The following article compares the notion of the absolute in the work of Georg Cantor and in Alain Badiou’s third volume of Being and Event: The Immanence of Truths and proposes an interpretation of mathematical concepts used in the book. By describing the absolute as a universe or a place in line with the mathematical theory of large cardinals, Badiou avoided some of the paradoxes related to Cantor’s notion of the “absolutely infinite” or the set of all (...) that is thinkable in mathematics W: namely the idea that W would be a potential infinity. The article provides an elucidation of the putative criticism of the statement “mathematics is ontology” which Badiou presented at the conference Thinking the Infinite in Prague. It emphasizes the role that philosophical decision plays in the construction of Badiou’s system of mathematical ontology and portrays the relationship between philosophy and mathematics on the basis of an inductive not deductive reasoning. (shrink)

What is the relationship between knowledge and ethics? Does what we know and the reason that secures knowledge determine ethical responsibility, or might ethical responsibility itself awaken and animate the enterprise of knowing? The dissertation affirms the priority of ethics by juxtaposing two accounts of the relationship between truth and goodness. It critiques Hegel's systematic conception of absolute knowing by showing that this knowing elides the anarchical ethical demand arising from the other person. Hegel's dialectic reconciles the problem of (...) the relation with the other by transposing it to the plane of cognition where it becomes spirit's self-knowing. However, Emmanuel Levinas's phenomenological reduction of the structures of knowing exposes an ethical level of experience that both inspires and interrupts this adventure of knowing. ;After the introduction of this problematic, Chapter 1 examines the challenge that Levinas poses to Hegel, discovering in experience and subjectivity a ground where real dialogue can take place. Chapter 2 traces the reconception of subjectivity by which Hegel brings all exteriority within the experience of self-consciousness and compares this with Levinas's notion of "lived experience." In Chapter 3, I show how Levinas's account of sensibility and enjoyment resists incorporation into Hegel's notion of self-consciousness. Chapter 4 examines the encounter with the other person and explicates why Hegel's and Levinas's accounts cannot be reconciled or made to complement one another, for the non-allergic responsibility incurred in the face to face relation is inassimilable to the antagonism of the same and the other experienced as self-consciousness. Then, in Chapter 5, I trace Hegel's pursuit of a more authentic recognition of otherness through the development of the concept of spirit, paying special attention to the role of language. The ultimate accomplishment of spiritual recognition in Hegel's account is again challenged by Levinas's notion of responsibility, which signifies as an ethical "saying" apart from the "said." Finally, I contest the absoluteness of knowing without denying the dialectic that animates it by suggesting that philosophy can be maintained as a human enterprise, a pursuit of knowing that is ever subject to and interrupted by the face of the other. (shrink)

Bernard Bosanquet was an idealist with a taste for the rich complexities of ordinary human life, an appreciation for logic and science, and a dedication to experience. He was also fond of Plato, but I think he was a Platonist of a special kind, close to the Cambridge Platonism which Locke mixed with his own empiricism and which figures in the thinking of Isaac Newton. Of the partisans of the Absolute, Bosanquet is certainly the easiest to defend against the (...) anti-metaphysical philosophers of the twentieth century. Among moderate sympathisers with metaphysics one may still find philosophers whose thought resembles his in important respects. Though she was probably not aware of it, elements of his philosophy are very close to certain doctrines recently expounded by Iris Murdoch. And the idealism of Nicholas Rescher is not so distant. (shrink)

A study of habit and other unconscious backgrounds of action shows how shapes of spiritual life in Hegel's Phenomenology of Spirit each imply correlative senses of lived time. The very form of time thus gives spirit a sensuous encounter with its own concept. The point that conceptual content is manifest in the sensuous form of time is key to an interpretation of Hegel's infamous and puzzling remarks about time and the concept in ``absolute knowing.'' The article also shows how (...) Hegel's Phenomenology connects with current discussions of lived time, habit, and, via discussion of Wallace's Infinite Jest, addiction. (shrink)

My essay focuses on the relation between consciousness and reality. I argue, following Georg Cantor, that consciousness is a potential infinite driven by care to invest itself in the world historically. As human beings develop an authentic sense of self they are driven by good faith to postulate an Absolute infinite, which, following Spinoza, we may call God. Thus God, as the Absolute infinite, constitutes our reality, which I characterize as implicate information explicating itself through (...) time. To live authentically is to recognize the nature of God and commit to Him through faith. Faith means to understand one’s self as a potentially infinite consciousness attempting to authentically participate in, and understand, the Absolute of God. (shrink)

Modern East Asian philosophy faced a difficulty in endowing objective knowledge with its adequate location in the traditional Eastern view of mind. This led some philosophers to reconsider intellectual intuition and the relevant question of things themselves from an Eastern perspective, and among them most notably are Nishida Kitarō and Mou Zongsan. Although these philosophers have recently been comparatively studied, their core concepts such as ＂absolute nothing＂ and ＂infinite mind＂ have not been sufficiently discussed from the perspective of (...) objective knowledge. This paper examines the question of grasping things themselves or facts themselves by reconsidering two philosophers' middle works on the theory of knowledge. The result is the synthetic view of their seemingly divergent theories, based on the pursuit of self-awareness and the principle of bidirectional transcendence; according to this principle, the outward transcendence is correlated to the inward or immanent transcendence, so that the knowledge of facts themselves are epistemologically correlated to absolute nothing or infinite mind, which gives foundation to objective knowledge. This view not only explains the meaning of the ＂knowledge＂ of facts themselves, but also strongly implies the epistemic value of the two philosophers' seemingly esoteric concepts of mind and nothingness. (shrink)

Renaissance philosopher, mathematician, and theologian Nicholas of Cusa (1401-1464) said that there is no proportion between the finite mind and the infinite. He is fond of saying reason cannot fully comprehend the infinite. That our best hope for attaining a vision and understanding of infinite things is by mathematics and by the use of contemplating symbols, which help us grasp "the absolute infinite". By the late 19th century, there is a decisive intervention in mathematics and (...) its philosophy: the philosophical mathematician Georg Cantor (1845-1918) says that between the realm of the finite and the absolute infinite, there is an intermediate realm partaking in properties in a certain sense of both the finite and the infinite: the transfinite realm. Like the finite, the transfinite realm is a realm of mathematical objects, numbers, and knowledge. Like the absolute infinite, the transfinite is a form of infinity insofar as transfinite sets and numbers transcend any finite number. Echoing Cusanus and neo-Platonism, Cantor says that the transfinite sequence of all ordinals is a symbol of the absolutely infinite, that is, God. This paper considers how the doctrine of symbolism and the philosophers' different commitments to the laws of logic, especially the Law of Non-Contradiction (LNC), enables these thinkers to articulate a transcendental apophatic approach to divinity. (shrink)

In this dissertation we discuss infinite regress arguments from both a historical and a logical perspective. Throughout we deal with arguments drawn from various areas of philosophy. ;We first consider the regress generating portion of the argument. We find two main ways in which infinite regresses can be developed. The first generates a regress by defining a relation that holds between objects of some kind. An example of such a regress is the causal regress used in some versions (...) of the Cosmological Argument. The second sort of regress is generated by defining a certain procedure that can be repeated indefinitely many times. This will often be a procedure of analysis or of explanation. ;We then argue that for purposes of discussing regressive viciousness it is helpful to divide regresses into two main types. One type raises primarily epistemological issues. In this class we find the regress of justification often used in foundational arguments in epistemology. We also discuss certain arguments that treat theories of predication as attempts to explain predication. Our other class contains those regresses that raise primarily metaphysical problems. This class includes the causal regress as well as those arguments concerned with predication as an ontological problem. ;We agree with some philosophers that one problem that arises in the case of vicious regression is circularity. We show how this problem can be generalized to include other apparently non-circular regresses. The other main problem in epistemological regresses arises as a result of certain conditions that are placed on the relation involved. We look in detail at the epistemological justification regress to illustrate this last point. ;With respect to metaphysical regresses we again find several types of viciousness arguments. One problem is whether the infinite collection required for the regress is even possible. Another problem is whether an infinite number of events can occur in a finite time. These we deal with only briefly. The main difficulty with these regresses, considered as regresses and not just as infinite sets, again turns out to be certain conditions built into the relation involved. We focus on some arguments about causal regression to illustrate this point. ;Finally, we find no absolutely general conditions for regressive viciousness. There is, however, a certain limited range of ways in which a regress may be vicious. We make these ways explicit. (shrink)

We introduce an analogue of the theory of Borel equivalence relations in which we study equivalence relations that are decidable by an infinite time Turing machine. The Borel reductions are replaced by the more general class of infinite time computable functions. Many basic aspects of the classical theory remain intact, with the added bonus that it becomes sensible to study some special equivalence relations whose complexity is beyond Borel or even analytic. We also introduce an infinite time (...) generalization of the countable Borel equivalence relations, a key subclass of the Borel equivalence relations, and again show that several key properties carry over to the larger class. Lastly, we collect together several results from the literature regarding Borel reducibility which apply also to absolutely $\Delta^1_2$ reductions, and hence to the infinite time computable reductions. (shrink)

Some environmental ethicists and economists argue that attributing infinite value to the environment is a good way to represent an absolute obligation to protect it. Others argue against modelling the value of the environment in this way: the assignment of infinite value leads to immense technical and philosophical difficulties that undermine the environmentalist project. First, there is a problem of discrimination: saving a large region of habitat is better than saving a small region; yet if both outcomes (...) have infinite value, then decision theory prescribes indifference. Second, there is a problem of swamping probabilities: an act with a small but positive probability of saving an endangered species appears to be on par with an act that has a high probability of achieving this outcome, since both have infinite expected value. Our paper shows that a relative concept of infinite value can be meaningfully defined, and provides a good model for securing the priority of the natural environment while avoiding the failures noted by sceptics about infinite value. Our claim is not that the relative infinity utility model gets every detail correct, but rather that it provides a rigorous philosophical framework for thinking about decisions affecting the environment. (shrink)

As an important corollary of this interpretation of absolute knowledge, the dissertation concludes with the suggestion that Hegelian philosophy need not be regarded merely as an interesting curiosity in the history of ideas, but rather that it can serve as a vital and potentially rewarding source of fresh theoretical insights. ;Instead, the concrete completeness of speculative philosophy can only consist in the activity of a dynamical, ceaselessly self-examining and self-regulating intellectual community. In one sense, of course, no finite system (...) can ever be complete, insofar as it will inevitably be guilty of errors and misconceptions. Yet at the same time, the infinite System is perfect and complete, insofar as it contains within itself the means whereby its own unavoidable flaws will be discovered, corrected, and "forgiven"--i.e. aufgehoben into vanishing moments of a universal totality. ;In opposition to most traditional interpretations of Hegel, the position is maintained that Hegel himself deliberately faced this problem, and that a true understanding of his proposed solution requires a radical Aufhebung of the concept of cognition as such. Relying primarily on the penultimate chapters of the Phenomenology of Spirit, the dissertation argues that absolute knowledge can neither be a finalized system of fully explicit content, nor an endless movement toward such an ideal state. ;This dissertation undertakes a critical examination of one central problem in Hegelian philosophy: viz., whether the final realization of "absolute knowledge" is logically consistent with significant epistemic progress in the system's continuing development. Serious consideration of the concept of systematic completeness, as interpreted on Hegel's terms, uncovers the existence of a profound paradox. On the one hand, if the Truth is the Whole, then the truth of any finite part or aspect of that Whole depends upon its place within the system as a totality. In order to grasp the part and comprehend it correctly, one must already have a systematically ordered knowledge of the universe in its entirety. Yet the methodological open-endedness of dialectical thinking precludes the acceptance of any particular theoretical formulation as final or complete in itself. Hegel interprets the history of philosophy as a progression of successive formulations of the Truth, each of which improves on its predecessors by reconciling their internal contradictions, but no one of which is adequate in itself. Hence, no theoretical world view, including Hegel's own, can rest content within its limits, for the inevitable advance of thought must in the end throw it down. (shrink)

This paper is concerned with learners who aim to learn patterns in infinite binary sequences: shown longer and longer initial segments of a binary sequence, they either attempt to predict whether the next bit will be a 0 or will be a 1 or they issue forecast probabilities for these events. Several variants of this problem are considered. In each case, a no-free-lunch result of the following form is established: the problem of learning is a formidably difficult one, in (...) that no matter what method is pursued, failure is incomparably more common that success; and difficult choices must be faced in choosing a method of learning, since no approach dominates all others in its range of success. In the simplest case, the comparison of the set of situations in which a method fails and the set of situations in which it succeeds is a matter of cardinality (countable vs. uncountable); in other cases, it is a topological matter (meagre vs. co-meagre) or a hybrid computational-topological matter (effectively meagre vs. effectively co-meagre). (shrink)

In this article we present a technique for selecting models of set theory that are complete in a model-theoretic sense. Specifically, we will apply Robinson infinite forcing to the collections of models of ZFC obtained by Cohen forcing. This technique will be used to suggest a unified perspective on generic absoluteness principles.

Aggregative moral theories face a series of devastating problems when we apply them in a physically realistic setting. According to current physics, our universe is likely _infinitely large_, and will contain infinitely many morally valuable events. But standard aggregative theories are ill-equipped to compare outcomes containing infinite total value so, applied in a realistic setting, they cannot compare any outcomes a real-world agent must ever choose between. This problem has been discussed extensively, and non-standard aggregative theories proposed to overcome (...) it. This paper addresses a further problem of similar severity. Physics tells us that, in our universe, how remotely in time an event occurs is _relative_. But our most promising aggregative theories, designed to compare outcomes containing infinitely many valuable events, are sensitive to how remote in time those events are. As I show, the evaluations of those theories are then relative too. But this is absurd; evaluations of outcomes must be absolute. So we must reject such theories. Is this objection fatal for all aggregative theories, at least in a relativistic universe like ours? I demonstrate here that, by further modifying these theories to fit with the physics, we can overcome it. (shrink)

I shall show that Levinas’s idea of infinite responsibility draws on Blanchot’s mechanism of “worklessness” which in turn explicitly draws on Gide’s mechanism of retroaction and the mise en abyme—a story that doubles itself within itself—which the latter accounts for. However, a false picture of mise en abyme and worklessness brought Levinas to two interrelated misconceptions. First, of the act of responsibility as inherently futile. Second, of repetition as “mechanical,” comprising instances which are allocated to pre-established loci upon a (...) plenitude: A totalitarianism which fits badly with Levinas’s pursuit of otherness. Deleuze, on the other hand, drawing the correct lesson from mise en abyme, established that an instance of repetition—reconstituting all previous ones—generates the very ground upon which it emerges. Accordingly, in a Deleuzian ethics, the absolute Other has no existence prior to the act of attending his needs. The act is therefore “fated to succeed.”. (shrink)

This book explores the bizarre but fascinating world of infinity in different disciplines of knowledge; mathematics, science, philosophy and religion. It projects the views of eastern as well as western scholars. This world is not only mysterious but also treacherous and conceals many conundrums such as a multitude of infinities, the mystic's experience of the infinite, conception of God as absolute infinity. The author also discusses many paradoxes relating to space and time. It is interesting to discover that (...) some eastern philosophies try to reconcile two opposite concepts of sunya (zero) and Ananta (the infinite). The author also ventures to address a difficult question: Does infinity exist as a physical reality? (shrink)

Die Entwicklung der zeitgenossischen Philosophie ist durch Hegels Denken entscheidend beeinflusst worden. Die Grunde fur seine andauernde Aktualitat aber sind selten verstanden worden. Im Gegensatz zu vielen Hegel-Interpreten wird hier der -absolute Idealismus- als das Wesen der Philosophie Hegels erkannt. Die -dialektische Methode- und das -System- bilden eine untrennbare Einheit. Auf dieser Grundlage erfolgt in einer streng theoretisch-systematischen Perspektive eine konsistente Auslegung von Hegels -Philosophie des unendlichen Selbstbewusstseins-. Einen besonderen Schwerpunkt legt die Arbeit auf die Auseinandersetzung mit dem gegenwartigen (...) amerikanischen Hegelianismus. Ubereinstimmung besteht mit E.E. Harris und R.D. Winfield, wahrend R.B. Brandom entschieden kritisiert wird.<BR> Contemporary philosophy's development has been decisively influenced by Hegel's thought, yet only rarely have the grounds for its everlasting up-to-dateness been understood. Contrary to many Hegel-interpreters, -Absolute Idealism- is here regarded as the core of Hegel's philosophy. The -dialectical method- and the -system- constitute an inseparable unity. On this basis a consistent interpretation of Hegel's -philosophy of infinite self-consciousness- is outlined. Attention is focused especially on the discussion of contemporary American Hegelianism, largely agreeing with E. E. Harris and R. D. Winfield, while sharply criticizing R. B. Brandom.". (shrink)

This paper develops some important observations from a recent article by Maria Rosa Antognazza published in The Leibniz Review 2015 under the title “The Hypercategorematic Infinite”, from which I take up the characterization of God, the most perfect Being, as infinite in a hypercategorematic sense, i.e., as a being beyond any determination. By contrast, creatures are determinate beings, and are thus limited and particular expressions of the divine essence. But since Leibniz takes both God and creatures to be (...) infinite, creatures are simultaneously infinite and limited. This leads to seeing creatures as infinite in kind, in distinction from the absolute and hypercategorematic infinity of God. I present three lines of argument to substantiate this point: (1) seeing creatures as entailing a particular sequence of perfections and imperfections; (2) seeing creatures under the rubric of an intermediate degree of infinity and perfection that Leibniz, in 1676, calls “maximum in kind”; and (3) observing that primitive force, a defining feature of created substance, may be seen as infinite in a metaphysical sense. This leads to viewing Leibniz’s use of infinity within a Neoplatonic framework of descending degrees of Being: from the hypercategorematic infinite, identified with the most perfect Being; to the intermediate degree of maximum in kind, identified with creatures; to the lowest degree of entia rationis (or beings of reason), identified with mathematical and abstract entities. (shrink)

Amid a period of isolation and profound internal conflict, both in his life and in his thought, arises that which, according to Hölderlin, is “the general conflict in the human being”, namely the conflict between the “aspiration to limitation” and “the aspiration to the absolute”. The aim of this article is to analyze and, as much as possible, follow to its fullest extent, this fundamental thought: to see how it molds Hölderlin’s positions on existence and philosophy, how it meets (...) the most poignant philosophical concerns of the time and hence directly influences Hölderlin’s reading of Fichte, and how it leads the young poet to the notion of an infinite progression of philosophy, that is, to an infinite approximation to the ideal of knowledge. (shrink)

The present article seeks to inquire the nature of Novalis’ difficult relation with philosophy. By founding this relation in a primordial spiritual conflict, wherein philosophy is the cause and the solution for the latter, as well as in an inescapable mythical understanding, wherein philosophy is at the same time necessary, and yet necessarily expendable, we intend to prove Novalis’ own seemingly contradictory, yet infinitely productive concept of philosophizing: one where philosophizing is a ductile, organic way of dealing with the problem (...) between the human being and the absolute. Furthermore, we wish to prove how this is most visibly considered in the sub-problem of the origin of philosophy, which sets the tone for Novalis’ remaining philosophical edifice and inscribes him as one of the leading opposers of a systematic philosophy – and hence, as an advocator of the impossibility of attaining the absolute through philosophy. (shrink)

According to Friedrich Schleiermacher, religiosity is rooted in feeling (Gefühl). As a result of our engagement with the world, on which we depend and which we can influence, we have both a sense of dependence and of freedom. Schleiermacher speculated that a sense of absolute dependence in reflective beings with self-consciousness (human beings) gave rise to religion. Using insights from contemporary philosophy of biology and cognitive science, I seek to naturalize Schleiermacher's ideas. I moreover show that this naturalization is (...) in line with Schleiermacher's outlook on biology, as he already had evolutionary considerations in mind when he wrote the Christian Faith (1830). While Schleiermacher rejects natural theology in a narrow sense (proofs for the existence of God), his project is natural theological in a broader sense, as it roots religion in experiences that we can examine using naturalistic theories. (shrink)

In this article, as implied by the title, I intend to argue for the unattainability of Cantor’s Absolute at least in terms of the proof-theoretical means of set-theory and of the theory of large cardinals. For this reason a significant part of the article is a critical review of the progress of set-theory and of mathematical foundations toward resolving problems which to the one or the other degree are associated with the concept of infinity especially the one beyond that (...) of the natural intuition of natural numbers. Naturally the review includes the foundation and development of the theory of large cardinals, especially after Cohen’s revolutionary introduction of the forcing method, insofar as it paved the way toward a transcendence of the delimitative character of Gödel’s constructible universe L and further toward ever stronger infinity assumptions. Given that Cantor in his theory of transfinite numbers defined the mathematical absolute in ontological rather than concrete mathematical terms, I proceed in the last section to a philosophical discussion with certain prompts from phenomenology regarding the transposability of the formal conception of the infinite to the level of subjective constitution and argue in these terms on the infeasibility of acceding to an ‘absolute’ infinite cardinality. Of course the argumentation is strongly based on a view of the set-theoretical universe V of von Neumann’s cumulative hierarchy as a formal representative of the essential traits one would seek from a model of Cantor’s Absolute. It is also based on the conclusions reached from the whole discussion within the context of formal-theoretical structures as such. (shrink)

Spinoza's Mediate Infinite Mode TAD M. SCHMALTZ IN PART I of the Ethics, Spinoza argued that a modification is infinite just in case it either "follows from the absolute nature of any attribute of God" or "follows from some attribute of God, as it is modified by such a modification" that is infinite. 1 The main purpose of this argument is to bolster the claim later in this text that a finite modification can follow from a (...) divine attribute only insofar as that attribute is modified by another finite modification. 2 Thus it is understandable that in the section that contains the argument Spinoza did not actually affirm the existence of the two kinds of infinite modifications he mentioned, which following standard practice I call "immediate infinite modes" and "mediate infinite modes," respectively.3 Yet in this section he did 'E IP21,D-22,D, G II 65-66/Curley 429-3 o. In the text and notes of this paper I use the following abbreviations pertaining to Spinoza's writings: E: Ethics ; Ep.: Letters ; RDPP: Descartes' Principles of Philosophy ; CM: Appendix containing Metaphysical Thoughts ; KV: Short Treatise ; TdlE: Treatise on the Emendation of the Intellect ; G: C. Gebhardt, ed., Spinoza Opera, 4 vols. , cited by volume and page; Curley: E. Curley, trans, and ed., The Collected Works of.. (shrink)

Catherine Malabou, Antonio Negri, John D. Caputo, Bruno Bosteels, Mark C. Taylor, and Slavoj Zizek join seven others--including William Desmond, Katrin Pahl, Adrian Johnston, Edith Wyschogrod, and Thomas A. Lewis--to apply Hegel's thought to twenty-first-century philosophy, politics, and religion. Doing away with claims that the evolution of thought and history is at an end, these thinkers safeguard Hegel's innovations against irrelevance and, importantly, reset the distinction of secular and sacred. These original contributions focus on Hegelian analysis and the transformative value (...) of the philosopher's thought in relation to our current "turn to religion." Malabou develops Hegel's motif of confession in relation to forgiveness; Negri writes of Hegel's philosophy of right; Caputo reaffirms the radical theology made possible by Hegel; and Bosteels critiques fashionable readings of the philosopher and argues against the reducibility of his dialectic. Taylor reclaims Hegel's absolute as a process of infinite restlessness, and Zizek revisits the religious implications of Hegel's concept of letting go. Mirroring the philosopher's own trajectory, these essays progress dialectically through politics, theology, art, literature, philosophy, and science, traversing cutting-edge theoretical discourse and illuminating the ways in which Hegel inhabits them. (shrink)

In this article I argue that the Early German Romantics understand the absolute, or being, to be an infinite whole encompassing all the things of the world and all their causal relations. The Romantics argue that we strive endlessly to know this whole but only acquire an expanding, increasingly systematic body of knowledge about finite things, a system of knowledge which can never be completed. We strive to know the whole, the Romantics claim, because we have an original (...) feeling of it that motivates our striving. I then examine two different Romantic accounts of this feeling. The first, given by Novalis, is that feeling gives us a kind of access to the absolute which logically precedes any conceptualisation. I argue that this account is problematic and that a second account, offered by Friedrich Schlegel, is preferable. On this account, we feel the absolute in that we intuit it aesthetically in certain natural phenomena. This form of intuition is partly cognitive and partly non-cognitive, and therefore it motivates us to strive to convert our intuition into full knowledge. (shrink)

This paper investigates Descartes’s understanding of the imago Dei, that it is above all in virtue of the will that we bear the image and likeness of God. I challenge the key assumption of arguments that hold that Descartes’s comparison between the human will and the divine will is problematic—that in his conception of the imago Dei Descartes is alluding to Scholastic conceptions of analogy available to him at the time, which would place particular constraints on the legitimacy of the (...) comparison. I argue instead that Descartes is evoking a different tradition regarding the nature of image and imitation, stemming from Augustine and Aquinas, and thus, that those constraints do not apply. I then argue that Descartes thinks the likeness between the human will and God’s will is that both are infinite in “extent.” This means that human will can “extend itself” not only to things that can be the object of some other will, but to things that can be the object of God’s will. This is notable because Descartes famously thinks that absolutely anything can be the object of God’s will. I explain why this interpretation is not implausible, contrary to first appearances. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

It has been argued in the conservation literature that giving conservation absolute priority over competing interests would best protect the environment. Attributing infinite value to the environment or claiming it is ‘priceless’ are two ways of ensuring this priority (e.g. Hargrove 1989; Bulte and van Kooten 2000; Ackerman and Heinzerling 2002; McCauley 2006; Halsing and Moore 2008). But such proposals would paralyse conservation efforts. We describe the serious problems with these proposals and what they mean for practical applications, (...) and we diagnose and resolve some conceptual confusions permeating the literature on this topic. (shrink)

The notion of absolute spirit, while undeniably central to Hegel’s philosophy, has been somewhat neglected in the literature. Two main lines of interpretation can be identified: a traditional metaphysical reading, according to which “absolute spirit” refers to an infinite spiritual substance, and a non-metaphysical reading, according to which it refers to activities in which human beings articulate their understanding of the principles that guide their communal life. Both types of reading are problematic exegetically as well as philosophically. (...) This article develops an epistemological reading instead. Accordingly, “absolute spirit” refers to a kind of knowledge, which is distinct from empirical and practical knowledge. Hegel conceives of art, religion, and philosophy as species of such knowledge. While this view might seem astonishing, it can be justified by showing that it is by recourse to paradigmatic instances of artistic, religious, and philosophical activity that the otherwise indefinable notion of truth is fixed. (shrink)

The aim of this paper is not to enter into a detailed discussion of the nature of the Absolute and the Individual, but to show that on the Hegelian conception of the Absolute the individual self is not saved. Hegel is fond of reiterating that his Absolute is not a bare one, but a one in many, an organic whole, a perfect and harmonious system of an infinite number of individual selves. The individual, as in Spinoza (...) and Schelling, does not lose itself in the Absolute. The latter is not a lion's den into which all animals enter but from which none returns, not a mere darkness in which all cows are black, but a system of different individuals. (shrink)

This article gives insight into the world of 3rd century BCE Alexandrian Judaism by analysing one aspect of the Greek translation of Exodus and provides a detailed evaluation of the way the translator managed to express the essence of the Hebrew text of Exodus while reflecting to some degree the form of the Hebrew text. No previous study only analyses this translator’s treatment of Hebrew paronymous infinitive absolute constructions in Greek Exodus. This research contributes to the preparation of a (...) commentary on Greek Exodus in the Society of Biblical Literature Septuagint Commentary Series. Using the Göttingen text of Greek Exodus prepared by John William Wevers, it evaluates how this translator rendered each occurrence of a paronymous infinitive absolute construction in Hebrew Exodus, defining the primary modes employed and also seeking to explain variations from these norms. The primary method incorporates a close exegetical reading of both the Hebrew and Greek texts and comparing their texts, in order to discern how the translator treated this Hebrew idiom and illustrating his translation approach.Contribution: The results contribute to our understanding of how the translator of Greek Exodus approached his task. He was more concerned to express the sense of the Hebrew text, than producing a literal translation. He generally follows the Hebrew text’s word order, but is creative in his choice of Greek equivalents, often showing sensitivity to context and Greek idiom. This translation approach differentiates this translator’s approach somewhat from those responsible for other portions of the Pentateuch. (shrink)

This paper undertakes two tasks. It will endeavour, first of all, to establish that there is a difficult discipline called Absolute-theory - Aristotle called it First Philosophy or Theology - which builds itself around the concept of a unique something which exists in an unqualified and necessary manner, and to which everything not itself attaches, or from which it in one manner or another derives. We shall try to distinguish the different strands or strata in the conception of an (...) Absolute, and shall then consider the alternative ways in which such a concept can be developed. For though, if there is or can be anything Absolute, it is one and unique and without rivals or alternatives, there are for us a large number of alternative ways of conceiving of what is absolute, some of which are arguably better and less exposed to antinomy than others. And of course there is always for us the alternative of not conceiving or not believing in any Absolute at all. And we shall briefly glance at the great historical dynasty of Absolutes: the infinitely arbitrary, anthropomorphic, of the Judaic-Christian-Islamic tradition, the less arbitrary Aristotelian-Neoplatonic Absolute of Thomas Aquinas, the Substantial Absolute of Spinoza, the Leibnizian-Wolffian Absolute of which Kant made his Ideal of Pure Reason, the Upanishadic Absolute of Shanaracharya, the infinitely vacuous Absolute of Mahayana Buddhism, the Deistic and Materialistic Absolutes of the Eighteenth Century Enlightenment, the absolute Space-Time of modern physicists, the Aussersein of Alexius Meinong and the Logical Space of Ludwig Wittgenstein. If the construction of Absolutes is an unrewarding language-and thought-game, it is none the less one which practically all the more intense thinkers have tried to play. I shall next, in the second part of my paper, try to establish that Hegel is by far the subtlest and the most successful of all the Absolute-theorists. His whole philosophy may be regarded as an essay in Absolute-theory, in that it throughout does nothing but try out, modify or discard categories of thought and forms of being because they fail to measure up to an adequate conception of an Absolute. And in his vast rehearsal of categories and forms of being Hegel arguably works up to a conception of the Absolute which takes account of a far wider and richer array of issues, and forestalls a more varied assemblage of objections than any other exercise in Absolute-theory. Sometimes Hegel anticipates thought-moves that will occur long after his death: the moves, e.g., of John Stuart Mill regarding the Syllogism’s being a Petitio Principii, and inductive reasoning’s being really an inference from particulars to particulars. And it will be our contention, finally, that Hegel is by far the most successful of Absolutists, in that he, and he alone, has worked out a many-sided Logic which, whatever its imperfections, is the only sort of instrument with which Absolute-theory can be tackled. In arguing in this manner I shall be contributing to the main theme of this Congress, the nature of the Universe, for the Universe, I believe, is a very vague and degenerate sort of Absolute. (shrink)

In Einstein's theory of relativity, the speed of light is deemed an absolute value because it is indifferent to the motion of material bodies. Nothing we do can "take a bite" out of its measured velocity of 186,000 miles per second: it is an irreducible quantity. Similarly, our minds cannot race ahead quickly enough to reduce or convert light to everyday understandings. Indeed, modem physics portrays light as having an infinite aspect. Leading to talk of the spaceless, timeless (...) character of light, this aspect permits the suggestion that light resonates spiritual possibilities, and this resonance supports the traditional religious view that light is a symbol or expression of divinity. It also provides a basis for affirming absolutes in ethical life. The relativist stance is thus countered on two fronts—scientific and sacred—with light shining through the veil or barrier that has historically divided the two. (shrink)

This paper begins with Hegel’s critique of Kant in the Encyclopaedia’s examination of three positions on objectivity. According to this critique, Kant’s philosophy is flawed because it reduces objectivity to a relation isolated within the subjectivity of the knower, does not integrate the contingent into its understanding of the rational, and does not acknowledge the reality status of contradiction. The second section of the paper examines Hegel’s analysis of dialectical proof procedure in the introductory essays of his major works. The (...) rest of the paper examines the way the Phenomenology proves that rationality is a common ground governing both independent thought and the independence of the natural world, that the contradictory otherness of nature requires an irrational element, which neither observational nor practical thought can overcome, and that truth is an infinite spirit that both transcends and dwells within the finite reality of the human spirit. (shrink)

This thesis divides naturally into two parts, each concerned with the extent to which the theory of $L$ can be changed by forcing.The first part focuses primarily on applying generic-absoluteness principles to how that definable sets of reals enjoy regularity properties. The work in Part I is joint with Itay Neeman and is adapted from our paper Happy and mad families in $L$, JSL, 2018. The project was motivated by questions about mad families, maximal families of infinite subsets of (...) $\omega $ of which any two have only finitely many members in common. We begin, in the spirit of Mathias, by establishing a strong Ramsey property for sets of reals in the Solovay model, giving a new proof of Törnquist’s theorem that there are no infinite mad families in the Solovay model.In Chapter 3 we stray from the main line of inquiry to briefly study a game-theoretic characterization of filters with the Baire Property.Neeman and Zapletal showed, assuming roughly the existence of a proper class of Woodin cardinals, that the boldface theory of $L$ cannot be changed by proper forcing. They call their result the Embedding Theorem, because they conclude that in fact there is an elementary embedding from the $L$ of the ground model to that of the proper forcing extension. With a view toward analyzing mad families under $\mathsf {AD}^+$ and in $L$ under large-cardinal hypotheses, in Chapter 4 we establish triangular versions of the Embedding Theorem. These are enough for us to use Mathias’s methods to show that there are no infinite mad families in $L$ under large cardinals and that $\mathsf {AD}^+$ implies that there are no infinite mad families. These are again corollaries of theorems about strong Ramsey properties under large-cardinal assumptions and $\mathsf {AD}^+$, respectively. Our first theorem improves the large-cardinal assumption under which Todorcevic established the nonexistence of infinite mad families in $L$. Part I concludes with Chapter 5, a short list of open questions.In the second part of the thesis, we undertake a finer analysis of the Embedding Theorem and its consistency strength. Schindler found that the the Embedding Theorem is consistent relative to much weaker assumptions than the existence of Woodin cardinals. He defined remarkable cardinals, which can exist even in L, and showed that the Embedding Theorem is equiconsistent with the existence of a remarkable cardinal. His theorem resembles a theorem of Harrington–Shelah and Kunen from the 1980s: the absoluteness of the theory of $L$ to ccc forcing extensions is equiconsistent with a weakly compact cardinal. Joint with Itay Neeman, we improve Schindler’s theorem by showing that absoluteness for $\sigma $ -closed $\ast $ ccc posets—instead of the larger class of proper posets—implies the remarkability of $\aleph _1^V$ in L. This requires a fundamental change in the proof, since Schindler’s lower-bound argument uses Jensen’s reshaping forcing, which, though proper, need not be $\sigma $ -closed $\ast $ ccc in that context. Our proof bears more resemblance to that of Harrington–Shelah than to Schindler’s.The proof of Theorem 6.2 splits naturally into two arguments. In Chapter 7 we extend the Harrington–Shelah method of coding reals into a specializing function to allow for trees with uncountable levels that may not belong to L. This culminates in Theorem 7.4, which asserts that if there are $X\subseteq \omega _1$ and a tree $T\subseteq \omega _1$ of height $\omega _1$ such that X is codable along T, then $L$ -absoluteness for ccc posets must fail.We complete the argument in Chapter 8, where we show that if in any $\sigma $ -closed extension of V there is no $X\subseteq \omega _1$ codable along a tree T, then $\aleph _1^V$ must be remarkable in L.In Chapter 9 we review Schindler’s proof of generic absoluteness from a remarkable cardinal to show that the argument gives a level-by-level upper bound: a strongly $\lambda ^+$ -remarkable cardinal is enough to get $L$ -absoluteness for $\lambda $ -linked proper posets.Chapter 10 is devoted to partially reversing the level-by-level upper bound of Chapter 9. Adapting the methods of Neeman, Hierarchies of forcing axioms II, we are able to show that $L$ -absoluteness for $\left |\mathbf {R}\right |\cdot \left |\lambda \right |$ -linked posets implies that the interval $[\aleph _1^V,\lambda ]$ is $\Sigma ^2_1$ -remarkable in L.prepared by Zach Norwood.E-mail: [email protected]. (shrink)

By compiling an experimental method combining both dialectic and rhetoric, 'Dialectic, Rhetoric and Contrast: The Infinite Middle of Meaning' demonstrates how singular meanings can be rendered in a spectrum of 12 repeating concepts that are in a continuum, gradated and symmetrical. The ability to arrange meaning into this pattern opens enquiry into its ontology, and presents meaning as closer to the sensation of colours or musical notes than the bivalent oppositions depicted in classical logic. However, the experiment does not (...) assert that this pattern suggests some sort of constant or absolute principle; instead, it theorises on the ways in which meaning can be considered to be recursive. To explain this, the book explores the concept of contrast itself. No exactitude on the precise existence of contrast can ever be struck because the answer varies infinitely depending upon the scale of measurement used to gauge the meeting point. This characteristic of contrast helps to define a whole new dimension from which sensation, meaning, cognition and consciousness can be analogised to the infinite forms between forms. At a time when the widest consensus in philosophy is the exhaustion of its central themes, the significance of such a hypothesis provides fresh impetus to revise some of the key meanings and concepts underpinning contemporary thought. To do this, the method explores the opposing themes of idealism and realism that run throughout western philosophy from Plato to the Speculative turn. This book will be of interest to professional academic audiences in the humanities and social sciences, from graduates to senior scholars. It will also be an interesting read to anyone wishing to keep abreast of developments in continental philosophy, epistemology, metaphysics, and the sociology of knowledge. (shrink)

In this paper, I elaborate affinities between Peirce, Spinoza and Royce, in order to illuminate the division between Peirce's and James's expressions of idealism. James contrasted Spinoza's and Royce's absolute idealism with his and Peirce's pluralistic idealism. I triangulate among Peirce, Spinoza and Royce to show that, contra James's view, Peirce himself was more at home in the absolutistic camp. In Section 2, I survey Peirce's discussions of Spinoza's pragmatism and of the divide within pragmatism Peirce perceived to obtain. (...) In Section 3, I elaborate two early twentieth-century accounts of the idealistic division within pragmatism, and James's criticisms of absolute idealism in Spinoza and Royce. In Section 4, we turn our attention to Peirce's discussions of the absolute, and to the role of the absolute and the infinite in the thought of Spinoza, Royce and James. In the classification of pragmatist idealisms, I argue, James stands on one side; Peirce stands on the other with Roy.. (shrink)

In this article, we present for the first time Schelling’s early critique of absolute idealism within his middle metaphysics (1804–1820), which has great relevance and influence on the subsequent course of German philosophy, and, more broadly considered, on later systematic thinking about the categories of unity and duality. We aim to show how Schelling defends a form of metaphysical duality, from 1804 onwards, without relapsing into a stronger Kantian dualism. In this sense, our author rejects both the dualism between (...) nature and spirit, necessity and freedom, as well as the monist-immanent metaphysical stance later associated with Hegelian panlogism. Against Hegel, Schelling increasingly vindicates the reality of the finite and degrades the infinite to mere ideality in a movement that resembles later existentialism. Furthermore, we defend Schelling against the accusation of irrationalism that sections of Hegelianism formulated against him and present the concept of infinity without the notion of totality, which he thinks of, much like Fichte, in the light of the concept of an ‘infinite task’. Schelling’s later criticisms of Hegel are shown to be influenced by his early idealist critique of the period at hand. (shrink)

‘Mathematics is the science of the infinite, its goal the symbolic comprehension of the infinite with human, that is finite, means.’ Along this line, in The Open World, Hermann Weyl contrasted the desire to make the infinite accessible through finite processes, which underlies any theoretical investigation of reality, with the intuitive feeling for the infinite ‘peculiar to the Orient,’ which remains ‘indifferent to the concrete manifold of reality.’ But a critical analysis may acknowledge a valuable dialectical (...) opposition. Struggling to spell out the infinity of real numbers mathematicians come to see the active role of emptiness. Pondering over the essence of self-awareness, the Japanese philosopher Nishida Kitarō comes to see the ‘place’ where it abides as absolute nothingness. Thus, the two ways of seeing coalesce into a perspective in which infinity and nothingness mirror each other. (shrink)

In this article, we will describe two theistic modes of “paradoxical detachment” from the Presence of the Infinite, implying the coexistence of attachment and detachment. We will analyze two forms of Christianity-based paradoxical detachment: being dependent on the Ground of soul, while being detached from the representations of the Infinite ; being absolutely dependent on the Infinite, while being detached from any religious morality. The nontheistic mode of detachment from the Presence of the Infinite requires an (...) absolute detachment. We will examine two forms of absolute detachment towards the Presence of the Infinite: on one hand, the all-encompassing emptiness in the Kagyü and Gelug lineages of Tibetan Buddhism; on the other hand, the Heideggerian notion of “groundless abyss.” In the Kagyü and Gelug lineages of Tibetan Buddhism, being absolutely detached is searching for the Enlightenment, while being detached from all concepts. Heideggerian notions of “groundless abyss” and “de-hominization” allow us to reach absolute detachment, while remaining in a non-theistic way of thinking. (shrink)

It is proved that in the absence of proper class inner models with Woodin cardinals, for each n ε {1,…,ω}, ∑3 + n1 absoluteness implies there are n strong cardinals in K (where this denotes a suitably defined global version of the core model for one Woodin cardinal as exposed by Steel. Combined with a forcing argument of Woodin, this establishes that the consistency strength of ∑3 + n1 absoluteness is exactly that of n strong cardinals so that in particular (...) projective absoluteness is equiconsistent with the existence of infinitely many strong cardinals. It is also argued how this theorem is to be construed as the first step in the long range program of showing that projective determinacy is equivalent to its analytical consequences for the projective sets which would settle positively a conjecture of Woodin and thereby solve the last Delfino problem. (shrink)

SummaryIn his essay on rational theology Holm Tetens broaches the issue of God’s role as creator and additionally addresses the relationship of the absolute to the contingent world in a philosophical perspective. By making this a topic, the question arises as to whether or not God’s creative activities are limited by the laws of nature. According to Tetens, God as the infinite self-conscious subject must not just considered as free from all restrictions concerning his creative activities, but rather, (...) characterized as the absolute, he must be thought of as the ultimate ground of all beings, and therefore also as the creator of natural laws. In this article I will give a brief sketch of how this task could be tackled in philosophical terms. In doing so I will both pick up some of Tetens’ main intentions and concepts and try to explore them in some detail, as well as attempt to link them with the principle of determinacy as the main characteristic of the absolute. (shrink)

According to Hegel, the true infinite is the fundamental concept of philosophy. Yet despite this fact, there is absence of consensus concerning its meaning and significance. The true infinite challenges the currently dominant non-metaphysical interpretations of Hegel, as it challenged the dominance of the Kantian framework in its own day, specifically Kant’s attack on theology and his treatment of theology as a postulate of moralit y. Kant admits that the God-postulate has only subjective necessity and validity, and is (...) an expression of moral faith. Hegel both accepts Kant’s approach to the God-question through freedom and practical reason, but he rejects Kant’s philosophy of the postulates as incoherent, burdened with finitude and antithesis. The ought is only the beginning of the transcendence of finitude, but also essentially clings to finitude. This is the spurious infinite. In contrast to the traditional view of abstract transcendence, Hegel shows that the very attempt to separate the infinite from the finite only renders the infinite finite and levels it. The consciousness of limit (finitude) implies a transcendence of limit. The true infinite is an onto-theological principle, a social infinite that overcomes the limits imposed by abstract transcendence and the dualisms imposed by the Kantian frame. It is of vital importance for Hegel’s philosophy of religion, as both a doctrine of divine presence and absolute spirit in its community. (shrink)

According to Hegel, the true infinite is the fundamental concept of philosophy. Yet despite this fact, there is absence of consensus concerning its meaning and significance. The true infinite challenges the currently dominant non-metaphysical interpretations of Hegel, as it challenged the dominance of the Kantian framework in its own day, specifically Kant’s attack on theology and his treatment of theology as a postulate of moralit y. Kant admits that the God-postulate has only subjective necessity and validity, and is (...) an expression of moral faith. Hegel both accepts Kant’s approach to the God-question through freedom and practical reason, but he rejects Kant’s philosophy of the postulates as incoherent, burdened with finitude and antithesis. The ought is only the beginning of the transcendence of finitude, but also essentially clings to finitude. This is the spurious infinite. In contrast to the traditional view of abstract transcendence, Hegel shows that the very attempt to separate the infinite from the finite only renders the infinite finite and levels it. The consciousness of limit (finitude) implies a transcendence of limit. The true infinite is an onto-theological principle, a social infinite that overcomes the limits imposed by abstract transcendence and the dualisms imposed by the Kantian frame. It is of vital importance for Hegel’s philosophy of religion, as both a doctrine of divine presence and absolute spirit in its community. (shrink)