What can make storytelling “evil” in the sense that the storytelling leads to accepting a view for no good reason, thus allowing ill-reasoned action? I mean the storytelling can be argumentatively evil, not trivially that (e.g.) the overt speeches of characters can include bad arguments. The storytelling can be argumentatively evil in that it purveys false premises, or purveys reasoning that is formally or informally fallacious. My main thesis is that as a rule, the shorter the fictional narrative, the greater (...) the potential for argumentative evil. Here, the notion of length is to be understood such that it is generally a proxy for more abstract features such as how complex and nuanced the piece is. In other argumentative contexts, length generally appears to make no comparable difference. This feature would put fictional narrative arguments in a special class beyond what is determined by obvious features, such as the definitional fact that they in some way(s) collapse two of the four traditional types of discourse: exposition, description, narration, and argument. The nonobvious features that distinguish this class have been a source of puzzlement and inquiry. (shrink)

This article applies tools from argumentation theory to slippery slope arguments used in current ethical debates on genetic engineering. Among the tools used are argumentation schemes, value-based argumentation, critical questions, and burden of proof. It is argued that so-called drivers such as social acceptance and rapid technological development are also important factors that need to be taken into account alongside the argumentation scheme. It is shown that the slippery slope argument is basically a reasonable form of argument, but is often (...) flawed when used in ethical debates because of failures to meet the requirements of its scheme. (shrink)

The essence of the argument of the beard (so-called by some logic textbooks) is the tactic used by a respondent to reply to a proponent, "The criterion you used to define a key term in your argument is vague, therefore your use of this term in your argument is illegitimate, and your argument is refuted." This familiar kind of argument tactic is similar to the much more famous heap (sorites) argument of Eubulides, closely associated with the slippery slope argument. This (...) article provides a system of classification for sorting out these three arguments, and related types of argument of interest in informal logic. (shrink)

If novels can be arguments, that fact should shape logic or argumentation studies as well as literary studies. Two senses the term ‘narrative argument’ might have are (a) a story that offers an argument, or (b) a distinctive argument form. I consider whether there is a principled way of extracting a novel’s argument in sense (a). Regarding the possibility of (b), Hunt’s view is evaluated that many fables and much fabulist literature inherently, and as wholes, have an analogical argument structure. (...) I argue that a better account is that some novels inherently exhibit a transcendental argument structure. (shrink)

ABSTRACT: In this essay I characterize arguments by analogy, which have an impor- tant role both in philosophical and everyday reasoning. Arguments by analogy are dif- ferent from ordinary inductive or deductive arguments and have their own distinct features. I try to characterize the structure and function of these arguments. It is further discussed that some arguments, which are not explicit arguments by analogy, nevertheless should be interpreted as such and not as inductive or deductive arguments. The result is that (...) a presumed outcome of a philosophical dispute will have to be reconsidered. (shrink)

In this paper, a survey is presented of the main approaches to the structure of argumentation. The paper starts with a historical overview of the distinctions between various types of argument structure. Next, the main definitions given in the various approaches are discussed as well as the methods that are proposed to deal with doubtful cases.

Work on analogy has been done from a number of disciplinary perspectives throughout the history of Western thought. This work is a multidisciplinary guide to theorizing about analogy. It contains 1,406 references, primarily to journal articles and monographs, and primarily to English language material. classical through to contemporary sources are included. The work is classified into eight different sections (with a number of subsections). A brief introduction to each section is provided. Keywords and key expressions of importance to research on (...) analogy are discussed in the introductory material. Electronic resources for conducting research on analogy are listed as well. (shrink)

Building on the work of Sproule, Fahnestock and Secor, and Kruger, we present a specific typology of statements. In particular, we distinguish broadly logically determinate statements, descriptions, interpretations, and evaluations. We generate this typology through a series of dichotomous divisions of statements. We divide statements first into the broadly logically determinate versus contingent, the contingent into the evaluational versus natural, and the natural into the extensional versus intensional. We show that the rationales for these distinctions are well motivated and philosophically (...) important. In particular, we argue that identifying the type of a statement is relevant to showing whether or not the sources vouching for it render the statement epistemically acceptable. (shrink)

A popular three-stage argument appraisal strategy calls for (1) identifying the parts of the argument, (2) classifYing the argument as deductive, inductive, or some other type, and (3) appraising the argument using the standards appropriate for the type. This strategy fails for a number of reasons. I propose a comprehensive alternative approach that distinguishes between inductive, deductive, and other standards; calls for the successive application of standards combined with assumption-ascription, according to policies that depend for their selection on the goals (...) of the appraiser; and provides for qualified reasoning. (shrink)

Riassunto: Nell’età dello sviluppo, i bambini iniziano a comprendere e a produrre le prime espressioni ironiche, in particolare nel contesto familiare. Sebbene sia comprensione sia produzione di ironia richiedano abilità linguistiche, pragmatiche, di Teoria della Mente e di tipo socio-comunicativo, non è ancora chiaro come tali abilità entrino in gioco nel caso della produzione del sarcasmo. Questo contributo ripercorre gli studi principali sulla comprensione vs. produzione dell’ironia in età evolutiva, mettendo in evidenza il ruolo delle capacità affettive e argomentative necessarie (...) alla produzione dell’ironia e del sarcasmo. In riferimento a studi recenti, si ipotizza che le capacità di Mind-mindedness genitoriale possano influenzare lo sviluppo delle capacità di lettura della mente e, più in particolare, gli aspetti affettivi e relazionali nel processo di comprensione dell’ironia. Si ipotizza altresì che la produzione dell’ironia, e in particolare del sarcasmo, sia modulata non solo dalle capacità affettive ma anche da quelle argomentative in via di sviluppo. Parole chiave: Produzione del sarcasmo; Capacità affettive; Capacità argomentative; Comprensione; Teoria della mente Comprehension vs. Production of Sarcasm: The role of the affective and argumentative capacities in childhood: Children start comprehending and producing their first ironic expressions quite early especially in the family environment. The comprehension and the production of irony require linguistic, pragmatic, social and communicative capacities as well as abilities related to the Theory of Mind. However, it is not yet clear how these abilities are involved in the production of sarcasm. In this manuscript we review the main studies on the production of irony in childhood in order to identify the affective and argumentative capacities that are needed for the production of irony and sarcasm and the specific role they play in that. On the basis of these studies, we hypothesize that parental mind-mindedness promote children’s development of mindreading capacities and, more specifically, of those affective and relational aspects needed for the comprehension of irony. Moreover, we also argue that the production of irony and even more of sarcasm depends not only on the affective capacities but also on the developing argumentative capacities of the children. Keywords: Production of Sarcasm; Affective Capacities; Argumentative Capacities; Comprehension, Theory of Mind. (shrink)

In argumentation, metaphors are often considered as ambiguous or deceptive uses of language leading to fallacies of reasoning. However, they can also provide useful insights into creative argumentation, leading to genuinely new knowledge. Metaphors entail a framing effect that implicitly provides a specific perspective to interpret the world, guiding reasoning and evaluation of arguments. In the same vein, emotions could be in sharp contrast with proper reasoning, but they can also be cognitive processes of affective framing, influencing our reasoning and (...) behavior in different meaningful ways. Thus, a double (metaphorical and affective) framing effect might influence argumentation in the case of emotive metaphors, such as “Poverty is a disease” or “Your boss is a dictator,” where specific “emotive words” (disease, dictator) are used as vehicles. We present and discuss the results of two experimental studies designed to explore the role of emotive metaphors in argumentation. The studies investigated whether and to what extent the detection of a fallacious argument is influenced by the presence of a conventional vs. novel emotive metaphor. Participants evaluated a series of verbal arguments containing either “non-emotive” or “emotive” (positive or negative) metaphors as middle terms that “bridge” the premises of the argument. The results show that the affective coherence of the metaphor's vehicle and topic plays a crucial role in participants' reasoning style, leading to global heuristic vs. local analytical interpretive processes in the interplay of the metaphorical and the affective framing effects. (shrink)

The common view is that no novel IS an argument, though it might be reconstructed as one. This is curious, for we almost always feel the need to reconstruct arguments even when they are uncontroversially given as arguments, as in a philosophical text. We make the points as explicit, orderly, and (often) brief as possible, which is what we do in reconstructing a novel’s argument. The reverse is also true. Given a text that is uncontroversially an explicit, orderly, and brief (...) argument, in order to enhance plausibility, our first instinct is to flesh it out with illustrations and relationships to everyday life. If this process is fictive (e.g., with “thought experiments”) and orderly, it is story-telling. This paper investigates whether there is a principled way of determining a novel’s argument, which should contribute as much to understanding arguments as to understanding novels. (shrink)