Japanese Philosophy: Culture and Identity

狂信的な国粋主義者か、はたまた魂の尊厳を問うた求道者か。民俗学と国粋主義の親和性とは。多角的な視点からファシズムを再考する。.

Review of The Oxford Handbook of Japanese Philosophy by Bret W. Davis (ed.), Oxford University Press, 2022.

国家への関心と憂戚から「国家理性」の正体を明らかにする。多くの具体的事象を元にさまざまな国難に処してきた過去の日本人のこころに迫る。比較文化の視点から後世に誇れる日本の精神文化を鋭く分析。.

斬新な視点から、やまと言葉の考察を通し、日本語の哲学の可能性を探り、「日本人の心のありか」を指し示す、刮目の書。.

This article examines two manga, Stop!! Hibari-Kun! and No Bra, which prefigure the increasingly popular anime and manga genre of otokonoko from a queer studies perspective. Otokonoko, also known as otoko no musume, is a genre of manga in which persons assigned male at birth (AMAB) wear women’s clothing and are perceived as attractive women. The term otokonoko (男の娘) is pronounced identically to the term男の子, meaning boy-child; however, due to a pun in the kanji which replaces "child" (子) with "daughter"/"girl" (...) (娘), it translates to “boy-girl”, “boy-daughter”, or sometimes“boy-princess”. It is often translated into English as “cross-dresser”. The genre emerged in the early 2000s and has since become a popular point of reference and conversation both within and outside of anime and manga communities. Both the genre, and its titular characters have become iconic within both Japanese and Western online culture. As with most genres, the otokonoko genre is trope heavy, so I decided to look at works that prefigure the genre to better understand the appeal without the weight of the traditions of the genre weighing too heavily on the content. Both Stop!! Hibari-Kun! and No Bra follow the story of a boy who becomes increasingly attracted to a gender ambiguous character assigned male at birth, but who appears female to most. Both manga are centrally about this conflict between the love interests’ perceived maleness and the protagonists perceived heterosexuality. The article analyses the appeal of each work to both male and trans feminine readers, because what would later become the otokonoko genre is popular with both male and trans feminine readers. It also argues that these manga offer something unique from Western depictions of transgender lives, based on the popularity of manga and anime among Western trans feminine readers. (shrink)

日本の戦後思想の核心とは、圧倒的な外来思想への、自己の戦争体験と近代日本の露わになった後進性を手がかりにした、ポストコロニアルな抵抗にある。非西洋世界が近代化にむけた苦闘にあるこのとき、日本の戦後思想 は、どのような可能性をもつのか。「リスク近代」の果てにせり上がってきた、世界が抱え込む「有限性」という概念を手がかりに、21世紀世界の思想的課題と、未来構想の可能性を問う。.

歴史の中で生み出された時代や人々の思想を「事項編」で、個別思想家128人の人と思想を「人物編」で解説し、日本思想史の流れを、わかりやすく鳥瞰する。.

敗戦から七十年、我々はどこに向かうべきか?中江兆民、北村透谷、石川啄木、小林秀雄。彼らを知らずして、本当に「現代日本」を語れるのか?

脱政治化が進む日本において、吉本隆明や工藤淳らによって担われた戦後は特殊日本的なものとして急速に色褪せてきている。一方で「巨人」たちの時代の終焉を見届けた柄谷行人以降、戦後の思想空間は変容しつつも漸く 普遍性へ向かって解き放たれつつある。そこにはどのような継続と変化が潜んでいたのか。「戦争と革命」という二十世紀的な主題が「テロリズムとグローバリズム(への対抗運動)」として再帰しつつある今日、「未来の 他者」をキーワードに戦後七十年の思潮を再検証する。.

東アジアの朱子後継者のなかで日本的な朱子学、あるいは朱子学の日本化を成し遂げたという山崎闇斎。彼を筆頭にする崎門学派の理気心性論の言説をとくに朝鮮の李退渓との比較において東アジアの近世思想史のなかに再 定位する。.

文明批評家・土田杏村の初期の論説の他、多岐にわたる主題をとおして、人文科学の黎明を考究した画期的な日本思想史研究。.

Japanese philosophy can be viewed as consisting of three historical phases. In the first and classical phase, theoretical speculation in Japan is usually seen as a variation of East Asian intellectual tradition, which basically consists of Confucianism and Sinicized Buddhism. Some thinkers nevertheless start to depart from this framework by drawing either on the indigenous culture or on the knowledge of occidental civilization, which eventually leads to the Westernization of Japanese society. In the second, or modern, phase of Japanese philosophy, (...) there arises a theoretical task to synthesize Eastern and Western frameworks, and many pioneering works of modern East Asian philosophy are produced in the first half of the 20th century. The third and contemporary phase of Japanese philosophy spans from the postwar reconstruction of Japan to the present, when eminent researchers lead philosophical studies under the framework either of analytic or continental context. Recent philosophical research in Japan is increasingly getting free from such academic frameworks, producing some remarkable results-- although most of these contemporary works remain unknown overseas. (shrink)

The contributions to Concepts of Philosophy in Asia and the Islamic World reflect upon the problems implied in the received notions of philosophy in the respective scholarly literatures. They ask whether, and for what reasons, a text should be categorized as a philosophical text (or excluded from the canon of philosophy), and what this means for the concept of philosophy. The focus on texts and textual corpora is central because it makes authors expose their claims and arguments in direct relation (...) to specific sources, and discourages generalized reflections on the characteristics of, for example, Japanese culture or the Indian mind. The volume demonstrates that close and historically informed readings are the sine qua non in discussing what philosophy is in Asia and the Islamic world, just as much as with regard to Western literature Contributors are Yoko Arisaka, Wolfgang Behr, Thomas Fröhlich, Lisa Indraccolo, Paulus Kaufmann, Iso Kern, Ralf Müller, Gregor Paul, Lisa Raphals, Fabian Schäfer, Ori Sela, Rafael Suter, Christian Uhl, Viatcheslav Vetrov, Yvonne Schulz Zinda, and Nicholas Zufferey. (shrink)

Nishida Kitaro is a well-known Japanese philosopher whose work is marked by attempts to combine the world outlooks of the national spiritual tradition with elements of European philosophical thought. The article analyzes Nishida’s views on culture that are an independent part of his original philosophical theory. Religion, art, morality, science are the ideal forms of being in the historical world. The work of a scientist or artist is a manifestation of the formative activity of a person. The historical world as (...) the “sphere of absolute nothingness” is the final point of the introspection of “nothingness,” where reality comprehends the identity of its opposites through human activity. Nothingness, or “Emptiness,” in the East Asian tradition has another, dynamic, dimension – these are the relations between people and the relations between man and the cosmos, or Nature, which are not perceived by rough human feelings and not comprehended by equally rough mind. Nishida stressed that for Japan the issue of the authenticity of the national foundations of culture, separated from Chinese and Indian influences, has a clearly positive answer in the aesthetic sphere: in the field of traditional poetics. The traditional aesthetics of Japan reflects the archetypal structure of the national culture. All world cultures have a common prototype, but each of them is a deviation, one-sidedness of this prototype. In the West, a culture of the form triumphed, beginning with Plato and Aristotle. In Japan, on the contrary, the culture was characterized by fluidity, processability, formlessness. In fact, Nishida is one of founding fathers of modern Japanese cultural studies. (shrink)

Watsuji Tetsurō’s concept of fūdo (風土) is intended to capture the way in which nature and culture are interwoven in a setting that is partly constitutive of and partly constituted by a group of people inhabiting a particular place. This essay offers a careful examination of the sense in which the self both constitutes and is constituted by the fūdo, or geo-cultural climate, in which it is emplaced. It concludes with a brief survey of the prospects and problems posed by (...) the interpretation of fūdo that has been presented. (shrink)

Conservadurismo y dogmática constitucional en Japón. Conservatism and the dogmatic part of constitution in Japan.

This introductory chapter on concepts of Japanese philosophy and the concomitant approaches to this subject contains 1) a brief critical overview of the term's history and its impact on the definition of the field and 2) a short presentation of the ensuing chapters, which create a sustained dialogue on how to understand Japanese philosophy and how to delineate its his history.

This article provides a critical introduction to, and the first English translation of, the dialogue held between Nishida Kitarō and Miki Kiyoshi in October 1935. The topic of their discussion was the question of the particular character of Japanese culture and philosophy. In the introductory sections of this article, I will reflect on some of the main points that Nishida proposes in response to Miki’s questions, and clarify what these insights mean for a culture or a historical framework of thought, (...) including Japanese culture and philosophy. In light of this expository reflection on Nishida’s take on the nature of Japanese culture and philosophy, I will reflect on the significance of scholarly work in the field of Japanese studies and Japanese philosophy beyond the Japanese cultural milieu. The text concludes with a translation of the Miki-Nishida dialogue. (shrink)

The author takes a quick look back at his philosophical education and academic interests through the lens of »comparative philosophy« and uncovers a progression of cross-cultural and cross-historical patterns at work, many of them unfolding tacitly beneath the surface. He concludes with a brief listing of five such patterns, culminating in an appeal for a recovery of unified world views shaped within particular traditions but set against the universal backdrop of a common care for the earth.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Political Philosophy in Japan: Nishida, the Kyoto School, and Co-ProsperityMichiko YusaPolitical Philosophy in Japan: Nishida, the Kyoto School, and Co-Prosperity. By Christopher S. Goto-Jones. London and New York: Routledge, 2005. Pp. 192. Hardcover $105.00.If it is the case that scholars who engage the Kyoto School philosophy in any serious manner may risk their reputation by "being tarred with the brush of fascism" (p. 4), then Christopher Goto-Jones is (...) certainly courageous to set out to redress the predicament that Nishida Kitarō 's thought (Nishida tetsugaku) is apparently in. Indeed, Goto-Jones' effort is to be highly commended. He contends that Nishida tetsugaku "ought to have been liberated from the oppression of the ultra-nationalist orthodoxy of wartime Japan" by "the allied victory," but instead it has been "oppressed under the new weight of post-war historiography" (p. 2). The author hopes to help change the present-day academic environment that still condemns Nishida tetsugaku or Kyoto School philosophy for complicity with the agenda of fascists and ultranationalists, a formidable force in Japan from the mid-1930s through the end of the Pacific War.Believing that Nishida tetsugaku qua political philosophy should gain its rightful place in the academic discourse, Goto-Jones embarks on this task. The way to liberate Nishida tetsugaku, he suggests, is to avoid the approach taken by apologists whose arguments, ultimately "unconvincing," were "not finally rooted in Nishida's philosophy but in his diaries and correspondence" (p. 4). He hopes to bring out the "cultural and political pluralism" that is at the heart of Nishida's political philosophy and to demonstrate that the contribution of Nishida's thought is to "relativize the political conceptualizations of Western philosophy" (p. 5). The strategy is to "re-politicize" Nishida tetsugaku and allow his (political) texts to speak for themselves. Goto-Jones contends that Nishida's political philosophy, properly understood, is neither ultranationalism nor liberalism, but "may be termed radical liberalism" (p. 137 n. 11).In chapter 2, the author proposes to situate Nishida's political thought "in the context of some of its earlier formulations," just as "[m]uch of Western political philosophy partakes in conversations initiated by the Greeks" (p. 28). He therefore begins with the seventeen-article constitution of Prince Shōtoku as the Ur-official text, and then turns his attention to the Japanese Buddhist and Confucian traditions. En route, Goto-Jones tries to connect such ideas as the honji suijaku theory with Nishida's dialectics, or the Tendai meditation practice of ichinen sanzen with the ideology of hakkō ichiu. Whether this approach clarifies Nishida's thought or adds further complications is left to the judgment of the reader. [End Page 361]Contrary to the view that Nishida underwent a "turn" in the early 1930s, Goto- Jones attempts to prove in chapters 3 and 4 that Nishida's political philosophy remained consistent throughout his life. To demonstrate this point, he examines the several theories of good discussed by Nishida in part 3 of Zen no kenkyū (An inquiry into the good), written ca. 1906, and the 1937 lecture "Rekishiteki shintai" (Historical body). The author's evidence to sustain his argument seems to rest on Nishida's personal protest against the intervention of the state in the affairs of education, as well as his lament that his thought was never properly understood.Because the scope of the book extends to Nishida's one-time students (such as Tosaka Jun, Miki Kiyoshi, Kōsaka Masaaki, Kōyama Iwao, and Nishitani Keiji as well as Harada Kumao and Kido Kōichi)1 and his colleagues (such as Tanabe Hajime and Watsuji Tetsurō ), to undertake this project Goto-Jones took on the weighty task of studying biographical information about Nishida and his colleagues as well as their vastly varying political approaches. The author's project is far more serious than a mere debate on the semantics of, for instance, the word "liberal," which, when applied to Nishida-and I tend to agree with him here-is "inappropriate and ahistor-ical" (p. 7), or the term "universal(ism)," which seems to have become another term of contention by sheer chance.The fact that... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Sourcebook for Modern Japanese Philosophy: Selected DocumentsSteven HeineSourcebook for Modern Japanese Philosophy: Selected Documents. Translated and edited by David A. Dilworth and Valdo H. Viglielmo, with Agustin Jacinto Zavala. Westport, Connecticut: Greenwood Press, 1998. Pp. xx + 420.Sourcebook for Modern Japanese Philosophy: Selected Documents, translated and edited by David H. Dilworth and Valdo H. Viglielmo, with Agustin Jacinto Zavala, is a new translation of twentieth-century Japanese philosophers and (...) is the second book in a series on Resources in Asian Philosophy and Religion that had been devised and edited by the late Charles Wei-hsun Fu (the first book was Stuart D. B. Picken's Essentials of Shinto: An Analytical Guide to Principal Teachings [Westport: Greenwood Press, 1994]). Here, a team of translators who are all very well known for their expert work in the field provide a series of selections from seven philosophers, each of whom is associated with the Kyoto School approach to comparative philosophical analysis.The seven thinkers include: (1) Nishida Kitarō, the founder of the Kyoto School, which is based on a synthesis of Western thought, particularly German Idealism, and the Mahāyāna Buddhist philosophy of emptiness or universal nothingness (Nishida remains by far the most important representative of the school, and he has had numerous works translated into English, often by Dilworth and/or Viglielmo); (2) Tanabe Hajime, Nishida's first and foremost disciple, who approached the notion of absolute nothingness from the standpoint of Pure Land Buddhist other-power and repentance; (3) Kuki Shūzō, who was known for his travels to Europe and his work on aesthetics and contingency; (4) Watsuji Tetsurō, who pioneered the field of cultural anthropological history in Japan; (5) Miki Kiyoshi, who criticized Nishida in light of Pascal and Kierkegaard as well as Hegelian dialectics; (6) Tosaka Jun, a sharp Marxist critic of Nishida, who during the 1930s attacked the apparent accommodations of his colleagues with the Imperialist authorities; and (7) Nishitani Keiji, who developed the Zen perspective implicit in Nishida's philosophy by emphasizing the religious-conversion experience that emerges from a contemplative awareness of the universality of absolute nothingness.The translators provide a substantial introductory essay discussing the biographical and conceptual issues in the development of the life and thought of each philosopher. This section is very useful, and generally goes into more depth and detail than other materials available in English. The translations themselves, which cover a wide variety of styles and methods of argumentation, are clear and readable, though at times a bit imprecise and inconsistent. A main issue involved in evaluating the book has to do with the selection of thinkers and passages translated. Unfortunately, there are no philosophers represented here who are not in the circle of the Kyoto School. There is no question of the dominance of Nishida and his followers (and critics) in the realm of Japanese philosophy, but other voices reflecting the positions of Marxism, phenomenology, logic, structuralism, and postmodernism could have had some representation. One problem is that the reader is given very little indication of current trends (since the writings of Nishitani, the last philosopher [End Page 311] on this list, are already several decades old). And there is certainly nothing in this volume to point to future concerns and tendencies in Japanese philosophy.On the other hand, given the book's content, a positive feature is that the translators have fulfilled an important goal of choosing selections that have not previously appeared in English but which are nevertheless representative and crucial for understanding the overall significance of each thinker's approach. Therefore, Sourcebook for Modern Japanese Philosophy will serve as a beneficial supplement or complement to existing sources. It is a handy compendium that puts readers in touch with the full variety of Kyoto School philosophers, including those who vary from and argue with Nishida.By the late 1990s, it had become impossible to discuss Nishida and the Kyoto School without dealing at least in part with the question of political implications: to what extent, if any, were these thinkers involved in supporting and promulgating the doctrine of the imperial order, which sought hegemony throughout Asia. The key figures, especially Nishida, Tanabe... (shrink)

Although modern civilization has brought about great technical achievement, mankind face various problems today. It seems that humans are endlessly pursuing economic development, and they often neglect the preservation of the environment. Japan is not free from this world-wide problem. However, Japanese civilization would be able to offer an important paradigm for the future course of mankind. In particular, animism and tolerance towards religious differences seem to be vital elements for the betterment of this world.

This essay critically develops Watsuji’s nondual ontology of the self. Watsuji shows that the self is constituted by its relational contact with others and by its immersion in a wider geo-cultural environment. Yet Watsuji himself had difficulty in smoothly bringing together and integrating these notions. By showing how these domains work together to constitute the self, I bring into view the unity at the ground of Watsuji’s thought and the implications of this account for key ideas in Heidegger’s philosophy and (...) for environmental ethics. (shrink)

Japanese Frames of Mind addresses two main questions in light of a collection of research conducted by both Japanese and American researchers at Harvard University: What challenge does Japanese psychology offer to Western psychology? Will the presumed universals of human nature discovered by Western psychology be reduced to a set of 'local psychology' among many in a world of unpredicted variations? The chapters provide a wealth of new data and perspectives related to aspects of Japanese child development, moral reasoning and (...) narratives, schooling and family socialization, and adolescent experiences. By placing the Japanese evidence within the context of Western psychological theory and research, the book calls for a systematic reexamination of Western psychology as one psychology among many other ethnopsychologies. Written in mostly non-technical language, this book will appeal to developmental and cultural psychologists, anthropologists interested in psychological anthropology, educators, and anyone interested in Japanese and Asian studies. (shrink)