The collection presents a variety of promising new directions in Royce scholarship from an international group of scholars, including historical reinterpretations, explorations of Royce's ethics of loyalty and religious philosophy, and contemporary applications of his ideas in psychology, the problem of reference, neo-pragmatism, and literary aesthetics.

Das Buch diskutiert den Gattungsunterschied und die Beruhrungspunkte zwischen Philosophie und Literatur. Der erste Teil enthalt analytische Lekturen Peter Handkes und beschaftigt sich mit dem Versuch Martha Nussbaums, Moralphilosophie im Rekurs auf die Dichtung zu konkretisieren. Im zweiten Teil werden - nach einem Beitrag von J. F. Lyotard - Einflusse des franzosischen Dekonstruktivismus auf die "Continental Philosophy" der USA und auf das europaische "postmoderne" Denken vorgestellt.

Welche Relevanz hat Leibniz für aktuelle Debatten? Untersucht wird Leibniz’ Konzeption der Individualität (V. Gerhardt) sowie seine These: „Der Ort des Anderen ist der wahre Standpunkt sowohl in der Politik als auch in der Moral.“ (W. Li) Ferner, wie weit Kants Theorie des Subjekts als Explikation Leibnizscher Einsichten zu lesen ist (P. Stekelr-Weithofer) und wie die Monadenlehre Einspruch gegen den Szientismus erhebt (H. Nagl-Docekal). Die Aktualität der Leibnizschen Systematik wird auch im Blick auf Religion dargestellt: hinsichtlich der europäischen Rezeption buddhistischer (...) Traditionen (V.Lysenko) wie auch der Problematik der inter-religiösen Relationen (H.-D. Klein). Untersucht werden ferner Leibniz-Lektüren im nachmetaphysischen Denken, von Ch. S. Peirce über G. Deleuze bis J. Rawls (L. Nagl). Einen weiteren Fokus bildet die Grundidee von Akademien: das Prinzip ‚theoria cum praxi‘ (J. Mittelstraß) und die Forderung, dass die Wissenschaften dem Gemeinwohl verpflichtet sein sollen (E. Knobloch). Die Implementierung dieser Konzeption wird durch die Geschichte der Philosophie an der Russischen Akademie (A. Guseynov) sowie die österreichischen Entwicklungen nach dem letzten Aufenthalt von Leibniz in Wien (T. Wallnig) illustriert. (shrink)

In his posthumously published book The Confession of Augustine, J.F. Lyotard reconstructs St. Augustine's invocatio: his "move upward" towards the absolute. The paper deals with three segments of Lyotard's text that interpret St. Augustine's method of letting the voice of the invoked "speak within me"; his attempt to progress to the atemporal "at the umbilical" of temporal experience; and his reading of the caller and the called as (partially) identical. Two aspects of Lyotard's interpretation are pointed out as problematic: his (...) thesis of the "silent" absolute "You"; and his assumption, that invocatio takes pleasure in a "radical heteronomous" subordination "under the law of an unknown master.". (shrink)

In his posthumously published book The Confession of Augustine, J.F. Lyotard reconstructs St. Augustine's invocatio: his "move upward" towards the absolute. The paper deals with three segments of Lyotard's text that interpret St. Augustine's method of letting the voice of the invoked "speak within me"; his attempt to progress to the atemporal "at the umbilical" of temporal experience; and his reading of the caller and the called as identical. Two aspects of Lyotard's interpretation are pointed out as problematic: his thesis (...) of the "silent" absolute "You"; and his assumption, that invocatio takes pleasure in a "radical heteronomous" subordination "under the law of an unknown master.". (shrink)

In his posthumously published book The Confession of Augustine, J.F. Lyotard reconstructs St. Augustine's invocatio: his "move upward" towards the absolute. The paper deals with three segments of Lyotard's text that interpret St. Augustine's method of letting the voice of the invoked "speak within me"; his attempt to progress to the atemporal "at the umbilical" of temporal experience; and his reading of the caller and the called as (partially) identical. Two aspects of Lyotard's interpretation are pointed out as problematic: his (...) thesis of the "silent" absolute "You"; and his assumption, that invocatio takes pleasure in a "radical heteronomous" subordination "under the law of an unknown master.". (shrink)

What does it mean to be religious believers for people whose living conditions are defined by an increasingly secularized environment? Is the common distinction between faith and knowledge valid? The 21 essays cover approaches from various fields of the humanities. Some explore post-Kantian thoughts, discussing, i.a., American Pragmatism, M. Buber, M. Horkheimer, H. Putnam, J. Habermas, Ch. Taylor and variants of deconstruction, while other essays focus on ways in which the conflict between agnostics and seekers is addressed in US literary (...) works, as in Fl. O’Connor, W. Percy, N. Hawthorne, J. Updike and in novels dealing with pandemics, for instance by L. Wright, E. M. Wiseman and R. Cook. Historical studies examine the intermingling of the sacred and the secular in the American South and neo-scholastic objections to modernity. Theological issues are being re-framed in essays discussing the relevance of pluralism, the relation of religious conviction and public opinion, the situation of scientists who believe and the thoughts of N. Frye and M. McLuhan. Finally, essays pay attention to religious aspects in works of art, e.g. in Ukrainian poetry, G. Mahler’s symphonies and in a TV show presenting new “American Gods” of globalization. (shrink)

Die Frage, ob «systematische» Philosophie heute noch möglich ist, wird in der Gegenwartsphilosophie kontrovers diskutiert. Sie ist eng verknüpft mit dem Thema «Vernunft und Wirklichkeit». Der Sammelband System der Philosophie? dokumentiert Aspekte dieser Debatte durch Beiträge einer internationalen Autorenschaft.

Is pragmatism, as focused on a future considered producible by our finite actions, ill equipped to analyze religion (or “Erlösungswissen”, as Max Scheler said); is it unable, as Stanley Cavell writes, to sufficiently explore “skepticism” and negativity? This paper argues that William James succeeds in pragmatically re-thematizing “Erlösungswissen”, and that Josiah Royce—who develops a post-pragmatic, pragmaticist concept of; religion—carefully re-investigates “negativity”, in a Peirce-inspired mode, by focusing on the “mission of sorrow”.

Surveys of modern thought usually distinguish between different philosophical positions, for example, “liberalism,” “utilitarianism,” “universalist moral philosophy,” “German Idealism,” “Marxism,” “Critical Theory,” or “communitarianism.” A feminist perspective, however, reveals shared patterns of thinking: certain androcentric conceptions recur regularly, linking otherwise widely disparate philosophical approaches with each other. This article concerns these kinds of patterns. I shall discuss eight concepts that exemplify the masculine features of the philosophical tradition of modernity. At the same time, I aim to show that the feminist (...) critique of the canon does not rely on a unified theory. Although the critics agree largely, if not entirely, on the task of revealing women's exclusion and devaluation, views differ regarding the conclusions to be drawn from this critical reading. While some authors suggest that ideas such as “the individual,” “equality,” or “autonomy” should be discarded entirely, others seek to develop new understandings of these concepts that fully include women. These differences of position are related to the controversies that characterize contemporary philosophy generally, particularly in connection with the objections against universalist conceptions formulated in the context of so‐called “postmodern” thought and communitarianism. Since the feminist critique of the canon as a whole is so diverse, I can discuss only a few examples here. (shrink)

Beitrage von Ludwig Nagl, Richard Heinrich, Arthur C. Danto, Barry Stroud, Peter F. Strawson, Herbert Hrachovec, Richard Rorty, Stanley Cavell, Hubert L. Dreyfus und Stuar E. Dreyfus, Kurt R. Fischer und Franz M. Wimmer.

Recent studies indicate that mammalian chromosomes contain discretecis‐acting loci that control replication timing, mitotic condensation, and stability of entire chromosomes. Disruption of the large non‐coding RNA gene ASAR6 results in late replication, an under‐condensed appearance during mitosis, and structural instability of human chromosome 6. Similarly, disruption of the mouse Xist gene in adult somatic cells results in a late replication and instability phenotype on the X chromosome. ASAR6 shares many characteristics with Xist, including random mono‐allelic expression and asynchronous replication timing. (...) Additional “chromosome engineering” studies indicate that certain chromosome rearrangements affecting many different chromosomes display this abnormal replication and instability phenotype. These observations suggest that all mammalian chromosomes contain “inactivation/stability centers” that control proper replication, condensation, and stability of individual chromosomes. Therefore, mammalian chromosomes contain four types ofcis‐acting elements, origins, telomeres, centromeres, and “inactivation/stability centers”, all functioning to ensure proper replication, condensation, segregation, and stability of individual chromosomes. (shrink)

A historical investigation of the exclusion of Africa and Asia from modern histories of philosophy.

es ist eine häufig übersehene These der Hegelschen Ästhetik, dass die künstlerische Arbeit ein Ort der Selbstverständigung einer Gesellschaft ist. Schon in seinem ersten Hauptwerk, der "Phänomenologie des Geistes", sind Hegels Überlegungen zur Kunst eingebunden in den Versuch einer Bestimmung der Moderne, und auch in den später publizierten Texten Hegels sowie in seinen Berliner Vorlesungen zur Philosophie der Kunst ist die Deutung der Geschichte der Kunst integraler Bestandteil seiner Theorie der Moderne. Hat die Standortbestimmung, die Hegel im Blick auf die (...) Kunst seiner Zeit formuliert, auch für das heutige Selbstverständnis noch Relevanz? Im Zeichen dieser Frage wird in den Beiträgen des Buchs die Stellung der Kunst nach dem "Ende der Kunst", die Interrelationen von Kunst, Religion und Philosophie unter Bedingungen radikalisierter subjektiver Freiheit, sowie die Spannung zwischen Individualität und Allgemeinheit am Ort der Kunst und die Bedeutung der ästhetischen Theorie im Kontext der Moderne erörtert. Mit Beiträgen von: István Fehér, Annemarie Gethmann-Siefert, Francesca Iannelli, Ludwig Nagl, Herta Nagl-Docekal, Alain Patrik Oliver, Sándór Radnóti, Erzsébet Rózsa, Alberto L. Siani, Gerrit Steunebrink, Klaus Vieweg, János Weiss und Elisabeth Weisser-Lohmann. (shrink)

Vaesen infers unique properties of mind from the appearance of specific cultural innovation – a correlation without causal direction. Shifts in habitat, population density, and group dynamics are the only independently verifiable incentives for changes in cultural practices. The transition from Acheulean to Late Stone Age technologies requires that we consider how population and social dynamics affect cultural innovation and mental function.

The first English translation of Fichte’s second set of 1804 lectures on the Wissenschaftslehre.

Orthologic is defined by weakening the axioms and rules of inference of the classical propositional calculus. The resulting Lindenbaum-Tarski quotient algebra is an orthoimplication algebra which generalizes the author's implication algebra. The associated order structure is a semi-orthomodular lattice. The theory of orthomodular lattices is obtained by adjoining a falsity symbol to the underlying orthologic or a least element to the orthoimplication algebra.

Providing an original and systematic treatment of foundational issues in philosophy of religion, J. L. Schellenberg's new book addresses the structure of..

Filmphilosophie ist ein – im deutschsprachigen Raum noch junges – Spezialthema der Ästhetik. Der Chicagoer Philosoph Robert B. Pippin, ein international anerkannter Interpret Hegels und Nietzsches analysiert in seinen Filmbüchern – Hollywood Western and the American Myth und Fatalism in Film Noir – zwei zentrale Filmgenres und untersucht in seinen neuesten Forschungen das Kino der belgischen Brüder Dardenne. Im vorliegenden Band beschäftigen sich, nach einem Beitrag Pippins zu den Dardennes, zwölf Autorinnen und Autoren aus Europa, den USA und Kanada mit (...) Pippins Filmphilosophie: 1) allgemein mit dem Themenraum „Film und Philosophie“; 2) mit Lektüren des Western, u.a. mit der Darstellung des „American South“ in diesem Genre; 3) mit dem Film Noir, wobei Pippins Analysen mit den Interpretationen von Deleuze und Žižek verglichen werden, und eine der Schlüsselfiguren der Schwarzen Serie, die Femme Fatale, ausführlich fokussiert wird. Das Buch ist der weltweit erste Diskussionsband zur Pippinschen Filmphilosophie und von Interesse für die Disziplinen Philosophie, Amerikanistik, Filmwissenschaft, Cultural und Gender Studies. (shrink)