This book highlights some of the most pressing safety, ethical, legal and societal issues related to the diverse contexts in which robotic technologies apply. Focusing on the essential concept of well-being, it addresses topics that are fundamental not only for research, but also for industry and end-users, discussing the challenges in a wide variety of applications, including domestic robots, autonomous manufacturing, personal care robots and drones.

Many philosophers apparently still accept the proposition that there is such a thing as intrinsic value, i.e., that some part of the value of some things (objects, events, or states of affairs) is intrinsic value. John Dewey's attack seems not to have dislodged this proposition, for today it is seldom questioned. I propose to press the attack again, in terms that owe a great deal to Dewey, as I understand him.

For the events "e" and "f" to be identical, They must have the same subject and spatio-Temporal location, And their (participial) property-Descriptions must belong to the same "modification set" (e.G., Reddening, Reddening slowly, Reddening in july). The same criterion applies to actions, Which are here treated strictly as a proper subclass of events (john's closing the door = the door's being closed by john = the door's becoming closed). Actions related by goldman's "causal generation" are therefore distinct, But those related (...) by his other three types of act-Generation are not. This conclusion requires abandonment of the view--Questionable on other grounds--That causal contexts are thoroughly extensional. (shrink)

It seems to be the case that when we look at a flower in the way that the scientist does, we see the flower in one way, but when we look at the flower in a way as to view it as a thing of beauty, charm, elegance, we see it in a different way; we see it as an aesthetic object. Viewing the flower in such a way as to see it, or any object, as an aesthetic object, is (...) to be in the aesthetic attitude. What this work means to do is to formulate necessary and sufficient conditions for adoption of the aesthetic attitude. ;Analytically and traditionally, the aesthetic attitude is an attitude or state-of-perceiving that is entered into by an agent which serves to make the agent receptive to the having of an aesthetic experience, and transform the object of the agent's attention from an object-in-the-world into an aesthetic object. ;The aesthetic attitude has figured prominently in aesthetics from the Enlightenment until the present. Its most important formulations are disinterestedness , Psychical Distance , Aldrich's Impressionistic Viewing, Scruton's Empiricistic Account, and the naturalistic work of John Dewey and Monroe Beardsley. I conclude that a naturalistic formulation of the aesthetic attitude is correct. (shrink)

Some people have found my distinction between meaning and significance useful. In the following revision of that distinction, I hope to improve its accuracy and perhaps, therefore, its utility as well. My impulse for making the revision has been my realization, very gradually achieved, that meaning is not simply an affair of consciousness and unconsciousness. In 1967, in Validity in Interpretation, I roundly asserted that “there is no magic land of meanings outside human consciousness.” 1 That assertion would be true (...) if, godlike, we could oversee the whole of human consciousness, past, present, and future. But we language users, being limited creatures, intend our verbal meanings to go beyond what we can pay attention to at any moment. We intend our meanings to transcend our momentary limitations of attention and knowledge. Hence there is a land of meanings beyond past and present human consciousness—the land of the future. What I should have said originally is that there is no magic lance of meanings beyond the whole extent of human consciousness, past, present, and future. This correction of my original statements leads to a deepening of the concept of meaning.In 1960 I first proposed the analytical distinction between two aspects of textual interpretation. One of them, meaning, was fixed and immutable; the other, significance, was open to change.2 I acknowledged that significance, changeable or not, is the more valuable object of interpretation, because it typically embraces the present use of texts, and present use is present value. But I argued that, in academic criticism, the significance and use of a text ought to be rooted in its fixed meaning, since otherwise criticism would lack a stable object of inquiry and would merely float on tides of preference. The claim that one reader’s opinion is as valid as another’s would then be right, despite any indignant protest to the contrary. I did not wish to dissuade people from floating on the tides of preference if that was what they wished to do. I intended to provide a firm justification for those who wished to pursue historical scholarship. 3 I also assumed that even those who did not pursue historical scholarship might sometimes wish to exploit the possibility of historically fixed meaning. In my experience, even antiauthorial theorists sometimes with to regard their own texts as having a historically fixed meaning and will complain if someone misunderstands that meaning. 1. E. D. Hirsch, Jr., Validity in Interpretation, p. 4.2. See my “Objective Interpretation,” PMLA 75 : 463-79.3. See, for instance, W. K. Wimsatt, Jr., and Monroe C. Beardsley, “The Intentional Fallacy,” in Wimsatt, The Verbal Icon: Studies in the Meaning of Poetry, which ends:We submit that this is the true and objective way of criticism, as contrasted to what the very uncertainty of exegesis might tempt a second kind of critic to undertake: the way of biographical or genetic inquiry …. Our point is that such an answer to such an inquiry would have nothing to do with the poem “Prufrock”; it would not be a critical inquiry. Critical inquiries, unlike bets, are not settled in this way. Critical inquiries are not settled by consulting the oracle. [P. 18] E. D. Hirsch, Jr., professor of English at the University of Virginia, is the author of numerous works, including Validity in Interpretation and The Aims of Interpretation. His previous contributions to Critical Inquiry are “Against Interpretation?”, “The Politics of Theories of Interpretation, and “Stylistics and Synonymity”. (shrink)

Volume VI in Doubleday's Modern Studies in Philosophy series. Martin is responsible for the ten Locke essays, Armstrong for the twelve on Berkeley. The essays on Locke are by Ryle, Yolton, Jackson, Barnes, Bennett, Flew, Monson, Macpherson, and Ryan. The last three cover Locke's political philosophy while the others inevitably concern themselves with Locke's psychology and epistemology. The Berkeley essays are by Broad, Luce, Grave, Marc-Wogau, Cummins, Mabbott, Bennett, Furlong, Beardsley, Thomson, and Popper. Popper's essay is on "Berkeley as (...) Precursor of Mach and Einstein." As with Locke, the other topics are predictable, though a total of three essays are devoted to the role of "God" in Berkeley's philosophy. An index and a short bibliography are appended.--E. A. R. (shrink)

Les Presses universitaires de Caen n’ont pas obtenu de la part de Cambridge University Press l’autorisation de reproduire sous forme numérique la traduction en langue française, par Pierre Fasula, de l’article « What Is Going on in a Dance? » de Monroe C. Beardsley, paru dans la revue Dance Research Journal, vol. 15, no 1, automne 1982, p. 31-36. La présente page matérialise donc les pages 143 à 155.

This second edition features a new 48-page Afterword--1980 updating Professor Beardsley's classic work.

This second edition features a new 48-page Afterword--1980 updating Professor Beardsley's classic work.

“Between the earliest and the latest of the works included here, we have two hundred and fifty years of vigorous and adventurous philosophizing,” Monroe Beardsley writes in his Introduction to this collection. “If the modern period can be only vaguely or arbitrarily bounded, it can at least be studied, and we can ask whether any dominant themes, overall patterns of movement, or notable achievements can be found within it. This question is one that is best asked by the reader (...) after he has read, or read around in, these works.” This Modern Library Paperback Classic also includes a newly updated Bibliography. (shrink)

"For those of us who want to know what philosophers have said about beauty and the arts, this book will be especially useful.”—The Philosophical Review At once a treatise for professionals and a guide for newcomers to the subject, ...

In writing this book I have received a considerable variety of assistance, which I am glad to acknowledge.

One version of moral error theory maintains that the central problem with morality is an ontological commitment to irreducible normativity. This paper argues that this version of error theory ultimately depends on an appeal to Ockham’s Razor, and that Ockham’s Razor should not be applied to irreducible normativity. This is because the appeal to Ockham’s Razor always contains an intractable element of epistemic circularity; and if this circularity is not vicious, we can construct a sound argument for the existence of (...) irreducibly normative truths that contains a similar kind of epistemic circularity. This argument is a version of Pascal’s Wager which I call “Parfit’s Wager,” because it is based on a passage from Derek Parfit’s On What Matters. It states that, if we believe that there are some irreducibly normative truths, we are more likely to be believing what we ought to believe compared to not believing that there are such truths, and that this indicates that we ought rationally to believe that there are such truths, justifying the ontological commitment to irreducible normativity in the process. (shrink)

In writing this book I have received a considerable variety of assistance, which I am glad to acknowledge.