My essay attempts humbly to honor and celebrate the voice of Charles Scott by thematizing one of the major insights of his body of work, namely the significance of the middle voice. I attempt in various ways to show the significance of the middle voice in the work of Charles Scott and to offer some commentary on what is meant by the middle voice. Finally, I ask about the implications of a middle-voiced (...) philosophy for an understanding of the self of human beings and for an understanding of the theme of indifference in relation to the lives of things that Scott addresses in his later work. (shrink)

THE TOPIC OF THIS PAPER is the end of metaphysics and the question of foundations. This issue is not phrased as an expression of conviction or hope, but as a question, or as several questions. Can metaphysics come to an end? What could its ending mean? Is its ending found in the questionableness of its foundations? If metaphysics came to its end, would there be no more metaphysics? Could it not end again, having already come to an end? Does the (...) end of metaphysics mean the end of the idea of transcendence? Does its possible end mean that within metaphysics there is lodged the possibility of metaphysics coming to an end? Is that possibility the question of metaphysical foundations? (shrink)

ABSTRACTNietzsche's famous claim, ‘das Thun ist Alles’, is usually translated as ‘the deed is everything’. I argue that it is better rendered as ‘the doing is everything’. Accordingly, I propose a processual reading of agency in GM 1 13 which draws both on Nietzsche's reflections on grammar, and on the Greek middle voice, to displace the opposition between deeds and events, agents and patients by introducing the notion of middle-voiced ‘doings’. The relevant question then is not ‘is (...) this a doing or a happening?’ but ‘what is the process unfolding in the doer, and what is her engagement with it?’. I argue that this middle voiced reading makes better sense than either naturalist or expressivist interpretations of the key thought in GM 1 13 that ‘there is no doer behind the doing’, and that GM 1 13 does not only provide us with a critique of slave morality, as is often said, but also with an example of a middle-voiced doing: self-deception. I explore the phenomenology of middle-voiced doings in other passages and show that it has at least three features: reflective awareness of being engaged with an internal process, responsiveness, and absence of reflective control. (shrink)

Journal Name: Cognitive Linguistics Issue: Ahead of print.

Interweaves Hegelian dialectic and the middle voice to develop a holistic account of life and nature, and the ethical orientation of human beings with respect to them.

Interpretations of Wittgenstein’s work notoriously fuel debate and controversy. This holds true not only with respect to its main messages, but also to questions concerning its unity and purpose. Tradition has it that his intellectual career can be best understood if carved in twain; that we can get a purchase on his thinking by focusing on and contrasting his, “two diametrically opposed philosophical masterpieces, the Tractatus Logico-Philosophicus (1921) and the Philosophical Investigations (1953)” (Hacker 2001, 1). This is allegedly justified by (...) the supposition that these provide us with two, distinctive, “powerful complete world-pictures” (Hacker 2001, p. viii). Others object; holding that this simple division fails to take account of all the major breaks. They claim that, minimally, we ought to recognise at least three major moments in the progression of Wittgenstein's thought, taking stock of a final period in which On Certainty dominates. Still others reject the idea that the best interpretative results will come from regarding the development of his thinking in the stark terms of involving 'complete' changes of mind at all. On the contrary, they argue that we will better understand his works if we emphasise their methodological continuity. For anyone interested in these matters, The Voices of Wittgenstein is an absolutely fascinating collection. It presents us with dictations by Wittgenstein and a series of other writings with his solid imprint; all of these were compiled and arranged (if not partly composed) by Waismann. Although Baker is clear that they did not come with any explicit account of their origin or purpose, it is possible to draw some reasonable inferences about these by consideration of the salient historical facts. (shrink)

According to Rousseau, conscience and conscience alone can elevate human beings to a level above that of animals. It is conscience, understood as infallible judge of good and bad, which makes man like God. Conscience itself is, in this context, understood as divine, as an ‘immortal and celestial voice’. Therefore, if the voice of conscience is the same as the voice of God, then conscience is nothing human. However, although this interpretation is correct, there are some problems (...) with it. If we take into consideration the fact that conscience is in the same context defined first as a unifying principle which makes us like God, second as a thing which is in the middle between God and man and thirdly as a middle thing or mediation that integrates extremes organically, then conscience cannot be either simply human or divine. The second problem is the following: How can one who hears the voice of God know that he really hears his voice? And, if he is the only one who hears it, how can we know that he hears it? (shrink)

ABSTRACTThe aim of this essay is to give voice to the distinct types of feminist consciousnesses in dominantly Muslim societies, which have been mostly ignored or marginalized by Western and Western-influenced feminisms. I analyze Islamic and secular feminisms in Turkey and in Iran and show the shortcomings and patriarchal elements in both movements. I also show the authenticity and necessity of both movements, and emphasize their contributions to the feminist ideal of pluralism. Finally, by producing this project, I hope (...) to carve a space for Middle Eastern Feminisms in global feminist scholarship. (shrink)

This study bases itself in the epistemological and methodological development of a broad and interdisciplinary dialogue where various voices in the form of different domains converse in order to establish an integrated whole. The research contributes to the actual corporative question regarding spirituality in the workplace, specifically aimed at the individual in the middle-career phase. This phase is characterised as a re-evaluation period aimed at personal and professional growth. A shift in emphasis to the meaning and sense of work (...) is linked to spiritual intelligence as spirituality can be described and understood as a type of intelligence. The study shows that the middle-career experience provides opportunity for an altered future view. Lifestyle coaching serves as facilitating process and offers guidance in answering existential questions which are included in the spiritual. The probable outcome promises to add meaning as a manifesting component in a dynamic and transforming life strategy. (shrink)

Here, in the middle of the well-known simile that depicts Aeneas and Turnus as bulls fighting for territory and a herd , Vergil registers the reactions of the onlookers. Commentators and lexicographers disagree about what the heifers are doing, interpreting ‘mussant’ in different ways. Servius glosses the verb as ‘dubitant’. By contrast, Heyne offers the paraphrase ‘anxii expectant’, responding to the theme of fear in the two preceding cola: cf. ‘pavidi’ and ‘metu’. Forbiger's explanatory ‘tacite expectant’ stresses rather the (...) note of silence introduced by ‘stat pecus omne metu mutum’. Lewis and Short and Georges concur with Forbiger when they translate ‘mussant’ ‘expect in silence’ and ‘stumm harren’. Other authorities, however, underscore the verb's onomatopoeic sense. Julius Caesar Scaliger, for example, observes of Vergil's usage: ‘sane verbum factitium, neque absonum a bourn voce’. Accordingly, some older commentators interpret ‘mussant’ as a restrained form of ‘mugiunt’. More recently, the OLD and TLL cite Aen. 12.718 under the definitions ‘mutter in indecision’ and ‘mussantem dubitare’. Although there is general agreement that ‘mussant’ connotes uncertainty, there still remains the problem of whether it indicates silence, faint lowing, or muttering. The purpose of this note is to call attention to an unrecognized etymological wordplay in line 718 which helps explain what the heifers are doing and why there are varying interpretations of ‘mussant’. (shrink)

Different translations of Plutarch's De Pythiae oraculis 404B reflect an interpretative difficulty not yet adequately thematized by exegetes. Plutarch's dialogues on the Delphic oracle describe two perspectives on mantic inspiration: possession prophecy, where the god takes over the prophetess as a passive apparatus, and stimulation prophecy, where the god incites the prophecy, but the prophetess delivers the oracle through her own faculties. Plutarch understands the Pythia at Delphi to exhibit stimulation prophecy, not possession. One of his metaphors for inspiration comes (...) from the theatre: the god ‘puts the oracle into the Pythia's mouth, like an actor speaking through the mask’ (De Pyth. or. 404B [Russell]). Some translators take the metaphor as describing possession prophecy (Goodwin), while others take it as stimulation prophecy (Babbitt)—in other words, it may describe the view Plutarch affirms or the view he rejects. This article assesses the two alternatives, concluding that the theatre metaphor describes possession prophecy. (shrink)

The article is a cultural-philosophical response to Ivan Gerát’s Legendary Scenes and his art history interpretation of the function of Slovak hagiographic pictorial art of the Late Middle Ages. The thrust is on paintings of Christian ethical extremism, reflected in the principle of imitatio Christi. It led to the deaths of martyrs and saints in the name of the Faith. The preponderance of brutal scenes involving the tortured human body in this period art is examined in detail and it (...) is suggested that these portrayals are disincentives that put off the mass culture beholder. The contextualist art history method employed in Gerát’s book is gradually explored, along with its potential to transform the uninterested postmodern beholder into an intelligent beholder and art tourist. Attention is paid to the educational and national branding aspects of Legendary Scenes. (shrink)

The desire to voice the artistic revelation of the truth of a precarious, multi-faceted, yet integrated self lies behind much of Szymanowski's work. This self is projected through the voices of deities who speak languages of love. The unifying figure is Eros, who may be embodied as Dionysus, Christ, Narcissus or Orpheus, and the gospel he proclaims tells of the resurrection and freedom of the desiring subject. This book examines Szymanowski's exploration of the relationship between the authorial voice, (...) mythology and eroticism within the context of the crisis of the modern subject in Western culture. Stephen Downes analyses mythological and erotic aspects of selected songs from the composer's early career, moving to an interpretation of the voice of the homoerotic lover, embodied as a mad muezzin, in terms of heroic notions of Orphic elegy. Discussing the encounters of King Roger with the voices of Narcissus, the Siren and Dionysus, Downes shows how the composer uses the unifying Christ/Eros figure as a means of indicating that the King might be transformed from anguished despot to loving expressive subject. The book ends with an examination of Szymanowski's desire to fuse Slavonic and Middle-Eastern mythological inspirations in an attempt to fulfil a utopian vision of a pan-European culture bound together by the spirit of Eros. (shrink)

ArgumentMuch recent research has established the importance of visualization in modern science. This essay treats, instead, of the continued importance of the aural and oral: the professorial voice. The professor remains important for science since so many scientists still instantiate this persona and, as is here argued, a “voice” constitutes an essential feature of it. The form of the essay reflects its contents. From the Middle Ages until well into the modern era, the archetypal professorial genre was (...) the disputation, an oral event recast in written form. Apropos of the traditional disputation, this essay begins with a disquisition more or less to the point. It concerns Nietzsche’s first major publication, which violated norms for the proper professorial voice, thus accelerated the destruction of his academic career. The essay then presents six theses on the professorial voice. The theses treat relevant aspects of the professorial voice from the Sophists onward. It is argued, in Weberian terms, that the professorial voice or persona embodies elements of charismatic and traditional authority which coexist with and condition the rational authority or “objectivity” of science. (shrink)

Not least among the many enigmas attending the origins and development of the first vernacular lyric in the European Middle Ages is the existence of at least twenty women poets who lived in southern France from about the mid-twelfth to the mid-thirteenth century and who participated in the highly conventionalized poetic system created by the troubadours, those humble poetlovers who sang to their beloved as domna, the superior lady. In periods when the tides of feminism are high these women's (...) voices have insistently claimed our attention, as we try to understand their songs and puzzle over their very existence. Their poetic inventions require us in particular to pay close attention to the subtle, even elusive, concept of voice—its relation to the identity of the poet and the poem's speaker, the elements that characterize its expression, the multiplicity of images created by different voices, and so on. If we are willing to listen and analyze carefully, the trobairitz have much to teach us about the way women poets enter into and find their place in a traditional poetic system created by male poets. Their songs demonstrate with intricate complexity the way poetic fictions play with cultural, literary, and social definitions of man and woman, masculine and feminine; their poems offer valuable warnings about the pitfalls involved in generalizing women into woman. (shrink)

Kids in the Middle: The Micro-Politics of Special Education takes the reader on a fascinating journey through special education in the past, present, and future. On this journey, the micro-politics of special education are seen through the eyes and experiences of children with disabilities, their parents and advocates, adult educators, and school administrators. Supplementing these perspectives to develop an understanding of special education that goes beyond its administrative and political aspects, such as the Individuals with Disabilities Education Act , (...) are scholars with expertise in special education law, administration, severe and profound disabilities, ethics, finance, teaching, and disability rights. Together, these voices explain the micro-political issues that affect how children with disabilities are educated. Kids in the Middle promotes a new model of special education to help transform special education. Instead of perpetuating a system grounded in the concepts of promises, privilege, and power, this book considers how to build a system based on caring, compassion, and the common good, a system that will elevate the status of special education children who are lost in the middle. (shrink)

This article presents evidence over which we stumbled while investigating a completely different part of the Platonic Corpus. While examining the ordinary working vocabulary of the doubtful dialogues and of those undisputed dialogues most readily compared with them, it seemed essential to have a representative sample of Plato's allegedly 'middle' and 'late' dialogues also. The real surprise came when the Critias was included, showing some frequencies not previously observed in Platonic dialogues. This prompted treatment of the Timaeus also, some (...) of which showed comparable peculiarities. The most distinctive feature was the increase in the rate of the definite article from around 8% of total vocabulary in dialogues assumed to be early, or around 10% in Laws, to some 14% in sizeable parts of the Timaeus-Critias, where Plato seemed no less interested in the literary credentials of his creations than elsewhere. Tests intended for application to our original set of problems were yielding results that appeared to bear on a number of problems central to the interpretation of the Timaeus-Critias. (shrink)

There exists a deep and broad population of Christians who feel the labels of 'liberal' and 'evangelical' both describe their faith and limit their expression of it. By working to reclaim the traditional, historical meanings of these terms, and showing how they complement rather than oppose each other, Wesley Wildman and Stephen Chapin Gardner stake a claim for the moderate Christian voice in today's polarized society. Found in the Middle! offers a foundational approach to the theology and ethics (...) that undergird a congregation where moderate Christians can thrive. Wildman and Garner serve as helpful guides on a quest for a humble theology, an intelligible gospel message, a compelling view of church unity, and a radical ethics deeply satisfying to most Christians with both liberal and evangelical instincts. Pastors, congregational leaders, seminarians, and all thoughtful Christians will learn how truly moderate Christianity can unite the compassionate openness and social activism of liberal Christianity with the magnetism and spiritual fervor of evangelical Christianity. You may feel lost in the middle, but you are not alone there. The middle may be the place where you find yourself living most authentically. (shrink)

Digital Voice Assistants have become a ubiquitous technology in today’s home and childhood environments. Inspired by original study on how children’s ontological conceptualizations of life and technology were systematically associated with their real-world exposure to robotic entities, the current study explored this association for children in their middle childhood and with different levels of DVA-exposure. We analyzed correlational survey data from 143 parent–child dyads who were recruited on ‘Amazon Mechanical Turk’. Children’s ontological conceptualization patterns of life and technology (...) were measured by asking them to conceptualize nine prototypical organically living and technological entities with respect to their biology, intelligence, and psychology. Their ontological conceptualization patterns were then associated with their DVA-exposure and additional control variables. Compared to biology and psychology, intelligence was a less differentiating factor for children to differentiate between organically living and technological entities. This differentiation pattern became more pronounced with technological affinity. There was some evidence that children with higher DVA-exposure differentiated more rigorously between organically living and technological entities on the basis of psychology. To the best of our knowledge, this is the first study exploring children’s real-world exposure to DVAs and how it is associated with their conceptual understandings of life and technology. Findings suggest although psychological conceptualizations of technology may become more pronounced with DVA-exposure, it is far from clear such tendencies blur ontological boundaries between life and technology from children’s perspective. (shrink)

Semitic templates systematically encode two dimensions of verb meaning: (a) agency, the thematic role of the verb’s external argument, and (b) voice. The assumption that this form-meaning correspondence is mediated by syntax allows the parallel compositional construction of the form and the meaning of a verb from the forms and the meanings of its root and template. The root and its arguments are optionally embedded under a light verb v which introduces the agent (Hale and Keyser 1993; Kratzer 1994). (...) But this is only the unmarked case, which, in Semitic, is encoded by the simple templates. Two dimensions of markedness are introduced by two additional types of syntactic heads: (a) agency heads, which modify agency and are morphologically realized as the intensive and causative templates, and (b) voice heads, which modify voice and are morphologically realized as the passive and middle templates. Causative and middle morphemes are thus accounted for within a unified system, which, first, explains their affinity in language in general (both are found crosslinguistically as markers of transitivity alternations), and which, moreover, sheds new light on problems in the interface of semantics and morphology. One problem is the impossibility, mostly ignored in linguistic theory, of deriving the semantics of middle verbs from that of the corresponding transitive verbs. The second is explaining the identity found crosslinguistically between middle and reflexive morphology. The third is determining the grammatical function of the causee in causative constructions. (shrink)

A change in the form of narrative presentation divides Heliodorus’ Aethiopica in two halves, the first embracing Books 1–5, the second Books 6–10. The shift has been described in different terms: Keyes notes that, whereas the first part uses an in medias res opening, the second follows by and large chronological order. Morgan ascribes to the first half a ‘hermeneutic impulse’ that gives way to an ‘end-directed’ drive in the second half. Using Sternberg's concept of narrative time, one could say (...) that by and large the first five books are dominated by curiosity, the second five books by suspense: after trying to fathom the prehistory, the reader then directs her attention to the further development of the plot. The shift, however, concerns not only the orchestration of time, but also the stance of the narrator: while Hefti juxtaposes the net of embedded narratives in the first five books with the predominance of the primary narrator in the last five books, Futre Pinheiro considers the shift in terms of ‘showing’ and ‘telling’. The difference between the two halves of the Aethiopica thus hinges on the central narratological categories of time and voice. (shrink)

Abortion remains a controversial topic, with pro-life and pro-choice advocates clashing fiercely. However, public polling demonstrates that the vast majority of the Western public holds a middle position: being in favour of abortion but not in all circumstances nor at any time. The intuitions held by the majority seem to imply a contradiction: two early foetuses at the same point in development have different moral statuses. Providing coherent philosophical grounding for this intuition has proved challenging. Solutions given by philosophers (...) such as Feinberg, Harman and Räsänen are complex and do not fully account for the lived experience of pregnancy loss. This article argues for a relational ontological construction of human personhood as the basis of foetal personhood. This approach takes seriously the literature of pregnancy loss and the lived experiences of pregnant persons. Focusing on the manner in which persons relate to early foetuses (especially pregnant persons), provides a coherent ground for distinct foetal value. Importantly, this approach is both simple and intuitive. Therefore, it can be more easily adopted by middle. To counter an implied equality of human relationality, the article argues for a clear hierarchy based on relational proximity that affirms pregnant persons? primary role in deciding the moral significance of foetal termination. (shrink)

This two-volume work examines far-reaching debates on the concept of courage from Greek antiquity to the Christian and mediaeval periods, as well as the modern era. Volume 1 begins with Homeric poetry and the politics of fearless demi-gods thriving on war. The tales of lion-hearted Heracles, Achilles, and Ulysses, and their tragic fall at the hands of fate, eventually give way to classical views of courage based on competing theories of rational wisdom and truth. Fears of the enemy and anxieties (...) about suffering and death are addressed through the lenses and teachings of medicine, geography, military history, moral philosophy, and metaphysics. For early Christian thinkers, the ethics of fear, fate, and fealty to the Almighty supplant the voice of reason and the wisdom of virtue. Much of Christian doctrine's history is a long journey towards bridging the gap between Greek philosophy and devotion to God and spirits in heaven. Some Church Fathers attempt to dispel the fear of suffering through a joyful craving for martyrdom and the eternal blessings that follow. Others show openness to one or more of the following principles: the abstractions of moral philosophy, the metaphysics of Gnostic enlightenment, the gift of free will and intentionality, the growth of church authority and hegemony, and the intrinsic worth of life on Earth. Augustine, Ambrose, Cassian, and Chrysostom play a central role in revisiting the foundations of Christian fortitude along some or all of these lines. They lay the groundwork for the scholastic adaptations of faith-based rationalism proposed by Peter Lombard, Philip the Chancellor, Albert the Great, and Thomas of Aquinas. The mediaeval period ends with church dissidents and Protestant Reform leaders condemning Rome’s corruption and calling for a return to early Christian faith and the courage of godly fear, submission, suffering, and fate. (shrink)

Father Dulles is now largely thought by friend and foe alike to be one of the most forceful voices for a renewed orthodoxy in the Church. Liberals see him as having turned his back on his younger radicalism; like many an older man, they suggest, he has grown more conservative with age. His experiences with certain forms of liberal Catholicism, while not changing his ideas about the Church, seemed to have alerted him to their potential for disaster.1.

The mutual influences of the medieval discourse of courtly love and the literary visions of divine love have long been recognized by readers of medieval lyrical poetry and devotional writings. They are especially visible in the affinities between the language used to construct the picture of the ideal courtly lady and the images of the Virgin Mary. Praises of Mary’s physical beauty, strewn with erotic implications, are an example of a strictly male eroticization of the medieval Marian discourse, rooted in (...) Bernard of Clairvaux’s allegorical reading of the Song of Songs, where Mary is imagined as the Bride of the poem, whose “breasts are like two young roes that are twins”. Glimpses of medieval female erotic imagination, also employed to express religious meanings, can be found in the writings of the mystical tradition: in England in the books of visions of Margery Kempe, in the anonymous seers of the fourteenth century, and, to some extent, in Julian of Norwich. Though subdued by patriarchal politics and edited by male amanuenses, the female voice can still be heard in the extant texts as it speaks of mystical experience by reference to bodily, somatic and, sometimes, erotic sensations in a manner different from the sensual implications found in the poetry of Marian adoration. The bliss of mystic elation, the ultimate union with God, is, in at least one mystical text, confidently metaphorized as an ecstatic, physical union with the human figure of Christ hanging on the cross. (shrink)

IDEAS EXPLAINEDTM Daoism Explained, Hans-Georg Moeller Frege Explained, Joan Weiner Luhmann Explained, Hans-Georg Moeller Heidegger Explained, Graham Harman Atheism Explained, David Ramsay Steele Sartre Explained, ...

What can Hannah Arendt's writings offer to current thinking on the environment? Although there are some obvious connections between her work and current issues in environmental ethics, not very much has been written on the topic. This article argues that Arendt's philosophy is particularly fruitful for environmental thinking because she explicitly links the material and biological conditions of human existence with the political conditions of human freedom. This is articulated in the article as the requirement of both constrained consumption and (...) unconstrained deliberation. The article elaborates these notions before concluding that Arendt's philosophy uniquely combines the existential task of self-understanding with the practical task of confronting our environmental challenges. (shrink)