Bartky draws on the experience of daily life to unmask the many disguises by which intimations of inferiority are visited upon women. She critiques both the male bias of current theory and the debilitating dominion held by notions of "proper femininity" over women and their bodies in patriarchal culture.

Examining Levinas's critique of the Heideggerian conception of temporality, this book shows how the notion of the feminine both enables and prohibits the most fertile territory of Levinas's thought. The author suggests that though Levinas's conception of subjectivity corrects some of the problems Heidegger's philosophy introduces, such as his failure to deal adequately with ethics, Levinas creates new stumbling blocks, notably the confining role he accords to the feminine. For Levinas, the feminine functions as that which facilitates (...) but is excluded from the ethical relation that he sees as the pinnacle of philosophy. Showing that the feminine is a strategic part of Levinas's philosophy, but one that was not thought through by him, the author suggests that his failure to solidly place the feminine in his thinking is structurally consonant with his conceptual separation of politics from ethics. (shrink)

This volume brings together twenty original essays on the changes and continuities in gender relations and intersecting politics of sexuality, race, class and location. The book is located in debates about contemporary culture at a moment of rapid technological change, global interconnectedness and the growing cultural dominance of neoliberalism and postfeminism. The collection traverses disciplines, spaces and approaches. It is marked by an extraordinarily wide focus, ranging from analyses of celebrity magazines and makeover shows to examinations of the experiences of (...) young female migrants, 'mail order brides' and young women who repudiate feminism. The contributions are united by their attempts to think through the ways in which experiences and representations of femininity are changing in the twenty-first century. Are we seeing new femininities? Are neoliberalism and postfeminism constructing new identities and subjectivities? What kinds of analytic tools and cultural politics are needed to critically engage with the current moment? This book will be of interest to everyone studying gender, media or cultural studies. (shrink)

In November 1996, Catherine Clément and Julia Kristeva began a correspondence exploring the subject of the sacred. In this collection of those letters Catherine Clément approaches the topic from an anthropologist's point of view while Julia Kristeva responds from a psychoanalytic perspective. Their correspondence leads them to a controversial and fundamental question: is there anything sacred that can at the same time be considered strictly feminine? The two voices of the book work in tandem, fleshing out ideas and blending (...) together into a melody of experience. The result is a dialogue that delves into the mysteries of belief -- the relationship between faith and sexuality, the body and the senses -- which, Clément and Kristeva argue, women feel with special intensity. Although their discourse is not necessarily about theology, the authors consider the role of women and femininity in the religions of the world, from Christianity and Judaism to Confucianism and African animism. They are the first to admit that what they have undertaken is "as impossible to accomplish as it is fascinating." Nevertheless, their wide-ranging and exhilarating dialogue succeeds in raising questions that are perhaps more important to ask than to answer. (shrink)

Mutual feedback between human-made environments and facets of thought throughout history has yielded two myths: the Garden and the Citadel. Both myths correspond to Jung’s feminine and masculine collective subconscious, as well as to Nietzsche’s premise of Apollonian and Dionysian impulses in art. Nietzsche’s premise suggests, furthermore, that the feminine myth of the Garden is time-bound whereas the masculine myth of the Citadel, or the Ideal City, constitutes a spatial deportment. Throughout history the two myths have continually molded (...) the built environment and thought, but the myth of the Ideal City – from Plato to Descartes to modernity – came to dominate city-form and ensuing aspects of contemplation. This relationship seems to have shifted during the twentieth century. Intellectual dispositions have begun to be largely nurtured by an incongruous city-form emerging from the gap between the incessant promise for an automated, well-functioning city, on the one hand, and looming alienation, coupled with the factual, malfunctioning city, on the other hand. Urban decay, a persisting and time-bound urban event that is a byproduct of this configuration, suggests the ascent of the Garden myth in post-modern city-form. (shrink)

Analyzes Aristotle's natural philosophy and metaphysics from a feminist, deconstructive, psychoanalytic perspective, showing that Aristotelian teleology relies on the disparagement of chance and the feminine simultaneously and finding resources therein for contemporary feminist thought.

Machine Learning (ML) and Artificial Intelligence (AI) are for many the defining features of the early twenty-first century. With such a provocation, this essay considers how one might understand the relational philosophies articulated by Indigenous learning scientists, Indigenous technologists and feminine philosophers of education as co-constitutive of an ensemble mediating or regulating an educative philosophy interfacing with ML/AI. In these mediations, differing vocabularies – kin, the one caring, cooperative – are recognized for their ethical commitments, yet challenging epistemic claims (...) in the contexts of ML. Similarly, ML poses some questions to claims made about relational and Indigenous epistemologies, where the latter is perceived as separated from and unaffected by computation specifically or algorithmic societies generally. This essay seeks to gain several vantage points to explore and complicate how diverse relational philosophies can address ML and perhaps reconsider their own critical practices. (shrink)

L’article se propose de retracer brièvement l’itinéraire et le fondement théorique des termes « condition féminine », « rapports sociaux de sexe » et « genre » dans différentes disciplines en précisant la chronologie différenciée de leur usage en France et dans le monde anglophone.

L’article se propose de retracer brièvement l’itinéraire et le fondement théorique (du marxisme au poststructuralisme) des termes « condition féminine », « rapports sociaux de sexe » et « genre » dans différentes disciplines (sociologie, histoire et science politique) en précisant la chronologie différenciée de leur usage en France et dans le monde anglophone.

The author explores how the discursive practices of social texts relate to the subjectivities of readers. Employing Dorothy Smith's notion of femininity as textually mediated discourse, the author analyzes how teenage girls read the depictions of femininity in the glossy advertisements of fashion magazines. Through interviews with 48 girls aged 13 to 17 years, she explores both why and how young girls negotiate “what it means to be a woman.” Most young girls in her study draw on stereotypical meanings of (...) adult femininity. By giving these stereotypes truth status, these readers valorize not only patriarchal meanings of womanhood but also naturalize associations between femininity and the commodities through which this femininity is expressed as the everyday doing of gender. The author concludes by discussing implications of this study for both a feminist theory and a feminist politics of culture. (shrink)

The mid-fourth-century c.e.Cento Vergilianus de laudibus Christi retells the biblical story using cento technique (recombining excerpted lines and partial lines from Virgil into a new poem). Its author, the Christian poet Faltonia Betitia Proba, states that her aim in writing the Cento is to demonstrate that Virgil ‘sang the pious deeds of Christ’ (Vergilium cecinisse … pia munera Christi). Her compositional strategy reflects the exegetical method of typology, as explored in detail by Cullhed: by reusing particular Virgilian verses for biblical (...) characters, Proba creates an implicit typological relationship whereby a Virgilian type both prefigures and is fulfilled by a biblical antitype. This paper first presents an extended model of typology, whereby the type not only prefigures the antitype but also enfigures it, providing the reader with a novel conceptual paradigm through which to understand a particular supernatural reality. The paper then turns to a case study: the baptism scene (380–414), the only passage in the Cento depicting all three members of the Trinity. For each, Proba reuses passages which in the Aeneid describe female characters, hinting at a feminine typological Trinity, one which highlights often-overlooked aspects of the three Christian antitypes. In so doing, she convincingly advances her thesis that Virgil's poetic works reflect typological correspondences to the Christian narrative in a similar way to Old Testament prophecy. (shrink)

The search for a unified and coherent feminine aesthetic theory could not be successful because it relies upon "universals" which do not exist and assumes simple parallels among psychological, social and aesthetic structures. However, with an apparatus of narrative points of view, one can demonstrate that individual narrative texts are organized from a feminine point of view. To this extent, the intuition that there is a feminine aesthetic can be vindicated.

This article seeks to examine the representation of masculinities and femininities in the renowned South Indian drama film The Great Indian Kitchen. The research construes the manner in which the two dominant genders promote and/or modify patriarchal norms within the institution of family. The functioning of women as ancillary members of patriarchy, the interplay between masculinities and femininities, their evolution in contemporary times, etc., are also critically engaged in the paper. The paper argues that the movie The Great Indian Kitchen (...) not only illustrates different masculinities and femininities but also reconstructs the patriarchal family structure which institutionalises gender inequality. It further argues that the movie proposes an alternative image of the family based on gender equality, where men and women live with mutual respect and complementation. (shrink)

Gender researchers have only recently begun to identify how women perceive and explain the costs and benefits associated with different femininities. Yet status hierarchies among historically white college sororities are explicit and cannot be ignored, forcing sorority women to grapple with constructions of feminine worth. Drawing on interviews with women in these sororities, we are able to capture college women’s attitudes toward status rankings that prioritize adherence to narrow models of gender complementarity. Sorority chapters were ranked according to women’s (...) perceived heterosexual appeal to elite men. Women believed that top-ranked sororities conferred social power whereas middle- and bottom-ranked sororities offered greater freedom from policing over members’ bodies, fashion, and socializing. However, middle- and bottom-ranked sororities sometimes sought to rise in the rankings. When this occurred, existing members were marginalized, and a new pledge class with a greater tolerance for socializing with high-status “rapey” fraternities was sought. Women’s discussions of sorority rankings show evidence of a hybrid femininity that fuses practices from traditional models of gender complementarity and more recent models of women’s empowerment. (shrink)

In this comment Ichallenge two of the arguments made in the paper, “Toward the Feminine Firm.” First I challenge the claim that Gilligan’swork on gender differences in moral orientation provides a logically and empirically sound foundation for an alternative theory of the firm. I cite recent work that discredits any concise notion of a feminine ethic. Second I challenge the claim that, if such a firm were to exist, it would flourish in a competitive market economy. I suggest (...) that, far from flourishing, such a firm will rapidly perish. (shrink)

L’écoute d’un couple en crise qui demande à être aidé montre fréquemment que la dégradation de leur communication affective et sexuelle a débuté à la naissance d’un enfant, pas nécessairement le premier. Quelques exemples témoignent à quel point de multiples remaniements psychiques s’opèrent au sein du couple, lorsqu’une femme devient mère : retour de l’enfant en soi, réactivation des conflits œdipiens. Et, comme le souligne Winnicott, n’y aurait-il pas en chaque homme et en chaque femme la représentation d’une femme/mère toute-puissante (...) et dominatrice, source d’angoisses multiples? Cette peur de la femme, qu’il faut donc à tout prix dominer, semble évidente lorsqu’on écoute les représentations que les adolescents se font de l’autre sexe. Les auteurs proposent quelques repères théoriques afin de comprendre ces angoisses et aider les couples à les reconnaître pour mieux les gérer. (shrink)

At a time when some modicum of formal gender equality has been won in many late‐capitalist societies of the West, what explains the persistence of practices that extract labor and value from women and girls while granting a “surplus” of value to men and boys? Gendered shame is a central mechanism of the apparatus that secures the continued subordination of women across a number of class and race contexts in the mediatized, late‐capitalist West. Focusing on the story of Amanda Todd, (...) two forms of shame are distinguished. “Ubiquitous shame” is that shame that accrues to feminine existence as such, and is structured in relation to a futural temporality of redemption. “Unbounded shame” is a brute form of value‐extraction that has found its ecological niche in social media—and destroys all futural aspirations. (shrink)

The author of the phenomenal bestsellers He and She discusses the importance of regaining the feminine dimension in our lives. According to Johnson, regaining the power of feminine feeling and value is critical to the development of human peace and consciousness.

Women’s right to exercise choice has been one of feminism’s central political claims. Where second wave feminism focused on the constraints women faced in making free choices, choice feminism more recently reorients feminist politics with a call for recognition of the choices women are actually making. From this perspective the role of feminism is to validate women’s choices without passing judgement. This article analyses this shift in orientation by locating women’s choices within a late modern gender order in which the (...) ideal of choice has increasingly been associated with a new form of femininity characterized as self-determining, individuated and ‘empowered’. Instead of offering an effective analysis of the changing social conditions within which the relationship between feminism, femininity and individual choice has become increasingly complicated, choice feminism directs criticism at feminist perspectives characterized as overly prescriptive. This critique fails to appreciate how feminist ideals have been recuperated in the service of late capitalism and neoliberal forms of governance. By failing to engage critically with processes currently impacting on the social organization of gender choice feminism aids in the constitution of an individuated neoliberal feminist subject which performs cultural work vital to the reproduction of neoliberal governmentality. (shrink)

Le présent texte parcourt quelques-unes des œuvres d’Edgar Morin qui traitent du rapport féminin/masculin et femme/homme soit dans une perspective transdisciplinaire – du point de vue de la sociologie ou de la biologie – soit dans la perspective de la théorie de l’évolution et de la génétique. L’innovation épistémologique constitue le fondement permanent de la réflexion de cet auteur. À cet égard, les notions de dialogique et de boucle récursive sont les instruments fondamentaux de l’analyse morinienne du masculin et du (...) féminin.This text runs some of the works of Edgar Morin discusses the relationship male / female and female / male is in a transdisciplinary perspective - from the point of view of sociology or biology - or from the perspective of the theory of evolution and genetics. Innovation is the epistemological foundation of permanent reflection of the author. In this regard, the concept of dialogical and recursive loop are the basic instruments of analysis morinienne of masculine and feminine. (shrink)

In this comment Ichallenge two of the arguments made in the paper, “Toward the Feminine Firm.” First I challenge the claim that Gilligan’swork on gender differences in moral orientation provides a logically and empirically sound foundation for an alternative theory of the firm. I cite recent work that discredits any concise notion of a feminine ethic. Second I challenge the claim that, if such a firm were to exist, it would flourish in a competitive market economy. I suggest (...) that, far from flourishing, such a firm will rapidly perish. (shrink)

Ethics has been discussed largely in the language of the father, Nel Noddings believes: in principles and propostions, in terms such as _justification,_ _fairness,_ and _equity._ The mother's voice has been silent. The view of ethics Noddings offers in this book is a feminine view. "This does not imply," she writes, "that all women will accept it or that most men will reject it; indeed there is no reason why men should not embrace it. It is feminine in (...) the deep classical sense—rooted in receptivity, relatedness, and responsiveness. It does not imply either that logic is to be discarded or that logic is alien to women. It represents an aternative to present views, one that begins with the moral attitude or longing for goodness and not with moral reasoning." What is at the basis of moral action? An altruism acquired by the application of rule and principle? Or, as Noddings asserts, caring and the memory of being cared for? With numerous examples to supplement her rich theoretical discussion, Noddings builds a compelling philosophical argument for an ethics based on natural caring, as in the care of a mother for her child. The ethical behavior that grows out of natural caring has at its core as care-filled receptivity to those involved in any moral situation, and leaves behind the rigidity of rule and principle to focus on what is particular and unique in human relations. "The hand that steadied us as we learned to ride our first bicycle did not provide propositional knowledge, but it guided and supported us all the same, and we finished up 'knowing how.'" Noddings's discussion is far-ranging, as she considers whether organizations, which operate at a remove from the caring relationship, can truly be called ethical. She discusses the extent to which we may truly care for plants, animals, or ideas. Finally, she proposes a realignment of education to encourage and reward not just rationality and trained intelligence, but also enhanced sensitivity in moral matters. (shrink)

In 1949 Simone de Beauvoir asked, “What does it mean to be a woman?” Her answer to that question inaugurated a radical transformation of the meaning of “woman” that defined the direction of subsequent feminist theory. What Beauvoir discovered is that it is impossible to define “woman” as an equal human being in our philosophical and political tradition. Her effort to redefine “woman” outside these parameters set feminist theory on a path of radical transformation. The feminist theorists who wrote in (...) the wake of Beauvoir’s work followed that path. Susan Hekman’s original and highly engaging new book traces the evolution of “woman” from Beauvoir to the present. In a comprehensive synthesis of a number of feminist theorists she covers French feminist thinkers Luce Irigaray and Helene Cixous as well as theorists such as Carol Gilligan, Carole Pateman and Judith Butler. The book examines the relational self, feminist liberalism and Marxism, as well as feminist theories of race and ethnicity, radical feminism, postmodern feminism and material feminism. Hekman argues that the effort to redefine “woman” in the course of feminist theory is a cumulative process in which each approach builds on that which has gone before. Although they have approached “woman” from different perspectives, feminist theorists has moved beyond the negative definition of our tradition to a new concept that continues to evolve. The Feminine Subject is a remarkably succinct yet wide-ranging analysis which will appeal to all feminist scholars and students as well as anyone interested in the changing nature of feminism since the 1950s. (shrink)

Not so long ago, when I first became interested in flamenco poetry and was studying it from linguistic and cultural points of view, the question of the female image in the verses began to draw my attention. It is a cornerstone of flamenco poetry yet at the same time is full of contradictions. At that time I wanted to define the difference between the singer and the song: the woman who is the exponent of flamenco and the woman who appears (...) in the lyrics. Today, after translating many ‘coplas’ and having delved more and more deeply into the words and their hidden meanings I have discovered new aspects of the feminine concept in flamenco. There are nuances whose roots are found in many and different ancient cultures. To describe the combination of elements that place woman both at the heart of flamenco and at the borders, I would like to refer to a very interesting definition of the ‘feminine mystique’. (shrink)

Deconstructing the Feminine looks beyond impasses of binary thought and essentialist conceptions of women and the feminine from a contemporary perspective. With a multicentred and complex approach, and an ongoing dialogue with Freud, Leticia Glocer Fiorini addresses questions relating to love, sexual desire, maternity, beauty, and the passing of time by reconsidering the gender binary and underlying power relations. Glocer Fiorini's work highlights current debates concerning women, the feminine, and sexual difference, as well as discussing topics which (...) have caused controversy throughout the history of the psychoanalytic movement. The updated and expanded edition distinguishes between the concept of sexual difference and the category of 'difference' as it applies at various heterogenous levels and includes new approaches reflecting on the 'feminine enigma', hysteria, feminine masochism, and masculinity. Deconstructing the Feminine will be of great interest to psychoanalysts in clinical practice and in training, as well as to scholars of gender, sexuality, and women's studies. (shrink)

Cet article pose la question de savoir dans quelle mesure les émotions ont été un élément de construction du genre par les théologiens médiévaux. Il montre dans un premier temps que la sensibilité, bien que régulièrement associée au féminin, n’a pas constitué un élément important de distinction des sexes avant le xiiie siècle. Le motif de la sensibilité féminine a même pu être utilisé au service d’une lecture égalitaire de certains passages bibliques en plaçant le féminin dans l’humain. Dans un (...) second temps, nous étudions une émotion particulière, la verecundia, souvent associée au voile et, par-là, aux femmes. C’est l’occasion de montrer comment une “émotion” régulièrement appliquée aux hommes, a pu être construite comme spécifiquement féminine en ce qu’elle exprime la réserve et la soumission attendue de la femme qui accepte la médiation masculine que signifie le voile, tout en lui ouvrant un chemin vers le salut et même vers la gloire. La verecundia apparaît ainsi pour les femmes comme un chemin vers la gloire à travers la honte qui se définit en vertu. (shrink)

The article is devoted to a comparative analysis of the role of the feminine principle in the cosmogonic ideas of the Slavic peoples and the philosophy of the Ancient East, in particular, India and China, to the establishment of common and distinctive features of female personification. The authors conclude that the ancient tribal culture, which was based on the logic of nature, the maintenance of the world in unity and the balance of opposites, was much more favorable to women (...) than monotheistic religions, which affirmed the sinful nature of women. Ideas about the origin and development of the universe occupy a central place in the mythological heritage, in the cosmic processes and powerful forces of nature, the unbreakable harmony of male and female principles can be traced, where male energy consists in the idea of fertilization, and female energy – in birth and creation. In every mythological system, there is a character of the Mother Goddess, who acts as a co-creator of the world and living beings, but with the establishment of the patriarchal system, the mythological paradigm undergoes changes, and the female principle is gradually recognized as secondary, or it was completely leveled in the processes of world creation. The archetype of the Great Mother reflects the functioning of human values and runs through the entire history of philosophy and culture. (shrink)

"The spiritual needs and interests of both men and women have changed enough to merit a new edition of this superbly crafted, scholarly study of Sophia." -- Janet Forsythe Fishburn.

This article takes a close look at the nature offeminine values in congruence with natural law. The thoughts of Tagore primarily and to a lesser degree of Vivekananda, Gandhi and Nivedita on this most momentous area of social-psychological well-beingfor humans are highlighted. Trendy and shallow modernism seems to be aiming at cheap goals in the name of women's liberation, and the long-term damage to humanity is becoming incalculable. The tragic and bizarre events occurring across the whole spectrum, from homes and (...) schools to business and politics, can be traced in a big way to the hot pace of centrifugalized breaking up of stable family values woven around natural, centripetal feminine values. (shrink)

ACKNOWLEDGMENTS. Among Those Who helped greatly in the initial stages of this project by making constructive suggestions on my first "caring" papers are Nick Burbules, William Doll, Bruce Fuller, Brian Hill, William Pinar, Mary Anne ...

Les femmes, à l’époque moderne, admettent, en règle générale, la soumission requise par le clergé masculin. Mais il en est qui résistent. Ce sont des chrétiennes aux fortes personnalités – Thérèse d’Avila, au xvie siècle, ou Gabrielle Suchon, au xviie siècle – mais aussi des communautés religieuses féminines, comme celle de Port-Royal, au xviie siècle et d’autres, moins connues. Ces manifestations d’indépendance, plutôt que de rébellion ouverte, sont particulièrement visibles lorsque ces femmes se sentent investies d’une mission divine, c’est le (...) cas, par exemple, des mystiques. (shrink)

Bonaventure in his Itinerarium mentis in Deum traces the mystical journey of the spiritual wayfarer from the state of man posterior to the Fall of Adam and Eveto union with the Trinity as a partaker of the inter-Trinitarian love life. This journey takes the form of an ascent characterized by a Procline and Augustinian influenced ontology. I argue that the first two levels of the three-tiered ascent are understood ontologically as feminine and masculine principles, or evaluative metaphors, and mirror (...) the coinciding of the opposites of Good and Being in Bonaventure’s Trinitarian theology. Furthermore, the process of the ascent is operative by means of yearning, or desire, acting as a unitive force in the ascent. The ascent of the Itinerarium is best realized in the person of Francis of Assisi upon whose very corpus is the ascent impressed according to the signs of the crucified Christ, the stigmata. (shrink)

This new book integrates material drawn from a variety of sources – feminist theory, cultural and literary analysis, sociology and art history – in an original discussion of women′s relationship to modern and post–modern culture. The essays in the book challenge the continuing separation of sociological from textual analysis in cultural (and feminist) theory and enquiry. They address critically the question of women′s writing, exploring the idea that women may begin to define their own lives and construct their identities in (...) a patriarchal culture through the very process of writing. They also present a cogent defence of a feminist cultural politics, including a politics of the body. (shrink)

The feminine and masculine gender role stress — conclusions from Polish studies The concept of gender role stress is based on the assumption that some women and men might have problems adapting to the feminine and masculine gender roles imposed on them by society. 1515 people took part in the study to verify feminine and masculine gender role stress models in the Polish population. The studies show that the five-factor feminine and masculine stress models are justified. (...) Men display higher stress connected with "physical inadequacy" than women, whereas women score higher on other subscales associated with feminine and masculine gender role stress. Gender role stress is more connected with femininity. Personality correlates of gender role stress were sought. (shrink)

The concept of `the feminine' has generally been employed to denigrate the work of women artists. A central project of feminist art historians, therefore, has been to challenge the use of the term. This article argues instead that the term can be mobilized in a more productive way, to investigate the very constitution of discourses of gender and, in particular, the discursive production of modernism as itself `masculine'. Reading for `inscriptions in the feminine', as well as for tensions (...) and contradictions in `the masculine', allows for a critical practice which is based on interrogation rather than correction, and which refuses the idea of modernism as monolithic. The article approaches these questions about modern art through a discussion of gender and modernity and, in particular, through an exploration of the prospects of such a critique available in some of the writings of Georg Simmel and Walter Benjamin. (shrink)

"Although the feminist debate on the ethics of care has demonstrated that philosophical concepts are gender-laden, the relation of care to justice and autonomy is not self- explanatory. Moreover, given its Western context, the normative relevance of the care debate to non-Western feminisms remains problematic. This book addresses this debate and investigates the extent to which notions of justice and autonomy can be reformulated without Eurocentrism from the perspective of care. In this endeavour, this book maps the shifts in feminist (...) approaches to care from the colonial to the post-colonial periods, taking both inter- disciplinarity and inter- sectionality into account. The book also argues that the feminist debate on care has contributed towards making philosophy's boundaries with culture and social science more porous."--Rabat de la jaquette. (shrink)

Patriarchal theologies which obstruct women’s leadership in the Anglican Church and impede ‘collaborative’ ministry prompt this exploration of the reluctance to relinquish male metaphors for God, even when intimate relationship rather than gender is stressed as the crucial concept of Trinitarian theology. Despite the ambiguities of using female terms for the divine and of establishing the oft-neglected Holy Spirit as female imaginary in the Godhead, Father-idolatry and sub-ordinationism in the Trinity need to be challenged. ‘Midwife’ is suggested as a (...) class='Hi'>feminine term for the 3rd Person, signifying non-gendered action but retaining personhood. This would creatively renew Trinitarian doctrine, the Church and its leadership as reflections of the perichoretic Godhead. (shrink)

Challenging previous interpretations of Levinas that gloss over his use of the feminine or show how he overlooks questions raised by feminists, Claire Elise Katz explores the powerful and productive links between the feminine and religion in Levinas’s work. Rather than viewing the feminine as a metaphor with no significance for women or as a means to reinforce traditional stereotypes, Katz goes beyond questions of sexual difference to reach a more profound understanding of the role of the (...) feminine in Levinas’s conception of ethical responsibility. She combines feminist interpretations of Levinas with interpretations that focus on his Jewish writings to reveal that the feminine provides an important bridge between his philosophy and his Judaism. Katz’s reading of Levinas’s conception of the feminine against the backdrop of discussions of women of the Hebrew bible points to important shifts in contemporary philosophy toward the creation of life and care for the other. (shrink)