Results for 'Sound. '

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  1. Courtney S. Campbell.Sounds Of Silence - 1991 - Theological Developments in Bioethics, 1988-1990 1:23.
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  2. Dorottya Fabian.Classical Sound Recordings - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.
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  3.  11
    authoritative General Handbook of Instructions (hereafter Instructions), these initial documents addressed such· problems· as abortion, artificial.Courtneys Campbell & Sounds Of Silence - forthcoming - Bioethics Yearbook.
  4.  67
    Listening and Voice. Phenomenologies of Sound.Don Ihde - 2007 - Suny Press.
    Listening and Voice is an updated and expanded edition of Don Ihde's groundbreaking 1976 classic in the study of sound.
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  5.  98
    In Defense of Medial Theories of Sound.Phillip John Meadows - 2018 - American Philosophical Quarterly 55 (3):293-302.
    In the recent literature on the nature of sound, there is an emerging consensus rejection of what might be thought of as the scientifically informed commonsense position: that sounds, whatever else they may be, must be entities that mediate between the source of the sound and the subject hearing it. This paper offers an argument for such "medial" theories of sound. This argument is intended to shift attention from the two considerations that have dominated the debate thus far: the relevant (...)
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  6. Sounds and Perception: New Philosophical Essays.Matthew Nudds & Casey O'Callaghan (eds.) - 2009 - Oxford, GB: Oxford University Press UK.
    Sounds and Perception brings together original essays on auditory perception and the nature of sounds - an emerging area of interest in the philosophy of mind and perception, and in the metaphysics of sensible qualities. The essays discuss a wide range of issues, including the nature of sound, the spatial aspects of auditory experience, hearing silence, musical experience, and the perception of speech; a substantial introduction by the editors serves to contextualise the essays and make connections between them. The collection (...)
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  7. Discussion of J. Kevin O’Regan’s “Why Red Doesn’t Sound Like a Bell: Understanding the Feel of Consciousness”.J. Kevin O’Regan & Ned Block - 2012 - Review of Philosophy and Psychology 3 (1):89-108.
    Discussion of J. Kevin O’Regan’s “Why Red Doesn’t Sound Like a Bell: Understanding the Feel of Consciousness” Content Type Journal Article Pages 1-20 DOI 10.1007/s13164-012-0090-7 Authors J. Kevin O’Regan, Laboratoire Psychologie de la Perception, CNRS - Université Paris Descartes, Centre Biomédical des Saints Pères, 45 rue des Sts Pères, 75270 Paris cedex 06, France Ned Block, Departments of Philosophy, Psychology and Center for Neural Science, New York University, 5 Washington Place, New York, NY 10003, USA Journal Review of Philosophy and (...)
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  8.  15
    Ethical Issues in Death by Neurologic Criteria Require Critical Scrutiny: Lack of Engagement with Sound Arguments to Save Medical Dogma.Ari R. Joffe - 2024 - American Journal of Bioethics 24 (1):121-123.
    Ariane Lewis reviewed medicolegal challenges to Death by Neurologic Criteria (DNC) in the United Kingdom in order to identify and discuss the ethical issues raised (Lewis 2024). Here I briefly clar...
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  9.  2
    Kantian Moral Character Coming Off the Ropes: Is the Kingdom of Ends a Sound Principle of Moral Education? Moral Education in the Kantian Tradition.Christopher Martin - 2012 - Philosophy of Education 68:138-146.
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  10.  63
    Does Loudness Relate to the Strength of the Sound Produced by the Source or Received by the Ears? A Review of How Focus Affects Loudness.Gauthier Berthomieu, Vincent Koehl & Mathieu Paquier - 2021 - Frontiers in Psychology 12.
    Loudness is the magnitude of the auditory sensation that a listener experiences when exposed to a sound. Several sound attributes are reported to affect loudness, such as the sound pressure level at the listener's ears and the spectral content. In addition to these physical attributes of the stimulus, some subjective attributes also appear to affect loudness. When presented with a sound, a listener interacts with an auditory object and can focus on several aspects of the latter. Loudness appears to differ (...)
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  11.  34
    Logical norms as defeasible obligations: disentangling sound and feasible inferences.Matteo De Benedetto & Alessandra Marra - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.
  12.  22
    Adorno and climate science denial: Lies that sound like truth.Harriet Johnson - 2020 - Philosophy and Social Criticism 47 (7):831-849.
    Climate science denial is serious. It facilitates political procrastination and brings us ever closer to a world beset by growing food insecurity, heatwaves, floods, storms, fires and extensive los...
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  13. What is the role of sound evidence in evolution education? A research program following students' narratives in Brazil and elsewhere.Nelio Bizzo - 2019 - In Alandeom W. Oliveira & Kristin Leigh Cook (eds.), Evolution education and the rise of the creationist movement in Brazil. Lanham: Lexington Books.
     
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  14.  15
    Aesthetics as Investigation of Self, Subject, and Ethical Agency in Postwar Trauma in Kawabata's The Sound of the Mountain.Mara Miller - 2015 - Philosophy and Literature 39 (1A):122-141.
    It is widely assumed that, with a few notable exceptions, Japanese literature, and especially the work of novelist Yasunari Kawabata, focuses on beauty, emotion, and psychology, and that this focus is at the expense of moral or ethical exploration.Kawabata was Japan’s first winner of the Nobel Prize in Literature, so to misunderstand his work so fundamentally is not just a matter for aficionados of arcana. The mistake deprives the international reading public of an important philosophical resource for understanding the modern (...)
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  15.  18
    Listening And Voice: A Phenomenology Of Sound.Don Ihde - 1976 - Ohio University Press.
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  16. Toward a feminist epistemology of sound : refiguring waves in audio-technical discourse.Tara Rodgers - 2016 - In Mary C. Rawlinson (ed.), Engaging the World: Thinking after Irigaray. Albany: State University of New York Press.
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  17.  7
    Thinking Through Performance Technology in Music / Sound.Anthony Gritten & Caroline Wilkins - 2023 - Performance Philosophy 8 (1).
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  18.  26
    The Analogy between Light and Sound in the History of Optics from the Ancient Greeks to Isaac Newton. Part 1.Olivier Darrigol - 2010 - Centaurus 52 (2):117-155.
    Analogies between hearing and seeing already existed in ancient Greek theories of perception. The present paper follows the evolution of such analogies until the rise of 17th century optics, with due regard to the diversity of their origins and nature but with particular emphasis on their bearing on the physical concepts of light and sound. Whereas the old Greek analogies were only side effects of the unifying concepts of perception, the analogies of the 17th century played an important role in (...)
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  19. On maternal listening : experiments in sound and the mother-daughter relation in Todd Haynes' Mildred Pierce.Amber Jacobs - 2014 - In Mary Evans, Clare Hemmings, Marsha Henry, Hazel Johnstone, Sumi Madhok, Ania Plomien & Sadie Wearing (eds.), The SAGE handbook of feminist theory. Thousand Oaks, California: SAGE reference.
     
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  20.  9
    Market-Based Reforms in Health Care are Both Practical and Morally Sound.James Stacey Taylor - 2012 - Journal of Law, Medicine and Ethics 40 (3):537-546.
    Markets have long had a whiff of sulphur about them. Plato condemned innkeepers, whose pursuit of profit he believed led them to take advantage of their customers, Aristotle believed that the pursuit of profit was indicative of moral debasement, and Cicero held that retailers are typically dishonest as this was the only path to gain. And even those who are more favorably disposed towards markets in general are frequently inclined to be suspicious of markets in medical goods and services. For (...)
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  21.  22
    Rudolph Koenig’s Workshop of Sound: Instruments, Theories, and the Debate over Combination Tones.David Pantalony - 2005 - Annals of Science 62 (1):57-82.
    Rudolph Koenig's workshop was a busy meeting place for instruments, ideas, experiments, demonstrations, craft traditions, and business. Starting around 1860, it was also the place in Paris where people discovered the new science of sound emerging from the studies of Hermann von Helmholtz in Germany. Koenig built Helmholtz's ideas into apparatus, created new instruments, and spread them throughout the scientific and musical world. Through his own research, he also became Helmholtz's strongest critic. This paper looks at the activities of this (...)
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  22. Standing out from the crowd : vocal and sound techniques for catching peoples' attention in an Indian bus stand.Christine Guillebaud - 2017 - In Towards an anthropology of ambient sound. New York, NY: Routledge.
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  23.  46
    Experimental study of the influence of vision on sound localization.G. J. Thomas - 1941 - Journal of Experimental Psychology 28 (2):163.
  24. Tests of Statistical Significance Made Sound.Brian Haig & Brian D. Haig - 2018 - In Brian D. Haig (ed.), Method Matters in Psychology: Essays in Applied Philosophy of Science. Cham: Springer Verlag.
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  25. Tribute to a footbridge : contact dance and sound spaces improvisations in Choisy-le-Roi.Vincent Rioux - 2017 - In Christine Guillebaud (ed.), Towards an anthropology of ambient sound. New York, NY: Routledge.
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  26.  21
    The Role of High-Level Processes for Oscillatory Phase Entrainment to Speech Sound.Benedikt Zoefel & Rufin VanRullen - 2015 - Frontiers in Human Neuroscience 9.
  27. A Review on the Relationship Between Sound and Movement in Sports and Rehabilitation.Nina Schaffert, Thenille Braun Janzen, Klaus Mattes & Michael H. Thaut - 2019 - Frontiers in Psychology 10.
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  28.  13
    Working with Edge Emotions as a means for Uncovering Problematic Assumptions: Developing a practically sound theory.Kaisu Mälkki & Larry Green - 2018 - Revue Phronesis 7 (3):26-34.
    Les liens entre les aspects de la cognition et des émotions d’une part et entre l’esprit et le corps d’autre part ont été bien expliqués par les neurosciences. Les praticiens de la réflexion critique et des processus de l’apprentissage transformateurs dans le domaine de l’ éducation des adultes ont bien saisi cette compréhension plus holistique de la nature humaine, d’une façon autant empirique qu’intuitive. Cependant, la théorie-clé dans ce domaine (la théorie de l’apprentissage transformateur de Mezirow), a fait l’objet de (...)
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  29. Are Sounds Events? Materiality in Auditory Perception.Elia Gonnella - 2023 - Phenomenology and Mind 25 (25):226-240.
    Whilst arguing for sounds as repeatable objects does not seem suitable to our auditory experience, considering them as events can then help us understand some of their main features. In this sense, sounds are events happening to material objects; they have a beginning and an end; they are ephemeral entities that we cannot grasp as ordinary objects. Nevertheless, supporters of event theory usually focus on the autonomous status that sounds manifest from the things in the world. Conversely, when we hear (...)
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  30.  18
    Residual Neural Processing of Musical Sound Features in Adult Cochlear Implant Users.Lydia Timm, Peter Vuust, Elvira Brattico, Deepashri Agrawal, Stefan Debener, Andreas Bã¼Chner, Reinhard Dengler & Matthias Wittfoth - 2014 - Frontiers in Human Neuroscience 8.
  31. Is Chalmers' Virtual Reality "Mirror Argument" Sound?Shaohua Xue - 2022 - Journal of Human Cognition 6 (1):24-32.
    Extended reality devices provide users with unprecedented immersive and hybrid perceptual experiences, and users will act their bodies according to the information perceived. This shows that visual perception plays a crucial role in the formation and shaping of self-perception and spatial position. Users have a strong perceptual experience of their physical presence and self-perception in the real world as a result of their avatar perspective based on visual perception in a virtual hybrid environment, as is issued by Chalmers in his (...)
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  32.  22
    The Analogy between Light and Sound in the History of Optics from the ancient Greeks to Isaac Newton. Part 2†.Olivier Darrigol - 2010 - Centaurus 52 (3):206-257.
    Analogies between hearing and seeing already existed in ancient Greek theories of perception. The present paper follows the evolution of such analogies until the rise of 17th century optics, with due regard to the diversity of their origins and nature but with particular emphasis on their bearing on the physical concepts of light and sound. Whereas the old Greek analogies were only side effects of the unifying concepts of perception, the analogies of the 17th century played an important role in (...)
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  33.  48
    The role of head movements and vestibular and visual cues in sound localization.H. Wallach - 1940 - Journal of Experimental Psychology 27 (4):339.
  34. The Music Room in Early Modern France and Italy: Sound, Space and Object.Orlowski Raf - 2012
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  35.  4
    The new philosophy: the science of physical phenomena: first explanations of electricity, gravitation, repulsion and the new atomic element rex: new explanations of sound, heat, light, cohesion, magnetism, atmosphere, astronomy, and nervous force.Calvin Samuel Page - 1913 - Chicago: Science Publishing Co..
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...)
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  36. The Body Technology. The Sensuality of Low Frequency Sound / Cat Hope ; Cynosuric Bodies / Susan E. Green-Mateu and Margaret Schedel ; The Violining Body in Anthèmes II by Pierre Boulez / Irine Røsnes ; 'Try to walk with the sound of my footsteps so that we can stay together' : Sonic Presence and Virtual Embodiment in Janet Cardiff and Georges Bures Miller's Audio and Video Walks / Sophie Knezic ; Breathing (as Listening) : An Emotional Bridge for Telepresence / Ximena Alarcón-Díaz ; Foley Performance and Sonic Implicit Interactions : How Foley Artists Might Hold the Secret for the Design of Sonic Implicit Interactions.Sandra Pauletto - 2022 - In Linda O'Keeffe & Isabel Nogueira (eds.), The body in sound, music and performance: studies in audio and sonic arts. New York: Routledge, Taylor & Francis Group.
     
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  37. The Music Room in Early Modern France and Italy: Sound, Space and Object.Peruffo Mimmo - 2012
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  38. Mis-aulogy : Aristotle on the politics of Sound.Sara Brill - 2022 - In Jill Gordon (ed.), Hearing, sound, and the auditory in ancient Greece. Bloomington, Indiana: Indiana University Press.
     
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  39. PART II. Music-Analytical Case Studies. Analysing Non-Score Based Music / Simon Emmerson / Noise in Spectral Music / Ingrid Pustijanac ; Is There Noise in Helmut Lachenmann's Music? Temporal Form and Moments of Presence in the String Quartet Gran Torso / Christian Utz ; The Mic as a Scalpel : Skinning the Voice in Henri Chopin's Sound Poetry / Jannis Van de Sande ; Noise as Ground in Improvised Music : The Case of Chris Corsano / Diederik Mark de Ceuster ; Stretching Musicality to the Extreme : Vertical Composition in Merzbow's Noise Music.Marina Sudo - 2022 - In Mark Delaere (ed.), Noise as a constructive element in music: theoretical and music-analytical perspectives. New York: Routledge.
     
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  40.  54
    Graph Analysis of EEG Functional Connectivity Networks During a Letter-Speech Sound Binding Task in Adult Dyslexics.Gorka Fraga-González, Dirk J. A. Smit, Melle J. W. Van der Molen, Jurgen Tijms, Cornelis J. Stam, Eco J. C. De Geus & Maurits W. Van der Molen - 2021 - Frontiers in Psychology 12.
    We performed an EEG graph analysis on data from 31 typical readers and 24 dyslexics, recorded while they were engaged in an audiovisual task and during resting-state. The task simulates reading acquisition as participants learned new letter-sound mappings via feedback. EEG data was filtered for the delta, theta, alpha, and beta bands. We computed the Phase Lag Index to provide an estimate of the functional connectivity between all pairs of electrodes per band. Then, networks were constructed using a Minimum Spanning (...)
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  41.  2
    Listening and Voice: Phenomenologies of Sound, Second Edition.Don Ihde - 2007 - State University of New York Press.
    New and expanded edition of the now classic study in the phenomenology of sound.
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  42.  61
    Recorded Sounds and Auditory Media.Vivian Mizrahi - 2020 - Philosophia 48 (4):1551-1567.
    A widespread view among philosophers and scientists is that recorded sounds and assisted hearing differ fundamentally from natural sounds and direct hearing. It is commonly claimed, for example, that the sounds we hear over the phone are not sounds emitted by the voice of our interlocutor, but the sounds reproduced by the phone’s loudspeaker. According to this view, hearing distant sounds through communication and audio equipment is at best indirect and at worst illusory. In what follows, I shall reject these (...)
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  43.  16
    Of mice and men: Speech sound acquisition as discriminative learning from prediction error, not just statistical tracking.Jessie S. Nixon - 2020 - Cognition 197 (C):104081.
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  44. Ignorance, Soundness, and Norms of Inquiry.Christopher Willard-Kyle - forthcoming - Philosophical Studies:1-9.
    The current literature on norms of inquiry features two families of norms: norms that focus on an inquirer’s ignorance and norms that focus on the question’s soundness. I argue that, given a factive conception of ignorance, it’s possible to derive a soundness-style norm from a version of the ignorance norm. A crucial lemma in the argument is that just as one can only be ignorant of a proposition if the proposition is true, so one can only be ignorant with respect (...)
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  45.  20
    The nature of acoustic response: the relation between sound intensity and the magnitude of responses in the cochlea.E. G. Wever & C. W. Bray - 1936 - Journal of Experimental Psychology 19 (2):129.
  46.  19
    The stapedius muscle in relation to sound conduction.E. G. Wever & C. W. Bray - 1942 - Journal of Experimental Psychology 31 (1):35.
  47.  34
    Auditory Profiles of Classical, Jazz, and Rock Musicians: Genre-Specific Sensitivity to Musical Sound Features.Mari Tervaniemi, Lauri Janhunen, Stefanie Kruck, Vesa Putkinen & Minna Huotilainen - 2015 - Frontiers in Psychology 6.
  48.  11
    Wind Turbine Infra and Low-Frequency Sound: Warning Signs That Were Not Heard.Richard R. James - 2012 - Bulletin of Science, Technology and Society 32 (2):108-127.
    Industrial wind turbines are frequently thought of as benign. However, the literature is reporting adverse health effects associated with the implementation of industrial-scale wind developments. This article explores the historical evidence about what was known regarding infra and low-frequency sound from wind turbines and other noise sources during the period from the 1970s through the end of the 1990s. This exploration has been accomplished through references, personal interviews and communications, and other available documentation. The application of past knowledge could improve (...)
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  49.  3
    Customer Engagement in Multi-Sensory Virtual Reality Advertising: The Effect of Sound and Scent Congruence.Malaika Brengman, Kim Willems & Laurens De Gauquier - 2022 - Frontiers in Psychology 13.
    Despite the power of VR in immersing viewers in an experience, it generally only targets viewers via visual and auditory cues. Human beings use more senses to gather information, so expectedly, the full potential of this medium is currently not yet tapped. This study contributes in answering two research questions: How can conventional VR ads be enriched by also addressing the forgotten sense of smell?; and Does doing so indeed instill more engaging experiences? A 2 × 3 between-subjects study is (...)
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  50.  3
    Differences in the Course of Physiological Functions and in Subjective Evaluations in Connection With Listening to the Sound of a Chainsaw and to the Sounds of a Forest.Petr Fiľo & Oto Janoušek - 2022 - Frontiers in Psychology 13.
    We explored differences in the course of physiological functions and in the subjective evaluations in response to listening to a 7-min recording of the sound of a chainsaw and to the sounds of a forest. A Biofeedback 2000x-pert apparatus was used for continual recording of the following physiological functions in 50 examined persons: abdominal and thoracic respiration and their amplitude and frequency, electrodermal activity, finger skin temperature, heart rate and heart rate variability. The group of 25 subjects listening to the (...)
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