McInerny revisits the basics of Thomas's teachings and offers a brief, intelligible, and persuasive summary.

Detailed summary in vernacular field only.

But in many orders of beauty, particularly those of the finer arts, it is requisite to employ much reasoning, in order to feel the proper sentiment; and a false relish may frequently be corrected by argument and reflection. There are just grounds to conclude, that moral beauty partakes much of this latter species, and demands the assistance of our intellectual faculties, in order to give it a suitable influence on the human mind (EPM, 173).

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this (...) book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing... (shrink)

This dissertation examines Locke's influence on moralists of the eighteenth century. I will show how Locke's moral theory and the problems it raises set the tenor of moral discussion for subsequent theorists. My analysis does not rely upon proving explicit and direct influences of Locke on the theorists I examine. Rather, I want to show that Locke's influence was more general and systemic than would be revealed through the search for explicit debts and appropriations. Locke's attempt to produce (...) a moral epistemology took for granted the assumptions of a traditional realist and rationalist natural law theory. In Locke we find an early and quite unique attempt to work out an epistemology of natural law that assumes neither innatism nor Hobbism. Locke endeavoured to find an account of natural law consistent with his own anti-innatist empiricism that might still support a realist conception of moral law. With this aim, he established the terms of moral theorizing for subsequent eighteenth century thinkers. As I will show, Locke's moral epistemology fails to fully cohere the presuppositions of his own realism and his commitment to natural law. In subsequent thinkers, we see attempts to solve this problem while maintaining Locke's basic moral assumptions. I look specifically at the works of Samuel Clarke, Francis Hutcheson, and Catharine Trotter Cockburn. What unites these theorists are the broad goals of establishing morality upon necessary and universal laws and of developing moral epistemologies that avoid both moral innatism and Hobbesian constructivism. More specifically, each is working to establish an epistemology that makes moral laws intuitively certain while maintaining a metaphysics of morality that relates moral law to the general teleological order of the universe. Despite the specific differences in their views, they can all seen to be working within a broadly Lockean frame of reference. (shrink)

The novelist is not a theologian or a philosopher, but within the enclosed world of Victorian fiction the matter of theology and the nature of good and evil are examined after the disappearance of God. In the fiction of Dickens, this contention is explored together with the responsibility of the reader as stories are told. While theology may sometimes hamper the reader of fiction, in Victorian novels God may be absent while deeply theological issues remain to be explored and responded (...) to. (shrink)