How am I to account for this difficulty? I would like to be able to say that Cornman has simply misconstrued the appearances he is seeking to save, and that his subtle hypothetical-deductive theorizing rests on faulty "observation." Yet although I do think that he has misconstrued the views he is seeking to explain, and shall argue this in detail, I have come to see that I must bear a substantial part of the responsibility. He may have missed some clues (...) that were in front of his eyes, but often the passages with which he had to cope were unclear and indistinct. Relatively small errors of interpretation at the beginning of a commentary can snowball into major misunderstandings. This tendency is present in Cornman's essay; but his grasp of the general trend of my thinking has provided a constant corrective, and kept his hypotheses as close as they are to the truth. And, indeed, if I am disturbed at the difficulty he has found in reconstructing my thought, I derive some measure of encouragement from the fact that in the closing stages of his argument he is so close to formulating the position I have sought to defend, that had he been able to put his apparatus aside and take a fresh look at the evidence, he must have seen that some, at least, of the questions he pursues did not arise. (shrink)

this essay argues that John McDowell's argument that sensations are a useless 'fifth wheel' in Wilfrid Sellars' philosophy of experience fails.

This chapter contains sections titled: Quine, the Dogmas, and Sellars The Transcendental Argument for Sense Impressions Are Sense Impressions Casually Idle? A Sideways‐On View from Nowhere Sensation and the Phenomenology of Perception Concluding Remarks Notes References.

This essay is on the nature and roles of sense impressions and objects in Hume’s account of perception in the Treatise of Human Nature. I start by considering how Hume introduces sense impressions at the beginning of the Treatise and show that, although he explains the distinction between impressions and ideas on the basis of their different strength and liveliness, the crucial difference between them is in fact that ideas are copies of impressions, while impressions do not, in (...) turn, copy anything. They are what ideas represent, the objects of our thought. But if impressions are non-representative, how can Hume talk about ‘objects’ at all — in fact, what are Humean ‘objects’? This problem is the subject of the present discussion. (shrink)

Selon les épicuriens, toutes les impressions des sens sont vraies et la raison trouve en elles son fondement. Nombreux sont ceux, cependant, qui croient que les impressions des sens ne sont pas toutes vraies. Les épicuriens expliquent cette croyance de la façon suivante : la source de cette erreur est souvent la croyance que les impressions des sens peuvent se contredire. Mais cette dernière croyance résulte souvent de ce que les épicuriens tiennent pour notre tendance naturelle, et fréquemment utile, à (...) généraliser et à former des opinions par extrapolation à partir des impressions de nos sens. (shrink)

Discussion of W. Sellars's rediscovery of experiential presence continues with special reference to J. McDowell's and J.F. Rosenberg's recent articles on Sellars's understanding of perception, and a later effort by Sellars to cast light on the intimate relation between sensing and perceptual taking. Five main sections respectively summarize my earlier discussion of Sellars's account of experiential presence, draw on Rosenberg's explication of two Sellarsian modes of responding to sense impressions, consider McDowell's claim that Sellars's perceptual takings are shapings of (...) sensory consciousness, introduce Sellars's Kantian late account of experiential presence, and return critically to McDowell's thesis: Sellars's perceptual takings, notwithstanding their being purely conceptual actualizations, give us awareness of the very pinkness of a pink ice cube. (shrink)

"Stains" can serve as a metaphor for the role allotted to meaninglessness not only by partisans of the deterritorializing force of "brute matter", but also by diagnosers of symbolic incompleteness. For both, the blindspot that will lead to the disturbance of a given regime of meaning must be determined through a smear or glitch which that regime cannot sublate: the mark of a Real stripped of systematising mediation. However, we argue that it is all too easy to allow the stringency (...) of this Real to be undermined by the inflation in its name of merely contingent empirical instances. Such blockages to theoretical and artistic practice can be removed with the aid of the articulation of incompleteness and inconsistency implied by François Laruelle's conception of the Real as non-consistent but hypercomplete "radical immanence". À rebours of Laruelle himself, different types of meaninglessness can then be distinguished, de-metaphorized, and conceptualized as "noise". (shrink)

This book is the one to put into the hands of those who have been over-impressed by Austin 's critics....[Warnock's] brilliant editing puts everybody who is concerned with philosophical problems in his debt.

In lieu of an abstract, here is a brief excerpt of the content:381 IMPRESSIONS, IDEAS, AND FICTIONS I. Introduction Under the heading of "fiction," Selby-Bigge's index to Hume's Treatise of Human Nature lists no fewer than seventeen distinct fictions. There is the fiction of perfect equality, of continued and distinct existence, of substance and matter, of substantial forms, accidents, faculties and occult qualities, the fiction of personal identity, and many others. The notion of a fiction is central in Hume's philosophy. (...) As the title of this paper suggests, I believe that fictions are so important that what is commonly called Hume's theory of impressions and ideas ought to be called the theory of impressions, ideas, and fictions. Although fictions are at the heart of a number of Treatise passages, they have 2 generally received very little sustained treatment. This paper is a start at filling a gap in Hume interpretation. I hope to lay the groundwork for a complete study of Hume's fictions. There are some obvious questions to be addressed in such a study: Is there just one type of fiction or are there many? Is there an essential feature or set of features shared by all fictions? Is the characterization of a view as involving a fiction always a criticism of that view? If fictions are in some sense false or wrong, what do they contrast with? What notions are true or correct? Does Hume's account of fictions mesh with an account of truth? If there is no account of truth, how can there be an account of fictions? These questions, by no means the only ones which can be raised, are related. They can be seen as hovering around the issue of whether Hume's notion 382 of a fiction is an ontological notion. Is calling something a fiction denying the existence of that thing? Does believing in fictions (e.g., believing that there are persons) amount to holding a false belief that something exists when in fact it does not? Should we read Hume as claiming, for example, that there are no substances because he calls substance a fiction? Answering 'yes' to these questions has obvious implications for the questions raised in the last paragraph. I believe that while the deflationist reading is not completely wrong, it is wrong enough to account for much confusion in Hume interpretation. Many readers of the Treatise think, for example, that in calling the self a fiction Hume is denying the existence of persons. This makes it completely mysterious why Hume talks about persons throughout the Treatise in a common-sense way, as if they do exist. Though I cannot investigate all the consequences of my interpretation of Hume's fictions for the numerous issues which involve fictions in the Treatise, it is my hope that clarifying Hume's notion of fiction will help shed light on those other notions, such as personal identity, which Hume calls fictions. I will offer an interpretation which attempts to locate some general features of fictions in the Treatise passages where Hume invokes them. Although there are different fictions, Hume has a core notion of fiction which is fundamentally epistemological rather than ontological. There will be space in this paper to look at only a few fictions, those which occur in or before "Of scepticism with regard to the senses." I believe, however, that the interpretation can be generalized. Finally, I will suggest how my interpretation provides answers to the above questions. 383 II. Fiction and Imagination It is tempting to think of Hume's notion of a fiction as an ontological notion because in contemporary usage, the notion of a fiction is ontologically loaded. Fictions are things we construct in our heads; they are the result of concatenating ideas in the imagination. Golden mountains and the Wicked Witch of the East are fictitious; they don't represent anything which exists. If Hume is using this notion of fiction, then he must be doing deflationary ontology. On this view, to call something a fiction is to demote it to the status of something thought up in one's imagination; it is to accord it the rank of something whose existence is not to be accepted. There is some support... (shrink)

A natural reading of Hume’s distinction between impressions and ideas is that impressions are forceful perceptions whereas ideas are faint. A problem emerges, however, when Hume countenances the possibility of faint impressions and forceful ideas. In this paper, I attempt a resolution to the problem. I argue that Hume characterizes impressions and ideas intensionally and extensionally, and sometimes uses the term in only one of the two senses. I argue that Hume intensionally defines impressions and ideas as forceful perceptions and (...) weak perceptions, respectively, but takes these to be extensionally equivalent to original and copied perceptions, respectively. Hume recognizes that his two characterizations—the intensional and extensional—don’t perfectly match up, and that there are exceptions to the purported equivalences (the exceptions being disease, sleep, madness, and enthusiasm). Nonetheless, I argue that Hume’s willing to proceed with his definitions. (shrink)

This book brings together a group of Judith Butler's philosophical essays written over two decades that elaborate her reflections on the roles of the passions in subject formation through an engagement with Hegel, Kierkegaard, Descartes, Spinoza, Malebranche, Merleau-Ponty, Freud, Irigaray, and Fanon. Drawing on her early work on Hegelian desire and her subsequent reflections on the psychic life of power and the possibility of self-narration, this book considers how passions such as desire, rage, love, and grief are bound up with (...) becoming a subject within specific historical fields of power. Butler shows in different philosophical contexts how the self that seeks to make itself finds itself already affected and formed against its will by social and discursive powers. And yet, agency and action are not necessarily nullified by this primary impingement. Primary sense impressions register this dual situation of being acted on and acting, countering the idea that acting requires one to overcome the situation of being affected by others and the linguistic and social world. This dual structure of sense sheds light on the desire to live, the practice and peril of grieving, embodied resistance, love, and modes of enthrallment and dispossession. Working with theories of embodiment, desire, and relationality in conversation with philosophers as diverse as Hegel, Spinoza, Descartes, Merleau-Ponty, Freud, and Fanon, Butler reanimates and revises her basic propositions concerning the constitution and deconstitution of the subject within fields of power, taking up key issues of gender, sexuality, and race in several analyses. Taken together, these essays track the development of Butler's embodied account of ethical relations. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:183, IMPRESSIONS AND EXPERIENCES: PUBLIC OR PRIVATE? In his 'Perceptions and Persons' William Davie aims "to determine what perceptions are for Hume." He challenges what I trust that he is right in labelling "The Standard View." His statement of this view is quoted from my Hume's Philosophy of Belief:... Impressions are defined as constituting with ideas the class of 'perceptions of the mind. ' While wine must be (logically) (...) public, the impression of wine like the idea of wine must be (logically) private. Whereas the presence of wine tautologically guarantees the presence of wine, the occurrence of an impression of wine is by no means a sufficient condition of the presence of wine — because an impression of wine, but not of course real wine, may be hallucinatory. Impressions belong to the category of experiences: wine2is cellared in that of physical things. My own purpose now is to defend, against attacks recently launched not only by Davie but also by Donald Livingston, this standard view. Davie contrasts it with "my own view, which is that perceptions are the things that we know, both private and public" (p. 130). He shows no signs of recognizing either how revolutionary his present suggestion is, or how revolutionary Hume himself would have been were any such suggested interpretation correct. For this particular "Standard View" is not one first introduced by me a couple of decades ago, and later misguiding even such usually sound scholars as Terence Penelhum. Instead it seems to have been accepted by almost if not absolutely all earlier writers discussing this part of Hume's philosophy. For instance: if Davie is right, then Thomas Reid must have devoted most of his professional life to the dismembering of a straw man. "Reid," as Livingston remarked in his Introduction to Hume: A Re- 184. evaluation, "took Hume's work to be a reduction to absurdity of a philosophical hypothesis which began in modern times with Descartes.... 'The hypothesis I mean is, that nothing is perceived but what is in the mind which perceives it....'" Again: if Davie is right, then Hume is here breaking from all his immediate predecessors in a revolutionary way, and in a direction which ought to have made the revolution welcome to Reid. Yet Hume himself gives no hint of this radical new beginning. Instead he goes out of his way to note a merely verbal innovation: by his introduction of a new use for the term 'impression' the word 'idea' is restored "to its original sense, from which Mr. Locke had perverted it, in making it stand for all our perceptions" (T2 fn.). The class of Lockean ideas, the class which Hume is thus studiously subdividing into the subclasses of Humean ideas and Humean impressions, contains, surely, nothing but what is logically private? Certainly no other interpretation of Locke's words would seem to be possible. He scarcely could have put the point more clearly or more emphatically than he does in the introductory first chapter of An Essay concerning Human Understanding. He says there that he is going to investigate "those Ideas, Notions, or whatever else you please to call them, which a Man observes, and is conscious to himself he has in his Mind...." Locke also apologizes for his frequent employment of "the Word Idea, " excusing it as necessary "to express whatever is meant by Phantasm, Notion, Species, or whatever it is, which the Mind can be 4 employ'd about in thinking...." Only and precisely in this understanding of the nature of ideas was it possible for Berkeley to open The Principles of Human Knowledge with a single sentence asserting everything which Reid was so correctly concerned to deny: 185, It is evident to any one who takes a survey of the objects of human knowledge, that they are either ideas actually imprinted on the senses, or else such as are perceived by attending to the passions and operations of the mind, or lastly ideas formed by help of memory and imagination, either compounding, dividing, or barely representing those originally perceived in the aforesaid ways. In face of all this, how is it possible to maintain that, for Hume, "perceptions are the things that we know... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:183, IMPRESSIONS AND EXPERIENCES: PUBLIC OR PRIVATE? In his 'Perceptions and Persons' William Davie aims "to determine what perceptions are for Hume." He challenges what I trust that he is right in labelling "The Standard View." His statement of this view is quoted from my Hume's Philosophy of Belief:... Impressions are defined as constituting with ideas the class of 'perceptions of the mind. ' While wine must be (logically) (...) public, the impression of wine like the idea of wine must be (logically) private. Whereas the presence of wine tautologically guarantees the presence of wine, the occurrence of an impression of wine is by no means a sufficient condition of the presence of wine — because an impression of wine, but not of course real wine, may be hallucinatory. Impressions belong to the category of experiences: wine2is cellared in that of physical things. My own purpose now is to defend, against attacks recently launched not only by Davie but also by Donald Livingston, this standard view. Davie contrasts it with "my own view, which is that perceptions are the things that we know, both private and public" (p. 130). He shows no signs of recognizing either how revolutionary his present suggestion is, or how revolutionary Hume himself would have been were any such suggested interpretation correct. For this particular "Standard View" is not one first introduced by me a couple of decades ago, and later misguiding even such usually sound scholars as Terence Penelhum. Instead it seems to have been accepted by almost if not absolutely all earlier writers discussing this part of Hume's philosophy. For instance: if Davie is right, then Thomas Reid must have devoted most of his professional life to the dismembering of a straw man. "Reid," as Livingston remarked in his Introduction to Hume: A Re- 184. evaluation, "took Hume's work to be a reduction to absurdity of a philosophical hypothesis which began in modern times with Descartes.... 'The hypothesis I mean is, that nothing is perceived but what is in the mind which perceives it....'" Again: if Davie is right, then Hume is here breaking from all his immediate predecessors in a revolutionary way, and in a direction which ought to have made the revolution welcome to Reid. Yet Hume himself gives no hint of this radical new beginning. Instead he goes out of his way to note a merely verbal innovation: by his introduction of a new use for the term 'impression' the word 'idea' is restored "to its original sense, from which Mr. Locke had perverted it, in making it stand for all our perceptions" (T2 fn.). The class of Lockean ideas, the class which Hume is thus studiously subdividing into the subclasses of Humean ideas and Humean impressions, contains, surely, nothing but what is logically private? Certainly no other interpretation of Locke's words would seem to be possible. He scarcely could have put the point more clearly or more emphatically than he does in the introductory first chapter of An Essay concerning Human Understanding. He says there that he is going to investigate "those Ideas, Notions, or whatever else you please to call them, which a Man observes, and is conscious to himself he has in his Mind...." Locke also apologizes for his frequent employment of "the Word Idea, " excusing it as necessary "to express whatever is meant by Phantasm, Notion, Species, or whatever it is, which the Mind can be 4 employ'd about in thinking...." Only and precisely in this understanding of the nature of ideas was it possible for Berkeley to open The Principles of Human Knowledge with a single sentence asserting everything which Reid was so correctly concerned to deny: 185, It is evident to any one who takes a survey of the objects of human knowledge, that they are either ideas actually imprinted on the senses, or else such as are perceived by attending to the passions and operations of the mind, or lastly ideas formed by help of memory and imagination, either compounding, dividing, or barely representing those originally perceived in the aforesaid ways. In face of all this, how is it possible to maintain that, for Hume, "perceptions are the things that we know... (shrink)

Peter Auriol argues that sensation and intellection are both passive and active. They are passive insofar as they involve the reception of species or impressions of extra-mental objects. They are active insofar as both senses and intellect process these species and produce an intentional object. The way in which the senses and the intellect receive and process their own impressions is quite different, though. While perception is beyond our control, Auriol claims that the imagination, and the activity of the agent (...) and possible intellect depend on an act of the will. His idea is that the will pushes the intellect to focus on one of the impressions it receives from external objects, so that the corresponding impression is allowed to be imprinted in the intellect itself and the relevant concept formed. This paper examines the role that Auriol attributes to the will in our intellectual cognition, inasmuch as it is able to determine both (i) what kind of impressions can be picked and then embedded into the mind and, (ii) consequently, which concepts the intellect will form. My view is that, by envisioning the intellect and the will as already interacting during the process of concept formation, and not just during that of choice-making, Auriol provides an account of the intellect and the will strongly integrated with one another, thus offering a unitary vision of our cognitive life. (shrink)

All living things have sensory capacities. Plants, in particular, have sensory receptors, transduce the activations of these receptors, and process these outputs in order to manage actions that demand sensory integration. However, there is a kind of sensory function that plants cannot perform. They cannot sense something as other than themselves. Animals, by contrast, perceive. They experience two kinds of "othering impressions"—impressions of entities as located outside and available for interaction, and hence as distinct from the perceiving subject. First, (...) they represent external entities in a "body scheme" that enables sensorimotor interaction with these entities. Second, higher animals such as mammals and birds and possibly fish, represent these entities as located relative to a "cognitive map." These othering impressions are very important because they are the foundation for the human conceptions of the self and other. (shrink)

Reid maintained that the perceptions that we obtain from the senses of smell, taste, hearing, and touch are ‘suggested’ by corresponding sensations. However, he made an exception for the sense of vision. According to Reid, our perceptions of the real figure, position, and magnitude of bodies are suggested by their visible appearances, which are not sensations but objects of perception in their own right. These visible appearances have figure, position, and magnitude, as well as ‘colour,’ and the standard view (...) among Reid scholars has been that Reid maintained that our perceptions of visible figure, position, and magnitude are also not suggested by any sensation. They are instead suggested by the material impression on the retina. Gideon Yaffe challenges the standard interpretation. According to Yaffe, Reid believed that our perceptions of visible figure are suggested by corresponding sensations, by sensations of colour. We defend the standard interpretation of Reid. According to Reid, there is no “local sign” in our sensations of colour. The same colour sensation can be associated with different positions on the visual field, and different colour sensations can be associated to the same position on the visual field. According to Reid, we only have evidence for a correlation between the image on the retina and the perception of visible figure. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:139. COULD AN IMPRESSION BE A PROCESS? Processes are of two main kinds, depending on whether the process has or lacks culmination. I am concerned with non-culminating processes, e.g., with a burning fuse sans explosion. This is reported as secondary by any good dictionary, derived from the head, or culminating, sense of 'process'. An ontological criterion for 'process' is as follows: something is absolutely unchanging, if it (...) is unchanging in every sense of the word. Those who hold that, e.g., a monotonous sound is absolutely unchanging hold that in an absolutely unchanging universe there is no reason why there should not be such a sound. Like any absolutely unchanging existent, a sound is caught, so to speak, in an instantaneous freeze on all change. Those who opt for process hold that change is, so to speak, of its essence. Hence, in an absolutely unchanging world, there could not be a process. The question I wish to raise is not whether there are processes, and certainly not whether Hume opts for processes. It is doubtful that Hume entertained the question of process. Indeed, that is the point. One of Hume's main commentators, R. W. Church, holds that Hume's perceptual atoms, defined by his dictum that distinguishability mutually entails separability, as well as their philosophical relations, are incompatible with the thesis that "experiences exist not in succession but in process." Church goes on to say that it is "difficult to see how... 'process' can have meaning for Hume. He plainly holds perceptions and their contents to be successive merely. I begin by considering Church's reason why Hume must reject processes, and then consider an additional reason drawn from Hume's account of time. Specifically, 140. divisibility òf time terminates in unchanging atoms. The essence of process is change. Hence, no temporal atom is a process. Neither reason, I argue, suffices for holding that impressions and processes are mutually exclusive. Hume holds that distinguishability mutually entails separability. Church holds that this dictum defines Hume's perceptual atomism. To highlight the atomism it is supposed to define, he rewords it, as follows: "Whatever is distinguishable is intrinsically self-identical and therefore self-contained." What does this rewording mean? According to Church, Hume, in the body of the Treatise, holds that resemblance is qualitative identity distributed, numerically, over many complexes. "On Hume's theory of abstract ideas, 'resemblance' is a verbal term referring (in virtue of habits of association) to any case of a qualitative 4 identity numerically distributed." Further, the qualitative identity in question is not relative to any difference from another quality, Bradley to the contrary notwithstanding. Difference, for Hume, is incompatible with relation and it is itself not a relation. It follows, according to Church, that Hume's absolute self-identity mutually entails self -containment. So much for Church's version of Hume's perceptual atomism. Is it incompatible with process, as Church claims? A trombone's slide illustrates non-culminating process with succession. Let us use it as a basis for an account. A trombone's slide is unbroken not only qua sound but qua pitch. Nevertheless, it incorporates pitch multiplicity. By "successive merely" does Church mean that the transition from pitch to pitch must be broken, contrary to what is heard, and, for this reason, Hume cannot account for the slide qua process? If so, he is mistaken. 141. Distinguishability mutually entails separability for Hume, but this does not mean that the transition from pitch to pitch cannot be experienced as a slide. In fact, it is easy to show that a trombone's slide conforms to Hume's dictum, by reason of the just noticeable difference and Hume's philosophical relation of contiguity in time. We are dealing with three notions: first, distinction, and, in particular, how pitches in the slide are distinguished. Second, separability, and, in particular, how separation corresponding to distinction is guaranteed by the fact of process. Third, slide, and, in particular how Hume's philosophical relation of temporal contiguity, coupled with the just noticeable difference, guarantees phenomenal slide. I take up these three notions in the order mentioned. The distinction between two pitches in the trombone's slide is... (shrink)

Contrary to hierarchical/procedural (HP) models of autonomous action, according to which reflective self-appraisal is essential to autonomous action, we argue that autonomous action essentially involves the way agents take up and respond to the normative demands of objects of care. To be autonomous, an action must track the genuine needs of some object the agent cares about. Thus, autonomous action is essentially teleological, governed by both an agent’s concerns and the object of care. It is not dependent only on the (...) will, understood as an internal efficient causal force, and is robustly relational in a constitutive sense. (shrink)

Haptic sensation of a material can be modulated by its visual appearance. A technique that utilizes this visual-haptic interaction is called as pseudo-haptic feedback. Conventional studies have investigated pseudo-haptic feedback in situations, wherein a user manipulated a virtual object using a computer mouse, a force-feedback device, etc. The present study investigated whether and how it was possible to offer pseudo-haptic feedback to a user who manipulated a virtual object using keystrokes. Participants moved a cursor toward a destination by pressing a (...) key. While the cursor was moving, the cursor was temporarily slowed down on a square area of the screen. The participants’ task was to report, on a five-point scale, how much resistance they felt to the cursor’s movement. In addition to the basic speed of the cursor, the ratio of the basic speed to the speed within the square area was varied. In Experiment 1, we found that these two factors interacted significantly with each other, but further analysis showed that the cursor speed within the square area was the most important determinant of perceived resistance. In Experiment 2, consistent with the results of the previous experiment, it was found that the cursor movement outside of the square area was not required to generate the sense of resistance. Counterintuitively, in Experiment 3, the sense of resistance was apparent even without user’s keystrokes. We discuss how the sense of resistance for a cursor moved by keystrokes can be triggered visually, but interpreted by the brain as a haptic impression. (shrink)

In this study I am going to present and discuss some of the central themes of Gustav Bergmann's theory of perception. I shall be concerned, however, only with "later Bergmann," that is, with the perceptual theory worked out in a series of essays in which Bergmann shifts from phenomenalism to a form of intentional realism. This label ("intentional realism") indicates the two dominant themes in Bergmann's later thought about perception: perceivings are analyzed as mental acts (thoughts) which are intentionally related (...) to real and mind-independent objects and states of affairs. In a timely essay, " Intentionality" (1955) Bergmann presented an impressive defense of mental acts, and although the framework of that essay was still phenomenalistic, the structural analysis of mental acts and their intentionality presented there has not been significantly altered by Bergmann in later writings. In two subsequent essays, "Acts" (1960) and "Realistic Postscript" (1963) his realistic turn was worked out in detail in the context of giving a satisfactory account of ordinary perceptual experience. These three essays will comprise the core texts of the study that follows. (shrink)

A team of leading contributors from both philosophical and literary backgrounds have been brought together in this impressive book to examine how works of literary fiction can be a source of knowledge. Together, they analyze the important trends in this current popular debate. The innovative feature of this volume is that it mixes work by literary theorists and scholars with work of analytic philosophers that combined together provide a comprehensive statement of the variety of ways in which works of fiction (...) can engage questions of worldly interest. It uses the problem of cognitive value to explore: literature’s contribution to ethical life literature’s ability to engage in social and political critique the role narrative plays in opening up possibilities of moral, aesthetic, experience and selfhood This remarkable volume will attract the attention of both literature and philosophy scholars with its statement of the various ways that literature and life take an interest in one another. (shrink)

A team of leading contributors from both philosophical and literary backgrounds have been brought together in this impressive book to examine how works of literary fiction can be a source of knowledge. Together, they analyze the important trends in this current popular debate. The innovative feature of this volume is that it mixes work by literary theorists and scholars with work of analytic philosophers that combined together provide a comprehensive statement of the variety of ways in which works of fiction (...) can engage questions of worldly interest. It uses the problem of cognitive value to explore: literature’s contribution to ethical life literature’s ability to engage in social and political critique the role narrative plays in opening up possibilities of moral, aesthetic, experience and selfhood This remarkable volume will attract the attention of both literature and philosophy scholars with its statement of the various ways that literature and life take an interest in one another. (shrink)

The late Professor J. L. Austin was a man of the highest character and considerable intellectual ability. Those who heard him lecture testify that he made a strong and deep impression. He seemed to be completely master of his subject, his mind moved with great rapidity and he manifested a rare integrity of spirit. His death in early middle age is not only mourned by his colleagues; it is one of those events that make a deep gash, causing people (...) to wonder why things are sometimes arranged so perversely in this world. He had so much to give. (shrink)

In this paper, we see that contrary to most readings of T 1.4.2 in the Treatise ("Of Skepticism with Regard to the Senses"), Hume does not think that objects are sense impressions. This means that Hume's position on objects (whatever that may be) is not to be conflated with the vulgar perspective. Moreover, the vulgar perspective undergoes a marked transition in T 1.4.2, evolving from what we may call vulgar perspective I into vulgar perspective II. This paper presents the (...) first detailed analysis of this evolution, which includes an explanation of T 1.4.2's four-part system. (shrink)

Why do we tend to think that phenomenal consciousness poses a hard problem? The answer seems to lie in part in the fact that we have the impression that phenomenal experiences are presented to us in a particularly immediate and revelatory way: we have a sense of acquaintance with our experiences. Recent views have offered resources to explain such persisting impression, by hypothesizing that the very design of our cognitive systems inevitably leads us to hold beliefs about (...) our own experiences with certainty. I argue against this kind of “designed certainty” views. First, I claim that it is doubtful that we really hold beliefs about our own experiences with certainty—in any sense of certainty that would make our phenomenal beliefs special. Second, I claim that, even if it were the case that we hold beliefs about experiences with certainty, this would fall short of explaining our sense of acquaintance. (shrink)

In A Treatise of Human Nature 1.4.2, entitled ‘Of Scepticism with Regard to the Senses’, Hume discussed the causes of belief in the existence of external objects. Philosophers, correcting the false...

'ith the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain, justify, and shape its new aims. In this book, David Summers provides an original investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought. 'Some (...) of the most striking observations in this impressive book involve stepping outside the history of ideas to ground these theories in a more general social history.' -- British Journal of Aesthetics 'This brilliant, stimulating study in the history of ideas should become indispensible for renaissance art historians, and for philosophers interested in the history of the philosophy of mind and in what might be called thepre-history' of aesthetics.' -- ChoiceWith the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain. (shrink)

This paper focuses on Paul of Venice’s realist theory of direct knowledge. In the second half of the 13th century human knowledge was standardly viewed as a process of abstraction enabling the human intellect to grasp the essences of corporeal things, regardless of the matter in which they are embodied. This process was achieved thanks to the mediation of mental entities (species intelligibiles) representing the dematerialised objects in the intellect. By the late 13th and early 14th centuries, however, some authors (...) began to regard this account as unsatisfactory. These authors held that assuming the existence of mediating species (considered themselves as objects of knowledge) amounts to thinking that between ourselves and the world there is a barrier preventing us from acquiring knowledge of reality in itself. Paul of Venice is aware of the sceptical accusations made against the theory of species in the 13th and 14th centuries. Nevertheless, he is a firm advocate of the existence of species. He claims that knowledge, despite coming about through species, is not indirect. Quite the contrary: we have immediate access to reality, and the individual objects that constitute it, precisely because our senses (which are purely passive) receive impressions direct from outside, thanks to species. He points out that species are not object of knowledge. They are not known at all during the cognitive process, as they are a mere means (a mechanical means, so to say), not an image nor a representation of anything, and therefore they are no obstacle between ourselves and the world. Thus, we are able to know reality exactly as it is in itself and, under ordinary conditions, our perceptions are practically infallible and cannot produce false knowledge. (shrink)

In the present state of philosophy in the English-speaking world, to choose to talk about sense data may seem perverse. What could be more boring for one's audience than to attempt variations on so threadbare a theme? And worse, what could be more unfashionable in the aftermath of Wittgenstein and Austin? My reasons for selecting this unpromising topic are twofold. First, the general theme of this series of lectures is empiricism. And whatever meanings we put upon that ambiguous word, (...) it is clear that as a matter of history the problems of perception have been important problems for nearly all those philosophers who would consider themselves to be empiricists. And however unsatisfactory sense datum theories of perception may now be held to be, such theories have been central to the empiricist tradition. Secondly, it is important not to be too much impressed by the fact that a particular philosophical opinion is fashionable or unfashionable. The former certainly does not guarantee its truth nor the latter its falsity. It has often been remarked that philosophical opinions are very rarely refuted. Instead they fall out of vogue only to return some years later in another guise. It is perhaps time to take another look at the notion of sense data. The most ingenious and persistent attacks on analyses of perception in terms of sense data have been at best indecisive, as Professor Ayer showed in his reply to Austin's Sense and Sensibilia. (shrink)

In the present state of philosophy in the English-speaking world, to choose to talk about sense data may seem perverse. What could be more boring for one's audience than to attempt variations on so threadbare a theme? And worse, what could be more unfashionable in the aftermath of Wittgenstein and Austin? My reasons for selecting this unpromising topic are twofold. First, the general theme of this series of lectures is empiricism. And whatever meanings we put upon that ambiguous word, (...) it is clear that as a matter of history the problems of perception have been important problems for nearly all those philosophers who would consider themselves to be empiricists. And however unsatisfactory sense datum theories of perception may now be held to be, such theories have been central to the empiricist tradition. Secondly, it is important not to be too much impressed by the fact that a particular philosophical opinion is fashionable or unfashionable. The former certainly does not guarantee its truth nor the latter its falsity. It has often been remarked that philosophical opinions are very rarely refuted. Instead they fall out of vogue only to return some years later in another guise. It is perhaps time to take another look at the notion of sense data. The most ingenious and persistent attacks on analyses of perception in terms of sense data have been at best indecisive, as Professor Ayer showed in his reply to Austin's Sense and Sensibilia. (shrink)

Since Michael Polanyi coined the term “tacit knowledge” in 1958, a huge amount of literature has been produced on this topic. Gascoigne and Thornton’s monograph represents one of the most recent attempts to clarify the concept of tacit knowledge.For other recent publications on tacit knowledge see Collins , Yu and Turner . In their engagement with various thinkers, most notably Polanyi, Ryle, Heidegger, Wittgenstein, John Searle, Hubert Dreyfus, and John McDowell, etc., the authors make impressive efforts to situate the discussion (...) of tacit knowledge in the context of mainstream philosophy. They shed new light on the concept of tacit knowledge by embedding it in contemporary debates, such as those on knowing how, rule-following, conceptualism, language maste .. (shrink)

Margaret MacDonald (1907–56) was a central figure in the history of early analytic philosophy in Britain due to both her editorial work as well as her own writings. While her later work on aesthetics and political philosophy has recently received attention, her early writings in the 1930s present a coherent and, for its time, strikingly original blend of common-sense and scientific philosophy. In these papers, MacDonald tackles the central problems of philosophy of her day: verification, the problem of induction, (...) and the relationship between philosophical and scientific method. MacDonald’s philosophy of science starts from the principle that we should carefully analyse the elements of scientific practice (particularly its temporal features) and the ways that scientists describe that practice. That is, she applies the techniques of ordinary language philosophy to actual scientific language. MacDonald shows how ‘scientific common-sense’ is inconsistent with both of the dominant schools of philosophy of her day. Bringing MacDonald back into the story of analytic philosophy corrects the impression that in early analytic philosophy, there are fundamental dichotomies between the style of Moore and Wittgenstein, on the one hand, and the Vienna Circle on the other. (shrink)

Hume begins ‘Of scepticism with regard to the senses,’ Section 2 of the Treatise, Book I, Part iv with the claim that it is otiose to ask whether or not there are bodies since belief in their existence is unavoidable. The appropriate question is rather ‘What causes induce us to believe in the existence of body?’. For Hume, belief is lively conception. Hence, he is also undertaking to answer the logically prior question: What causes induce us to form the concept (...) of body? Hume wants to explain the ordinary notion of, and belief in, external objects as part of his science of human nature. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The fifth chapter of Saint Bonaventure's Long Life of Saint Francis, the Legenda maior , is a veritable blazon of the body of Francis and its senses, physical and spiritual. The first chapter in the so-called "Inner Life" – the sequence of eight chapters on the virtues of St. Francis – Chapter Five is notable for its insistent focus on sensory experience, due both to Francis's physical mortifications and (...) to his consciousness of the world's beauty, the "comfort" provided to him by the "creatures" he touched, tasted, heard, and saw. The chapter opens with a declaration of Francis's choice to "carry in his own body the armor of the cross" by holding "in check his sensual appetites," practicing self-denial lest he give in "to the earthbound inclinations of the senses," and they impede his spiritual progress. It ends, after an account of four miracles involving tactile, gustatory, auditory, and visual experience, respectively, with a laud of God, the "entire fabric of [whose] universe / came to the service / of the sanctified senses of the holy man." The pivot upon which the narrative turns from deprivation to gratification is, as editors of the Legenda have noted, "a carefully crafted paragraph" on Francis's freely flowing tears, a paragraph "which needs to be understood in light of Bonaventure's theology of the spiritual senses."That theology has been interpreted, however, in vastly different ways by two major twentieth-century theologians, Karl Rahner and Hans Urs von Balthasar, as the comparative work of Stephen Fields has shown, and as Balthasar himself, writing partly in response to Rahner, emphatically points out. Curiously, neither Rahner nor Balthasar pay particular attention to Chapter Five of the Legenda maior. In this essay I read that chapter closely, partly in light of the questions raised by the disagreement between Rahner and Balthasar . I argue that the operation of the spiritual senses in Francis's soul already at the purgative stage is understood by Bonaventure to have affected Francis's corporeal sensory experience, not as a general habitus but in isolated, expressive acts or perceptions involving particular senses at particular times and places. These corporeal perceptions of God's presence and glory in his creatures are, furthermore, an impressive means and safeguard for Francis's eternal beatitude: "Blessed are those who mourn, for they shall be comforted" .For this reason Chapter Five singles out four episodes in Francis's life that correspond to the four dotes or endowments of the glorified body. These four episodes explicitly highlight four of the five physical senses, but omit, significantly, any direct reference to the fifth sense, that of olfaction. Represented indirectly in Chapter Five, I propose, through a decisive act of charitable discretion, the spiritual sense of smell becomes explicit in Bonaventure's Legenda maior in Chapter Fifteen, when Francis's body is laid to rest in the odor of sanctity. Linked to his earlier exodus from a worldly to a virtuous life, the descriptions of Francis's "passing" from this mortal life in Chapter Fourteen and of the "transferal" of his body in the immediately following final chapter return to, complete, and perfect the imagistic pattern of sensory experience established in Chapter Five. As a figure for the virtue of discretion and thus for the free exercise of the rational will at the core of the human personality , the obscure and seemingly unimportant olfactory sense proves to be a vital key for unfolding Bonaventure's Christocentric anthropology.Purgation, the Spiritual Senses, and the DotesChapter Five is incontestably associated with the purgative stage of St. (shrink)

The two pillars of Ian C. Jarvie’s thought have been Karl Popper and Ernest Gellner. Gellner went against Popper’s anti-historicism by seeking to give rationalism social groundings. What had once seemed convincing no longer impresses nearly as much. Gellner’s measure of optimism has been replaced by social tendencies that suggest generalized anxiety.

Arnold Berleant has produced once again a stimulating set of reflections on “vitally important topics” in the aesthetic field. The present book is more a collection than a treatise. This characteristic is the source both of the book’s very real value and of its shortcomings, minor as they may be from the substantive point of view. Berleant’s prior books and articles make up a most impressive scholarly and intellectual achievement, and they clearly inform the discussions and arguments brought forth in (...) this latest installment of his philosophical project. This book continues, recapitulates, reformulates, and extends the analyses of his earlier work. It exemplifies the prime characteristics of all of Berleant’s work: .. (shrink)

All of Dewey’s writings for 1927_ _and 1928 with the exception of _The Public and Its Problems, _which appears in Volume 2, _A Modern Language Associ­ation’s Committee on Scholarly Editions _textual edition. These essays are, as Sidorsky says in his Introduction, “framed, in great mea­sure, by those two poles of his philo­sophical interest: looking backward, in a sense, to the defense of naturalistic metaphysics and moving forward to the justification and to the implications for practice of an empirical theory.” (...) Dewey’s five essays on education are evidence of his continued interest in that field. Among them is the frequently quoted “Why I_ _Am a Member of the Teachers Union,” which is still used by the American Federation of Teachers in its recruiting efforts. Other highlights of this volume include the famous ex­change between George Santayana and Dewey on _Experience and Nature; _an im­passioned condemnation of the mis­carriage of justice Dewey saw in the Sacco-Vanzetti trial; and a series of six articles on the Soviet Union based on Dewey’s trip to that country in 1928. (shrink)

All of Dewey’s writings for 1927_ _and 1928 with the exception of _The Public and Its Problems, _which appears in Volume 2, _A Modern Language Associ­ation’s Committee on Scholarly Editions _textual edition. These essays are, as Sidorsky says in his Introduction, “framed, in great mea­sure, by those two poles of his philo­sophical interest: looking backward, in a sense, to the defense of naturalistic metaphysics and moving forward to the justification and to the implications for practice of an empirical theory.” (...) Dewey’s five essays on education are evidence of his continued interest in that field. Among them is the frequently quoted “Why I_ _Am a Member of the Teachers Union,” which is still used by the American Federation of Teachers in its recruiting efforts. Other highlights of this volume include the famous ex­change between George Santayana and Dewey on _Experience and Nature; _an im­passioned condemnation of the mis­carriage of justice Dewey saw in the Sacco-Vanzetti trial; and a series of six articles on the Soviet Union based on Dewey’s trip to that country in 1928. (shrink)

Empirical evidence, it has often been argued, undermines our commonsense assumptions concerning the efficacy of conscious intentions. One of the most influential advocates of this challenge has been Daniel Wegner, who has presented an impressive amount of evidence in support of a model of "apparent mental causation". According to Wegner, this model provides the best explanation of numerous curious and pathological cases of behavior. Further, it seems that Benjamin Libet's classic experiment on the initiation of action and the empirical evidence (...) concerning the confabulation of reason explanations provide further support for this view. In response, I will propose an alternative model of "real mental causation" that can accommodate the empirical evidence just as well as Wegner's. Further, we will see that there is plenty of evidence in support of the assumption that intentions are causally efficacious. This will provide us with ample reason to endorse the model of real mental causation. (shrink)

According to several current theories, executive processes help achieve various mental actions such as remembering, planning and decision-making, by executing cognitive operations on representations held in consciousness. I plan to argue that these executive processes are partly responsible for our sense of self, because of the way they produce the impression of an active, controlling presence in consciousness. If we examine what philosophers have said about the "ego" (Descartes), "the Self" (Locke and Hume), the "self of all selves" (...) (William James), we will find that it fits what is now known about executive processes. Hume, for instance, famously argued that he could not detect the self in consciousness, and this would correspond to the claim (made by Crick and Koch, for instance) that we are not conscious of the executive processes themselves, but rather of their results. (shrink)