Lebensgang Laus -- Laus Meditationes von 1717 und 1719 -- Rezeption der Meditationes bei Johann Georg Eisen und Ludwig Wilhelm Koenemann -- Texte der Meditationes -- Meditationes philosophicae de Deo, mundo, homine -- Philosophische Betrachtungen von Gott, der Welt und dem Menschen -- Meditationes, Theses, Dubia philosophico-theologica -- Philosophisch-theologische Betrachtungen, Lehrsätze und Bedenken -- Exkurs: Lau als Kameralist -- Entwurff einer wohl-eingerichteten Policey, Frankfurt am Main 1717 (Auszug).

Early Modern German Philosophy (1690-1750) makes some of the key texts of early German thought available in English, in most cases for the first time. The translations range from texts by the most important figures of the period, including Christian Thomasius, Christian Wolff, Christian August Crusius, and Georg Friedrich Meier, as well as texts by consequential but less familiar thinkers such as Dorothea Christiane Erxleben, Theodor Ludwig Lau, Friedrich Wilhelm Stosch, and Joachim Lange. The topics covered range across (...) a number of areas of theoretical philosophy, including metaphysics (the immortality of the soul, materialism and its refutation, the pre-established harmony), epistemology (the principle of sufficient reason, the limits of reason with respect to matters of faith), and logic (the role of prejudices in cognition and the doctrine of truth). (shrink)

Der Briefwechsel zwischen Lotte Tobisch, Mitglied des Wiener Burgtheaters, und Theodor W. Adorno begann im September 1962 und setzte sich bis zum Tod des Philosophen 1969 fort; er umfaßt etwa 280 Briefe, Ansichtskarten und Telegramme. Der Briefwechsel ist das Dokument einer Freundschaft über die Generationen, über die sozialen Positionen, die Formen der Intellektualität und die Temperamente hinweg. Lotte Tobisch von Labotýn, ein Vierteljahrhundert jünger als der Philosoph, hatte den sozialen Hintergrund, den er schätzte: >nicht bürgerlich, vielmehr adelig, nonkonform, mit (...) der Gesellschaft auf ironische Distanz vertraut. Durch ihren verstorbenen langjährigen Gefährten, den um fast 40 Jahre älteren Chefdramaturgen des Burgtheaters Erhard Buschbeck, Trakls Jugendfreund, war sie zugleich indirekte Zeitgenossin des Wien nach der Jahrhundertwende - jener heroischen Zeit der großen musikalischen Revolution durch Schönberg und seine Schule, der sich Adorno als Komponist und Philosoph verbunden fühlte. Lotte Tobisch, bekannt als Schauspielerin und durch ihre literaturkritischen Beiträge, war auch mit Günter Anders, Gershom Scholem, Fritz Hochwälder, Carl Zuckmayer, Ludwig von Ficker, Elias Canetti, Richard Neutra und anderen Größen des geistigen Lebens verbunden und befreundet. Sie erschloß für Adorno eine Beziehung nicht nur zum zeitgenössischen Wien, sondern zugleich, und emotional bedeutsamer, zum Wien seiner Jugend und seiner musikalischen Lehrzeit. (shrink)

"The terrain of the self is vast," notes renowned psychiatrist Arnold Ludwig, "parts known, parts impenetrable, and parts unexplored." How do we construct a sense of ourselves? How can a self reflect upon itself or deceive itself? Is all personal identity plagiarized? Is a "true" or "authentic" self even possible? Is it possible to really "know" someone else or ourselves for that matter? To answer these and many other intriguing questions, Ludwig takes a unique approach, examining the art (...) of biography for the insights it can give us into the construction of the self. In The Biography of the Self, he takes readers on an intriguing tour of the biographer's art, revealing how much this can tell us about ourselves. Drawing on in-depth interviews with twenty-one of our most esteemed biographers--writers such as David McCullough (the biographer of Truman and Theodore Roosevelt), Wallace Stegner (John Wesley Powell), Gloria Steinem (Marilyn Monroe), Leon Edel (Henry James), Peter Gay (Freud), Diane Middlebrook (Anne Sexton), and many others--and interweaving fascinating observations of his own practice, Ludwig takes us through the labyrinthine hall of mirrors we term the self and shows us how malleable, elusive, and paradoxical it can be. In chapters such as "The 'Real' Marilyn," "Psychoanalyzing Freud," "How Did Hitler Live With Himself?" and "What Madness Reveals," we sit in as biographers talk not only about their work, but about their subjects (Allan Bullock on Hitler and Stalin, for instance, or Arnold Rampersad on Langston Hughes) and how their subjects saw themselves. Ludwig describes how biographers must impose a narrative structure on their subjects' lives to create order out of a mass of often contradictory views, baffling behavior, and inconsistent self-representations, much in the same way that psychotherapists try to foster self-awareness and understanding in their patients. In his concluding chapter, Ludwig introduces a new concept--biographical freedom--which brilliantly reconciles free will and determinism. We can, he asserts, become biographers of ourselves. Like the biographer, we are constrained to consider all the available facts of our lives--the personal experiences, cultural forces, and predetermined scripts that shape us--but we remain free to interpret, emphasize, and fashion these givens into a cohesive and meaningful narrative of our own choosing. This thought-provoking volume offers not only a wide-ranging and informative commentary on the biographer's art, but also a highly original theory of the self. Readers interested in biography and in the lives of others will come away with a new sense of what it means to be a "person" and, in particular, who they are. (shrink)

This addition to the Midwest Studies in Philosophy series comprises the most recent volume on the philosophy of Ludwig Wittgenstein to date. Here 16 philosophers explore both the challenges Wittgenstein presented to philosophy as well as the responses to those challenges from such noted thinkers as Kripke. By addressing various questions raised by Wittgenstein's work, these original essays aim to illuminate in one way or another the impact Wittgenstein's legacy has had on 20th-century philosophy.

Resumo : O objetivo do texto é abordar a temática dos meios de comunicação como instrumento de poder à luz da indústria cultural conforme Theodor Adorno. Busca-se responder à seguinte questão: como a indústria cultural reproduz as relações de poder no capitalismo contemporâneo? Para a consecução de tal objetivo, o texto apresenta as seguintes etapas: uma breve contextualização histórica e teórica da Teoria Crítica - vertente filosófica à qual Adorno e outros autores se filiaram - a definição da indústria (...) cultural conforme Adorno em seus principais argumentos, os efeitos da indústria cultural e do capitalismo organizado, a postura crítica frente ao contexto referido e a nova postura de Adorno nos anos 50 e 60 frente aos meios de comunicação. A principal tese do artigo leva ao entendimento de que a indústria cultural incorpora toda uma racionalidade de dominação e disciplina da vida social e reprodução da ordem capitalista vigente, acabando com as contradições no âmbito das manifestações artísticas na medida em que somente o lucro é visado. Summary : The aim of this text is discuss communication means as power instrument in the light of culture industry according to Theodor Adorno. There is a main question which the article seeks an answer: how does culture industry reproduce power relations in contemporary capitalism? In order to concretize this aim, this text presents the following parts: a brief historical and theoretical contextualization of Critical Theory - Adorno and other authors' philosophical current - culture industry concept according to Adorno, culture industry and organized capitalism effects, critical position on this context and Adrono's new posture in the fifties and sixties on communication means. The article's main thesis points to evaluation of culture industry1s rationality of domination and discipline of social life and reproducing of actual capitalist order. This leads to the end of contradictions in art, considering that profit is the only aim. Keywords : Culture Industry, Communication, Power. (shrink)

O objetivo do texto é abordar a temática dos meios de comunicação como instrumento de poder à luz da indústria cultural conforme Theodor Adorno. Busca-se responder à seguinte questão: como a indústria cultural reproduz as relações de poder no capitalismo contemporâneo? Para a consecução de tal objetivo, o texto apresenta as seguintes etapas: uma breve contextualização histórica e teórica da Teoria Crítica - vertente filosófica à qual Adorno e outros autores se filiaram – a definição da indústria cultural conforme (...) Adorno em seus principais argumentos, os efeitos da indústria cultural e do capitalismo organizado, a postura crítica frente ao contexto referido e a nova postura de Adorno nos anos 50 e 60 frente aos meios de comunicação. A principal tese do artigo leva ao entendimento de que a indústria cultural incorpora toda uma racionalidade de dominação e disciplina da vida social e reprodução da ordem capitalista vigente, acabando com as contradições no âmbito das manifestações artísticas na medida em que somente o lucro é visado. (shrink)

The introduction (pp. 7-29) discusses Nazi denigration of "Jewish philosophy, " from Spinoza to Bergson and Husserl, and the elevation of "German" philosophers, particularly Eckhart and Nietzsche, to the role of forerunners of Nazism. The chapters on the work of the four Jewish philosophers mention briefly their murder by the Nazis (in the case of Benjamin, his death while fleeing the Nazis).

This is a comprehensive biography of Ludwig Prandtl (1875-1953), the father of modern aerodynamics. His name is associated most famously with the boundary layer concept, but also with several other topics in 20th century fluid mechanics, particularly turbulence (Prandtl's mixing length). Among his disciples are pioneers of modern fluid mechanics such as Heinrich Blasius, Theodore von Kármán and Walter Tollmien. Furthermore, Prandtl founded the Aerodynamische Versuchsanstalt (AVA) and the Kaiser-Wilhelm-Institut für Strömungsforschung in Göttingen, both of them seeds for the (...) growth of fluid mechanics in Germany. Yet Prandtl was also a representative of aeronautical research - from Imperial Germany via the Weimar Republic to the "Third Reich". Although not a party member, he assumed the role of a goodwill ambassador for Nazi Germany. This objective treatment of his career will be of interest to all scientists and historians wanting to learn more about Prandtl's influence and the early development of fluid- and aerodynamics. (shrink)

In this paper the author reconstructs the Klagesian positions that, according to him, have possibly inspired Walter Benjamin in his reflection on “aura”. Ludwig Klages’ thought, in fact, and especially the notion of “Nimbus-Aura”, had an interesting resonance in the work of Walter Benjamin. The author shows that Benjamin has probably shared with Klages the idea that human history is indeed rooted in what we might call “myth”, differently from Theodor Adorno, who intends to criticize Klages’ influence in (...) Benjamin’s notion of “aura”, dialectilizing the mythical “origin” and characterizing it as fiction. In the author’s view, moreover, if in Klages this root receives nourishment from the universal symbolism of matter, that Klages intends as originally “auratic”, in Benjamin this root becomes the starting point through which, by means of artistic reproducibility, the human pattern moves away from the myth. (shrink)

In this paper the author reconstructs the Klagesian positions that, according to him, have possibly inspired Walter Benjamin in his reflection on “aura”. Ludwig Klages’ thought, in fact, and especially the notion of “Nimbus-Aura”, had an interesting resonance in the work of Walter Benjamin. The author shows that Benjamin has probably shared with Klages the idea that human history is indeed rooted in what we might call “myth”, differently from Theodor Adorno, who intends to criticize Klages’ influence in (...) Benjamin’s notion of “aura”, dialectilizing the mythical “origin” and characterizing it as fiction. In the author’s view, moreover, if in Klages this root receives nourishment from the universal symbolism of matter, that Klages intends as originally “auratic”, in Benjamin this root becomes the starting point through which, by means of artistic reproducibility, the human pattern moves away from the myth. (shrink)

A study of the enormous influence of the writings of Friedrich Nietzsche on turn-of-the-century German literature. The aim of this book is to explore "that post-Nietzschean archipelago of German literature which no one mind can hope to map, let alone inhabit" (Michael Hamburger) and to introduce it to the English-speaking reader for the firsttime, in accessible form. The study starts from the assumption that the daring imagery and cosmic sweep of Thus Spake Zarathustra provided the impetus for the creation of (...) visionary epics and cosmological poetic universes. The book is original in that it presents for the first time a selection of writers hitherto regarded as impossible of access and reduces their epic scope to manageable proportions while preserving their essential meaning. Among thewriters treated are Alfred Mombert, Theodor Däubler, Rudolf Pannwitz, Ludwig Derleth, Alfred Schuler, Ludwig Klages, Christian Morgenstern, and the members of the Friedrichshagen Circle. Furness draws on the most recent scholarship and provides a fascinating account of a 'lost generation.' The book will be of interest to Nietzsche scholars, to students of Lebensphilosophie, and to those interested in German literature around the turn of the century. It will be of special interest to those drawn to the creation of myths and to radical religious thought. Raymond Furness is professor and former chair of German at St.Andrews University, Scotland. He has published widely on late nineteenth- and early twentieth-century German literature. (shrink)

Ludwig Wittgenstein/ Karl R. Popper/ Claude Levi-Strauss/ Martin Heidegger/ Karl Jaspers/ Hannah Arendt/ Ernst Bloch/ Max Horkheimer/ Theodor W. Adorno.

In this article the authors are reconstructing the dichotomies which the young Theodor Adorno was trying to detect in the music of the bourgeois epoch and personify in two antipodes - Franz Schubert and Ludwig van Beethoven. Although already a devotee of Arnold Sch?nberg and the 20th century music avantgardism, Adorno was, in his works prior to his exile from Germany, intensively dealing with Schubert and his opposition towards Beethoven. While Beethoven was a bold and progressive revolutionary, fascinated (...) by the?practical reason? and the mission to rise up and reach the stars, Schubert wanted none of it. Instead, he was looking backwards, to primordial nature and the possibility of man to participate in its mythic cycles of death and regeneration. The lack of synthesis between this two opposing tendencies in the music of early bourgeois epoch lead to the?negative dialectics? of Sch?nberg and 20th century music avantgardism and to the final separation of Beethovenian musical progress and Schubertian musical mimesis. (shrink)

To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.

Consciousness is currently a thriving area of research in psychology and neuroscience. While this is often attributed to events that took place in the early 1990s, consciousness studies today are a continuation of research that started in the late 19th century and that continued throughout the 20th century. From the beginning, the effort built on studies of animals to reveal basic principles of brain organization and function, and of human patients to gain clues about consciousness itself. Particularly important and our (...) focus here is research in the 1950s, 1960s, and 1970s involving three groups of patients—amnesia, split brain, and blindsight. Across all three groups, a similar pattern of results was found—the patients could respond appropriately to stimuli that they denied seeing (or in the case of amnesiacs, having seen before). These studies paved the way for the current wave of research on consciousness. The field is, in fact, still grappling with the implications of the findings showing that the ability to consciously know and report the identity of a visual stimulus can be dissociated in the brain from the mechanisms that underlie the ability to behave in a meaningful way to the same stimulus. (shrink)

Cet article propose une analyse du livre sur Beethoven auquel, sans avoir eu le temps de l’achever, Adorno a travaillé durant plus de 30 ans. Longtemps attendue, la traduction française permet aujourd’hui de prendre pleinement la mesure de l’importance de ce volume, tour à tour atelier ou chambre d’écho de l’œuvre entière d’Adorno. Ligne de force de l’ouvrage, le rapprochement entre Beethoven et Hegel porte ainsi l’enjeu d’un rapport entre l’identité et la différence tel que l’altérité ne se laisse pas (...) absorber dans l’économie de la pensée spéculative. À cet égard, on a d’abord été attentif au fait que, pour Adorno, c’est dans la mesure même où la forme beethovénienne vise la constitution d’une « totalité intensive », qu’elle conduit à mettre au jour – au sein de l’apparence esthétique et par elle – le caractère arbitraire d’un tel primat accordé au tout. Si telle est la « teneur de vérité » de cette musique, on peut alors considérer que le « style tardif » de Beethoven (motif présent du premier au dernier des textes qu’Adorno a consacrés au compositeur) en constitue le plein déploiement, en tant que critique, immanente au matériau musical, de l’illusion du réconcilié. S’il est connu que, notamment, les derniers quatuors ou les dernières sonates sont exemplaires d’un tel geste, on a voulu montrer que celui-ci se trouvait à la fois dédoublé et altéré dans la composition de la Missa solemnis, qu’Adorno dit ne pas parvenir à comprendre. On soutient alors l’hypothèse suivante : exprimant de façon éminente une intempestivité qui traverse l’ensemble de l’œuvre beethovénienne, cette tension entre deux formes de distanciation, ou d’« estrangement » (Verfremdung), cristallise du même coup les exigences théoriques fondamentales de cette réforme de la dialectique qu’Adorno appelle dialectique négative et, indissociablement, celles de la conception d’une temporalité historique non linéaire et non téléologique. (shrink)

Om Martin Heidegger, Karl Jaspers, Arnold Gehlen, Helmuth Plessner, Ernst Bloch, Theodor W. Adorno, Alexander Mitscherlich, Karl Löwith, Ludwig Wittgenstein, Hannah Arendt, Wolfgang Abendroth, Herbert Marcuse, Walter Benjamin, Gershom Scholem, Hans Georg Gadamer, Alfred Schütz, Max Horkheimer og Leo Löwenthal.

Conscious experiences involve subjective qualities, such as colours, sounds, smells and emotions. In this Perspective, we argue that these subjective qualities can be understood in terms of their similarity to other experiences. This account highlights the role of memory in conscious experience, even for simple percepts. How an experience feels depends on implicit memory of the relationships between different perceptual representations within the brain. With more complex experiences such as emotions, explicit memories are also recruited. We draw inspiration from work (...) in machine learning as well as the cognitive neuroscience of learning and decision making to make our case and discuss how the account could be tested in future experiments. The resulting findings might help to reveal the functions of subjective experience and inform current theoretical debates on consciousness. (shrink)

Measuring event-related potentials (ERPs) has been fundamental to our understanding of how language is encoded in the brain. One particular ERP response, the N400 response, has been especially influential as an index of lexical and semantic processing. However, there remains a lack of consensus on the interpretation of this component. Resolving this issue has important consequences for neural models of language comprehension. Here we show that evidence bearing on where the N400 response is generated provides key insights into what it (...) reflects. A neuroanatomical model of semantic processing is used as a guide to interpret the pattern of activated regions in functional MRI, magnetoencephalography and intracranial recordings that are associated with contextual semantic manipulations that lead to N400 effects. (shrink)

Mencius, who lived in the 4th century B.C., is second only to Confucius in importance in the Confucian tradition. The _Mencius_ consists of sayings of Mencius and conversations he had with his contemporaries. When read side by side with the _Analects_, the _Mencius_ throws a great deal of light on the teachings of ConfuciusMencius developed many of the ideas of Confucius and at the same time discussed problems not touched upon by Confucius. He drew out the implications of Confucius' moral (...) principles and reinterpreted them for the conditions of his time. As the fullest of the four great Confucian texts, the _Mencius_ has been the required reading amongst Chinese scholars for two thousand years, and it still throws considerable light on the character of the Chinese people. (shrink)

Ethics education matters! Contrary to some common beliefs that ethical behavior is inborn, this study suggests that education does matter. This paper examines ethics education and its relationship with students’ ethical awareness and moral reasoning. Attitudes Towards Business Ethics Questionnaire and 10 vignettes were deployed as the major measurement instruments. It is hypothesized that students with ethics education will have both a greater ethical awareness and ability to make more ethical decisions. Hypotheses were tested in two undergraduate business courses at (...) a major research university where 707 students were sampled. Results suggest that ethics education improved students’ ethical awareness and moral reasoning. Interestingly, results also seem to show that students’ readiness moderated their learning outcomes. (shrink)

Externalism with regard to mental content says that in order to have certain types of intentional mental states (e.g. beliefs), it is necessary to be related to the environment in the right way.

It is usually taken as given that consciousness involves superior or more elaborate forms of information processing. Contemporary models equate consciousness with global processing, system complexity, or depth or stability of computation. This is in stark contrast with the powerful philosophical intuition that being conscious is more than just having the ability to compute. I argue that it is also incompatible with current empirical findings. I present a model that is free from the strong assumption that consciousness predicts superior performance. (...) The model is based on Bayesian decision theory, of which signal detection theory is a special case. It reflects the fact that the capacity for perceptual decisions is fundamentally limited by the presence and amount of noise in the system. To optimize performance, one therefore needs to set decision criteria that are based on the behaviour, i.e. the probability distributions, of the internal signals. One important realization is that the knowledge of how our internal signals behave statistically has to be learned over time. Essentially, we are doing statistics on our own brain. This ‘higherorder’ learning, however, may err, and this impairs our ability to set and maintain optimal criteria for perceptual decisions, which I argue is central to perception consciousness. I outline three possibilities of how conscious perception might be affected by failures of ‘higher-order’ representation. These all imply that one can have a dissociation between consciousness and performance. This model readily explains blindsight and hallucinations in formal terms, and is beginning to receive direct empirical support. I end by discussing some philosophical implications of the model. (shrink)

People have intuitively assumed that many acts of volition are not influenced by unconscious information. However, the available evidence suggests that under suitable conditions, unconscious information can influence behavior and the underlying neural mechanisms. One possibility is that stimuli that are consciously perceived tend to yield strong signals in the brain, and this makes us think that consciousness has the function of sending such strong signals. However, if we could create conditions where the stimuli could produce strong signals but not (...) the conscious experience of perception, perhaps we would find that such stimuli are just as effective in influencing volitional behavior. (shrink)

It has been over a decade and half since Christof Koch and the late Francis Crick first advocated the now popular NCC project (Crick and Koch, 1990), in which one tries to find the neural correlate of consciousness (NCC) for perceptual processes. In his chapter in this book Chris Frith provides a splendid review of how neuroimaging has contributed greatly to this project. For the sake of contrast, this chapter takes a more critical stance on what we have actually learned. (...) Many authors have written on whether looking for the neural correlates would eventually lead to an explanatory theory of consciousness, while the proponents defend that focusing on correlates is a strategically sensible first step, given the complexity of the problem (Crick and Koch, 1998;Crick and Koch, 2003). My point here is not to argue whether studying the NCC is useful, but rather, to question whether we are really studying the NCC at all. I argue that in hoping to sidestep the difficult conceptual issues, we have sometimes also missed the phenomenon of perceptual consciousness itself. (shrink)

The paper discusses the active part in the process of perceiving, usually expressed by the Greek word krinein. It is argued that krinein in one of its uses means "to judge" in the sense of judging a case, i. e. deciding it. It is not used for making statements. A second meaning of the Greek word is that of discerning or discriminating, and it is this meaning that plays a central part in Aristotle's theory of perception.

This paper offers a brief historical survey of the development of analytic philosophy in Hong Kong from 1911 to the present day. At first, Western philosophy was a minor subject taught mainly by part-time staff. After the Second World War, research and teaching in analytic philosophy in Hong Kong began to grow and consolidate with the expansion of higher-education and the establishment of new universities. Analytic philosophy has been a significant influence on comparative and Chinese philosophy and played a crucial (...) role in the teaching and promotion of critical thinking. Analytic philosophers in Hong Kong are now active participants in the global philosophical community. We review the development of analytic philosophy across the major tertiary institutions in Hong Kong and discuss some of the future challenges faced by the discipline. (shrink)

This short article aims to strengthen Hume's case against the rationality of believing in religious miracles by incorporating certain lessons borrowed from the growing literature on the history and psychology of magic tricks.