volume 4 covers the key works of philosophy written in the period 1900-60, which witnessed developments in logical and linguistic analysis far beyond anything dreamt of in the previous history of the subject. The volume includes chapters on central works by the Cambridge philosophers Moore, Russell and Wittgenstein, which together contributed to the emergence of analytic philosophy. The ideas of the Vienna Circle of the 1920s, and the logical positivism of the 1930s and 1940s are explored in chapters dealing with the works of Carnap and Ayer, and the distinctive ideas of the American pragmatists are discussed in a chapter on William James' Pragmatism, which propagated pragmatism by presenting its central tenets in a clear and accessible form. Essays on Husserl's "The Idea of Phenomenology," Heidegger's "Being and Time," Sartre's "Being and Nothingness" and Merleau-Ponty's "Phenomenology of Perception" cover the core texts of the continental European traditions of phenomenology and existentialism. Of the linguistic philosophy that dominated the English-speaking world in the immediate postwar years, Wittgenstein's "Philosophical Investigations" and Ryle's "The Concept of Mind" are discussed in turn. The volume concludes with a chapter on Karl Popper's influential account of the nature of scientific method in his seminal work, "The Logic of Scientific Discovery.". (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Ethnography as Christian Theology and Ethics ed. by Christian Scharen and Anna Marie VigenJohn KiessEthnography as Christian Theology and Ethics Edited by Christian Scharen and Anna Marie Vigen New York: Continuum, 2011. 304 pp. $29.95Over the past decade, an increasing number of Christian theologians and ethicists have turned to ethnographic methodologies in order to attend more closely to the complexities of lived faith and the bodily character of (...) theological knowledge. For those wishing to get a glimpse of what this looks like in practice, what its implications might be for theology and ethics, and how one might set off and do it oneself, this book is an excellent introduction.Editors Christian Scharen and Aana Marie Vigen organize the book into three parts. The first part orients readers to the use of ethnography in cultural anthropology and reviews the recent “ethnographic turn” in Christian theology and ethics. This is followed by a brief survey of theological critiques of social science and a defense of ethnography against these critiques. Scharen and Vigen argue that the use of ethnography, far from compromising the integrity of theology, has the potential to renew and enrich the discipline through the incorporation of long-overlooked forms of local wisdom. As a method attuned to practical, often noncognitive forms of knowledge, ethnography can help scholars move away from an exclusive focus on texts to a deeper consideration of the theological and ethical claims “embedded and embodied” in the lives and practices of everyday communities (xxii). [End Page 190]Naturally, the best argument for such an approach is exemplification. The second part of the book presents an impressive collection of ethnographic work from contexts as diverse as Chicago, Atlanta, Oregon, Chiapas, Nairobi, and Gulu. Contributors employ ethnography to compare pastoral leadership in two African American churches, track grassroots dissent on the issue of contraception among women living with HIV/AIDS, and reimagine the debate on physician-assisted suicide from the perspective of the poor and disabled. Particularly effective are Vicini’s exploration of the liturgical response of local churches to the legacy of violence in Chiapas and Whitmore’s critical examination of his own place as a white researcher in Northern Uganda, which makes hauntingly transparent the ethical complexities of the research process itself.The final part of the book offers a more practical how-to guide for those looking to do ethnography, covering such issues as institutional review board approval, interview methodology, and accountability to research subjects. This part, like the rest of the book, will be a gift for graduate students facing down a dissertation proposal or scholars contemplating the use of ethnography in their work. Admirably reflexive, vigilantly attentive to issues of power and privilege, and articulate about the ways that research can be a form of discipleship, one can only hope this book will succeed in its aim of encouraging other scholars to “go and do likewise.”Those who have already incorporated ethnographic techniques in their scholarship or who are looking for a fuller articulation of the relation between ethnography, ethics, and theology may find themselves less satisfied with the book. Its treatment of existing options (virtue ethics, Catholic social ethics) and thinkers (David Ford, Stanley Hauerwas, and John Milbank) is thin, and a number of key figures in the broader story of the ethnographic turn in theology (Karl Barth, Dietrich Bonhoeffer, and Hans Frei) are conspicuously missing. Their absence is felt particularly strongly in the unanswered questions the volume provokes, including how to account for God’s difference when appeals to experience become primary (Barth), and how to avoid positivism when appeals to the “reality” of the church become the point of departure for ecclesiology (Bonhoeffer).Such provocations, however, are reminders that we are still at the very early stages of the ethnographic turn in Christian theology and ethics. If this volume is any indication, the future of this exciting intersection of thought and practice looks very promising indeed. [End Page 191]John KiessLoyola University MarylandCopyright © 2013 Society of Christian Ethics... (shrink)

Simulation as an epistemic tool between theory and practice: A Comparison of the Relationship between Theory and Simulation in Science and in Folk Psychology In this paper I explore the concept of simulation that is employed by proponents of the so-called simulation theory within the debate about the nature and scientific status of folk psychology. According to simulation theory, folk psychology is not a sort of theory that postulates theoretical entities (mental states and processes) and general laws, but a practice (...) whereby we put ourselves into others’ shoes and simulate their situation from our own perspective. On the basis of this sort of simulation, we supposedly know how we would act or think or feel, and then expect the same of others. A closer look at the concept of simulation reveals some problems with this view, but also helps to clarify the insight motivating simulation theory. Specifically, I defend the thesis that the analogy to simulations in science shows us how theoretical elements in folk psychology can be complemented by (i.e. not replaced by) the central idea of simulation theory – namely that our own cognitive habits and dispositions provide us with a resource that is distinct from propositional knowledge in folk psychology. I also discuss the idea that our use of simulations during cognitive development enables us to imitate the people around us and thereby to become more similar to them, which in turn makes simulation an increasingly effective epistemic strategy. Insofar as theoretical elements – such as the distinctions, relations, and entities referred to in folk psychological discourse – play a role in imitative learning, they are causally embedded in our cognitive development, so we have good reason to regard them as being among the real causes of our behavior. (shrink)

Fashion is at once a familiar yet mysteriously elite world that we all experience, whether we’re buying a new pair of jeans, reading _Vogue_, or watching the latest episode of _Project Runway_. Lars Svendsen dives into that world in _Fashion_, exploring the myths, ideas, and history that make up haute couture, the must-have trends over the centuries, and the very concept of fashion itself. _Fashion _opens with an exploration of all the possible meanings encompassed by the word “fashion,” as (...) Svendsen probes its elusive place in art, politics, and history. Ultimately, however, he focuses on the most common use of the term: clothing. With his trademark dry wit, he deftly dismantles many of the axioms of the industry and its supporters. For example, he points out that some of the latest fashions shown on runways aren’t actually “fashionable” in any sense of the word, arguing that they’re more akin to modern art works, and he argues against the increasingly prevalent idea that plastic surgery and body modification are part of a new wave of consumerism. Svendsen draws upon the writings of thinkers from Adam Smith to Roland Barthes to analyze fashion as both a historical phenomenon and a philosophy of aesthetics. He also traces the connections between the concepts of fashion and modernity and ultimately considers the importance of evolving fashions to such fields as art, politics, and philosophy. Whether critiquing a relentless media culture that promotes perfect bodies or parsing the never-ending debate over the merits of conformity versus individual style, Lars Svendsen offers an engaging and intriguing analysis of fashion and the motivations behind its constant pursuit of the new. (shrink)

Of John Stuart Mill's major commitments, none was more passionately pursued than equality; it marks his writings throughout his life, and serves as a uniting force in his comments on many subjects, especially lawand education. This volume presents, in scholarly form for the first time, writings that reveal his goals and methods in diverse circumstances. They begin with his precocious essay on the law of libel and include his influential Subjection of Women, his major essays on slavery, his Inaugural (...) Address at St Andrews, and his contributionsin the struggle to being Governor Eyre of Jamaica to trial. A variety of shorter essays is also presented: such personal documents as his declaration just before amrriage renouncing all legal rights over his wife, and his and Harriett Taylor's companion pieces on marriage, newly edited from manuscript. Also included is Mill's evidence before parliamentary committees on education and the Contagious Diseases Acts. The appendices include ancillary texts and a bibliographic index listing all works and persons mentioned or quoted in the essays. An analytic index gives easy access to the full range of Mill's ideas in these important essays. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.3 (2003) 419-420 [Access article in PDF] Martin Mulsow. Moderne aus dem Untergrund: Radikale Frühaufklärung in Deutschland, 1680-1720. Hamburg: Felix Meiner Verlag, 2002. Pp. x + 514. Paper, € 58.00.This is a marvelous, detailed, textured study of a large number of minor works and minor figures that developed and transmitted many of the elements of modern philosophy in early modern Germany. Many of (...) the texts were written in Latin, and only some were published. One should not teach the philosophy of the Enlightenment from Hazard or Cassirer without attention to these figures, whom they did not know. Now we know where our heroes like Lessing, Hume, and Kant got many of their fundamental ideas.Martin Mulsow ends this book with ten theses. The first holds that most of the authors discussed were radicalized in a multi-layered process, not simply from the reading of Hobbes, Spinoza, Bayle, or Toland. For example, one could take the role of an opponent in an academic disputation, and bit by bit begin to believe one's unorthodox role. Or one could be provoked by ultra-orthodox opponents to explore the opposite of what they believed. Some authors evolved into and out of radical positions over the course of their lives.Further theses contend that small, trusted circles of friends were often the enabling condition in which unorthodox views were first expressed and then hammered out. Irony, satire, humor, paradox, and ambivalence played key roles. It is often difficult to tell whether some of these texts were serious or intended as jokes, and perhaps the authors did not always know themselves. Some radical ideas were spread simply by curious erudites who assembled collections and bibliographies of radical manuscripts and texts without believing them.Mulsow shows how people wrote on controversial topics in coded scholarly language. Spinozism was discussed under the rubrics of Platonism and Stoicism; the sovereignty of the people was considered in terms of the lex regia; and Biblical criticism became code for the physicians' rejection of the materiality of the soul. Thus philosophical discourse can be found where one might least expect it in legal, philological, historical, and scientific debates. The numerous case studies that the author assembles amount to philosophical microhistory.Substantial chapters deal with various aspects of the intellectual stew that emerged from the bubbling pot of Jews and Socinians and other Christian sects that were semi-tolerated in the Netherlands. Unlike any construction of moderate and radical positions as opposed and at odds, Mulsow shows how they were often intertwined. The destruction of Christian Platonism, the paradoxical development of Enlightenment ideas out of anti-humanism, and the uses of so-called eclecticism in philosophy made possible the assembly of modern philosophical positions.In yet another paradox, many of these writers belong to what has been called the "conservative Enlightenment," intending only to temporize and draw the teeth of the political and philosophical radicals, and yet their writings systematized and transmitted the ideas of the radicals, opening the way to further radicality. It is a perennial weakness of the skeptics and proto-liberals like Gundling that they defended freedom of thought and libertas philosophandi even where it would undermine the ideas and institutions in which they believed.Most of the philosophically radical positions began as critiques of theological positions, and this is one reason why it is ever more apparent that one cannot understand the rise of modern philosophy without a close acquaintance with early modern theology. None of the early modern philosophers we are trying to understand was ignorant of the many levels of theological debate. There are numerous connections to later times: for example, a seventeenth-century debate over political theology anticipated Carl Schmitt's twentieth-century rediscovery of this topos.Mulsow places the Enlightened ideas of Locke and Newton in the context of their basis in the theology of anti-Trinitarian Socinians and Arians such as Samuel Crell. This was as important to many who radicalized it as the Spinozism credited with spawning the radical... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy of Music Education Review 11.2 (2003) 194-199 [Access article in PDF] June Boyce-Tillman, Constructing Musical Healing. (London: Jessica Kingsley Publishers, 2000) June Boyce-Tillman has written a wonderfully stimulating book. Her writing style is eminently readable and the flow of ideas can be readily absorbed. Her forays across many different areas of musical ideation and the various oppositions that exist in and among different cultures reveal that we still (...) have much to learn about the true nature of music. We also have much to change to reach the necessary levels of enlightenment that would be universally beneficial to human life. This book offers some enlightenment. Enlightenment, as the Buddha says, is a process, not a thing, so my purpose here is to give enough of an overview so that you may experience reading the book, the author's cogent insights, posing your own questions about music as a human endeavor, and to consider some of my criticisms.Her primary thesis is spelled out succinctly: My aim in this book is to examine how these polarities are associated with the healing/therapeutic properties of music and how they are reflected in different musical traditions (32). [End Page 194]The emphasis on the healing/therapeutic properties of music is well taken and she pursues these to glorious ends. In examining these properties, one becomes completely engrossed in thinking about music per se, raising both answers and puzzles. Boyce-Tillman effectively plants the seeds for inquiry that remain long after the reading is complete.Chapter 1, "Setting the Scene," is insightful in laying the ground for examining several distinct areas: ways of knowing, notions of well-being, healing as process, models of health, creativity and well-being, and musical development. She then comes to the task prepared to battle with a difficult subject, difficult because of the elusive nature of the subject, by reporting on her own musical and contemplative experiences. It is important to know her own path so that we can examine her conclusions from a deeper perspective.Next she establishes the polarities on which the rest of the book rests, and the framework on which each chapter is built: community/individualism; containment/freedom; expression/confidentiality; unity/diversity; challenge/nurture; excitement/relaxation; and embodiment/transcendence. These are explored after setting forth "A model of the self" and "Music and the model of the self."Two features are helpful to understanding the thesis and keeping track of the narrative. One is the case studies she includes to further explain the specific polarity, and the other is the summary at the end of each chapter which assists greatly in retaining cogent contact with the discourse.Chapter 2, "Of Philosophers and Thinkers," an examination of the Western outlook, although viewed from Boyce-Tillman's healing-therapeutic perspective, is a worthwhile read for even the casual reader. It spans the philosophical/aesthetic area sufficiently so that I will assign the reading of this particular chapter to my graduate students where that subject is appropriate. Here again, the six polarities come into play through an explication of each from the point of view of philosophers, aestheticians, and other writers on music.Having dealt with the Western view, she turns to shamanistic practice in Chapter 3, "Of Shamans and Healers." Intentional or not, these two chapters form a metapolarity for this is where the contrasts are at their widest points. The various dimensions and uses of music as they exist in cultures based on metaphysical beliefs are detailed and revealed through extensive and representative examples.Chapter 4, "Of a New Consciousness," explores the New Age view. She states: [t]he New Age is a many-faceted collection of traditions that has drawn on a variety of sources—both ancient and modern—to balance contemporary trends such as elitism, commercialism, materialism, racism and sexism. It has produced a variety of musical practices, many of the syntheses of ancient traditions and contemporary ideas. Communal music making can represent healing at a personal, ecological and cosmic level. The interconnectedness of the cosmos can be accessed and expressed in music (199). [End Page... (shrink)

This introductory chapter proceeds in three parts. The first section characterizes the general approach to epistemology around which the volume revolves—purposeful epistemology—and examines the general motivation for that approach. The guiding idea is that considerations about the point and purpose of epistemic evaluation might fruitfully constrain epistemological theory and yield insights for epistemological reflection. The second section explores the approach by characterizing some important versions of it. Several themes and issues that we see running through the volume are here (...) articulated and highlighted. The third section provides a brief summary of each contribution to the collection. (shrink)

A collection of more than 30 specially commissioned essays, this volume surveys the work of the 17th-century philosopher-scientist commonly regarded as the founder of modern philosophy, while integrating unique essays detailing the context and impact of his work. Covers the full range of historical and philosophical perspectives on the work of Descartes Discusses his seminal contributions to our understanding of skepticism, mind-body dualism, self-knowledge, innate ideas, substance, causality, God, and the nature of animals Explores the philosophical significance of his contributions (...) to mathematics and science Concludes with a section on the impact of Descartes's work on subsequent philosophers. (shrink)

Unconscious Thought in Philosophy and Psychoanalysis explores concepts throughout the history of philosophy that suggest the possibility of unconscious thought and lay the foundation for ideas of unconscious thought in modern philosophy and psychoanalysis. The focus is on the workings of unconscious thought, and the role that unconscious thought plays in thinking, language, perception, and human identity. The focus is on the metaphysical and philosophical concepts of unconscious thought, as opposed to the empirical or scientific phenomenon of 'the unconscious.' (...) The book argues that the metaphysical concepts still played an important role in the psychoanalysis of Sigmund Freud and Jacques Lacan. The book looks at the relation between unconscious thought and conscious thought, different kinds of thinking, and the relation between thinking and perceiving. Chapters focus on the philosophies of Plotinus, the Peripatetics and Scholastics, Immanuel Kant, Schelling and Hegel, and Freud and Lacan, among others. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Edited by Jean De Groot 7a Nature in American Philosophy. The Catholic University of America Press, 2004 κ-—ι and scientific thought in the mid-19 century and the significant role played ^ by Chauncey Wright. But it is not clear how this bears on the question of nature as a philosophical concept, unless one assumes that science itself bears some special relation to the knowledge of nature. This, however, would (...) be to beg the philosophical question. If, for example, nature is defined as that to which only natural science has access, then to discuss science and its development has an obvious point. But if we are to understand nature more broadly, for example as "whatever is in whatever way," to use Justus Buchler's expression, then to speak about the development of science is no more directly relevant to an unfolding understanding of nature than to speak about the development of poetry. The point is not that an examination of Wright's conception of science is not significant, but simply that it is not equivalent to a discussion of Wright's conception of nature. Despite these concerns, the book is a strong one, both because the idea of a collection of essays on the concept of nature in American thought is a good one, and because the essays themselves are aU interesting and instructive. Of particular interest are the essays that expand the usual scope of discussions of American philosophy, in particular Mansfield on Tocqueville and Rescher on art. Mansfield is interested in the way Tocqueville makes use of, or better resists, the prevalent conceptions of nature in his understanding of democracy. In short, political thinking of his time was likely to have recourse to nature either in the sense of the "state of nature" or in the sense of the inherent characteristics of things, as in the "nature of" something. Mansfield argues that Tocqueville rejected both of these conceptions of nature in his attempt to understand democracy, the first being too prone to chaos and the second being too deterministic. Tocqueville did not describe democracy as natural, but rather as a "providential fact." The bulk of this very interesting essay is an exploration of what Tocqueville may have meant by a "providential fact," and how he understood democracy in relation to nature and providence. In his piece on American art Rescher is interested in the ways in which the varying conceptions of nature have been expressed in the visual arts, primarily painting but also sculpture. The book includes several black and white reproductions that Rescher uses to illustrate his points. We see, for example, a painting from the Hudson River School in which the natural environment is an overwhelming presence by comparison with a small cabin in a field and a barely visible horse and rider. Other prints from other periods and schools illustrate a natural environment dominated by human artifice, for better or worse, or depict a more harmonious integration of nature and technology. We also see an example of the romantic sense of nature pervaded by value, in this case beauty, in one of James Audubon's paintings of hummingbirds. In works of more recent vintage we see expressions of g^7 ^0 human alienation from nature and nature as transfigured by social develop- ^ ment. Rescher's discussion and examples do not debate the relative merits of ^-, the various perceptions of nature and its relation to human being, though in ^ the end he does urge on us an "enlightened pragmatism" that will treat ^ nature not simply as the environing condition in which people act, but as a source of value and an ideal. In this respect Rescher ends the book at a point not dissimilar from where it began with Goodman's account of Emerson and Thoreau. Nature in American Philosophy is on the whole a book that rewards the reader's close attention. As an exploration of a central theme in American philosophy it is to be welcomed. There should be more like it. John Ryder The State University of New York, john[email protected] Translated, and with an introduction by Ramon Del Castillo La Opinion Publica y Sus Problemas (Spanish Translation of The Public and Its... (shrink)

Over the course of the 19th century, several campaigns in African territories led by white European or North-American scientists, explorers, entrepreneurs, or military officials have been transposed into travelogues where different stages of imperialism and colonialist presences are portrayed. While most of the approaches to these writings tend to favor a post-colonial framework for the interpretation of the interactions depicted there, it is also possible to employ a critical apparatus modeled after the recent developments in the field of the environmental (...) humanities. In this essay, I discuss how Slavoj Žižek’s contributions to the debates around the ideas of nature, ecology, and global capitalism have the potential to deepen our understanding of colonial regimes of oppression, serving as a powerful tool to explore processes of world-making involved in the imperial projects developing over the course of the 19th century. To do so, I propose a close reading of several instances of the travel book Angola and the River Congo, by Joachim John Monteiro, focusing on the entanglements between the human and non-human agencies, vegetable landscapes and extractive transnational economies, and the articulation of racism and scientific projects in the Angolan territory. (shrink)

Biological knowledge has increased exponentially in the last century or so, and it would be surprising if some of this knowledge did not have implications for philosophy. In contrast with a good deal of Elliott Sober's best known work, which aims to bring philosophical methods to bear on issues within biology, the theme of this collection of essays is to explore some ways in which biological ideas, or more specifically evolutionary ideas, may be brought to bear on philosophical issues. Sober (...) notes in his Introduction that there is no systematic theme beyond the attempt to explore the philosophical implications of taking evolutionary biology seriously. And certainly this is a diverse collection, especially with regard to the extent to which the various arguments of these papers depend on any particular content to evolutionary claims. (shrink)