Roderick Chisholm has proposed a novel theory of reference and belief involving the undefined notion of directly attributing a property. He uses direct attribution to account for Castañeda’s “he, himself” puzzle and for beliefs de re. He affirms as an axiom of his theory principle P1: if x directly attributes z to y, then x is identical to y. I shall argue that principle P1 is defective in that it prevents the identification of x with y and thus renders Chisholm’s (...) theory incapable of expressing a wide range of psychological phenomena. Thus the theory is an inadequate model of psychological reality. (shrink)

The place of play in the education of young children has been the focus of much interest in the past. But the findings from this research project demonstrate that there remains a significant amount of confusion about the role that play has in young children's education. In particular we found that there is a clear distinction between the rhetoric and reality of play in the reception class. Further, there was evidence of real anguish for some early years workers who were (...) failing to offer the play activities that they knew should be provided. These findings are particularly interesting at present, since the debate on the role of play has once again emerged as fundamental in the attempt to define a curriculum appropriate to the needs of the 3-6 year olds who, from the year 2000, will be required to work within the highly contentious Foundation Stage of the National Curriculum. (shrink)

The Joy of Philosophy is a return to some of the perennial questions of philosophy--questions about the meaning of life; about death and tragedy; about the respective roles of rationality and passion in the good life; about love, compassion, and revenge; about honesty, deception, and betrayal; and about who we are and how we think about who we are. Recapturing the heart-felt confusion and excitement that originally brings us all to philosophy, internationally renowned teacher and lecturer Robert C. Solomon offers (...) both a critique of contemporary philosophy and an invitation to engage in philosophy in a different way. He attempts to save philosophy from itself and its self-imposed diet of thin arguments and logical analysis to recover the richness and complexity of life in thought. Solomon defends the passionate life in contrast to the life of thoughtful contemplation idealized by so many philosophers, attempting to recapture the kind of philosophy that Nietzsche celebrated as a "joyful wisdom.". (shrink)

The most popular English arithmetic of the 16th century was Robert Recorde’s Ground of Artes. Of the many surviving editions (15 before 1600), only two were published during Recorde’s lifetime, and a third was published shortly after his death. The first two differ materially from the latter, which was the basis of the long series of „augmented“ or „revised“ editions which appeared from 1561 to 1699. Because of their greater accessibility, discussions of 16th-century arithmetics usually cite these later editions, sometimes (...) tacitly ascribing material to the early editions which does not appear before 1558. (shrink)

Three centuries of history have made us take it for granted that mechanism and empiricism are natural allies. I want to suggest in this article that that alliance ought to surprise us a good deal more than it does, and that it arose out of contingent historical circumstance. This claim is perhaps best approached by considering initially a fundamental issue upon which the mechanists of the seventeenth century were themselves divided. In the “Proemial Discourse” to The Origin of Forms and (...) Qualities, According to the Corpuscular Philosophy, Robert Boyle confronted his readers with an issue which continues to confront modern interpreters of the history of the mechanical philosophy. Boyle stated that he intended to “write rather for the Corpuscularians in general, than any party of them.” What he knew and what modern commentators have since also realized is that the interprétation of the mechanical philosophy crucially depends on whether one chooses to take seriously the conflicts which existed among the seventeenth-century proponents of mechanism or whether one decides deliberately to ignore such conflicts of party. I propose in this article to examine the historical and philosophical consequences of viewing the mechanisms of the seventeenth-century natural philosophers from each of these standpoints. In pursuing this line of inquiry, I shall call attention to certain salient features of their thought which made it rationally justifiable for them either to write for corpuscularians in general or to write for a particular party, but rationally unjustifiable to do both. (shrink)

By addressing specific global problems and placing them within an ethical context, "The Environment in Question" provides the reader with both a theoretical and practical understanding of environmental issues. The contributors are internationally known figures drawn from the various disciplines which bear upon these issues, such as geography, psychology, social policy, and philosophy. The contributions range from those tackling individual concrete issues (such as nuclear waste and the threat to the rain forest) to those addressing matters of policy, principle and (...) attitude (such as our obligations to future generations and the nature of technological risk). "The Environment in Question" is designed as a text for students of philosophy, environmental science, environmental education, ecology, and teacher education. It can be used as an inter-disciplinary, self-contained course book or in conjunction with relevant material. In addition, as the essays directly and controversially address current environmental debates in a non-technical manner, it is of great interest both to professionals in those areas and to readers who care about the planet's future. The substantial cross-section of concerns and approaches will enable all readers to develop the necessary level of understanding required to initiate and sustain debate on environmental issues. Contributors: Robert Allsion, David E. Cooper, Barry S. Gower, F. G. T. Holliday, C. A. Hooker, Mary Midgley, Philip Neal, Joy A. Palmer, Robert Prosser, Holmes Rolston III, Mark Sagoff, Vandana Shiva, Stephen Sterling, Rosemary J. Stevenson, Jennifer Trusted. (shrink)

In this work, Robert Solomon tries to put the fun back in philosophy, recapturing the heart-felt confusion and excitement that originally brings us all into philosophy. It is not a critique of comtemporary philosophy so much as it is an attempt to engage in philosophy in a different kind of way, beginning with a re-evaluation of Socrates and the nature of philosophy and defending the passionate life in contrast to the calm life of thoughtful contemplation so often held up as (...) an ideal by traditional philosophers. In short, it is an attempt to recapture the kind of philosophy that Nietzsche celebrated as a "joyful wisdom". The author tries to break down the walls between academic philosophy and its lost audience, between thin logic and thick rhetoric, between philosophical reason and philosophical passion, between 'analytic' and 'continental' philosophy, between philosophy and life. (shrink)

The many problems we face in today's world -- among them war, environmental destruction, religious and racial intolerance, and inappropriate technologies -- demand that we carefully re-evaluate such issues as our relation to the environment, the nature of progress, ultimate purposes, and human values. These are all issues, Robert Carter explains, that are intimately linked to our perception of life's meaning. While many books discuss life's meaning either analytically or prescriptively, Carter addresses values and ways of meaningful living from a (...) broader perspective, using Japanese philosophy to augment his investigation. He examines Martin Heidegger's distinction between "dwelling" and existing in the world, Lawrence Kohlberg's "stage seven" of human moral development, and the works of Viktor Frankl, Carol Gilligan, and Nel Noddings. He applies hermeneutic and deconstructionist theory to the question of meaning, and explores the feminist contribution to ethics and its relation to the interconnectedness of things celebrated in Zen and Shinto thought. Bridging various dichotomies such as East/West, reason/emotion, male/female, and caring/justice, Carter shows that ethics, environmental concern, caring, and joy in living are dependent on the growth and transformation of the self. Only by becoming aware of the interrelatedness of things, Carter reveals, can we become as supple and as strong as the bamboo tree, long the symbol of longevity and constancy. (shrink)

The many problems we face in today's world -- among them war, environmental destruction, religious and racial intolerance, and inappropriate technologies -- demand that we carefully re-evaluate such issues as our relation to the environment, the nature of progress, ultimate purposes, and human values. These are all issues, Robert Carter explains, that are intimately linked to our perception of life's meaning. While many books discuss life's meaning either analytically or prescriptively, Carter addresses values and ways of meaningful living from a (...) broader perspective, using Japanese philosophy to augment his investigation. He examines Martin Heidegger's distinction between "dwelling" and existing in the world, Lawrence Kohlberg's "stage seven" of human moral development, and the works of Viktor Frankl, Carol Gilligan, and Nel Noddings. He applies hermeneutic and deconstructionist theory to the question of meaning, and explores the feminist contribution to ethics and its relation to the interconnectedness of things celebrated in Zen and Shinto thought. Bridging various dichotomies such as East/West, reason/emotion, male/female, and caring/justice, Carter shows that ethics, environmental concern, caring, and joy in living are dependent on the growth and transformation of the self. Only by becoming aware of the interrelatedness of things, Carter reveals, can we become as supple and as strong as the bamboo tree, long the symbol of longevity and constancy. (shrink)

The emotions have long been an interest for those studying ancient Greece and Rome. But while the last few decades have produced excellent studies of individual emotions and the different approaches to them by the major philosophical schools, the focus has been almost entirely on negative emotions. This might give the impression that the Greeks and Romans had little to say about positive emotion, something that would be misguided. As the chapters in this collection indicate, there are representations of positive (...) emotions extending from archaic Greek poetry to Augustine, and in both philosophical works and literary genres as wide-ranging as lyric poetry, forensic oratory, comedy, didactic poetry, and the novel. Nor is the evidence uniform: while many of the literary representations give expression to positive emotion but also describe its loss, the philosophers offer a more optimistic assessment of the possibilities of attaining joy or contentment in this life.The positive emotions show some of the same features that all emotions do. But unlike the negative emotions, which we are able to describe and analyze in great detail because of our preoccupation with them, positive emotions tend to be harder to articulate. Hence the interest of the present study, which considers how positive emotions are described, their relationship to other emotions, the ways in which they are provoked or upset by circumstances, how they complicate and enrich our relationships with other people, and which kinds of positive emotion we should seek to integrate. The ancient works have a great deal to say about all of these topics, and for that reason deserve more study, both for our understanding of antiquity and for our understanding of the positive emotions in general. (shrink)

Life, on a day to day basis, is a sequence of emotional states: hope, disappointment, irritation, anger, affection, envy, pride, embarrassment, joy, sadness and many more. We know intuitively that these states express deep things about our character and our view of the world. But what are emotions and why are they so important to us? In one of the most extensive investigations of the emotions ever published, Robert Roberts develops a novel conception of what emotions are and then (...) applies it to a large range of types of emotion and related phenomena. In so doing he lays the foundations for a deeper understanding of our evaluative judgments, our actions, our personal relationships and our fundamental well-being. Aimed principally at philosophers and psychologists, this book will certainly be accessible to readers in other disciplines such as religion and anthropology. (shrink)

_A collection of inspiring essays by the photographer Robert Adams, who advocates the meaningfulness of art in a disillusioned society _ In _Art Can Help_, the internationally acclaimed American photographer Robert Adams offers over two dozen meditations on the purpose of art and the responsibility of the artist. In particular, Adams advocates art that evokes beauty without irony or sentimentality, art that “encourages us to gratitude and engagement, and is of both personal and civic consequence.” Following an introduction, the book (...) begins with two short essays on the works of the American painter Edward Hopper, an artist venerated by Adams. The rest of this compilation contains texts—more than half of which have never before been published—that contemplate one or two works by an individual artist. The pictures discussed are by noted photographers such as Julia Margaret Cameron, Emmet Gowin, Dorothea Lange, Abelardo Morell, Edward Ranney, Judith Joy Ross, John Szarkowski, and Garry Winogrand. Several essays summon the words of literary figures, including Virginia Woolf and Czeslaw Milosz. Adams’s voice is at once intimate and accessible, and is imbued with the accumulated wisdom of a long career devoted to making and viewing art. This eloquent and moving book champions art that fights against disillusionment and despair. (shrink)

In _Art Can Help_, the internationally acclaimed American photographer Robert Adams offers over two dozen meditations on the purpose of art and the responsibility of the artist. In particular, Adams advocates art that evokes beauty without irony or sentimentality, art that “encourages us to gratitude and engagement, and is of both personal and civic consequence.” Following an introduction, the book begins with two short essays on the works of the American painter Edward Hopper, an artist venerated by Adams. The rest (...) of this compilation contains texts—more than half of which have never before been published—that contemplate one or two works by an individual artist. The pictures discussed are by noted photographers such as Julia Margaret Cameron, Emmet Gowin, Dorothea Lange, Abelardo Morell, Edward Ranney, Judith Joy Ross, John Szarkowski, and Garry Winogrand. Several essays summon the words of literary figures, including Virginia Woolf and Czeslaw Milosz. Adams’s voice is at once intimate and accessible, and is imbued with the accumulated wisdom of a long career devoted to making and viewing art. This eloquent and moving book champions art that fights against disillusionment and despair. Distributed for the Yale University Art Gallery. (shrink)

_A collection of inspiring essays by the photographer Robert Adams, who advocates the meaningfulness of art in a disillusioned society _ In _Art Can Help_, the internationally acclaimed American photographer Robert Adams (b. 1937) offers over two-dozen meditations on the purpose of art and the responsibility of the artist. In particular, Adams advocates art that evokes beauty without irony or sentimentality, art that “encourages us to gratitude and engagement, and is of both personal and civic consequence.” Following an introduction, the (...) book begins with two short essays on the works of the American painter Edward Hopper, an artist venerated by Adams. The rest of this compilation contains essays—more than half of which have never before been published—that contemplate one work or a small group of works by an individual artist. Many of the objects discussed are by noted photographers such as Julia Margaret Cameron, Emmet Gowin, Dorothea Lange, Abelardo Morell, Edward Ranney, Judith Joy Ross, John Szarkowski, and Garry Winogrand. Several essays beckon the words of literary figures, including Virginia Woolf and Czesław Miłosz. Adams’s voice is at once intimate and accessible, and is imbued with the accumulated wisdom of a long career devoted to making and viewing art. This eloquent and moving book champions art that fights against disillusionment and despair. (shrink)

This paper is an initial effort preparatory for a more thorough “theology of joys.” I distinguish joys from other kinds of pleasure and argue that joy can be seen as the form of all the so-called positive emotions. So joy is properly treated in the plural: joys come in a variety of kinds. I distinguish canonical from non-canonical joys. The worthiness of joys is primarily a function of their objects—what the joys are about. I look at a few examples of (...) joys that appear in the New Testament and sketch the relation of joys to happiness. (shrink)

In this analysis of his thought on friendship, I begin first by arguing that for Nietzsche friendship is undesirable or impossible with or between four human types. Insight on this point is valuable, because it provides clear vision of what friendship is not. Second, I will argue that Nietzsche takes superior friendship to be possible but rare, since it requires its participants to balance three pairs of opposing qualities that are difficult to keep in equilibrium. Third, I will show that (...) Nietzsche takes friendship in its highest form to aim at a goal, appropriately named "truth." Here I draw upon both "middle-period" texts and Beyond Good and Evil, the latter to show that a concern for friendship pervades Nietzsche's oeuvre. Fourth, I show that Nietzsche differs most from ancient authors in his uncompromising insistence that if friendship is to serve truth rather than comfort or illusion, it is necessarily agonistic. A final section argues that if true friendship is to be nourished rather than destroyed by opposition, the virtue of "sympathy" must be present. Sympathy in Nietzsche's sense cannot be conflated with pity, since it is related to the "shared joy" that he identifies as the crown of friendship. (shrink)

Is it possible to be spiritual and yet not believe in the supernatural? Can a person be spiritual without belonging to a religious group or organization? In Spirituality for the Skeptic, philosopher Robert Solomon explores what it means to be spiritual in today's pluralistic world. Based on Solomon's own struggles to reconcile philosophy with religion, this book offers a model of a vibrant, fulfilling spirituality that embraces the complexities of human existence and acknowledges the joys and tragedies of life. Solomon (...) has forged an enlightened new path that synthesizes spirituality with emotions, intellect, science, and common sense. His new paradigm, "naturalized" spirituality, establishes as its cornerstone the "thoughtful love of life"--a passionate concern for the here-and-now, and not the by-and-by. Being spiritual doesn't mean being holed up as a recluse, spending hours in meditation and contemplation, Solomon argues. It demands involvement and emotional engagement with others in the struggle to find meaning in our lives. As such, this modern-day spirituality encompasses a passionate enthusiasm for the world, the transformation of self, cosmic trust and rationality, coming to terms with fate, and viewing life as a gift, all of which are explored in depth throughout this book. Spirituality for the Skeptic answers the need for a non-institutional, non-dogmatic spirituality that leads to personal fulfillment and satisfaction. By examining the ideas of great thinkers from Socrates and Nietzsche to Buddha to Kafka, Solomon arrives at a practical vision of spirituality that should appeal to many seekers looking to make sense of the human condition. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:David Hume on Personal Identity and the Indirect Passions Robert S. Henderson Scholarly reflection on Hume's "doctrine" ofselfand personal identity continues to focus on the sections "Of Personal Identity" and the "Appendix" toA Treatise ofHuman Nature. To answer the question of why we have so great a propension to ascribe an identity to these successiveperceptions which make up experience, Hume says that we must distinguish betwixtpersonal identity, as it (...) regards our thought or imagination, and as it regards our passions or the concern we take in ourselves. He considers only the former in these sections. Towards the end of the personal identity section he writes that our identity with regard to the passions serves to corroborate that with regard to the imagination, by the making our distant perceptions influence each other, and by giving us a present concern for ourpast or future pains or pleasures (T 261). In the advertisement to the Treatise Hume says that the subjects of the understanding and passions make a compleat chain of reasoning by themselves (T xii). In light of the importance Hume attaches to the distinction, and since there are many indications that the Treatise should be read as an integral whole, it is surprising that so little attention is given to what he says of personal identity in the other books. As the title suggests, this paper concentrates on the second part of the distinction and especially on the discussion ofthe indirectpassions in Book II of the Treatise. This is not to suggest that self does not play an important role elsewhere in Hume's science ofman; for example, it is selfwhich experiences the impression ofwill and the direct passions. However, the indirect passions have a particularly important part to play in ascriptions of personal identity and this justifies the present investigation. II We can safely predict that personal identity as it regards our passions will not be the idea??some philosophers whose views of self as having the philosophical (strict) relation ofidentity Hume has rejected in "Of Personal Identity." The relationship between thought and passion to which he draws attention suggests that the idea of selfin this context has a relation to the positive suggestions in that earlier section of why Volume XVI Number 1 33 ROBERT S. HENDERSON we do speak meaningfully of the identity of the self. We are able so to speak because ofarelationship which is felt to exist between a person's distinct and changing perceptions. The relationship has to do with the discovery by memory of the connection of a person's perceptions through the association ofideas by resemblance and causation (T 261). Examination of the idea of self to which Hume makes frequent reference in Book II requires some review ofthe method ofthe Treatise. Perceptions make up human experience. Perceptions are either impressions or ideas which derive from impressions. Hume describes the indirect passions as secondary or reflective impressions and these stem from original impressions or from their ideas. He distinguishes between direct andindirect passions. Directpassionsarise immediately fromgood or evil, frompain orpleasure (T 276). Examples are joy, hope and fear. Indirect passionsproceed from the same principles, but by the conjunction ofother qualities (T 276). That is, the indirect passions not onlyhave a cause (an impression which excites them), but also an object (to which the passion directs our view when excited). We shall see that a significant quality of the indirect passions is the relation of these impressions to their objects, which are either one's own or another's self. In Book II of the Treatise Hume examines the indirect passions: love, hate, pride and humility. These passions are evaluations of persons; of selfin the case of pride and humility, and of another in the case of love and hatred. Evaluation of persons is a central feature of Hume's moral philosophy: To have the sense ofvirtue, is nothing but to feel a satisfaction of a particular kind from the contemplation of a character. The very feeling constitutes our praise or admiration (T 471). We shall see that the indirect passions in particular make an important contribution to the answer ofHume's original question ofthe source?? owe propension to ascribe an identity. Ill... (shrink)

Fifteen years ago, Robert Fulghum published a simple credo–a credo that became the phenomenal #1 New York Times bestseller All I Really Need to Know I Learned in Kindergarten . Now, seven million copies later, Fulghum returns to the book that was embraced around the world. He has written a new preface and twenty-five essays, which add even more potency to a common, though no less relevant, piece of wisdom: that the most basic aspects of life bear its most important (...) opportunities. Here Fulghum engages us with musings on life, death, love, pain, joy, sorrow, and the best chicken-fried steak in the continental U.S.A. The little seed in the Styrofoam cup offers a reminder about our own mortality and the delicate nature of life . . . a spider who catches (and loses) a full-grown woman in its web one fine morning teaches us about surviving catastrophe . . . the love story of Jean-Francois Pilatre and his hot air balloon reminds us to be brave and unafraid to “fly” . . . life lessons hidden in the laundry pile . . . magical qualities found in a box of crayons . . . hide-and-seek vs. sardines–and how these games relate to the nature of God. All I Really Need to Know I Learned in Kindergarten is brimming with the very stuff of life and the significance found in the smallest details. In the years that have passed since the first publication of this book that touched so many with its simple, profound wisdom, Robert Fulghum has had some time to ponder, to reevaluate, and to reconsider. And here are those fresh thoughts on classic topics, right alongside the wonderful new essays. Perhaps in today’s chaotic, more challenging world, these essays on life will resonate even deeper–as readers discover how universal insights can be found in ordinary events. (shrink)

A fresh translation of _quaestiones_ from the _Summa theologiae _of Thomas Aquinas, edited by Robert Miner. This volume provides direct access to the medieval theologian’s deepest thinking about the supreme goal of human life—blessedness—and the virtue most intimately related to this goal—charity. The edition also contains Aquinas’s treatment of charity’s effects—love, joy, peace, and mercy—and the vices opposed to them, such as hatred, envy, and war. Featuring five supplementary essays by noted Aquinas scholars, the volume will enable readers to engage (...) more thoroughly with the thought of Thomas Aquinas. (shrink)

L'auteur répond aux objections à son éthique du bonheur. Il présente sa propre doctrine d'un bonheur tout-autre.

Robert Flatt always held the belief that life is good. When he was diagnosed with Parkinson's disease, he refused to let the news alter his fundamental perspective. Robert viewed this unexpected hurdle as an opportunity: the debilitating disease granted him the gift of time to pursue his artistic interests. Through photography, he discovered the beauty in his own backyard and the immense healing power of art. Taking vivid photographs of the wonders he had previously overlooked helped him cope, and he (...) realized the power of the beauty he observed could help others, too. Despite his physical limitations, he began traveling the world to pursue this passion that made him feel so intensely alive. Robert's irrepressible good nature, patience, and undeniable talent have resulted in this collection of images both intimate and grand that showcase the wonders that surround each of us, if we take the time to look and have the right perspective to see. Coupled with Robert's candid, empowering reflections on existence and his illness, the vision of the world revealed in Healing Art urges readers to live in the present, relax, and remember that life is good. Despite the nature of our burdens, if we can focus on an image of beauty today, we have not let our challenges define us. And for another day, we have been fully alive and open to the presence of joy. Could we really ask for more? (shrink)

Life, on a day to day basis, is a sequence of emotional states: hope, disappointment, irritation, anger, affection, envy, pride, embarrassment, joy, sadness and many more. We know intuitively that these states express deep things about our character and our view of the world. But what are emotions and why are they so important to us? In one of the most extensive investigations of the emotions ever published, Robert Roberts develops a novel conception of what emotions are and then (...) applies it to a large range of types of emotion and related phenomena. In so doing he lays the foundations for a deeper understanding of our evaluative judgments, our actions, our personal relationships and our fundamental well-being. Aimed principally at philosophers and psychologists, this book will certainly be accessible to readers in other disciplines such as religion and anthropology. (shrink)

In the Western world it is usually taken as given that we all want happiness, and our educational arrangements tacitly acknowledge this. Happiness, Hope, and Despair argues, however, that education has an important role to play in deepening our understanding of suffering and despair as well as happiness and joy. Education can be uncomfortable, unpredictable, and unsettling; it can lead to greater uncertainty and unhappiness. Drawing on the work of Søren Kierkegaard, Miguel de Unamuno, Fyodor Dostoevsky, Simone Weil, Paulo Freire, (...) and others, Peter Roberts shows why these features of educational life need not be feared; to the contrary, they can be seen as a source of hope and human fulfilment. After years of negotiating an education system dominated by the language of competition, performance, and economic advancement, students and teachers often long for something different; they seek not just measurable success but also opportunities to ask searching questions of themselves and the world they encounter. Happiness, Hope, and Despair makes an important contribution toward meeting this need. It fosters a rethinking of the nature, purpose, and value of education, and opens up possibilities for further scholarly and professional inquiry. (shrink)

Becoming Bamboo: Western and Eastern Explorations of the Meaning of Life -/- This book explores the bridging of such dichotomies as East/West, reason/emotion, male/female and caring/justice. Ethics, environmental concern, caring and joy are dependent on the growth of the self. Through becoming aware of the interrelatedness of things we can become as supple and yet as strong as the bamboo tree, long a symbol of flexibility and strength. -/- The book begins with a Foreword by Ninian Smart, then explores the (...) importance of value and valuation, Lawrence Kohlberg's Stage Seven of moral Development, Viktor Frankl's Logotherapy and the deconstruction of meaning, as well as our inescapable connection with the environment. -/- Published by McGill Queen's University Press, 1992 . (shrink)

Most of the images evoked by the term shamanism are derived from the soul's field of experience. These images run the gamut of possibilities, from a disconcerting exoticism to the most intimate familiarity. Sometimes the shaman's role is limited to that of pathetic hero, struggling in solitude against hostile nature; sometimes he becomes the rudimentary model of the mystic or even of the psychiatrist of contemporary societies. These images, however, without being completely false, wrongly reduce the shamanic phenomenon to the (...) shaman's personality and limit his field of action to the individual psyche. This limitation hardly does justice to the realities of shamanistic societies. What is missing in the shaman-centered view is the collective's slumbering velleity of itself entering into shamanic experience. Each cure becomes an occasion for collective renewal and joy. The shaman's activities in séance, it is believed, are an expression of the direct contact he has established with the spirits and of his power over them; his duties are the realization of a ritual act carried out at the behest of the community. (shrink)

Most of the images evoked by the term shamanism are derived from the soul's field of experience. These images run the gamut of possibilities, from a disconcerting exoticism to the most intimate familiarity. Sometimes the shaman's role is limited to that of pathetic hero, struggling in solitude against hostile nature; sometimes he becomes the rudimentary model of the mystic or even of the psychiatrist of contemporary societies. These images, however, without being completely false, wrongly reduce the shamanic phenomenon to the (...) shaman's personality and limit his field of action to the individual psyche. This limitation hardly does justice to the realities of shamanistic societies. What is missing in the shaman-centered view is the collective's slumbering velleity of itself entering into shamanic experience. Each cure becomes an occasion for collective renewal and joy. The shaman's activities in séance, it is believed, are an expression of the direct contact he has established with the spirits and of his power over them; his duties are the realization of a ritual act carried out at the behest of the community. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:A Nietzschean Bestiary: Becoming Animal Beyond Docile and BrutalRobert N. MatuozziA Nietzschean Bestiary: Becoming Animal Beyond Docile and Brutal, edited by Christa Davis Acampora and Ralph R. Acampora ; xxxii & 371 pp. Lanham, MD: Rowman & Littlefield, 2004. $75.00 cloth, $29.95 paper.What if instead of re-reading Nietzsche's corpus, one imagines what it would be like to view his works on the "Nietzsche Network." Imagine a spectator situated (...) in the middle of a vast amphitheatre preparing to watch these simulacra. Gazing up and around a series of giant, flat-screen video monitors arrayed in layers around the interior wall of an amphitheatre, the spectator views and listens to Nietzsche's multi-media texts as, simultaneously, they seductively flash their provocative narratives in flickering streams of high-resolution sounds, words, and images.The Nietzsche Network is a roaring carnival. It consists of colorful, speculative historical dramatizations and equally enticing philosophical tableaux. Dark ambient musical motifs, laced with interludes of explosive, uncontrollable laughter, are a subliminal presence. Lurid detective stories and somber cultural narratives and slashing polemics implicate cultures and ideologies in festivals of cruelty and soul-murder. Poignant genealogical and aphoristic asides on joy [End Page 443] and work and suffering, weird psychological skits starring well-known ensemble casts are accompanied by hoarse oratory, soaring denunciations, and sober etymological digressions. Intermittently, the spectator is startled by abrupt, sometimes strident proclamations, like confessional bulletins shot from nowhere.Nietzsche's siren-like prose exhibits an extraordinary rhetorical range. This is particularly true of the polychromatic works originally published in the gloaming of his career in the period after 1886. Nietzsche's compelling, fluvial style is accounted for in this volume by the kinetic movements of lizards and the halcyon tones of birds, to his study of the ancient Greek and Roman classics (and to the lost musicality of Greek tragedy in particular), and to his emphatic embrace of a kind of plosive, Dionysian philosophical technics.The content of the Nietzsche Network spans thousands of years of human experience and thought. A prequel features a substantial bestiary of traditional animals and emergent biomorphic forms set in a variety of carefully animated zoological dioramas. Among the modernists, has there been another thinker as strangely original and subversive? Allowing for fundamental differences, only Valéry comes to mind. Like the silent, ruminating cow in his "untimely" essay on history, Nietzsche prevents the past from injecting noise into present and future philosophizing. He will be the exemplary philosopher of the other-than-human as he campaigns to re-inscribe human animality into the zoological text of nature. Through explicit pronouncements and in scattered philosophical sorties involving human animality and his (desperate) utopist vision of human perfectibility, Nietzsche attempted to attain—at least conceptually—what Richard Rorty aptly calls the "historical sublime, a future which has broken all relations with the past."This excellent collection of essays on Nietzsche's bestiary demonstrates the surprising persistence of the animal imaginary in his thought. The various pieces also illuminate the multiple thematic and linguistic transformations Nietzsche develops as he enlists animals in his feral, anti-essentialist dialectic on the obscure continuum between "humans," "animals," and "nature." It turns out that a degraded version of Nietzsche's strangest thought experiment on animalism, the übermensch, is perhaps only a few years away from being produced through emerging boutique bioengineering, a prospect that has some commentators on both the left and the right blinking with apprehension. These essays amply demonstrate that Nietzsche's bestial philosophy of human and animal alterity subverts, among other paradigms, the strange Cartesian notion that animals are mechanical automata while humans are transcendental rationalists. As one commentator in this book broadly puts it, Nietzsche shows that the various schemes concocted to put an illusory distance between humans and animals have ended up being an immensely corrupting "pretense" (p. 224).Precursor bestiaries are indicated in this volume, though the medieval tradition originating in the Physiologus is here mostly displaced by a different [End Page 444] menagerie of cultural affiliations. The fabulist Aesop is present, along with Aristotle and Montaigne, though La Fontaine is not, and Pico Mirandola's famous remarks in his Oration on... (shrink)

Precisely how and precisely where is human conscious experience located in the natural world? The Extended Conscious Mind Thesis says this: -/- The constitutive mechanisms of human conscious experience include both extra-neural bodily facts and also extra-bodily worldly facts. -/- Recently, in “Spreading the Joy? Why the Machinery of Consciousness Is (Probably) Still in the Head,” Andy Clark has argued for what I call The Cautious Consciousness-Is-All-Neural Thesis: -/- Because the arguments currently on offer for The Extended Conscious Mind Thesis (...) fall short of decisive proof, then, all things considered, we should conclude that the constitutive mechanisms of human conscious experience are all either in the brain or the central nervous system. -/- I agree with Clark that The Extended Conscious Mind Thesis is (probably) false. But I also think that there is sufficient reason for rejecting Clark’s Cautious Consciousness-Is-All-Neural Thesis, and for accepting what I call The Body-Bounded Conscious Mind Thesis: -/- Human conscious experience occurs everywhere in our living bodies, constitutively including the brain and the central nervous system, and ALSO constitutively including all the other vital systems of the living body, right out to the skin, but no further out than that. [End Page 15] -/- If what[ever] consciousness [there is] spreads all over human bodies, then there won’t be any temptation to use the [Cartesian] word ‘ego’. —L. Wittgenstein . (shrink)

White, Robert; Moo, Jonathan In an age when many have begun to consider widespread environmental collapse inevitable, the certain hope held out in the Christian gospel rules out both complacency and despair. Scripture's vision of a future for all of creation that is secure in Christ and given by God's grace challenges Christians to a radical environmental ethos that is marked by wisdom, self-sacrifice, perseverance, love and joy.

In her book Natural Saints: How People of Faith Are Working to Save God's Earth Mallory McDuff quotes a member of the religious environmental group Georgia Interfaith Power and Light as saying that:the science of climate change and the environmental crisis is the wakeup call. But faith in God provides the hope that gets us out of bed to do something about it. Faith gives us the hope, joy, and possibility of triumph to "let not our hearts be troubled" but (...) to move forward with action. And ultimately, this hope is what the religious community can offer that the secular environmental groups have not been able to provide.1At the end of her book McDuff revisits much the same theme, writing that "[the] God thing has the... (shrink)

For many philosophy teachers, the joy of philosophy is the joy of putting forward and defending arguments. However, this paper argues that the core of philosophy consists in a set of problems that are distinctive not because of their logic but because they deal with profound emotions that define the human condition and, as such, manifest an apparent immunity to logical analysis. In putting forward this position, the paper describes the current “thinness” of philosophy, argues that the familiar characterization of (...) philosophy as a subject matter concerned with rigorous argumentation is mistaken, and offers a list of resolutions that aim at teaching the joy of philosophy. (shrink)

There was a long and lively debate in Ancient Greece on the nature of music, spanning philosophy, cosmology, and psychology. Peripatetic musicology based its understanding of the nature of music on philosophical principles derived from Aristotle’s psychology in order to address debates among their predecessors, primarily to shift the focus away from the physical sounds or their mathematical ratios, towards the investigation of the psyche, which I show was a sort of proto-phenomenology. Music involves a voluntary activity accompanied by a (...) natural joy. This joy grows and intensifies the energeia of the psyche. The nature of music is related directly to the nature, essence, or activity, of the psyche. (shrink)