In this major work, Blumenberg takes issue with Karl Lowith's well-known thesis that the idea of progress is a secularized version of Christian eschatology, which promises a dramatic intervention that will consummate the history of the ...

What role do metaphors play in philosophical language? Are they impediments to clear thinking that should be eradicated in the interests of terminological exactness? Or can they be used by philosophers to indicate the attitudes that regulate an epoch?

This collection of original essays by preeminent interpreters of continental philosophy explores the question of whether Western thought and culture have been dominated by a vision-centered paradigm of knowledge, ethics, and power. It focuses on the character of vision in modern philosophy and on arguments for and against the view that contemporary life and thought are distinctively "ocularcentric." The authors examine these ideas in the context of the history of philosophy and consider the character of visual discourse in the writings (...) of Plato, Descartes, Hegel, Nietzsche, Husserl, Heidegger, Benjamin, Sartre, Merleau-Ponty, Levinas, Derrida, Foucault, Gadamer, Wittgenstein, and Habermas. With essays on television, the visual arts, and feminism, the book will interest readers in cultural studies, gender studies, and art history as well as philosophers. (shrink)

This major work by the German philosopher Hans Blumenberg is a monumental rethinking of the significance of the Copernican revolution for our understanding of modernity.

Shipwreck with Spectator traces the evolution of the complex of metaphors related to the sea, to shipwreck, and to the role of the spectator in human culture from ancient Greece to modern times. This elegant essay exemplifies Blumenberg's ideas about the ability of the historical study of metaphor to illuminate essential aspects of being human. Originally published in the same year as his monumental Work on Myth, Shipwreck with Spectator traces the evolution of the complex of metaphors related to the (...) sea, to shipwreck, and to the role of the spectator in human culture from ancient Greece to modern times. The sea is one of humanity's oldest metaphors for life, and a sea journey, Blumenberg observes, has often stood for our journey through life. We all know the role that shipwrecks can play in this journey, and at some level we have all played witness to others' wrecks, standing in safety and knowing that there is nothing we can do to help, yet fixed comfortably or uncomfortably in our ambiguous role as spectator. Through Blumenberg's seemingly inexhaustible knowledge of letters, from ancient texts through nineteenth-century reminiscences and modern speeches, we see layer upon layer revealed in the meaning humans have given to these metaphors; and in this way we begin to understand what metaphors can do that more straightforward modes of expression cannot. This edition of Shipwreck with Spectator also includes "Prospect for a Theory of Nonconceptuality," an essay that recounts the evolution of Blumenberg's ideas about metaphorology in the years following his early manifesto "Paradigms for a Metaphorology.". (shrink)

Inhaltsverzeichnis - Einleitung; Lebenswelt und Technisierung unter Aspekten der Phänomenologie; 'Nachahmung der Natur'. Zur Vorgeschichte der Idee des schöpferischen Menschen; Anthropologische Annäherung an die Aktualität der Rhetorik; Sprachsituation und immanente Poetik; Paradigma, grammatisch; Ernst Cassirers gedenkend bei Entgegennahme des Kuno-Fischer-Preises der Universität Heidelberg.

This elegant essay exemplifies Blumenberg's ideas about the ability of the historical study of metaphor to illuminate essential aspects of being human. Originally published in the same year as his monumental Work on Myth, Shipwreck with Spectator traces the evolution of the complex of metaphors related to the sea, to shipwreck, and to the role of the spectator in human culture from ancient Greece to modern times.The sea is one of humanity's oldest metaphors for life, and a sea journey, Blumenberg (...) observes, has often stood for our journey through life. We all know the role that shipwrecks can play in this journey, and at some level we have all played witness to others' wrecks, standing in safety and knowing that there is nothing we can do to help, yet fixed comfortably or uncomfortably in our ambiguous role as spectator.Through Blumenberg's seemingly inexhaustible knowledge of letters, from ancient texts through nineteenth-century reminiscences and modern speeches, we see layer upon layer revealed in the meaning humans have given to these metaphors; and in this way we begin to understand what metaphors can do that more straightforward modes of expression cannot.This edition of Shipwreck with Spectator also includes "Prospect for a Theory of Nonconceptuality," an essay that recounts the evolution of Blumenberg's ideas about metaphorology in the years following his early manifesto "Paradigms for a Metaphorology.". (shrink)

In this accessible collection of short meditations on various topics, Blumenberg works as a detective of ideas scouring the periphery of intellectual and philosophical history for clues—metaphors, gestures, anecdotes—essential to grasping human finitude.

In "Moses the Egyptian"--the centerpiece of Rigorism of Truth, the German philosopher Hans Blumenberg addresses two defining figures in the intellectual history of the twentieth century: Sigmund Freud and Hannah Arendt. Unpublished during his lifetime, this essay analyzes Freud's Moses and Monotheism and Arendt's Eichmann in Jerusalem, and discovers in both a principled rigidity that turns into recklessness because it is blind to the politics of the unknown. Offering striking insights into the importance of myth in politics and the extent (...) to which truth can be tolerated in adversity, the essay also provides one of the few instances where Blumenberg reveals his thinking about Judaism and Zionism. Rigorism of Truth also includes commentaries by Ahlrich Meyer that give a fuller understanding of the philosopher's engagement with Freud, Arendt, and the Eichmann trial, as well as situating these reflections in the broader context of Blumenberg's life and thought. (shrink)

Accompanying CD contains a radio program originally broadcast on Hessischen Rundfunk on Dec. 12, 1967, entitled: Die Maschinen und der Fortschritt : Gedanken zu enier Geistesgeschichte der Technik.

This essay by the influential post-war German cultural theorist Hans Blumenberg was published originally in German in 1976 in a collection of studies on Simmel’s aesthetics. Renowned as the author of The Legitimacy of the Modern Age, Work on Myth, Paradigms for a Metaphorology and other major writings, the essay showcases Blumenberg’s unique approach to metaphorical figuration in the languages of philosophy and philosophers. Here Blumenberg considers how money stands as Simmel’s ‘proto-metaphor’ for Life in the latter’s nascent Lebensphilosophie. The (...) very phenomenon that might seem most opposed to Life and to ‘higher’ ‘spiritual’ values is also the phenomenon that most dynamically unlocks life’s plenitude of creative forms – even as it threatens constantly to destroy this plenitude through effects of reification and objectification. As Blumenberg reads Simmel, Life itself turns out to be pure circulation, sociation, and interactivity, an endless cycle of extensions and intensifications of value emerging through processes of social exchange. The essay forms a striking counterpart to the many seminal readings of Simmel in the German critical theory tradition from Benjamin, Kracauer, Adorno and Horkheimer to Habermas. (shrink)

History, Metaphors, and Fables collects the central writings by Hans Blumenberg and covers topics such as on the philosophy of language, metaphor theory, non-conceptuality, aesthetics, politics, and literary studies. This landmark volume demonstrates Blumenberg's intellectual breadth and gives an overview of his thematic and stylistic range over four decades. Blumenberg's early philosophy of technology becomes tangible, as does his critique of linguistic perfectibility and conceptual thought, his theory of history as successive concepts of reality", his anthropology, or his studies of (...) literature. History, Metaphors, Fables allows readers to discover a master thinker whose role in the German intellectual post-war scene can hardly be overestimated. (shrink)