Berkhofer ranges through a vast archive of recent writings by a broad range of authors. He explicates the opposing paradigms and their corresponding dilemmas by presenting in dialogue form the positions of modernists and postmodernists, formalists and deconstructionists, textualists and contextualists.

“Domino regi piissimo, gratia Dei celsissimo, Carlo vere carissimo, regno Christi rectissimo, ultimus namque Cathuulfus, tamen vester servulus, intimo corde puro in spiritu salutem sancto.” In a flurry of flattery, humility, and sycophantic superlatives the Insular scholar and Carolingian courtier known to us as Cathwulf commenced his famous letter to Charlemagne. Composed almost certainly early in the year 775, Cathwulf's letter to the youthful Frankish king is a unique work. His name is associated with no other text, and indeed (...) the letter to Charlemagne exists in only a single manuscript, an indicator perhaps of restricted contemporary circulation. (shrink)

Robert F. Berkhofer, Jr. provides a basic, broad, and dynamic introduction to a new manner of reading history in light of current theoretical innovations and multiculturalist theories. In order to prepare the reader for this novel historicality, the author guides the reader through an enormous terrain of texts in modernism, poststructuralism, deconstruction, feminism, poetics, and multiculturalism. Just from this standpoint, one may regard Berkhofer's work as a major contribution to the history of contemporary thought. His text, however, exceeds writing (...) another history of ideas precisely by his attempts to transform the way historians regard their texts. Although not specifically delineated, the book consists of two parts: The first half explores some of the implications of postmodernism for the writing, reading, and teaching of history. It shows how historians are able to learn from current deconstructive strategies without being bound to this kind of textualizing. The second half discloses various ways of "applying" a positive understanding of postmodernism to the urgent operation of reading concrete historical texts. (shrink)

In this paper, the author aims to show how various implications of poststructuralist theories on the notion of subjectivity can be treated through the so-called “narrative method”. The said narrative method is profiled precisely through the poststructuralist theoretical framework that highlights the elusive character of subjectivity. This insight is used to draw attention to the realm of language, which is a crucial factor in the emergence of any utterance about the structure of our reality. This way of speaking is recognised (...) as essentially narrative, which means that the story must be used as the fundamental unit of language. The narrative method can also be used to intervene in the field that makes its existence possible in the first place. This paper will therefore first analyse texts by Gayatri Spivak, Roberto Calasso and Michel Foucault. These texts will be interpreted from the point of view of the philosophy of stories, which first emerged with the writings of Wilhelm Schapp. It will turn out that these stories bring language closer to its authentic understanding – namely, as a pure multiplicity of contingent stories. To achieve this, we need to apply our narrative method. (shrink)

The art of interpretation has traditionally been an integral part of medical practice, but little attention has been devoted to its theory. Hermeneutics or the study of interpretation has grown as a methodological interest primarily within the humanities. Borrowing from the medieval fourfold sense of scripture, which organizes interpretive activity both logically and comprehensively, I propose a hermeneutical model of clinical decision-making. According to the model, a patient is analogous to a literary text which may be interpreted on four (...) levels: (1) the literal facts of the patient's body and the literal story told by the patient, (2) the diagnostic meaning of the literal data, (3) the praxis (prognosis and therapeutic decisions) emanating from the diagnosis, and (4) the change effected by the clinical encounter in both the patient's and clinician's life-worlds. The model is illustrated through application to a medical case. (shrink)

Ricoeur placed a great deal of importance upon text and the interpretation of text. Bell accepts this by virtue of his extended analysis of the story of Babel, and I hope to offer ways of extending and developing Bell’s arguments to incorporate the ethical demands that Ricoeur placed upon text, upon our interpretation of text and upon action as a form of readable text. This will not include a commentary on discourse analysis, which I am (...) not qualified to give. Ricoeur differed from the structuralist tradition in that he saw the relationship between language and life as taking a dialectical form: debate that presumes the possibility of altering one’s position by grappling with different views, and often taking inspiration from Hegelian dialectics, with their contrasting polarized views and the eventual attempt at affirmative common ground. The term λoƔoσ was first used in a philosophical way by Heraclitus to give us the principle of order and knowledge, and yet for Heraclitus the world was dominated by conflict and change. Ricoeur studied this tension within logos between order and disorder, partly by his writing about language and his work on signs and symbols, partly through metaphor and narrative and also through his insights on translation. For him, all these are facets of the need for both Explaining and Understanding as forms of interpretation of language, ethics and action. Ricoeur’s work on logos provides us with an approach that asks whether ethics controls language or vice versa or both and how this fits in with structuralism and later movements. For Ricoeur, signs are not the centres of our perceptual experience. At the heart of our perception are our motivations and our actions, for which we must take responsibility in a sort of provisional affirmation that we will keep trying. In so doing we must doubt our own motives just as much as those of others, and see action as a form of readable text. (shrink)

The issue of words combinations draws attention of linguists starting from the second half of the XX c. until the present day. This study is focused on the research of semantic mechanisms of unusually combined lexemes and unexpected collocations in English postmodern short-short stories. Reconsideration of the literary past and ironic view on traditional poetic canons are reflected in postmodern literary texts due to the principles of postmodern poetics. Being distinctive feature of postmodern literature in general, uncertainty creates multiplicity (...) of meanings of entire literary text, as well as separate unexpected collocations, by means of unusually combined lexemes. The aim of the study is to elaborate the phenomenon of valence violation, created by unusually combined lexemes and unexpected collocations in English postmodern short-short stories. To achieve this goal, it is necessary to define the notion of valence and lexeme compatibility, to identify types of valence violation in lexemes combinations, and to provide their possible interpretation. Functioning in English postmodern short-short stories such language units widen boundaries of their usage and their combinatorial profile. Unusually combined lexemes focus the reader’s attention and provoke a cognitive mechanism of continuous searching for a hidden meaning of unexpected collocations and the general message of a literary text. In this research unusually combined lexemes are regarded as special markers of postmodern short-short story genre for which violation of text structure, violation of usual relations between lexemes in logic, semantic and syntactic aspects are quite common. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Two Stories in One: Literature as a Hidden Door to the History of Seventeenth-Century FranceChristian Jouhaud (bio)Translated by Cynthia J. Koepp (bio)I would like to take you into the history of seventeenth-century France through a narrow door—a door that is not only narrow but hidden. Why should we struggle to squeeze through this passage? Well, there are at least two reasons. First, it is an attempt to experience (...) a disorienting perspective on a landscape that we believe we already know completely; and second, the narrowness of the path underlines its particularity and in that way elicits a comparison with other paths elsewhere. This narrow passage is a text, perhaps an insignificant one, written by a seventeenth-century author. After making a few observations concerning its mechanics, I will use this text as a model to interpret something else, to understand it as something that stimulates thinking about historiographical hypotheses: as a convenient tool to shake up the political history of seventeenth-century France. In other words, I propose to utilize literature as a hidden door in order to enter the arena of political history, where we usually do not find any door at all.Deux histoires en une, or Two Stories in One, is a brief text by Jean-Louis Guez de Balzac, a work of uncertain status, published among dozens of other pieces in a collection known by two titles: Moral Treatises and Conversations. Guez de Balzac, who lived between 1595 and 1654, does not appear on the short list of the most celebrated writers of seventeenth-century France: Molière, Racine, Corneille, La Fontaine, Sévigné, Bossuet. At the time, however, he occupied center stage in French literary life. He was perhaps the first author recognized as a grand écrivain; he was widely admired, celebrated, criticized. At the center of protracted literary debates, Guez de Balzac exercised an immense critical authority in the world of belles lettres.Since I first began working on the question of the birth of literature as a specific social space in seventeenth-century France, I have not stopped reading and rereading Balzac’s Two Stories in One. This text resists interpretation—even comprehension. It gives the reader the feeling—to be honest, an exasperating feeling—of extraordinary richness and also of an extraordinary capacity to steal away from view. The importance of this text for the comprehension of something other than itself, however, has become clear to me. This leapt out at me, by chance, when I was reading it for the nth time—at nearly the same time that I was rereading several pages of Marcel Proust. Not that the author of À la recherche du temps perdu had any connection at all to Guez de Balzac. Rather, it was Proust’s evoking, in his way, two stories in one—or rather one story in two parts—that for me rendered suddenly palpable something of the force of Balzac’s text.At the beginning of À l’ombre des jeunes filles en fleurs, Proust meditates on the story of Swann before and after his marriage. He emphasizes our incapacity to think of two successive states in the history of our life at the same time: for example, that of a jealous lover and that of an appeased husband. If one succeeds in thinking both things at once, the two moments then cease to appear distinct to us, and are mixed up one in the other. If the [End Page 92] mind wants to distinguish them, it loses the ability to think them both at once. I would like to propose an hypothesis that the import of Balzac’s Two Stories in One, contrary to Proust, is an attempt to open up to speculation an improbable space, a space imperceptible to sensory experience. This space lies at the interstice of “both at once” and “separately.” Thus Balzac attempts to escape the dilemma of superimposition (that is to say, fusion) or of succession (that is, separation). He attempts to subvert the elementary rule of logic that states that “a” is either different from “b” or is the same as “b.”What is striking when one first reads Two Stories in... (shrink)

The purpose of this study was to examine how elementary preservice teachers ( n = 35) experienced museums as potential sites for K-5 students to read museums using two lenses: to learn the history of the place in which they live and examine how museum authors craft texts to tell those stories. Along with exploring historical content, preservice teachers studied the museum as an informational text. Through this experience, preservice teachers discovered: 1) the five informational text structures (...) museum authors used to present information and 2) how museum authors conveyed contemporary and social issues using various forms of writing. Additionally, the museum experience provided a context in which the preservice teachers could engage in critical literacy practices. (shrink)

The Asatir is a collection of Samaritan midrashim on parts of the Torah, which reached its final form in the tenth or eleventh century. It embellishes the pericope of the Tower of Babel with a number of surprising details: The Tower of Babel was built on a mountain and had a beacon attached to its top; the mount with the tower and the valley of Shinar are compared to Mt. Gerizim and the valley of Shechem. It is argued that these (...) embellishments were introduced in order to read the story of the Tower as a blueprint for historical events surrounding the Church of Mary Theotokos, which was built by the Emperor Zenon on Mt. Gerizim and partly destroyed by the Samaritans in their revolts against Byzantium in the sixth century. The exegetical technique of reading contemporaneous history into the biblical text is discussed from a broader comparative perspective. (shrink)

Digital reading devices such as Kindle differ from paper books with respect to the kinesthetic and tactile feedback provided to the reader, but the role of these features in reading is rarely studied empirically. This experiment compares reading of a long text on Kindle DX and in print. Fifty participants (24 years old) read a 28 page (approx. one hour reading time) long mystery story on Kindle or in a print pocket book and completed several tests measuring various levels (...) of reading comprehension: engagement, recall, capacities to locate events in the text and reconstructing the plot of the story. Results showed that in most tests subjects performed identically whatever the reading medium. However, on measures related to chronology and temporality, those who had read in the print pocket book, performed better than those who had read on a Kindle. It is concluded that, basically comprehension was similar with both media, but, because kinesthetic feedback is less informative with kindle, readers were not as efficient to locate events in the space of the text and hence in the temporality of the story. We suggest that, to get a correct spatial representation of the text and consequently a coherent temporal organization of the story, readers would be reliant on the sensorimotor cues which are afforded by the manipulation of the book. (shrink)

Plato's Atlantis Story is a revised edition of Gill's previous volume, Plato: The Atlantis Story, originally published by Bristol Press in 1980. This revised edition includes a new interpretive introduction, comprehensive bibliography, an original translation, Greek text with commentary, a glossary of Greek terms, an index of ancient passages, and a handful of helpful figures that portray the geography of Atlantis as well as the geography of the world as conceived by the Greeks. All the bases have certainly been (...) covered, and this wealth of resources should appeal to readers at any level of study. The nearly fifty-page interpretive introduction, however, will be of significant interest to scholars, and it will be... (shrink)

This book aims to bring together all the evidence relevant for understanding Plato's Atlantis Story, providing the Greek text of the relevant Platonic texts (the start of Plato's Timaeus and the incomplete Critias), together with a commentary on language and content, and a full vocabulary of Greek words. This essential work also offers a new translation of these texts and a full introduction. The book has two special objectives. The introduction offers a full-scale interpretative reading of the Atlantis story, (...) focused on the philosophical meaning of the story and the significance of Plato's presentation, and responding to recent scholarly discussion of these questions. In conjunction with the new translation, this introduction provides a point of entry to a fascinating story for a wide range of readers. The introduction also discusses the question whether the story had a factual basis, and assesses possible links with Minoan Crete. Secondly, the Greek text (the Oxford Classical text) and commentary are juxtaposed and presented in "bite-size" chunks making it easy to use and helpful especially for students using the book to improve their Greek. The notes provide full grammatical and linguistic help as well as pointers on the philosophical content and presentation, supported by the translation and complete vocabulary of Greek terms. The book is a second edition of one published in 1980. This edition has a new translation, a much fuller introduction, revised and updated notes and a new commentary format. (shrink)

Certain Greek texts depict Helen in a manner that connects her elusive body with the elusive maneuvers of the persuasive story. Her too-mobile body signals in these texts the obscurity of agency in the seduction scene and serves as a device for tracking the dynamics of desire. In so doing this body propels poetic narrative and gives structure to persuasive argumentation. Although the female figure in traditional texts is always the object of male representation, in this study I examine a (...) set of images of a female body whose representation ultimately seems to frustrate the narrative strategies for which its depiction was created. What emerges in the fifth century as a rhetorical technique begins in Book 3 of the Iliad as a narrative strategy that uses Helen's cloaked and disappearing body to catalyze plot, and develops in Sappho's fr. 16 into a logic of desire shaped by the movement of Helen's and other bodies in the visual field. Gorgias, in the Encomium of Helen, transforms these depictions of Helen into an argument that is structured by Helen's body, an argument that Helen herself employs in Euripides' Troades, where her own body serves as the anatomy of her argument. These texts all associate Helen's body with a type of persuasive narrative that repeatedly invokes the field of vision, describing physical presence in terms that aim at attracting the eye. At the same time this verbal portraiture disrupts the audience's perspective by depicting bodies as cloaked, mobile, and/or half seen, and by obscuring distinctions between desirer and desired, viewer and viewed. As both subject and object in this viewing process, Helen's body comes to be associated with the double vision of seduction and the distracting power of persuasive images, which seduce the mind's eye while eluding the mind's grasp. (shrink)

Pictorial representations such as diagrams and figures are widely used in scientific literature for explanatory and descriptive purposes. The intuitive nature of pictorial representations coupled with texts foster a better understanding of the objects of study. Biological mechanisms and processes can be clearly illustrated and grasped in pictures. I argue that pictorial representations describe biological phenomena by telling stories. I elaborate on the role of narrative structures of pictures in the frontier research using a case study in immunology. I (...) articulate that pictures with an inherent narrative structure are crucial in biological sciences. (shrink)

Many readers will be familiar with the power of stories to stimulate rich, ethically-focussed philosophical enquiry with communities of children and young people. This paper presents a view of the relationship between ethics and narrative that attempts to explain why this is the case. It is not an accident that moral matters are illuminated in stories, nor is the explanation for this fitness for purpose merely pragmatic, or a matter of convention. Narrative is at the heart of learning (...) how to live a good live and living that life. Unlike other forms of organising human experience, such as mathematics or science, narrative represents ethical experience particularly well. This is possible because of the logical structures of human experience that narrative successfully communicates and because of the human faculties that it successfully engages , which are the faculties we use in ethical life. Understood in this way, narrative is both a source, and a method of ethical knowledge and understanding. The implication of this claim is that narrative is is not only useful as a stimulus for ethical enquiry in the way in which delegates may be familiar. According to my account, telling and being told stories and exploring narrative features such as character and setting constitute a form of ethical enquiry in their own right. These activities require us to engage the same faculties at work in ethical life and in doing so, we gain ethically relevant experiences that reinforce, challenge and enlarge what we know and understand about the ethical world. However, we do not strive to grasp propositional knowledge through engaging with narratives as a source and method of knowledge and understanding. Books, plays and films on my account, do not have ‘a moral of the story’ that must be grasped and then internalised. What we learn through engagement with narrative is ethical perceptiveness. Perceptiveness in this sense, is knowing how to read and respond to the ethically salient features of a text or an everyday experience. It is a function of the use of our emotion and imagination in conjunction with the intellect. In light of these claims, I advocate ‘Narrative Ethical Enquiry’, a pedagogy that aims at three things I consider to be constitutive of perceptiveness: Ethical awareness: The active and self-conscious identification of the ethical content in stories. Narrative competence: The encouragement of sophisticated acts of giving and receiving stories, as an integral part of ethics education and not just as the basis for an exploration of issues in some other gear e.g. philosophical, legal, scientific, religious etc. Self-conscious enquiry: The recognition – by learners and teachers – of the potential of narratives and active use of narrative to gain ethical knowledge and understanding. Although ethical enquiry in PwC often begins with a story, this does not mean that narrative has been optimised in that educational encounter. Often in a PwC class that begins with a story, there is a hasty move made from an exploration of the detailed content of the story to the identification of one or two ethical concepts followed by the pursuit of understanding through conceptual analysis, the construction of prima facie axioms, principles and other theoretical constructs. All of which operate at a suitably high level of generality and abstraction. This is what philosophy does well, but in in doing so in ethical enquiry, it overlooks narrative features of a stimulus that can offer ethical illumination. Features such as the time and place in which the story takes place; the intentional and emotional states of certain characters; the contingency of certain events and the necessity of others; the uniqueness of the story as a singular whole including its particular details and simultaneously, the generic patterns of tragedy or parody that it assumes. An intellectualistic philosophical engagement with a story will typically neglect the faculties of emotion and imagination that enable us to fully access the ethical dimension of a story and in turn allow us to navigate the ethical dimension of every day life. I propose an approach to ethical enquiry that draws on the self-conscious and systematic clarity of philosophy and the richness, complexity and immediacy of narrative. Philosophical and narrative modes of understanding can - and often do - complement one another in PwC. In proposing Narrative Ethical Enquiry I simply advocate that this be acknowledged, understood and capitalised upon. (shrink)

This essay details the manifestation of the artwork Home Ground, including its subsequent iterations, to explore how an artwork might function as both an expression and extension of narratives associated with its author, Steven Rhall. This exploration begins with a consideration of the ways in which various contextual frameworks inform ‘subjective decisions’, for example, coloniality, and process-led making. I identify as a Taungurung man but I live in a colonised society, experiencing cultures tied to each positionality in the contradictory, complex (...) overlapping contexts of everyday life. The essay takes interest in how these frameworks also shift as the iterative work unfolds in new temporal and geographical locations, ultimately emphasising the interrelationship between author, narrative, and wider contextual frameworks. The essay then moves to consider how the narratives spurred in the art-making process continue to evolve in the author’s absence and in relationship to subsequent audiences. The essay posits itself as a metanarrative in that it acts as an extension of the artwork it is discussing. As such, the essay employs the same photographic images that form the material nexus of Home Ground, thereby further extending the narratives contained in them via the medium of this written text itself. (shrink)

Religious texts seem to share a significant characteristic. They possess a narrative structure, as opposed to presenting a rational argument. This chapter analyzes how traditions develop around texts that have acquired such authoritative status as to become foundational. The New Testament, while fundamentally narrative in structure, encourages theological reflection, and that means, in other words, the penetration of the faith by means of reason. The chapter gives an overview of the theological debates and reflections of Latin Fathers, Church Fathers, and (...) other religious thinkers in Christian history. The century in which Peter Lombard was born and wrote his theology has become a subject largely taught by masters in their own schools. It has been reasoned that Peter Lombard created a system that would render the faith as intelligible as humanly possible through comprehensive coverage of all its major themes in a methodical order and the application of dialectical procedures to several layers of authoritative texts. (shrink)

Stories express hypotheses, interpretations of the world that have a certain degree of probability. To demonstrate this thesis I have adopted the notion of hypothesis, in a sense very close to the Meinongian concept of assumption, and a ‘metric’ conception of the values of the truth or falsity of a proposition – as that has been proposed in several ways by Peirce, Vasil’ev and Meinong. To show the the cognitive value of literary texts, and therefore their truth value, I (...) take my move from chapter 9 of Aristotle’s Poetics, where he holds that poetry is imitative of reality, not in the sense of history – which relates what has happened – but rather, in so far as it expresses “the kinds of things that might happen, that is, that could happen because they are either probable or necessary.” The probable admits variations of degree. By means of an examination of the Meinongian concepts of assumption and objective (i.e. state of affairs), which also allow different modes of gradation, I introduce, with examples drawn from Dante’s Divine Comedy and The Description (Tradimento) by Machiavelli, a theory of degrees of truth that makes it possible to apply the concept of probability to literary as well as to historical texts. Finally, I connect the universal character of the literary text with the ontological notion of incomplete object and argue that a fictional object, as it is incomplete, is not an individual but a type. (shrink)

Online vaccine-critical sentiments are often expressed in appealing personal narratives, whereas vaccine-supporting information is often presented in a non-narrative, expository mode describing scientific facts. In two experiments, we empirically test whether and how these different formats impact the way in which readers process and retrieve information about childhood vaccination, and how this may impact their perceptions regarding vaccination. We assess two psychological mechanisms that are hypothesized to underlie the persuasive nature of vaccination narratives: the availability heuristic and cognitive resistance. The (...) results of experiment 1 showed no empirical evidence for the availability heuristic, but exploratory analyses did indicate that an anti-vaccination narrative might reduce cognitive resistance, decrease vaccination attitudes and reduce attitude certainty in a generally pro-vaccination sample, especially for those who were more vaccine hesitant. Preregistered experiment 2 formally tested this and showed that not narrative format, but prior vaccine hesitancy predicts cognitive resistance and post-reading attitudes. Hesitant participants showed less resistance toward an anti-vaccine text than vaccine-supporting participants, as well as less positive post-reading attitudes and attitude certainty. These findings demonstrate belief consistency effects rather than narrative persuasion, which has implications for scientific research as well as public health policy. (shrink)

Will reading different stories about the same event in the world result in a similar image of the world? Will reading the same story by different people result in a similar proxy for experiencing the story? The answer to both questions is no because language is abstract by definition and relies on our episodic experience to turn a story into a more concrete mental movie. Since our episodic knowledge differs, also the mental movie will be different. Language leaves out (...) details, and this becomes specifically clear when building machines that read texts to represent events and to establish event relations across mentions, such as co-reference, causality, subevents, scripts, timelines, and storylines. There is a lot of information and knowledge on the event that is not in the text but is needed to reconstruct these relations and understand the story. Machines lack this knowledge and experience and likewise make explicit what it takes to understand stories from text. In this paper, we report on experiments to automatically model event descriptions and instances across different news articles. We will show that event information is scattered over the text but also varies a lot in the degree it abstracts from details, which makes establishing event identity and relations extremely difficult. The variation in granularity of event descriptions seems to vary with pragmatic communicative strategies and defines the problem at different levels of complexity. (shrink)

While it has been known for several decades that the Āvaśyakacūrṇi of the Śvetāmbara Jaina tradition and the Mūlasarvāstivāda Vinaya of the Buddhist tradition share some common narrative plots or motifs, so far no detailed study has been made to understand the different ways in which parallel narrative material is utilized in the two texts. Through a comparative study of stories of three characters in the Mūlasarvāstivāda Vinaya and their counterparts in the Āvaśyakacūrṇi, this paper demonstrates that the Buddhists (...) and the Jainas who composed or redacted the two texts exploited parallel narrative plots or motifs along different lines and for different purposes. In particular, with regard to Jīvaka, who is widely known among Buddhists as a model of medical skill and religious faith, this paper argues that the fact that Jīvaka is prominently featured in Buddhist literature but finds no parallel in Jaina literature may be explained by the different attitudes of the two religions to medical healing and to the role of secular physicians in general. (shrink)

Explore 2,500 years of Western philosophy, from the ancient Greeks to modern thinkers, with this ultimate guide’s stunning and simple approach to some of history’s biggest ideas. This essential guide to philosophy includes thoughts on our modern society, exploring science and democracy, and posing the question: where do we go from here? Easy-to-understand text is accompanied by works of art and artifacts from history, as the big ideas and important thinkers are introduced through time. Famous quotes are highlighted, and (...) the sidebars discuss other ideas or key works to include extra context around the theories and people. Celebrate the world's most revolutionary concepts and understand how these ideas continue to shape our world. Develop your own perspectives and explore relevant issues such as modern logic and religion with this wonderfully comprehensive illustrated guide. In a world of evolving ideas, The Story of Philosophy is a fantastic resource to revisit again and again. (shrink)

The central issues raised in much of feminist literary theory's early scholarship remain prescient: how does narrative engage with the social‐historical? In what ways does it codify existing structures? How does it resist them? Whose stories are not being told, or read? In this article I use Doris Lessing's novel The Fifth Child (1988) as a text with which to begin to address the above questions by reading with attention to the mother story but also the ‘other’ (...) class='Hi'>stories operating both within and outside of the novel; in particular I am concerned with the convergence of maternity, disability and narrative. The novel's co-implication of sexual difference and corporeal difference reveals the ways in which the mother's story is both made possible and authorized by the disabled body of her child, and by his inability to tell his own story. Yet, if The Fifth Child is a horror story that uses the disabled child's body as its ground, it is also about the horror of maternity, in its conception and attendant choices. In this fictional story as well as in the social‐historical narrative circulating at the time of its publication in the late 1980s, both child and mother are indicted in their otherness and it is ultimately impossible to separate one from the other. (shrink)

In this paper, I explore two ways of understanding the moral and spiritual significance of stories, and in turn two ways of developing the notion of storied identity, and hence two ways of reading the Bible. I propose that these two approaches to the biblical text provide the basis for a fruitful interpretation of the Christian rite of the Eucharist, so that, to this extent, we can take the Eucharist to support these ways of drawing out the sense (...) of the text. Accordingly, we can speak of reading the Bible eucharistically. The aim of the paper is not to substantially explain central features of the Eucharist as it has been understood in mainstream Christian teaching but, more modestly, to consider how these two ways of approaching the biblical text may help to bring some aspects of the rite, as depicted in Christian thought, into rather clearer focus, including its social dimension, and the relationship, on the Christian understanding, between the divine presence in the Incarnation and in the Eucharist. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 37.1 (2004) 42-71 [Access article in PDF] Narrative as Argument in Indian Philosophy: The Astavakra Gita as Multivalent Narrative Scott R. Stroud Department of Philosophy Temple University Indian philosophy has often been described as radically different in nature than Western philosophy due to its frequent use of narrative structure. By employing poetic elements in their use of language, such texts attempt to convey deep metaphysical truths (...) and philosophical positions about reality that are in many cases quite different from Western ideas (Babbili 1997). Often, these ways of conveying truths are an integral part of that truth. One particularly useful form is narrative, taking instantiations such as a dialogue between characters. Philosophical dialogues such as the Bhagavad Gita and the Astavakra Gita (also known as the Astavakra Samhita ) use a portrayed conversation involving a guru or deity to convey didactic lessons and values to the receptive audience, both ancient and modern. As texts such as the Bhagavad Gita gain in popularity and circulation in the Western world (Minor 1982; Paine 1998; Sharpe 1985), philosophical and rhetorical inquiry must be extended to explain how these texts function in an argumentative philosophical context.Stroud (2002a, 2002b) has advanced the idea that such ancient Indian narratives argue through the use of contradictions and conflicting value structures;1 he labels such texts as multivalent narratives since their use of contradictory value structures compel audience members to reconstruct the narrative's message and allow for the acceptance of novel views. Multivalent narratives are to be distinguished from polysemic narratives (Fiske 1986) in that the latter concern different audience members finding a preferred position from the ambiguous story. Polysemic narratives involve the difference in meaning of the same story to different auditors. Condit criticizes this notion of polysemic narratives and advances her own concept of polyvalent narratives. The concept of a polyvalent narrative involves different auditors understanding the same story in similar ways, but differing in how they evaluate its message. Condit's research with a popular television [End Page 42] show and two students from radically different backgrounds on abortion finds that they understood what occurred in a very similar fashion; they differed in that they "disagree[d] about the valuation of those denotations to such a degree that they produce[d] noticeably different interpretations" (1989, 106). Thus, the auditors differ as to their response to a certain story and how it treats their own cherished values. Stroud (2002a) provides a thorough justification as to why the concepts of polysemic and polyvalent narratives do not capture what can be called multivalent narratives. The important factor in distinguishing these three concepts is that the third involves contradictions at the level of values within a text and the reader's necessitated activity of trying to synthesize or reconcile such contradictions. It is this activity that is the hallmark of multivalent narratives.This employment of multivalent narrative offers a challenge to familiar Western conceptions of argumentative discourse and demands further investigation. This study explores the ways a particular text, the Astavakra Gita, argues its philosophical positions to its audience of potential "pupils."2 Using the insights provided by theories of narrative and reader-response theory, I will argue that this text advances its claims not through overt syllogism or validity claim redemption, but through textual indeterminacy between the audience's disposition and the foregrounded theme of non-individuation in the text. This tension, increased by certain textual devices, results in consistency building by the audience, which enables the transcendence of these two viewpoints (reader and text); it is this experience, not claim, that the Astavakra Gita seems to be advancing to any given audience.In order to explore this interpretation of this text and its argumentative relationship to an audience, insights from both literary studies and rhetorical theory must be used in laying a foundation. The work of Wolfgang Iser (1980, 1989, 1993) and Walter Fisher (1987) will assume roles of particular importance in this endeavor. Iser's theory of aesthetic response provides a useful description of the phenomenological process of reading such a... (shrink)

There is a tradition of philosophy—a conception we can easily under-stand as a limit of a tendency of our own thinking—that philosophy consists only of argument. The rest of the vast prepon-derance of words in philosophical texts is simply embroidery. ‘Naturally’, it will be conceded, actual philosophy books contain more or less of verbal pictures, words and phrases whose purpose is to evoke images, and many stories—examples, hard cases for definitions, and 4 anecdotes. These, it will be said, ‘are (...) only the embellishments, the relief from work, the appetizers or the post-prandial delicacies.’. (shrink)

This article is an attempt to clarify the idea that narratives cohere by representing stories. Stories are causally related in the way proposed by Noël Carroll, i.e., the events and states constitute necessary conditions or sufficient conditions or INUS-conditions of each other. Then, a general concept of propositional coherence is suggested. It is based on Nelson Goodman's and Joseph Ullian's ideas about unitary formulas. Narrative coherence is defined as the propositional understanding of a text (in the wide (...) sense, including non-verbal narratives) that constitutes one unitary string built upon conditional relations, i.e., relations between individuals matching Carroll's types of conditions. (shrink)

The composition of a timeline depends on purpose, perspective, and scale – and of the very understanding of the word, the phenomenon referred to, and whether the focus is the idea or concept, an instance of an idea or a phenomenon, a process, or an event and so forth. The main function of timelines is to provide an overview over a long history, it is a kind of a mnemotechnic device or a particular kind of Knowledge Organization System (KOS).b The (...) entries in the timeline should be brief and indisputable. Therefore, timelines often identify the first occurrences rather than the most widespread or most qualified instances leaving the fuller and more complex, and possibly disputable story out. But even first occurrences are often difficult to establish. The first occurrence is most often only the first finding of an instance. Older instances may be found and competing definitions develop either within a field or in different fields. This is further complicated since the phenomena, their names, and their meanings may change over time. Former meanings may become redundant, or they must accommodate and coexist with new meanings. The time and place of the composition of the timeline are to be considered in interpreting the things listed. The following note will discuss these issues as they occur in the development of the notions of text, e-text and hypertext, and the origin of machine translation. (shrink)

Skill and Mastery: Philosophical Stories from the Zhuangzi presents an illuminating analysis of skill stories from the Zhuangzi, a 4th century BCE Daoist text. In this intriguing text that subverts conventional norms and pursuits, ordinary activities such as swimming, cicada-catching and wheelmaking are executed with such remarkable efficacy and spontaneity that they seem like magical feats. An international team of scholars explores these stories in their philosophical, historical and political contexts. Their analyses’ highlight the (...) class='Hi'>stories’underlying conceptions of agency, character and cultivation; and relevance to contemporary debates on human action and experience. The result is a valuable collection, opening up new lines of inquiry in comparative East-West philosophical debates on skill, cultivation and mastery, as well as cross-disciplinary debates in psychology, cognitive science and philosophy. (shrink)

The origin story of the Licchavis, retold in two commentaries on Nik?ya texts, has received some scant attention in the modern scholastic record, yet has usually been either cast aside as so much myth or has been recast in thematic or structural studies that align it with other tales of incest, foundling narratives, or origin stories of ga?a-sa?ghas. This article argues against those interpretations and offers a thorough rereading of the story as not only encoding a class hierarchy but (...) also, in so doing, critiquing the Brahmanical class structure and the concept of svabh?va by birth. In this new interpretation of the story, and by reading it alongside other narratives, it becomes apparent that the origin story of the Licchavis makes sense within the context of the Buddhist commentaries where it is found. The account of their origins is not merely retelling an old story but furthering a Buddhist message. (shrink)

In "Literary Variation of Indian Buddhist Stories in Chinese 志怪 Novels," Wei Guo discusses Buddhist Sutra scriptures which have been a reservoir of inspiration for Zhiguai novels since their first introduction in Chinese literature. Buddhist texts were less relevant for the "documentary" tradition of Chinese literature owing to their rough structure, vague context, and lack of a sense of history and reality, since they were originally intended as texts of didacticism. Hence, in order to integrate these exotic literary materials (...) with local aesthetic concepts, Chinese writers explored creative adaptations including the addition of adding detail, linguistic embellishments, and the endowment of each story with specific narrative scenes in terms of character, place, and time. Guo argues that Indian Buddhist stories have been remolded in Zhiguai novels and transformed from imaginary religious literature into figurative and documentary literature whereby the convergence of the source texts with the target texts shows the processes of formation of world literature. (shrink)

When discussing dialogue, argumentation researchers rarely draw the distinction between the story world and interactional world. While mediators often help to shape the interactions among agonists in the emerging flow of spoken discourse, writers of postulated dialogues narrate them, constructing a story world that depicts the agonists, depicts their utterances and their circumstances. In this paper, I ask where the agonists of the dialogue model of argument interact, and I show that they often interact in the story world of postulated (...) dialogues. Postulated dialogues are story problem conversations. Common in textbooks, exams, and standardized tests, story problems create hypothetical situations to illustrate formal relationships among variables, and are designed to be read in a theoretical attitude that treats the characters, objects, and circumstances that they depict as given. When argumentation researchers examine postulated dialogues, they tend to adopt a theoretical attitude, limiting their analysis to the conversation between the agonists depicted in the story world. Reading this way makes it easier to overlook the interactional world where the writing and reading of the texts takes place, obscuring the fact that they are narrated dialogues, often written by researchers. Reading this way also makes it easier to confirm the traditional participation framework of the dialogue model of argument. (shrink)

This article is an attempt to clarify the idea that narratives cohere by representing stories. Stories are causally related in the way proposed by Noël Carroll, i.e., the events and states constitute necessary conditions or sufficient conditions or INUS-conditions of each other. Then, a general concept of propositional coherence is suggested. It is based on Nelson Goodman's and Joseph Ullian's ideas about unitary formulas. Narrative coherence is defined as the propositional understanding of a text (in the wide (...) sense, including non-verbal narratives) that constitutes one unitary string built upon conditional relations, i.e., relations between individuals matching Carroll's types of conditions. (shrink)

Abstract:This article critically considers how existing social power relations are reified in the stories we’re using to tell stories about gender and climate change. Throughout, I draw on Donna Haraway’s argument that “it matters what stories make worlds, which worlds make stories” (2016, 12) to explore some of the theoretical possibilities for re-storying gender and climate change offered by feminist and critical scholars. I work through two contextual examples: i) United Nations and associated governmental policy on (...) ‘gender mainstreaming’ in our climate responses; and ii) climate change legislation and Indigenous women’s voices on environmental relationships in Aotearoa New Zealand and the South Pacific. I argue that alongside our need for urgent climate action, we must also disrupt the social power relations reified through hierarchical binaries in our climate change texts, such as Global North/Global South, masculine/feminine, and developing/developed, if we are to ethically and relationally respond to our climate crises. (shrink)

In this paper we argue that to adequately capture the complicated relationship between Descartes' work and late medieval thought, philosophers need to think not only about his ideas but also about his presentation and choice of genre. Reading the Meditations as a mere discursive treatise containing a progressive and consistent set of arguments intended to establish a particular philosophical position fails to appreciate the eponymous genre that Descartes explicitly chose to employ in writing them. Instead, we argue that reading the (...) text in light of the long tradition of contemplative meditative literature opens up a radically new way of interpreting the Meditations as a “mystagogical” project of spiritual edification and epistemic and volitional transformation. During such a transformation, the meditator undergoes a series of revelatory experiences structurally similar to those we find in various so-called “mystical” or “mystagogical”literature, in the Christian West. We show how paying attention to these mystagogical aspects of the Meditations can open up new avenues for understanding the connection between the theoretical, practical, and theological aspects of Descartes' thought. Such a reading resolves a number of seemingly glaring problems and peculiarities in the Meditations including the Cartesian circle, and the tension in the Cartesian notion of the freedom of the will. We also argue that the odd detours the meditator takes in the Sixth Meditation through physiology are not mere digressions but rather mark an often overlooked aspect of the mystagogical story – the return to embodiment as a transformed self. Indeed, the overly intellectualist emphasis of contemporary scholars on both the contemplative aspects of mystagogical literature and the epistemological focus of Descartes' project in the Meditations have caused them to largely overlook the ways in which the aim of both medieval and Cartesian meditation involves a transformative re-orientation of the whole person and their understanding of the world – one which has practical, moral, and social consequences that have gone underexplored in discussions of these texts. (shrink)

In the United States, it is common for people entering christian organizations to receive explanation of what the Bible means before being handed the book and asked to read. Religious ideological transfer stems from this strict codification, and the Story of Abraham highlights the effective blending between original text and interpretation. Recognizing how the Story of Abraham calls for, as Kierkegaard suggested, a suspension of the ethical for obedience, it justifies entrance into a religious state of exception, a fully (...) subjective moment into which the sole sovereign of “divine will” is the self. The social ramifications, beyond a-logical relativism, involve the historic and continued justification of religious otherization and dehumanization, shrined in a belief of divinity. In contemporary debate, the religious hunker down, entrenching themselves within their ideology, while many in deconstructivist camps want to tear these institutions apart. I suggest a middle-ground: a radical reinterpretation — through philosophical, linguistic and literary theory methods — of the Story of Abraham as a narrative reflecting the Tower of Babel motif, to work within the christian ideological system to create strategic biblical interpretations for positive social effect. (shrink)

In spite of the growing interest witnessed in the study of the relationship between emotion and language, the determination of the emotional valence of sentences, paragraphs or texts has so far attracted little attention. To bridge this gap, a technique based on the emotional aspect of words is presented. In this preliminary study, we have compared the affective tones of the sentences of four texts as perceived by readers, to the values generated by the words that compose the texts. The (...) results support the psychological reality of the affective tones of linguistic units larger than a word, and the possibility of their evaluation through the lexical information. Such information should be. useful for studying the role of emotional interest on text processing and for the analysis of the natural stories produced by people in reaction to stressful events. (shrink)

This book is designed for use in courses in law schools and university departments of philosophy. It can serve as a text for basic and advanced courses and seminars. Readings include excerpts of classic works of Aristotle, Aquinas, Locke, Hobbes, Kant, Bentham, and Austin. Provided also are excerpts from standard works of twentieth century philosophers. The book explores current legal discourse with readings on topics such as sociobiology, Islamic law, the legal process school, legal feminism, critical legal studies, intersectionality (...) and gender identity theories, law and economics, and new private law theories. It reprints leading cases on natural rights/human rights and readings from online blogs, op-ed essays, news stories and internet publications, as well as drawing on literary treatment of topics relevant to legal philosophy. (shrink)

Kucha was the major Buddhist center on the Northern Route of the Silk Road, and well known for being dominated by the Sarv?stiv?da school for most of its history. Replacing the j?taka story, the avad?na story became the major theme depicted on the ceiling of the central-pillar caves in this area. Turfan is another important cultural center in Central Asia where Buddhism once flourished. The pra?idh?na painting, which was based on the Bhai?ajyavastu, a vinaya text of the Mulasarv?stiv?da school, (...) was a unique subject normally appearing on the walls of Buddhist caves in Turfan. Both the avad?na and pra?idh?na stories are derived from j?taka stories, with significant shifts of focus, as well as of the format of the narrative. In this paper, through studying the avad?na and vow paintings at Kucha and Turfan, and comparing them with j?takas in early Buddhist art, I attempt to show how j?taka stories were transformed for different doctrinal messages of Buddhist teaching in some late ‘H?nay?na’ schools, namely Sarv?stiv?da and Mulasarv?stiv?da, and how the visual representations mirror the narrative styles in Buddhist texts. (shrink)

This essay examines the character of biblical Yael oscillating between two patriarchal mythical images of femininity, as portrayed by Gilbert and Gubar—“the angel” and “the monster.” The argument arising is that the transition between these two polar and opposite characters occurs as an extreme response to oppression and injury, followed by a subversive and defying transformation. The essay points to the manner in which Yael’s story, which embodies this transformation, demonstrates how the female body is at the center of this (...) conversion, not only as a site for patriarchal control and taming, but also as embodying a text of protest and opposition to this oppression. Yael’s story, as illustrated by this analysis, is revealed as a subversive tradition with radical feminist insights. (shrink)

Michael Walzer's endeavor to disentangle and explain the conflicting scriptural stories of the conquest of Canaan is resourceful and instructive but unfinished. The adequacy of his account as a means of coming to terms with the historica witness is compromised by what he does "not" examine: he does not, for example, examine very closely the lineaments of the program of limited war he praises, does not convey the complexity of the cultic pratice of "herem" and does not take account (...) of the impact of the failure of the Israelite experiment in royal statehood.more importantly, by treating the passages regarding holy war as an embarrassing problem to be solved, he leaves dangling the function of these texts in the life of the faith community. (shrink)

I propose a reconsideration of the role that ‘interpellations’ play in the dynamic process of identity construction. ‘Interpellation’ is a quasi-technical term introduced by Louis Althusser (1969) that I reinterpret using the lens of contemporary social ontology. I therefore look at it as an identity proposal that the individual can either accept, reject, negotiate, or outright ignore. In the original text, Althusser mentions the fact that the individual’s acceptance is the essential moment of an interpellation, but he does not (...) elaborate on the other options available to the individual. I believe it is important to analyze the individual’s options and the factors that may influence whether the individual’s freedom of choice is fully exercised in such contexts. I further discuss the human vulnerabilities that cause ‘interpellations’ to be adopted without much reflection, even in the absence of a repressive system that would try to enforce a mainstream ideology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 37.1 (2004) 42-71 [Access article in PDF] Narrative as Argument in Indian Philosophy: The Astavakra Gita as Multivalent Narrative Scott R. Stroud Department of Philosophy Temple University Indian philosophy has often been described as radically different in nature than Western philosophy due to its frequent use of narrative structure. By employing poetic elements in their use of language, such texts attempt to convey deep metaphysical truths (...) and philosophical positions about reality that are in many cases quite different from Western ideas (Babbili 1997). Often, these ways of conveying truths are an integral part of that truth. One particularly useful form is narrative, taking instantiations such as a dialogue between characters. Philosophical dialogues such as the Bhagavad Gita and the Astavakra Gita (also known as the Astavakra Samhita ) use a portrayed conversation involving a guru or deity to convey didactic lessons and values to the receptive audience, both ancient and modern. As texts such as the Bhagavad Gita gain in popularity and circulation in the Western world (Minor 1982; Paine 1998; Sharpe 1985), philosophical and rhetorical inquiry must be extended to explain how these texts function in an argumentative philosophical context.Stroud (2002a, 2002b) has advanced the idea that such ancient Indian narratives argue through the use of contradictions and conflicting value structures;1 he labels such texts as multivalent narratives since their use of contradictory value structures compel audience members to reconstruct the narrative's message and allow for the acceptance of novel views. Multivalent narratives are to be distinguished from polysemic narratives (Fiske 1986) in that the latter concern different audience members finding a preferred position from the ambiguous story. Polysemic narratives involve the difference in meaning of the same story to different auditors. Condit criticizes this notion of polysemic narratives and advances her own concept of polyvalent narratives. The concept of a polyvalent narrative involves different auditors understanding the same story in similar ways, but differing in how they evaluate its message. Condit's research with a popular television [End Page 42] show and two students from radically different backgrounds on abortion finds that they understood what occurred in a very similar fashion; they differed in that they "disagree[d] about the valuation of those denotations to such a degree that they produce[d] noticeably different interpretations" (1989, 106). Thus, the auditors differ as to their response to a certain story and how it treats their own cherished values. Stroud (2002a) provides a thorough justification as to why the concepts of polysemic and polyvalent narratives do not capture what can be called multivalent narratives. The important factor in distinguishing these three concepts is that the third involves contradictions at the level of values within a text and the reader's necessitated activity of trying to synthesize or reconcile such contradictions. It is this activity that is the hallmark of multivalent narratives.This employment of multivalent narrative offers a challenge to familiar Western conceptions of argumentative discourse and demands further investigation. This study explores the ways a particular text, the Astavakra Gita, argues its philosophical positions to its audience of potential "pupils."2 Using the insights provided by theories of narrative and reader-response theory, I will argue that this text advances its claims not through overt syllogism or validity claim redemption, but through textual indeterminacy between the audience's disposition and the foregrounded theme of non-individuation in the text. This tension, increased by certain textual devices, results in consistency building by the audience, which enables the transcendence of these two viewpoints (reader and text); it is this experience, not claim, that the Astavakra Gita seems to be advancing to any given audience.In order to explore this interpretation of this text and its argumentative relationship to an audience, insights from both literary studies and rhetorical theory must be used in laying a foundation. The work of Wolfgang Iser (1980, 1989, 1993) and Walter Fisher (1987) will assume roles of particular importance in this endeavor. Iser's theory of aesthetic response provides a useful description of the phenomenological process of reading such a... (shrink)

What could be the point of teaching such works of bygone cultural and literary inheritance as Cervantes' _Don Quixote_ and Shakespeare’s _The Merchant of Venic_e in schools today? This book argues that the narratives and stories of such works are of neglected significance and value for contemporary understanding of human moral association and character. However, in addition to offering detailed analysis of the moral educational potential of these and other texts, the present work reports on a pioneering project, recently (...) pursued by the Jubilee Centre for Character and Virtues, concerned precisely with the use of these and other stories for moral and character education in schools. The success of the 'Knightly Virtues’ project is an inspiring story in its own right and should therefore be of enormous interest to all schools, teachers and parents rightly concerned with this all-important aspect of their children’s educational development. (shrink)