t. 1. Historia tēs philosophias, Hellas.

Dans le Phédon, Platon déclare que la philosophie est la musique suprême. C’est donc qu’à ses yeux l’art des sons possède des affinités avec la dialectique. De même, dans le Phèdre, le musicien est rapproché du philosophe, compte tenu de la ressemblance de leurs âmes, ce qui renforce l’hypothèse a priori que Platon conçoit des liens entre ces deux disciplines. Enfin, dans le neuvième livre de la République, il est questions des efforts continus de l’homme raisonnable pour maintenir en lui (...) une sorte d’harmonie. Il faut donc définir les rapports de la musique et de la philosophie selon Platon. La musique et l’harmonique comme disciplines préparant à la dialectique ne sont-elles considérées comme telles qu’en théorie? Ou bien cette conception est-elle fondée sur des faits réels? (shrink)

It seems at least daring to speak of truth on the subject of art, when Plato, in the Sophiste, 234c, likens art to sophistry, in other words, to falsity and deformation. To be sure, this comparison is based on an exaggeration, because elsewhere Plato insists on the necessity of artistic reality: in the same Sophiste, 299e, he states that “life would be unlivable without art.” The importance thus given to art becomes obvious when we think that this same expression is (...) already used in the Apologie, 38a, with regard to philosophy, the activity that for a man conscious of his own existence is one of scrupulously examining his own life. This similarity in expression testifies to the conceptual and axiological similarity of two (but distinct) activities of the mind effected by Plato who, on a different level, as we have just seen, unhesitatingly condemns one of them, at least apparently; apparently, because basically Plato does not inveigh against art in general but against the art of his contemporaries, whom he openly accuses of accepting the postulate of verisimilitude by using artifice and acrobatics, with the sole end of pleasing the crowds by flattery. In other words, they substitute for the scarch for authenticity that of dexterity in creations conceived only for that effect, which means identifying this type of substitution of values with a prostitution of the artist himself with regard to his public. (shrink)

This theory accords to volitions the status of basic mental actions, maintaining that these are spontaneous exercises of the will--a "two-way" power which ...

Die Edition prasentiert Rees Bucher Psychologische Beobachtungen (1875), Der Ursprung der moralischen Empfindungen (1877), Die Entstehung des Gewissens (1885) und Die Illusion der Willensfreiheit (1885).

Arguing that psychologists and their predecessors have invariably relied on metaphors in articulation, the contributors to this volume offer a new "key" to understanding a critically important area of human knowledge by specifying the major metaphors.

Released in 1984, Steven E. Rhoads' classic was considered by many to be among the best introductions to the economic way of thinking and its applications. This anniversary edition has been updated to account for political and economic developments - from the greater interest in redistributing income and the ascendancy of behaviorism to the Trump presidency. Rhoads explores opportunity cost, marginalism, and economic incentives and explains why mainstream economists - even those well to the left - still value free markets. (...) He critiques economics for its unbalanced emphasis on narrow self-interest as controlling motive and route to happiness, highlighting philosophers and positive psychologists' findings that happiness is far more dependent on friends and family than on income or wealth. This thought-provoking tour of the economist's mind is a must read for our times, providing a clear, lively, non-technical insight into how economists think and why they shouldn't be ignored. (shrink)

Across a wide range of legal contexts, E. Thomas Sullivan and Richard S. Frase identify three basic ways that government measures and private remedies have been ...

Many writers in various fields--philosophy, religion, literature, and psychology--believe that the question of the meaning of life is one of the most significant problems that an individual faces. In The Meaning of Life, Second Edition, E.D. Klemke collects some of the best writings on this topic, primarily works by philosophers but also selections from literary figures and religious thinkers. The twenty-seven cogent, readable essays are organized around three different perspectives on the meaning of life. In Part I, the readings assert (...) and defend the theistic view that without the existence of God--or faith in God--life has no significance or purpose. In Part II the selections deny this thesis, defending instead the humanistic alternative--that life has or can have meaning and worth without any theistic beliefs or commitment. In the final group of readings, contributors ask if the question of the meaning of life is in itself legitimate and significant. The volume also includes an introduction by the editor and a selected bibliography. This new edition adds essays by A. J. Ayer, Hazel Barnes, William Lane Craig, Owen Flanagan, Antony Flew, Thomas Nagel, Kai Nielsen, Philip L. Quinn, Arthur Schopenhauer, and Walter T. Stace. The only anthology of its kind, The Meaning of Life, Second Edition, is ideal for courses in introduction to philosophy and human nature. It also provides an accessible and stimulating introduction to the subject for general readers. (shrink)

A dialogue between a foreign philosopher and a powerful statesman outline Plato's reflections on the family, the status of women, property rights, and criminal law.