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Stefanie Rocknak [30]Stefanie A. Rocknak [1]
  1. Response to My Critics (The Sydney Sessions).Stefanie Rocknak - 2022 - Hume Studies 45 (1):77-93.
    Response to Don Baxter, Don Garrett and Jennifer Marusic regarding my book Imagined Causes: Hume's Conception of Objects; initially delivered at the 2016 Hume Conference in Sydney, Australia as part of the Author Meets Critics session.
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  2. Imagined Causes: Hume’s Conception of Objects.Stefanie Rocknak - 2012 - Springer.
    This book provides the first comprehensive account of Hume’s conception of objects in Book I of the Treatise. What, according to Hume, are objects? Ideas? Impressions? Mind-independent objects? All three? None of the above? Through a close textual analysis, I show that Hume thought that objects are imagined ideas. However, I argue that he struggled with two accounts of how and when we imagine such ideas. On the one hand, Hume believed that we always and universally imagine that objects are (...)
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  3. The Vulgar Conception of Objects in "Of Skepticism with Regard to the Senses".Stefanie Rocknak - 2007 - Hume Studies 33 (1):67-90.
    In this paper, we see that contrary to most readings of T 1.4.2 in the Treatise ("Of Skepticism with Regard to the Senses"), Hume does not think that objects are sense impressions. This means that Hume's position on objects (whatever that may be) is not to be conflated with the vulgar perspective. Moreover, the vulgar perspective undergoes a marked transition in T 1.4.2, evolving from what we may call vulgar perspective I into vulgar perspective II. This paper presents the first (...)
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  4.  68
    Why Hume's Notion of Demonstration Must Reduce to Probability.Stefanie Rocknak - 2024 - In Scott Stapleford & Verena Wagner (eds.), Hume and contemporary epistemology. New York, NY: Routledge.
    This paper shows that Hume was ultimately forced to conclude in The Treatise that all demonstrative and intuited claims can in fact, be imagined as otherwise. As a result, he was forced to conclude that all knowledge claims must, ultimately, reduce to probable claims, or in Hume’s own, and indisputably clear words: “all knowledge degenerates into probability." As a further result, it is suggested (briefly) that this anticipates Quine’s well-known attack on the analytic / synthetic distinction (Quine 1953).
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  5. Constancy and Coherence in 1.4.2 of Hume’s Treatise: The Root of “Indirect” Causation and Hume’s Position on Objects.Stefanie Rocknak - 2013 - The European Legacy (4):444-456.
    This article shows that in 1.4.2.15-24 of the Treatise of Human Nature, Hume presents his own position on objects, which is to be distinguished from both the vulgar and philosophical conception of objects. Here, Hume argues that objects that are effectively imagined to have a “perfect identity” are imagined due to the constancy and coherence of our perceptions (what we may call ‘level 1 constancy and coherence’). In particular, we imagine that objects cause such perceptions, via what I call ‘indirect (...)
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  6. (1 other version)Husserl’s Phenomenologization of Hume: Reflections on Husserl’s Method of Epoché.Stefanie Rocknak - 2001 - Philosophy Today 45 (5):28-36.
    This paper argues that Husserl’s method is partially driven by an attempt to avoid certain absurdities inherent in Hume’s epistemology. In this limited respect, we may say that Hume opened the door to phenomenology, but as a sacrificial lamb. However, Hume was well aware of his self-defeating position, and perhaps, in some respects, the need for an alternative. Moreover, Hume’s “mistakes” may have incited Husserl’s discovery of the epoche, and thus, transcendental phenomenology.
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  7. (1 other version)Hume and the External World.Stefanie Rocknak - 2018 - In Angela Michelle Coventry & Alex Sager (eds.), _The Humean Mind_. New York: Routledge. pp. 124-136.
    Hume’s understanding of the external world, particularly, his conception of objects, or what he occasionally refers to as “bodies,” is the subject of much dispute. Are objects mind-independent? Or, are they just what we see, feel, smell, taste, or touch? In other words, are objects just sense data? Or, are they ideas about sense data? Or, are objects, somehow, mind-independent, but we have ideas of them, and we receive sense data from them? In this paper, I provide some answers to (...)
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  8. The Construction of Relations in Hume and Quine, directed by Jaakko Hintikka (Introduction).Stefanie A. Rocknak - 1999 - Dissertation, Boston University
    Hume and Quine argue that human beings do not have access to general knowledge, that is, to general truths . The arguments of these two philosophers are premised on what Jaakko Hintikka has called the atomistic postulate. In the present work, it is shown that Hume and Quine in fact sanction an extreme version of this postulate, according to which even items of particular knowledge are not directly accessible in so far as they are relational. For according to their fully (...)
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  9. Hume's Reality: A Lesson in Causality.Stefanie Rocknak - 2003 - In David G. Murray (ed.), Proceedings Metaphysics 2003 Second World Conference. Foundazione Idente di Studi e di Ricerca,.
    In Book I, III §9 of the Treatise, Hume makes the claim that “[all general] belief arises only from causation” (T 107). Following, he makes the even stronger claim that all general beliefs are to be thought of as beliefs in reality, and thus, all belief in reality is dependent on pre-established beliefs in both specific causal relations and the causal relation in general (T 108). In the first part of this paper, I explain Hume’s motivation behind both claims, while (...)
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  10. Hume's negative argument concerning induction.Stefanie Rocknak - 2011 - In Michael Bruce & Steven Barbone (eds.), Just the Arguments: 100 of the Most Important Arguments in Western Philosophy. Malden, MA: Wiley-Blackwell.
    Where does the necessity that seems to accompany causal inferences come from? “Why [do] we conclude that … particular causes must necessarily have such particular effects?” In 1.3.6 of the Treatise, Hume entertains the possibility that this necessity is a function of reason. However, he eventually dismisses this possibility, where this dismissal consists of Hume’s “negative” argument concerning induction. This argument has received, and continues to receive, a tremendous amount of attention. How could causal inferences be justified if they are (...)
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  11. Quine on the Analytic/Synthetic Distinction.Stefanie Rocknak - 2013 - Internet Encyclopedia of Philosophy.
    An overview of Quine's understanding of the analytic/synthetic distinction, especially as it is conveyed in his paper, "The Two Dogmas of Empiricism.".
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  12. The Synthetic Relation in Hume.Stefanie Rocknak - 1999 - The Dialectic of the Universal and the Particular, Ed. By Jonathan Hanen, Institüt Für Die Wissenshaften Vom Menschen; Junior Fellows Conferences, 4:121-165.
    Here we will see that contrary to the party line, Hume’s notion of a relation should be understood, in all cases, as a peculiar non-necessary synthetic relation; unique, but similar in a certain constructive sense to what I characterize as a mathematical notion of synthesis. And, most controversially, I argue that this non-necessary synthetic notion of a relation includes Hume’s arithmetical relations, which have typically been interpreted as either “analytic,” necessary, or both. In this general respect, Hume anticipates Quine’s attack (...)
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  13. Understanding Quine in Terms of the Aufbau: Another Look at Naturalized Epistemology.Stefanie Rocknak - 2010 - In Marcin Młlkowski & Konrad Talmont-Kaminski (eds.), Beyond Description. Naturalism and Normativity. College Publications.
    I argue that Quine’s rejection of Carnap’s “radical” (FLPV; TDE 39) and “phenomenalistic” (FSS 15-16) reductionism—as it is manifest in the Aufbau—may be understood in terms of a broader historical context. In particular, it may be understood as a rejection of a contemporary variant of the second horn of Meno’s Paradox. As a result, Quine’s motivation to adopt naturalism may be understood independently of his pragmatic concerns. According to Quine, it was simply unreasonable (i.e. paradoxical) to adopt a Carnapian phenomenalistic/mentalistic (...)
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  14.  82
    Regularity and certainty in Hume’s treatise: a Humean response to Husserl.Stefanie Rocknak - 2020 - Synthese 199 (1-2):579-600.
    According to Husserl, Hume’s empirical method was deeply flawed—like all empiricists, Hume did not, and could not adequately justify his method, much less his findings. Instead, Hume gives us a “circular” and “irrational” “psychological explanation” of “mediate judgments of fact,” i.e. of inductive inferences. Yet Husserl was certain that he could justify both his own method and his own findings with an appeal to the phenomenological, pre-theoretical, pre-naturalistic “epoché”. However, whether or not Husserl’s notion of an epoché is justified, or (...)
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  15. A tradition ignored: Review essay of John Symons' on Dennett.Stefanie Rocknak - 2001 - Brain and Mind 2 (3):343-358.
    Although Symons' recent book, On Dennett (Wadsworth, 2002), provides scientists with ahelpful, general introduction to Dennett'sthought, it presents a skewed version of the history of the philosophy of mind. In particular, the continental tradition is almost entirely ignored, if not glibly dismissed. As aresult, the unwary reader of this book wouldnever realize that Dilthey, Sartre and Husserl,like Dennett, offer a ``middle ground'' between naturalistic realism and naturalistic eliminativism. However, unlike Dennett, the respective positions of Dilthey, Sartre and Husserl are not (...)
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  16. Facing Death; The Desperate at its Most Beautiful.Stefanie Rocknak - 2005 - Phenomenological Inquiry, A Review of Philosophical Ideas and Trends 29:71-101.
    Is there a distinction between “art” and “craft,” where the former is motivated by something like “genuine” or “authentic” creativity and the latter by, at best, skill and skill alone, and at a worst, a fumbling attempt to fit in with popular modes of expression? In this paper, I suggest that there does seem to be such a distinction. In particular, I attempt to show that genuine creativity, and so, genuine art—in varying respects—is motivated by a certain recognition of what (...)
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  17.  18
    (1 other version)Hume and the Problem of Induction.James E. Taylor & Stefanie Rocknak - 2011 - In Michael Bruce & Steven Barbone (eds.), Just the Arguments. Wiley‐Blackwell. pp. 174–179.
    This chapter contains sections titled: Hume's Problem of Induction Hume's Negative Argument concerning Induction.
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  18. Pam and Jim on the make : the epistemology of self-deception (US).Stefanie Rocknak - 2008 - In Jeremy Wisnewski (ed.), The Office and Philosophy: Scenes From the Unexamined Life. Blackwell.
     
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  19.  13
    Précis of Imagined Causes.Stefanie Rocknak - 2019 - Hume Studies 45 (1):47-50.
    By Hume's own account, his most ambitious project, the Treatise on Human Nature, was a notoriously immature undertaking, choked with immutable difficulties.1 Perhaps as a result of this immaturity, and perhaps because, as Kant suggests above, Hume is perpetually misread, his view on objects remains obscured. What are they? Are they ideas? Impressions? Mindindependent objects? All three? None of the above? To date, scholars have not provided a unified, much less exhaustive, answer to these questions. Rather, four somewhat fragmented interpretations (...)
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  20. Translation from German to English: “Robinson in the Heart of Europe; Jan Patocka Twenty Years Later” by Ludger Hagedorn.Stefanie Rocknak - 1997 - Institüt Für Die Wissenshaften Vom Menschen Newsletter, 57:33-36.
     
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  21. Tamás Demeter. David Hume and the Culture of Scottish Newtonianism: Methodology and Ideology in Enlightenment Inquiry. xi + 221 pp., bibl., indexes. Leiden/Boston: Brill, 2016. €115 . ISBN 9789004327320. [REVIEW]Stefanie Rocknak - 2019 - Isis 110 (1):163-164.
    Tamas Demeter presents a clear and compelling new perspective of Hume’s methodology and conceptual structure in David Hume and the Culture of Scottish Newtonianism. Hume, he argues, is a Newtonian of the Scottish tradition, but not the mechanical kind that is modeled after the Principia. Instead, Hume should be understood as a kind of European Enlightenment “vitalist.” As a result, his work reflects the more organic methodology that defines Newton’s Opticks.
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  22. Frederick Schmitt, Hume's Epistemology in the Treatise: A Veritistic Interpretation. Oxford: Oxford University Press, 2014. 448 pp. £55.00 hb. ISBN 9780199683116. [REVIEW]Stefanie Rocknak - 2015 - Journal of Scottish Philosophy 13 (2):152-158.
    In this book, Schmitt claims that Hume, however implicitly, employs a fully-developed epistemology in the Treatise. In particular, Hume employs a “veritistic” epistemology, i.e. one that is grounded in truth, particularly, true beliefs. In some cases, these true beliefs are “certain,” are “infallible” (78) and are justified, as in the case of knowledge, i.e. demonstrations. In other cases, we acquire these beliefs through a reliable method, i.e. when they are produced by causal proofs. Such beliefs are also “certain” (69, 81) (...)
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  23. Review of The Lost Carving: A Journey into the Heart of Making, by David Esterly (Viking: New York, 2012). [REVIEW]Stefanie Rocknak - 2013 - Popular Woodworking Magazine 1.
    In 1986, David Esterly won a competition to carve a replacement of a Grinling Gibbons “wall drop” for Hampten Court Palace, in East Molesey, England. His task was an onerous one: Gibbons invented a style of carving that has been matched by few, and surpassed by still fewer. Esterly is one of the latter few; his technique is superb. -/- The Lost Carving gives us an account of those fateful days at Hampton Court. Interwoven with memories of recreating the Gibbon’s (...)
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  24. Review of Beauty Unlimited, Peg Zeglin Brand, ed. [REVIEW]Stefanie Rocknak - 2015 - Apa Newsletter on Feminism and Philosophy 15 (1):14-16.
    Most artists who are familiar with the contemporary art scene—especially the New York City scene—know that “beauty” is not especially hip. Unless, that is, it serves a “deeper” purpose, e.g., it helps to make a conceptual or political point. Danto’s influence, it would seem, pervades and persists (31). But, as Brand points out in her introduction, in the past twenty years or so, the philosophical study of beauty has been making a comeback; she lists over fifty titles that have been (...)
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  25. Review of Locke, Hume, and the Treacherous Logos of Atomism. [REVIEW]Stefanie Rocknak - 2016 - Notre Dame Philosophical Reviews:online.
    In this ambitious, far-reaching book, Robert Roecklein argues that the philosophical notion of "atomism" has had, and continues to have, a rather crippling effect on philosophy and politics. In particular, Roecklein claims, "atomism" is a metaphysical theory, that, generally speaking, maintains that the ultimate, smallest bits of the universe are not perceivable. Moreover, these bits constitute "indestructible and eternal 'being.'" (xiii) As a result, according to the atomist, "ordinary" experience, particularly, "ordinary" perception -- where we appear to apprehend objects, e.g. (...)
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  26.  28
    Hume's Scepticism, Pyrrhonian and Academic by Peter S. Fosl. [REVIEW]Stefanie Rocknak - 2022 - Journal of the History of Philosophy 60 (4):700-701.
    Peter Fosl presents an engaging and historically rich account of Hume's skepticism. For those readers interested in deepening their knowledge and understanding of Pyrrhonian and Academic skepticism, both in regard to their origins and their legacy, I highly recommend it. But I also recommend it for those who would like to better understand Hume's skepticism, although I do think there is some tension in Fosl's reading. Before I discuss this tension, a brief summary of the book is in order. Fosl's (...)
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  27.  28
    (1 other version)Critique and Totality. [REVIEW]Stefanie Rocknak - 2000 - Graduate Faculty Philosophy Journal 22 (1):343-347.
    Review of Pierre Kerszberg's book Critique and Totality.
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