This is a revised and enlarged version of Bryan Magee's widely praised study of Schopenhauer, the most comprehensive book on this great philosopher. It contains a brief biography of Schopenhauer, a systematic exposition of his thought, and a critical discussion of the problems to which it gives rise and of its influence on a wide range of thinkers and artists. For this new edition Magee has added three new chapters and made many minor revisions and corrections throughout. This new edition (...) will consolidate the book's standing as the definitive study of Schopenhauer. (shrink)

Overzicht van de ideeën van de Oostenrijks-Engelse wijsgeer (geb. 1902) over de wetenschap en de maatschappij.

In this inspirational book Bryan Magee tells the story of his discovery of philosophy, and in doing so introduces the subject to his reader. Experiences of everyday life provide discussion of philosophers and explain why certain philosophical questions persistently exercise our minds. With great fluency Magee untangles philosophy, making it seem part of everyone's life. Intensely personal and brimming with infectious enthusiasm, this is a wonderful introduction to philosophy by one of the most elegant and accessible writers on the subject.

Explore 2,500 years of Western philosophy, from the ancient Greeks to modern thinkers, with this ultimate guide’s stunning and simple approach to some of history’s biggest ideas. This essential guide to philosophy includes thoughts on our modern society, exploring science and democracy, and posing the question: where do we go from here? Easy-to-understand text is accompanied by works of art and artifacts from history, as the big ideas and important thinkers are introduced through time. Famous quotes are highlighted, and the (...) sidebars discuss other ideas or key works to include extra context around the theories and people. Celebrate the world's most revolutionary concepts and understand how these ideas continue to shape our world. Develop your own perspectives and explore relevant issues such as modern logic and religion with this wonderfully comprehensive illustrated guide. In a world of evolving ideas, The Story of Philosophy is a fantastic resource to revisit again and again. (shrink)

"Under Magee's sensitive guidance a remarkably coherent interpretation of this period emerges."--Marshall Cohen, Listener. "The whole book has a marvellous air of casualness and clarity that makes it a delight to read."--Colin Wilson. Contemporary British philosophy is experiencing unprecedented openness to influences from abroad. New growth is evident in many areas of traditional philosophy which had been neglected by the logical positivists and the linguistic analysts. This sense of freedom permeates Magee's volume of conversations with leading British philosophers. Under Magee's (...) direction, the philosophers discuss other influential thinkers, such as Wittgenstein, Russell, Moore, and Austin, as well as ideas of universal interest, such as morality, art, religion, and social theory. As an introduction to contemporary British philosophy, a unique collection of candid commentaries by important thinkers, and study of fresh ideas, Modern British Philosophy is consistently lively and authoritative. (shrink)

Fifteen dialogues drawn from the highly acclaimed BBC series review the tenets and theories of moral philosophy, poliitcal philosophy, the philosophy of language, and the philosophy of science.

How to live meaningfully in the face of the unknowable We human beings had no say in existing—we just opened our eyes and found ourselves here. We have a fundamental need to understand who we are and the world we live in. Reason takes us a long way, but mystery remains. When our minds and senses are baffled, faith can seem justified—but faith is not knowledge. In Ultimate Questions, acclaimed philosopher Bryan Magee provocatively argues that we have no way of (...) fathoming our own natures or finding definitive answers to the big questions we all face. With eloquence and grace, Magee urges us to be the mapmakers of what is intelligible, and to identify the boundaries of meaningfulness. He traces this tradition of thought to his chief philosophical mentors—Locke, Hume, Kant, and Schopenhauer—and shows why this approach to the enigma of existence can enrich our lives and transform our understanding of the human predicament. As Magee puts it, "There is a world of difference between being lost in the daylight and being lost in the dark." The crowning achievement to a distinguished philosophical career, Ultimate Questions is a deeply personal meditation on the meaning of life and the ways we should live and face death. (shrink)

Some philosophy – Wittgenstein's would be an example – is written in clear sentences, yet most people find it obscure at a first reading. This is because the prime location of clarity in philosophy is not sentences but structures. Only if a reader can relate what he is currently reading to a wider framework does he know where he is. Coherent utterance in all discursive media – not only language but mathematics, for example, or music – possesses two kinds of (...) structure at the same time. In this article these are distinguished, and their radically different relationships with language shown. In the process, the commonest causes of unclarity are also identified. (shrink)

1 Introduction p. 3 2 Scientific Method--the Traditional View and Popper's View p. 13 3 The Criterion of Demarcation between what is and what is not Science p. 32 4 Popper's Evolutionism and his theory of World 3 p. 55 5 Objective Knowledge p. 65 6 The Open Society p. 75 7 The Enemies of the Open Society p. 90 Postscript p. 114 Bibliography p. 117.

Beginning with the death of Socrates in 399 BC, and following the strand of philosophical inquiry through the centuries to recent figures such as Bertrand Russell and Wittgenstein, Bryan Magee's conversations with fifteen contemporary writers and philosophers provide an accessible and exciting account of Western philosophy and its greatest thinkers. With contributions from A. J. Ayer, Bernard Williams, Martha Nussbaum, Peter Singer, and John Searle, the book is not only an introduction to the philosophers of the past, but gives an (...) invaluable insight into the view and personalities of some of the most influential philosophers of the twentieth century. (shrink)

Wagner was one of the few major composers who studied philosophy seriously. Bryan Magee places the composer's artistic development in the context of the philosophy of his age, and gives us the first detailed and comprehensive study of the close links between Wagner and the philosophers - from the pre-Marxist socialists to Feuerbach and Schopenhauer. Magee explores the relationship between words and music, between the conscious and the unconscious mind, between art and philosophy. It tackles soberly and judiciously the Wagner (...) whose paranoia, egocentricity and anti-semitism are repugnant, as well as the Wagner of artistic genius. The resulting text illuminates Wagner and the music-dramas in altogether new ways. (shrink)

This book consists of fifteen dialogues between Bryan Magee and some of the outstanding thinkers of the twentieth century. It includes contributions from Isaiah Berlin, Noam Chomsky, W. V. O. Quine, A. J. Ayer, Iris Murdoch, and Herbert Marcuse.

Dialogues with British philosophers (A.J. Ayer and others) first broadcast on BBC radio, winter 1970-71.

On Blindness opens the eyes of the sighted to the world as experience by the blind, offering a unique opportunity to explore the challenges, frustrations, joys - and extraordinary insights - experienced in the everyday business of discovering the world without sight. What difference doessight or its absence make to our ideas about the world? What begins as a philosophical exchange between the noted philosopher and broadcaster Bryan Magee and the late Martin Milligan, activist and philosopher blind almost from birth, (...) develops into a personal and intense discussion of the implications of blindness. The debate is vigorous and oftenheated; sometimes contentious, it is always stimulating. In discussing the range of blind experience, from those born blind to those who became blind - including those who have to cope with the shock of gaining sight they had never before possessed - On Blindness argues strongly against the notionthat blindness is a simple experience. This extraordinary book casts new light on one of the most fundamental aspects of human experience. It will make fascinating reading for anyone interested in sight and blindness from a personal, practical or philosophical point of view. This dictionary is intended for anyone who enjoys food andwould like a handy, non-technical guide to the terms they encounter on food labels, in advertising or in the media. Its broad coverage of food and nutrition makes it invaluable for consumers, cooks, and a range of students and practitioners in the fields of catering, home economies, foodtechnology, and health care. (shrink)

In any field it is common practice for an editor who is sent a book for review to put it into the hands of a reviewer who has published a book on the same subject. The reasons are self—vident: not only does the reviewer have specialist knowledge, he is known by the journal's readers to have it, and is likely therefore to be accepted by them as an authority. However, there are arguments against the practice which, though less often considered, (...) deserve to carry the day more often than they do. The mere fact that the new author has written his bookat all means or ought to mean, that he thinks existing books on the subject leave something to be desiredhypenif he has nothing new to say he should have kept silent. But this in turn means that his book is in conflict with or goes beyond, what his reviewer has published on the same subject, and in that sense contains implicit criticism of the reviewer's work. It is this fact that creates the problem. For if the reviewer lets such elements in the book pass he will appear to readers who know his own work to be either conceding arguments or condoning what he ought to regard as error, while if he praises them he may appear to be recanting his own positions. In the circumstances what he tends to do is come down heavily on those aspects of the book that differ from his own, and criticize them. Thus it comes about that the sub-text of many a hostile review is less an impartial assessment of the author's work than an oblique defence of the reviewer's. To say this is not to impute bad motives to the reviewer: on the contrary, my point is that it is in the logic of the situation. (shrink)

A play's text is nearly all talk, and in the performance of a play the physical activity is sparse and exceedingly limited. Used of a play, the term ‘action’ does not mean what it normally means. Its true meaning is illuminated by reference to J. L. Austin and his doctrine of speech-acts. Dramatic action is, for the most part, speech-action. And a skilful manipulation of speech-acts enables the gifted dramatist not only to tell a story but to communicate what is (...) going on below the surface. (shrink)

In this infectiously exciting book, Bryan Magee tells the story of his own discovery of philosophy and not only makes it come alive but shows its relevance to daily life. Magee is the Carl Sagan of philosophy, the great popularizer of the subject, and author of a major new introductory history, The Story of Philosophy. Confessions follows the course of Magee's life, exploring philosophers and ideas as he himself encountered them, introducing all the great figures and their ideas, from the (...) pre-Socratics to Bertrand Russell and Karl Popper, including Wittgenstein, Kant, Nietzsche, and Schopenhauer, rationalism, utilitarianism, empiricism, and existentialism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Encounters with Bertrand RussellBryan Magee and Introduced by Henry HardyBryan Magee (1930–2019), the celebrated philosopher, politician, journalist, author and broadcaster, was (and still is) well known for his brilliant television conversations with prominent philosophers—a triumph of uncondescending popularisation. He was a consummate interviewer and discussion chairman, and one of the most articulate and engaging expositors, especially of ideas, who ever lived.Born a cockney in Hoxton, east London, he was (...) educated at Christ's Hospital School in Sussex, and at Oxford, where he was elected president of the Oxford Union. Early in his career he presented the itv current affairs programme This Week, made documentaries about social issues, and wrote books, including the hugely successful Popper (1973) for Fontana Modern Masters. In 1974 he was elected as Labour mp for Leyton, but in 1982 defected to the sdp, losing his seat in 1983.He talked to philosophers for the bbc in the radio series Conversations with Philosophers (1970–71) and in the two tv series Men of Ideas (1978) and The Great Philosophers (1987). Substantial volumes on Wagner and Schopenhauer were highlights in an eventual total of 23 very various books, including The Story of Philosophy (1998), Ultimate Questions (2016), and three volumes of autobiography: Clouds of Glory: a Hoxton Childhood (2003), Growing Up in a War (2007), and Making the Most of It (2018).He left a large body of unpublished work: finished and unfinished books; essays, poems, interviews, "Notebooks" of short philosophical thoughts, correspondence. It falls to me as his literary executor to publish the best of it. I started with the selection from the Notebooks that appeared last year in the New Statesman, chosen by the editor of the magazine, Jason Cowley. Next in line are his pen-portraits of contemporary figures whom he knew well, or met [End Page 63] and sharply observed. Many of these, including the one published here,1 were written in a thick red bound foolscap notebook. Magee intended them to be published as a book, but never turned to the task.The following vignette of his meetings with Russell turned out to be a dry run for "Getting to Know Russell", Chapter 12 of Confessions of a Philosopher, which I described, when I reviewed it for the Times Higher Education Supplement,2 as a "challenging and readable invitation to philosophy" that is "exemplary in its clarity and breathtaking in its intellectual self-confidence". As Andrew Bone, co-editor of this journal, has observed to me, this original version is "More affectionate and less critical than the longer book-chapter that grew out of it."3 The later version is not as different from the earlier as Magee's closing words below imply it should be, but there are things in both versions that are not there in the other, so that it is worth having both in print. In the book Magee adds that Russell was one of the two geniuses he had the good fortune to get to know (the other, presumably, being Karl Popper), that "My first day with Russell remains for me the most memorable day of talk I have ever experienced", and that "Russell remains the most unforgettable character I've met." There are also factual differences: for example, Magee says below that they spent only "minutes" on the tv project that he visited Russell to discuss, but in the book "We discussed the television programme at useful length." Stories have a way of changing in the retelling. [End Page 64]________25 October 1970I have been putting off writing about Russell, because the task is so great, and the offhand way I have written this book is not appropriate to it. Perhaps first, simply, the facts of my acquaintanceship with him.When I was working at atv in the late 1950s it was wanted to include Russell in a one-hour documentary about the population explosion (a documentary which would have to say a good deal about world hunger). I rang him at his house in Wales to ask him to take part, and told him I was perfectly willing to bring a television unit down to Penrhyndeudraeth to film the... (shrink)

Hoe kan de behoefte om 'hartstochtelijk uitdrukking te geven' aan de geestesgesteldheid die teweeggebracht is door het lezen van een wijsgerige verhandeling tegelijkertijd de aanzet vormen tot een eenvoudig muzikaal concept, of zelfs, zoals Wagner zelf stelt, 'mijn minst gecompliceerde muzikale conceptie'? Magee analyseert dit probleem waarmee hij geconfronteerd wordt naar aanleiding van de opera Tristan en Isolde.