L’absurdité du monde et l’inquiétude face au sens de l’existence semblent être des affects négatifs. Par un dialogue entre Albert Camus et Jacques Lavigne, nous tenterons d’explorer le caractère créatif de ces affects. Camus et Lavigne partent d’une critique du matérialisme et de l’idéalisme afin d’ancrer leur théorie dans l’existence , en pensant conjointement les idées et la matérialité. Ils découvrent le rôle précieux de l’absurde et de l’inquiétude. Ces affects agissent comme vecteurs de l’action humaine et (...) permettent d’initier le sujet à la solidarité. Néanmoins, la société est organisée de telle manière que le sujet doit constamment s’opposer à la possibilité d’une neutralisation de ses affects. En ce sens, rester inquiet et conscient de l’absurdité de l’existence appelle une résistance du sujet. (shrink)

Entre les postes et le mouvement analytique, le principe de plaisir et l'histoire des télécommunications, la carte postale et la lettre volée, bref le transfert de Socrate à Freud, et au-delà. Cette satire de la littérature épistolaire devait être farcie - d'adresses, de codes postaux, de missives cryptées, de lettres anonymes, le tout confié à tant de modes, de genres et de tons.

Le premier volume des Idées directrices pour une phénoménologie pure et une philosophie phénoménologique est le traité fondamental de la phénoménologie de Husserl. Il s'y propose d'introduire le lecteur à la nouvelle attitude méthodique de la phénoménologie-la réduction transcendantale-pour révéler la subjectivité comme vie intentionnelle constituant en soi toute réalité objective sans exception: comme subjectivité transcendantale. La réduction apparaît ainsi liée d'emblée à une thèse métaphysique, l'idéalisme transcendantal, que Husserl revendiquera dans les Méditations cartésiennes comme l'«unique interprétation possible» du sens (...) du monde. Fonder la phénoménologie sur cet idéalisme de la subjectivité absolue implique un passage continu de l'attitude d'esprit naturelle à l'attitude transcendantale. Mais comment valider l'idéalisme transcendantal à partir de l'attitude naturelle sans la reconduire au cœur même de l'attitude phénoménologique? Et si, à l'inverse, la réduction se présuppose elle-même, que vaut l'idée d'un «accès» au transcendantal? Qu'est-ce alors que ce «transcendantal», auquel on prétend ainsi accéder? (shrink)

Henry’s concept of transcendence is highly paradoxical. Most often it seems as though he had simply borrowed Husserl’s classical description of intentionality, as the act of aiming‐at‐something as an independent object, at something given or posited by consciousness outside itself, in the status of a worldly outwardness. This determination of transcendence belongs to Henry’s usual critique of what he calls the ‘ontological monism’ of classical metaphysics and ‘historical phenomenology’. Nevertheless, when Henry endeavours to define the ontological difference between life itself (...) and the living incarnate ego within the sphere of radically subjective immanence, particularly in his last works on truth and on Christianity, he cannot but refer to another concept of transcendence, the theological and metaphysical one. This is a transcendence which claims absolute ontological exteriority, as the being‐in‐itself of the ‘substance’, altogether free of any intentional dependence on the transcendental activity of consciousness. And he uses this last concept to assert, of course, that divine transcendence, as true to the Absolute, is none other than the most radical and deep immanence: the immanence of life itself. (shrink)

The train has stopped in the night. It is the end of winter, 1920; it is very cold, about 25 degress below zero, some hundred kilometers west of Irkutsk. Along the train soldiers mount guard; ahead, a party of the detachment is clearing the track. Many of the soldiers have makeshift bandages around their wrists and feet: the Siberian frost has taken its toll. There is no question, however, of withdrawing the guard or stopping the work. This train is the (...) most precious treasure of the Soviet. Republic, transporting the greater part of the State gold reserves: 355 m. tons. Previously housed in the vaults of the Kazan Bank in Tartary by the Tsarist government, it was removed in 1918 by admiral Kolchak; the greatest coup in history! Not that it brought the admiral any good luck: in Siberia, at the height of the civil war, the richest man in the world was only able to get a few shipments of gold through to Vladivostok, to pay his debts to the Americans and buy arms from them. And then Kolchak died: he was shot on February 7th, the gold now returning to Kazan. (shrink)

The study of Attention Deficit Hyperactivity Disorder addresses variables related to three core symptoms: inattention, hyperactivity, and impulsivity. However, it has been suggested that in recent years emotional difficulties and subsequent social challenges have not received sufficient attention. This study had two objectives: 1) to compare the performance of participants (age range: 8-14 years) on facial emotion recognition tasks using the Affect Recognition subtest of the Children Neuropsychological Battery II; and 2) to assess the perceptions of family members in relation (...) to variables associated with emotional problems, difficulty in regulating emotions, and anger management using the Spanish Assessment System for Children and Adolescents. Assessments were conducted before and after applying an emotion regulation intervention designed for this study. Following the intervention, there was a significant decrease in scores associated with emotional regulation, and an improvement in the identification of affect on facial recognition tasks. The results suggest that despite Attention Deficit Hyperactivity Disorder children and adolescents having social and emotional deficits secondary to the core symptom triad, emotional regulation in this group can be improved by the application of socio-emotional intervention programs. (shrink)

The President of the European Bank for Reconstruction and Development examines three major ethical problems in the transition from post‐Communist Europe to a market economy and spells out the only real option for Western Europe. He delivered this address, which is reprinted with permission, at a Conference on Business and Moral Standards in Post Communist Europe held in London in November last year under the auspices of the Archdiocese of Westminster and sponsored by the Sedgwick Group and KPMG Peat Marwick.

"The four essays in this volume constitute Derrida's most explicit and sustained reflection on the art work as pictorial artifact, a reflection partly by way of philosophical aesthetics (Kant, Heidegger), partly by way of a commentary on art works and art scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and (...) aesthetics."--Alexander Gelley, Library Journal. (shrink)

La Kantkrise (« crise kantienne ») est un des aspects les plus étudiés de la pensée de Heinrich von Kleist, aussi bien par les historiens de la philosophie que par les germanistes. Au cours de presque un siècle de recherches sur ce thème 2, les interprètes ont identifié différemment l’œuvre de Kant – ou l’auteur, autre que Kant 3 – qui aurait déclenché cette crise 4. Pour la première fois, le présent article cherche à identifier le motif déterminant de la (...) crise dans un concept et permet de réviser l’idée même d’une « crise », entendue comme un événement ponctuel et isolé, pour lui restituer son sens d’événement intérieur, appartenant à un itinéraire intellectuel déjà engagé. Il s’agit d’un concept central pour la réflexion théologique et philosophique de la seconde moitié du XVIII e siècle, qui se trouve aussi en plusieurs textes littéraires : la « destination de l’homme » ( Bestimmung des Menschen ). (shrink)

This text proposes an evaluation of what remains of cinema in the age of the digital, and of an ever increased circulation between movie theatres and museums. Much has changed in the social and aesthetic status of cinema, at least since the appearance of video art; but cinema, in general, has not disappeared, quite to the contrary, and remains a very important social practice. Two important factors, however, have undergone deep changes: 1°, film no longer has the exclusivity of the (...) moving image, which it has to share with television and contemporary art; 2°, the recent hegemony of the digital image has driven film toward a massive return to the “Méliès path” of film art, that of a direct intervention on the film image. The contention here is that, though the art of film is obviously not what it was, it has kept a number of qualities which still make it the positive reference for any thinking of the moving image in general. The article puts forward three kinds of reasons to support this argument: 1°, cinema has invented a specific way to see moving images, resting on what is termed here the production of a gaze; 2°, time is essential to the film form itself; 3°, film is the only art which has developed an aesthetic of the encounter (with the real) – and the co-presence of these three ranges of value remain absolutely specific. (shrink)

"The cinema is, as a photographic medium, an art form of light. But the mastery of lightning and the 'dark' side of his rhizomatic, interactive net have led very early to the configuration of shade and shadow and refer, ergo, to something which is perpetually related to all forms of figurative art. To film, 'night' means, however, something different, as it brings the configuration of the skies in a state of darkness with it. This is in disagreement with his usual (...) depiction. It entails embarking on a singular figurative project, which approximates a contradiction in itself. This project demonstrates the autonomy of the configuration process precisely through this contradiction.". (shrink)

This text proposes an evaluation of what remains of cinema in the age of the digital, and of an ever increased circulation between movie theatres and museums. Much has changed in the social and aesthetic status of cinema, at least since the appearance of video art; but cinema, in general, has not disappeared, quite to the contrary, and remains a very important social practice. Two important factors, however, have undergone deep changes: 1°, film no longer has the exclusivity of the (...) moving image, which it has to share with television and contemporary art; 2°, the recent hegemony of the digital image has driven film toward a massive return to the “Méliès path” of film art, that of a direct intervention on the film image. The contention here is that, though the art of film is obviously not what it was, it has kept a number of qualities which still make it the positive reference for any thinking of the moving image in general. The article puts forward three kinds of reasons to support this argument: 1°, cinema has invented a specific way to see moving images, resting on what is termed here the production of a gaze; 2°, time is essential to the film form itself; 3°, film is the only art which has developed an aesthetic of the encounter (with the real) – and the co-presence of these three ranges of value remain absolutely specific. (shrink)

Children and adolescents are not indifferent to the dramatic impact of the COVID-19 pandemic, and the need to be forced to live in confinement. The change in life to which they have been abruptly subjected forces us to understand the state of their mental health in order to adequately address both their present and future needs. The present study was carried out with the intention of studying the consequences of confinement on anxiety, sleep routines and executive functioning of 1,028 children (...) and adolescents, aged from 6 to 18 years, residing in Spain to; assess if there are differences regarding these consequences in terms of sex and age; how anxiety affects executive functioning in males and females; and to examine the possible correlations between the measured variables. For this purpose, an online questionnaire containing five sections was designed: the first section gathers information on sociodemographic and health data, while the following sections gather information from different standardized scales which measure anxiety, sleep and executive functions, whose items were adapted in order to be completed by parents, and/or legal guardians. The statistical analyzes carried out highlights significant differences in executive functioning between males and females. In turn, in regards to age, greater difficulties were detected in anxiety in the 9 to 12 age group and greater sleep disturbances between 13 and 18 year olds. On the other hand, significant differences were found in intra-sexual executive functioning depending on whether they presented greater or lesser anxiety, with executive functioning being more tendentiously maladjusted in males than in females, revealing a significantly relevant effect size. Positive correlations are obtained between state anxiety and sleep and executive functioning alterations. Finally, through Path Analysis, it is verified that state anxiety is the variable with the greatest weight within the model that would explain the alteration in the executive functioning of the present sample. (shrink)

This volume brings together four of Jacques Derrida's essays on Maurice Blanchot's fictions: "Pace Not(s)," "Living on," "Title To Be Specified," and "The Law of Genre.".

ObjectivesDuring their lifetimes, a majority of musicians experience playing-related musculoskeletal disorders. PRMD prevalence is tied to instrument choice, yet most studies examine heterogeneous groups of musicians, leaving some high-risk groups such as oboists understudied. This paper aims to ascertain the prevalence and nature of PRMDs in oboists, determine relevant risk factors, and evaluate the efficacy of treatment methods in preventing and remedying injuries in oboe players.MethodsA 10-question online questionnaire on PRMDs and their treatments was completed by 223 oboists. PRMDs were (...) compared across gender, weekly playing hours, career level, age, and years of playing experience.ResultsOf all respondents, 74.9% reported having had at least one PRMD in their lifetime. A majority of these injuries were of moderate to extreme severity. Females reported significantly more severe injuries than males. No significant effects of career level, age, or years of playing experience were observed. We found significant non-linear relationships between weekly playing hours and PRMD prevalence and severity. Injuries were most commonly on the right side of the body, with the right thumb, wrist, hand, and forearm being most affected in frequency and severity. Of those injuries for which recovery information was provided, only 26.1% of injuries were “completely recovered.” The perceived effectiveness of a few treatments tended to be ranked more highly than others.ConclusionThe oboists in this study experienced high rates of PRMD, particularly in the right upper extremities. Females and those playing 7-9 and 16-18 h per week reported a significantly higher severity of injuries than other groups. (shrink)

Comment la vérité, dans Sein und Zeit, peut-elle être à la fois phénomène et phénoménalité? L'examen de l'analyse de l'Ausweisung de l'énoncé, au § 44 a), permet de mettre à jour la présupposition cachée de l'interprétation existentiale de la vérité. How can truth, in Sein und Zeit, be understood both as a phenomenon and as phenomenality itself? A careful examination of the analysis of Ausweisung in § 44 a) shows on what major presupposition the existential interpretation of truth is based.

"I shall speak of ghost, of flame, and of ashes." These are the first words of Jacques Derrida's lecture on Heidegger. It is again a question of Nazism--of what remains to be thought through of Nazism in general and of Heidegger's Nazism in particular. It is also "politics of spirit" which at the time people thought--they still want to today--to oppose to the inhuman. "Derrida's ruminations should intrigue anyone interested in Post-Structuralism. . . . . This study of Heidegger (...) is a fine example of how Derrida can make readers of philosophical texts notice difficult problems in almost imperceptible details of those texts."--David Hoy, London Review of Books "Will a more important book on Heidegger appear in our time? No, not unless Derrida continues to think and write in his spirit. . . . Let there be no mistake: this is not merely a brilliant book on Heidegger, it is thinking in the grand style."--David Farrell Krell, Research in Phenomenology "The analysis of Heidegger is brilliant, provocative, elusive."--Peter C. Hodgson, Religious Studies Review. (shrink)

This volume is a collection of twenty-three interviews given over the last two decades. It illustrates the extraordinary breadth of Derrida's concerns, touching upon such subjects as the teaching of philosophy, sexual difference and feminine identity, the media, AIDS, language and translation, nationalism, politics, and Derrida's early life and the history of his writings. Often, as in the interviews on Heidegger, on drugs, or on the nature of poetry, these interviews offer something available nowhere else in his work. The informality (...) of the interview process frequently leads to the most succinct and lucid explications of many of the most important and influential aspects of Derrida's thought. Sixteen of the interviews appear in English for the first time, including an interview conducted especially for this volume, concerning the recent exchange of letters in the New York Review of Books. (shrink)

Le recueil qu’on va lire est le fruit d’un travail collectif de réflexion conduit à l’initiative de l’axe de recherches « Phénoménologie, Ontologie » du Centre de Recherches d’Histoire des Idées de l’université de Nice, dans le cadre du Séminaire annuel du Centre, organisé par J.-F. Lavigne pour l’année universitaire 2006-2007. L’organisation et la tenue régulière de ce séminaire relevaient un double défi : briser les anciennes habitudes de cloisonnement disciplinaire, et prouver par l’action...

The animal that therefore I am (more to follow) -- But as for me, who am I (following)? -- And say the animal responded -- I don't know why we are doing this.

Canada’s commercial seal hunt has been the subject of controversy for over 40 years. Much of the debate has centered on the question of humane killing. The reality, however, is that debates about commercial sealing are political debates involving conflicting values and ethics. We argue that the time has come for conservationists, scientists, managers of free-living animals, bureaucrats, politicians, and society at large to think beyond populations and ecosystems and consider also the well-being of individual, sentient animals. The fundamental question (...) then becomes, “Can commercial seal hunts be morally justified in the twenty-first century?”. (shrink)

Une somme sur l'étude de "la genèse de l'idéalisme transcendantal phénoménologique". "Il y a un problème de la phénoménologie transcendantale. Non plus au sens immédiat du problème philosophique qu'elle se propose de résoudre et que Husserl définit comme son problème directeur, mais au sens second, réflexif, de l'interprétation qu'il y a lieu de faire de la première élucidation phénoménologique de l'être : celle que Husserl élabore à partir de l'idée de la constitution transcendantale de tout objet dans la vie intentionnelle (...) subjective.". (shrink)

Pourquoi s’interroger, en philosophes, en historiens, en sociologues, en psychologues ou en théologiens même, sur l’affectivité? À quelle nécessité objective peut bien répondre le choix d’un tel thème, pour ce nouveau Séminaire annuel du Centre de Recherches d’Histoire des Idées? Il me semblerait, en vérité, plus justifié de poser plutôt la question inverse : comment pourrions-nous, aujourd’hui, éviter de nous interroger sur les phénomènes affectifs? Plusieurs données font pour nous de la...

Presenting fifty projects from French-born, New York-based contemporary artist Pierre Huyghe's twenty-year career, this richly illustrated book provides an overview of his work across film, installation art, and live event. Since the 1990s, Huyghe's work has challenged the status of the exhibition format. With projects like the One Year Celebration and the foundation in 1995 of the collaborative Association of Freed Time, Huyghe developed a particular interest in the relationship between time and memory--an interest that has carried through to his (...) works, Untilled and the three-part The Host and the Cloud. Most recently, his projects include an untitled piece for the Documenta 13 in Kassel, Germany; Amidst Karlsaue Park's compost heap--an area detached from museums and cultural institutions and not intended to be seen--Huyghe installed common park objects from different moments in art history, as well as the Documenta in years past, from one of Joseph Beuys's uprooted oaks to Dominique Gonzalez-Foerster's pink bench. Published to accompany a major exhibition of Huyghe's work opening at the Los Angeles County Museum of Art in November 2014, this book offers the first comprehensive overview of the artist's career. The structure of the book brings to light Huyghe's creative process, with each step in the creation of featured projects amply illustrated with photographs, drawings, and preparatory sketches. (shrink)

C’est dans l’approche phénoménologique de la subjectivité que la question de l’identité du moi se pose avec la plus pure radicalité. Le problème s’inaugure chez Husserl : la réduction mène à l’analyse de la constitution qui rend possible l’ego transcendantal. Mais rendre compte de son identité en termes d’auto-constitution aboutit à l’aporie. L’incompatibilité entre trans-temporalité de l’ego et synthèse intentionnelle semble dépassée par Michel Henry, qui substitue l’affectivité originaire de l’auto-affection pure à la spontanéité de la « synthèse passive ». (...) Mais au prix d’une contradiction : si l’expérience paradigmatique de la vie est celle de la souffrance, la structure du souffrir confirme-t-elle l’étrange thèse selon laquelle « c’est la souffrance qui se souffre elle-même »? (shrink)

This brings together five pieces written by Jacques Derrida as extended lectures. The most important theme is Derrida's redefinition of speech acts and the 'event' as a particular kind of performative. The effects of globalization and mechanization, along with arising issues, provide a second constellation of themes. The first four essays involve a specific act of speech: the lie, the excuse, perjury and profession. The last two essays continue Derrida's powerful series of meditations on professional and institutional questions. The (...) final essay, 'Psychoanalysis Searches the States of Its Soul', confronts the task facing psychoanalysis today: coming to terms in new ways with worldwide cruelty and accommodating itself to the modern juridical concepts of crime against humanity. The phrase 'without alibi' (alibi, of course, being another speech act) is used throughout the essay as a leitmotif indicating that the responsibility psychoanalysis has to respond to globalization cannot be evaded. (shrink)

Recorded in Ithaca, NY by Cornell University., Sponsored by: Andrew D. White Professors-At-Large Program., Speaker: Professor of the History of Philosophy, Ecole des Hautes Etudes en Sciences Sociales, Paris, Andrew D. White Professor-at-Large., Lecture, October 3, 1988.

An edition of three essays by the leading French philosopher and theorist Jacques Derrida on the ethical, political and linguistic issues posed by the act of 'naming'. Passions: An Oblique Offering is a reflection on the question of the response, on the duty and obligation to respond, and on the possibility of not responding - which is to say, on the ethics and politics of responsibility. Sauf le nom (Post Scriptum) considers the problematics of naming and alterity, or transcendence, (...) raised inevitably by a rigorous negative theology. Much of the text is organised around close readings of the poetry of Angelus Silesius. The final essay, Khora, explores the problem of space or spacing, of the word 'khora' in Plato's Timaeus. Even as it places and makes possible nothing less than the whole world, 'khora' opens, dislocates and displaces all the categories that govern the production of that world, from naming to gender. (shrink)

" "Positions brings together three interviews with Derrida, outlining his central concerns and ideas.

These two lectures by Jacques Derrida, 'Foreigner Question: Come from Abroad' and 'Step of Hospitality/No Hospitality', derive from a series of seminars on 'hospitality' conducted by Derrida in Paris, January 1996. The book consists of two texts on facing pages. 'Invitation' by Anne Dufourmantelle appears on the left clarifying and inflecting Derrida's 'response' on the right. The interaction between them not only enacts the 'hospitality' under discussion, but preserves something of the rhythms of teaching. The book also characteristically combines (...) careful readings of canonical texts and philosophical topics with attention to the most salient events in the contemporary world, using 'hospitality' as a means of rethinking a range of political and ethical situations. For example, Antigone is revisited in light of the question of impossible mourning; the trial of Socrates is brought into conjunction with the televised funeral of François Mitterrand. (shrink)

The following interview took place between Jacques Bouveresse and Hilary Putnam on May 11, 2001 in Paris at the Collège de France. Sandra Laugier was present, preserved the transcription, and proposed that we publish the text here. It was translated into English by Marie Kerguelen Feldblyum LeBlevennec and lightly edited by Jacques Bouveresse, Juliet Floyd, and Sandra Laugier. Themes covered in the interview include the question of Wittgenstein’s importance in contemporary philosophy, Putnam’s development with respect to realism, especially (...) in philosophy of mathematics, and the differences and motivations for realism in mathematics, physics, and ethics. The editors thank Marie Kerguelen Feldblyum LeBlevennec for her translation, and Jacques Bouveresse, Mario De Caro, and Sandra Laugier for permission to publish this transcription. (shrink)

One of Jacques Derrida’s richest and most provocative works, Life Death challenges and deconstructs one of the most deeply rooted dichotomies of Western thought: life and death. Here Derrida rethinks the traditional philosophical understanding of the relationship between life and death, undertaking multidisciplinary analyses of a range of topics, including philosophy, linguistics, and the life sciences. In seeking to understand the relationship between life and death, he engages in close readings of Freudian psychoanalysis, the philosophy of Nietzsche and Heidegger, (...) French geneticist François Jacob, and epistemologist Georges Canguilhem. Derrida gave his “Life Death” seminar over fourteen sessions between 1975 and 1976 at the École normale supérieure in Paris as part of the preparation for students studying for the agrégation, a notoriously competitive qualifying exam. The theme for the exam that year was “Life and Death,” but Derrida made a critical modification to the title by dropping the coordinating conjunction. The resulting title of Life Death poses a philosophical question about the close relationship between life and death. Derrida argues that death must be considered neither as the opposite of life nor as the truth or fulfillment of it, but rather as that which both limits life and makes it possible. Through these captivating sessions, Derrida thus not only questions traditional understandings of the relationship between life and death, but also ultimately develops a new way of thinking about what he calls “life death.”. (shrink)