El autor nos entrega en este artículo cuatro fábulas místicas que han configurado la espiritualidad bizantina primitiva, considerando tanto la mística greco-bizantina de los siglos II al V, como, lo “la fase ascendente” que se extiende desde el siglo VI al X, siendo éstas la Fábula Antoniana, la de Evagrio Pontico, la de la Escala Espiritual de Juan Climaco y la de los Santos Locos. Concluye el artículo señalando que la espiritualidad bizantina primitiva se configuró como una “espiritualidad del corazón", (...) en tanto los malos pensamientos vienen desde fuera del corazón, de los demonios, que acechan el corazón del hombre. (shrink)

Weeter and Duvall were good friends and philosophical colleagues. Their friendship was served by the fact that they shared a number of important philosophical commitments. Both, for instance, were theists. Both also devoutly believed in possible worlds, propositions, and essences. And furthermore, both were ardent libertarians.

It used to be that everyone read the "notorious" Bernard Mandeville (1670-1733). He was a great satirist and come to have a profound impact on economics, ethics and social philosophy. "The Fable of the Bees" begins with a poem and continues with a number of essays and dialogues. It is all tied together by the startling and original idea that "private vices" (self-interest) lead to "publick benefits" (the development and operation of society).

This edition includes, in addition to the most pertinent sections of The Fable's two volumes, a selection from Mandeville's An Enquiry into the Origin of Honor and selections from two of Mandeville's most important sources: Pierre Bayle and the Jansenist Pierre Nicole. Hundert's Introduction places Mandeville in a number of eighteenth-century debates--particularly that of the nature and morality of commercial modernity--and underscores the degree to which his work stood as a central problem, not only for his immediate English contemporaries, but (...) for such philosophers as Hume, Rousseau, and Kant. The selections are substantive enough to faithfully represent Mandeville the social theorist, and compact enough to be used in courses that can afford to spend no more than a week on his work. (shrink)

Wakandan women can play stereotypically male roles because of the political construction of Wakandan identity. Wakandan women emerge, for starters, in a radically different cultural context than women of color in other countries and cultures. Despite their tacit representation of feminist ideals, Wakandan women resist the full‐throated feminism we associate with the modern era: the no‐husband, no‐children feminism championed by the French philosopher Simone de Beauvoir. In 1966 Black Panther, the Marvel comic superhero, made his debut during the height of (...) second‐wave feminism. Back in Wakanda, M'Baku's renouncement of Shuri's non‐domestic activities makes an implicit appeal to the feminine mystique. Recognizing feminist and womanist elements within Wakanda helps explain the masculine and feminine performances of Wakandan women. Demystifying Wakanda requires us to recognize and reckon with The Panther Mystique : uncoerced appropriations of masculine and feminine norms for the sake of collective, communal freedom. (shrink)

What role do fables play in Cartesian method and psychology? By looking at Descartes’ use of fables, James Griffith suggests there is a fabular logic that runs to the heart of Descartes’ philosophy. First focusing on The World and the Discourse on Method, this volume shows that by writing in fable form, Descartes allowed his readers to break from Scholastic methods of philosophizing. With this fable-structure or -logic in mind, the book reexamines the relationship between analysis, synthesis, and (...) inexact sciences; between metaphysics and ethico-political life; and between the imagination, the will, and the passions. (shrink)

This is the first comprehensive study in English of Voltaire's contes philosophiques--the philosophical tales for which he is best remembered and which include his masterpiece Candide. Pearson situates each story in its historical and intellectual context and offers new readings in light of modern critical thinking. He rejects the traditional view that Voltaire's contes were the private expression of his philosophical perplexity, and argues that it is narrative that is Voltaire's essential mode of thought. His book is a witty, lucid, (...) and scholarly guide to the "fables of reason" through which Voltaire's skepticism undermined the contemporary religious and philosophical explanations of human experience. (shrink)

In A Climate of History Dipesh Chakrabarty locates Kant’s speculative reading of Genesis as “the Enduring Fable” furnishing the background for human domination and earthly destruction. Writing from the fable’s “ruins,” Chakrabarty urges the elaboration of new fables that provide the background ethics and meanings required to recast relations between humans and the natural world. Responding to Chakrabarty’s challenge, we outline two “fables” based first in the oft ignored Genesis 2, and second, in Matauranga Māori. Although marginalised, these (...) extant fables provide the imaginary for radically other ways of being human in a more-than-human world in turmoil. (shrink)

Fables and the Art of Leadership brings those same values and philosophy to the workplace, where they're now needed more than ever. This unique and timely work is for everyone who aspires to become and be a better leader.

Once upon a time, the planet was tyrannized by a giant dragon. The dragon stood taller than the largest cathedral, and it was covered with thick black scales. Its red eyes glowed with hate, and from its terrible jaws flowed an incessant stream of evil-smelling yellowishgreen slime. It demanded from humankind a blood-curdling tribute: to satisfy its enormous appetite, ten thousand men and women had to be delivered every evening at the onset of dark to the foot of the mountain (...) where the dragontyrant lived. Sometimes the dragon would devour these unfortunate souls upon arrival; sometimes again it would lock them up in the mountain where they would wither away for months or years before eventually being consumed. (shrink)

This latest offering from one of the founding figures of postmodernism is a collection of fifteen "fables" that ask, in the words of Jean-Francois Lyotard, "how to live, and why?

This book offers an analysis of the ways a linked set of ethico-political concepts - responsibility, rights, freedom, equality, and justice - might be re-thought, in view of the linguistic deconstruction of their underlying principle, the individual human subject. In a series of readings of contemporary thinkers and their philosophical antecedents the author argues that an encounter with the difficulties of reading language, precisely what resists the immediate comprehension or mastery of a subject, enables in turn a new thought of (...) rights and responsibility. The book is driven by a sense that literary and theoretical questions, and the ideas or concepts they appeal to or provoke, play a critical role in the way we think about and experience politics. The author seeks to harness this specialized discourse in order to consider what ethical and political thinking might learn from literature and its theorists. (shrink)

On the basis of neuroiinaging studies, Posner & Raichle summarily report that the prefrontal cortex is involved in executive functioning and attention. In contrast to that superficial view, we briefly describe a testable model of the kinds of representations that are stored in prefrontal cortex, which, when activated, are expressed via plans, actions, thematic knowledge, and schemas.

The genre of fable tends to be overlooked in the study of Korean literary history on the ground that the genre seems too archaic to reflect the aesthetic standards established in the modern European novel, in which the focus lies in the realistic representation of the individual or contemporary society. However, the genre was not completely abandoned by modern Korean writers. Few critics have noted the continuing role played by the rich Korean fable tradition, which eventually made the reinvention of (...) the genre in the mass media possible. In particular, it is worth noting that there was the emergence of a new subgenre of fable in the late nineteenth century: that is, fabulous court case fiction, which is quite distinct from the Chinese literary tradition that had underprivileged imaginative narrative texts under the absolute domination of Confucian historiography. The genre of fabulous court case fiction makes us reconsider the plurality of narrative forms and various narrative functions. In this study, I examine how imaginative narrative texts such as fables simultaneously pursue the pleasure of storytelling and the purposes of both moral and specialized education. (shrink)

This article considers a strange, understudied work of eighteenth-century musical theatre, Thomas D’Urfey’s Wonders in the Sun (1706). This highly intertextual, generically heterogeneous comic opera is a pastiche of literary and performative modes and ultimately a machine for generating wonder; it draws on elements from Aristophanes’ The Birds, seventeenth-century masque and semi-opera, as well as the lunar fictions. The article situates this play not only within a history of literary wonder and stage spectacle, but within the English tradition of politicized (...) animal fable. Discussing D’Urfey’s comic opera against selections from John Gay’s Fables, it argues that the utopian/dystopian animal in these imaginative satires reveals the period’s twinned fascinations with discovery and alterity, as well as emergent discomfiture with anthro- and Eurocentric Enlightenment beliefs. (shrink)

This article considers a strange, understudied work of eighteenth-century musical theatre, Thomas D’Urfey’s Wonders in the Sun (1706). This highly intertextual, generically heterogeneous comic opera is a pastiche of literary and performative modes and ultimately a machine for generating wonder; it draws on elements from Aristophanes’ The Birds, seventeenth-century masque and semi-opera, as well as the lunar fictions. The article situates this play not only within a history of literary wonder and stage spectacle, but within the English tradition of politicized (...) animal fable. Discussing D’Urfey’s comic opera against selections from John Gay’s Fables, it argues that the utopian/dystopian animal in these imaginative satires reveals the period’s twinned fascinations with discovery and alterity, as well as emergent discomfiture with anthro- and Eurocentric Enlightenment beliefs. (shrink)

Aesop's fables are used to gather HR fables and these fables are told mainly in the words of the protagonists of these moral stories, HR practitioners. Leaving the moral meaning of the fables for the reader to interpret so the reader can ethically connect with the morality of HR work, the personal narratives of practitioners and their humanity, the fables conclude with a critical commentary by the author, the promotion of a human virtue and HR (...) moral maxim. The article, itself, then ends with an explanation of the research methodology adopted to compile the HR fables. (shrink)

The feminine mystique confines women to the golden cage of the home, where the female body is locked in inactivity, in placidity at least. Against an institutionalized form of love, the mystics of the spiritual realm choose a ‘wild’ love, a love without rules, without conditions, a love that goes beyond the material to become pure adhesion, pure proximity, pure fusion and confusion. It is a strange form of love in that it consists only of reciprocity of subjects, a strange (...) love that feeds on passion and intensity. It is a love that exists outside the quotidian, one that never gets tired or grows old. (shrink)

Prompted by Derrida's work on the animal-fable in eighteenth-century debates about political power, this article examines the role played by the fiction of the animal in thinking of pity as either a natural virtue (in Rousseau's Second Discourse) or as a natural passion (in Mandeville's The Fable of the Bees). The war of fables between Rousseau and Mandeville – and their hostile reception by Samuel Johnson and Adam Smith – reinforce that the animal-fable illustrates not so much the proper (...) of man as the possibilities and limitations of a moral philosophy that is unable to address the political realities of the state. (shrink)

Incorporation mystique et subjectivité féminine d’après le Livre d’Angèle de Foligno. Comment qualifier, dans le cadre d’une histoire de la subjectivité, la piété compassionnelle dont témoigne Angèle de Foligno († 1309) dans le Mémorial et les Instructions? En choisissant trois motifs qui déclinent la figure de l’incorporation mystique (dévotions à l’eucharistie, aux plaies du Christ et aux instruments de la Passion), cette étude met au jour les origines monastiques d’une piété fusionnelle et affective, d’abord élaborée dans un environnement spécifiquement masculin (...) aux XIe-XIIe siècles, puis investie par la dévotion des mulieres religiosae (moniales, béguines, recluses ou tertiaires) à partir du XIIIe siècle. Placée dans une perspective de longue durée, la piété d’identification au Christ et à ses souffrances d’Angèle révèle ainsi une sensibilité religieuse aux référents mixtes, masculins et féminins, mais qui a été infléchie par la position sociale des femmes et leurs aspirations propres dans le champ de la piété. (shrink)

This essay offers a brief reading of, and reflection on, certain fables by the Chinese Taoist writer Chuang-Tzu. It also reflects on the art of Chinese scrolls and the Tao and Tinji.

Présenter un aperçu de la « mystique chrétienne médiévale » n’est possible qu’en la situant brièvement dans l’histoire de la « mystique » en Occident. Le terme n’est pas dénué d’ambiguïté. Apparaissant dans le contexte des religions à mystères, la mystique évolue vers une expérience silencieuse que les mots ne peuvent capter, avant de désigner des phénomènes anormaux décrits dans une rhétorique de l’étrange. Par rapport à la littérature moderne, les textes médiévaux sont très sobres. Faisant à écho à la (...) théologie mystique de Denys l’Aréopagite (ve-vie s.), ils présentent une voie d’union à l’Un en deçà des mots et des concepts. Il ne suffit pas de connaître (mathein) Dieu par un savoir notionnel, il faut en faire l’expérience, « en pâtir » (pathein). Ce « pâtir Dieu » sera repris par Maître Eckhart (1260-1328), le chef de file de la mystique rhénane. (shrink)

A collection of 15 fables from a founding figure of postmodernism that ask in the words of Jean-Francois Lyotard, "how to live and why?" It provides attention to issues of justice and ethics, and aesthetics and judgement - unravelling and reconfiguring idealistic notions of subjects.

A collection of 15 fables from a founding figure of postmodernism that ask in the words of Jean-Francois Lyotard, "how to live and why?" It provides attention to issues of justice and ethics, and aesthetics and judgement - unravelling and reconfiguring idealistic notions of subjects.

Evidence shows that changes in the architecture, design, and decor of health care facilities can improve patient care and in the long run reduce expenses. These essays detail the state of the research, look inside two hospitals that put some of these innovations into practice, and consider how design fits into the moral mission ofhealth care.

Résumé Après un échantillon des définitions que propose Tillich de la mystique, cet article analyse les deux tensions qui la caractérisent : celle avec le sacramentalisme ; celle avec le prophétisme. Il s’interroge sur le rapport entre protestantisme et mystique et conclut en se demandant si la mystique est fondamentale ou dérivée.Following a review of Paul Tillich’s definitions of mysticism, this paper analyses the dual tension that characterizes it : firstly in regard to sacramentalism, secondly in regard to prophetism. The (...) author ponders over the relation between protestantism and mysticism, and concludes with the question whether mysticism is a fundamental or derivative phenomenon. (shrink)

Review of Sandu Frunză, Experien ţa religioasă în gîndirea lui Dumitru Stăniloae. O etică relaţională. 2nd edition, București: Eikon, 2016, 262 pag.

History, Metaphors, and Fables collects the central writings by Hans Blumenberg and covers topics such as on the philosophy of language, metaphor theory, non-conceptuality, aesthetics, politics, and literary studies. This landmark volume demonstrates Blumenberg's intellectual breadth and gives an overview of his thematic and stylistic range over four decades. Blumenberg's early philosophy of technology becomes tangible, as does his critique of linguistic perfectibility and conceptual thought, his theory of history as successive concepts of reality", his anthropology, or his studies (...) of literature. History, Metaphors, Fables allows readers to discover a master thinker whose role in the German intellectual post-war scene can hardly be overestimated. (shrink)

The collective Tiqqun’s 2001 tract, Raw Materials for a Theory of the YoungGirl, in which they stress the way modern girl culture represents the triumph of capitalism, has recently drawn fresh attention. Here I consider the argument about girls made in this text and its perhaps surprising relevance to contemporary feminist accounts of girlhood and girl culture.

If we return to the experiences of our youth, we perceive what had the power to awaken our curiosity and ambitions*. The non-conformism of the Surrealists was fostered by Romantic sources and every conceivable symbolism; even if in a roundabout manner, it was through them that the names of Klee and Kandinsky were first heard. The world of the marvellous, the only one decreed worthy of attention, opened out onto painting. The moderns of the group: Dali, Tanguy, Masson, received first (...) prize for poetic adventure, but they harked back to certain selected precursors—rightly or wrongly—for the same gifts that they had themselves: Uccello, Bosch, Dürer, Blake, and Gustave Moreau. And indeed, by retaining only the unexpected, the fantastic, and (often indulgently) the scandalous, a taste was maintained for emotional shock and association, as exemplified by the sustained style of André Breton, and the more supple prose of Aragon. (shrink)

ArgumentIn his Philosophia practica universalis, Christian Wolff proposes a “mathematical” theory of moral action that includes his statements on the Aesopian fable. As a sort of moral example, Wolff claims, the fable is an appropriate means to influence human conduct because it conveys general truths to intuition. This didactic concept is modeled on the geometrical figure: Just as students intuit mathematical demonstrations by looking at figures on a blackboard, one can learn how to execute complex actions by listening to a (...) fable. Wolff's “scientific” fable theory met with an ambivalent reception. Lessing, who in his fable treatises re-translates Wolff's suggestions into the conceptual framework of poetics, interprets the geometric model as a stylistic ideal. The famous passage on Homer's successive descriptions in Lessing's Laokoon can be seen as another attempt to apply the representational model of geometry to literature. Herder, reading Wolff in a way that might be called deconstructive, replaces Wolff's geometric theory of poetry by a poetic anthropology of geometry. (shrink)

RésuméExposé du point de vue théologique sur les deux rapports ou dimensions du fait religieux: le rapport de l'homme à la divinité, rapport que l'auteur appelle mystique et le rapport ou les liens qui unissent les hommes entre eux en tant qu'ils sont en relation avec la divinite et le mondé sacré, rapport que l'auteur appelle communautaire.SummaryFrom a theological point of view, an exposition on the two relationships or dimensions of the “religious fact”. The relationship between man and the Divinity, (...) which the author calls “mystical”; and the relationship or ties which bind men together in so far as they are in communication with the Divinity and the sacred world, and which the author calls “community” relationship.ZusammenfassungEin Referat zum theologischen Standpunkt über die zwei Beziehungen oder Dimensionen des Religiösen: die Beziehung des Menschen zur Gottheit, die der Verfasser mystisch nennt, und die Beziehung oder Bindungen der Menschen untereinander, insofern sie mit der Gottheit und der heiligen Welt in Verbindung sind, die der Verfasser als gemeinschaftlich bezeichnet. (shrink)

In the field of theory formation some of the old metaphysical questions attract the attention of philosophers anew. The idea that observational terms refer to objects only in a theoretical mode leads to a comparison of fables and theories. Meinong's concept of incomplete objects is used for linking these two ways of constructing objects. Lessing's theory of fables is then compared with the new anti-positivist theory of science by pointing out some striking similarities.

In the field of theory formation some of the old metaphysical questions attract the attention of philosophers anew. The idea that observational terms refer to objects only in a theoretical mode leads to a comparison of fables and theories. Meinong's concept of incomplete objects is used for linking these two ways of constructing objects. Lessing's theory of fables is then compared with the new anti-positivist theory of science by pointing out some striking similarities.