Global Justice: The Basics is a straightforward and engaging introduction to the theoretical study and practice of global justice. It examines the key political themes and philosophical debates at the heart of the subject, providing a clear outline of the field and exploring: the history of its development the current state of play its ongoing interdisciplinary development. Using case studies from around the world which illustrate the importance of the debates at the heart of global justice, as well as (...) activist campaigns for global justice, the book examines a wide range of theoretical debates from thinkers worldwide making it ideal for those seeking a balanced introduction to global justice. (shrink)

The History of Death explores the compelling subject of death, burial, and the afterlife in varied cultures, societies, and ages. Examines the various approaches to funerals, from sky burials in Tibet and mummification in Egypt, to being left to rot in the family home in Indonesia. Balances grim facts with intriguing details, such as remarkable burial requests, extravagant funerals, human sacrifice, and ritual killings. Illustrated throughout with photographs and artworks of representations of death and funerary rituals (...) throughout history up to the present day"--Back cover. (shrink)

Tiivistelmä: Poliittisen filosofian paluu : teoreettisen politiikantutkimuksen mahdollisuutta koskevan keskustelun historia.

Throughout history, the nature and mystery of death has captivated artists, scientists, philosophers, physicians, and theologians. This eerie chronology ventures right to the borderlines of science and sheds light into the darkness. Here, topics as wide ranging as the Maya death gods, golems, and séances sit side by side with entries on zombies and quantum immortality. With the turn of every page, readers will encounter beautiful artwork, along with unexpected insights about death and what may lie (...) beyond."--Publisher's description. (shrink)

In January 2001 I received a letter from Jacques Derrida. The letter was a response to an article I had written about the concept of disinterest. What I did not know at the time was that he was in the midst of his seminar on the death penalty, which includes his most sustained interrogation of disinterest and interest. This essay examines the history of disinterest as a death penalty. Derrida challenges the possibility of such a history, (...) arguing both for the madness of disinterest and the tenacity of another kind of interest. The essay also addresses Derrida’s letter and the problem of taking an interest in the interests of the other, of the right to interest, not least in Derrida’s own interests. (shrink)

The analyses in the book investigate the possibilities and foundations of a completely new philosophy of history, although outlined in dialogue with M. Heidegger. The fundamental questions the author asks are: Why, wherefrom is there history? Why are we humans historical? Why is there historiography? Primarily and ultimately, the response to each of these questions is: because we are MORTAL. Accordingly, the first chapter tackles the possibilities and lays the foundations of an ontology of history. Built upon (...) these, the second chapter analyses the being of the PAST and its existential characteristics – as NOT-BEING-ANY-MORE, as HAD-BEEN-NESS. Chapter three turns towards the FUTURE and analyses its existential characteristics as NOT-YET-BEING. Chapter four is an explicit return to the dialogue with Heidegger, which surfaces the main aspects of the essential belonging together of the fundaments and origins of philosophy and history. The Appendix is an applied philosophical research related to the previous subjects which examines the interlacements of DEATH and SECRET in the phenomenon of TERRORISM. (shrink)

Recenzio Kiraly V. Istvan Death and History c. konyverol.

What is the meaning of life? In today's secular, post-religious scientific world, this question has become a serious preoccupation. But it also has a long history: many major philosophers have thought deeply about it, as Julian Young so vividly illustrates in this thought-provoking second edition of _The Death of God and the Meaning of Life_. Three new chapters explore Søren Kierkegaard’s attempts to preserve a Christian answer to the question of the meaning of life, Karl Marx's attempt to (...) translate this answer into naturalistic and atheistic terms, and Sigmund Freud’s deep pessimism about the possibility of any version of such an answer. Part 1 presents an historical overview of philosophers from Plato to Marx who have believed in a meaning of life, either in some supposed ‘other’ world or in the future of this world. Part 2 assesses what happened when the traditional structures that give life meaning began to erode. With nothing to take their place, these structures gave way to the threat of nihilism, to the appearance that life is meaningless. Young looks at the responses to this threat in chapters on Nietzsche, Heidegger, Sartre, Camus, Foucault and Derrida. Fully revised and updated throughout, this highly engaging exploration of fundamental issues will captivate anyone who’s ever asked themselves where life’s meaning really lies. It also makes a perfect historical introduction to philosophy, particularly to the continental tradition. (shrink)

When successful solid organ transplantation was initiated almost 40 years ago, its current success rate was not anticipated. But continuous efforts were undertaken to overcome the two major obstacles to success: injury caused by interrupting nutrient supply to the organ and rejection of the implanted organ by normal host defense mechanisms. Solutions have resulted from technologic medical advances, but also from using organs from different sources. Each potential solution has raised ethical concerns and has variably resulted in societal acclaim, censure, (...) and apathy. Transplant surgery is now well accepted, and the list of transplant candidates has grown far quicker than the availability of organs. More than 30,000 patients were awaiting organs for transplantation at the end of March 1993. While most organs came from donors declared dead by brain criteria, the increasing shortage of donated organs has prompted a reexamination of prior restrictions of donor groups. Recently, organ procurement from donors with cardiac death has been reintroduced in the United States. This practice had been mostly abandoned by the U.S. and some, though not all, other countries. Transplantation has been more successful using organs procured from heart-beating, "brain dead" cadavers than organs from non-heart-beating cadavers. However, recent advances have led to success rates with organs from non-heart-beating donors that may portend large increases in organ donation and procurement from this source. (shrink)

In his seminal book on the historical periods of Western attitudes toward death, Philippe Aries describes four consecutive periods through which these attitudes evolved and transformed. According to him, the historical attitudes of Western cultures have passed through four major parts described above: “Tamed Death,” One’s Own Death,” “Thy Death,” and “Forbidden Death.” This paper, after exploring this concept through the lens of Persian Poetic Wisdom, concludes that he historical attitudes of Persian-speaking people toward (...) class='Hi'>death have generally passed through two major periods. The first period is an amalgamation of Aries’ “Tamed Death” and “One’s Own Death” periods, and the second period is an amalgamation of Aries’ “Thy Death” and “Forbidden Death” periods. This paper explores the main differences and similarities of these two historical trends through a comparative review of the consecutive historical periods of attitudes toward death between the Western and Persian civilizations/cultures. Although both civilizations moved through broadly similar stages, some influential contextual factors have been very influential in shaping noteworthy differences between them. The concepts of after-death judgment and redemption/downfall dichotomy and practices like deathbed rituals and their evolution after enlightenment and modernity are almost common between the above two broad traditions. The chronology of events and some aspects of conceptual evolutions and ritualistic practices are among the differences. (shrink)

A unique collection of essays by Australia's foremost art historian, this volume explores the problems involved in defining and describing a visual aesthetic suited to a modern democratic society. Smith sets these problems in their Australian as well as their universal contexts, probing into such areas as community art, art and elitism, Aboriginal art, art and urban society, art in a multi-cultural society, art and abstraction, art and Marxism, and art and modernism.

In the story of Lazarus, Christian readers are invited and enabled to integrate the fear-inducing experience of death, that of loved ones and their own, into their faith vision.

It is estimated that about one and a half billion hours of moving images were produced in 1999, twice as many as a decade before. If that rate of growth continues, one hundred billion hours of moving images will be made in the year 2025. In 1895 there were just above forty minutes of moving images to be seen, and most of them are now preserved. Today, for every film made, thousands of them disappear forever without leaving a trace. Meanwhile, (...) public and private institutions are struggling to save the film heritage with largely insufficient resources and ever increasing pressure from the commercial world. Are they wasting their time? Is the much feared and much touted Death of Cinema already occurring before our eyes? Is digital technology the solution to the problem, or just another illusion promoted by the industry? In a provocative essay designed as a collection of aphorisms and letters, Paolo Cherchi Usai brings an impassioned scrutiny to bear on these issues with a critique of film preservation, an indictiment of the crimes perpetuated in its name, and a proposal to give a new analytical framework to a major cultural phenomenon of our time. The Death of Cinema is published in Italian as L'ultimo spettatore . Sulla distruzione del cinema 1999, Editore Il Castoro. (shrink)

This deeply informed history traces the controversial record of "mercy-killing," a source of heated debate among doctors and laypeople alike. Dowbiggin examines evolving opinions about what constitutes a good death, taking into account the societal and religious values placed on sin, suffering, resignation, judgment, penance, and redemption. He also examines the bitter struggle between those who stress a right to compassionate and effective end-of-life care and those who define human life in terms of either biological criteria, utilitarian standards, (...) a faith in science, humane medical treatment, the principle of personal autonomy, or individual human rights. Considering both the influence of technological and behavioral changes in the practice of medicine and the public's surprising lack of awareness of death's many clinical and biological dimensions, this book raises profound personal and collective questions on the future of euthanasia. (shrink)

Examining Levinas’s critique of the Heideggerian conception of temporality, this book shows how the notion of the feminine both enables and prohibits the most fertile territory of Levinas’s thought. According to Heidegger, the traditional notion of time, which stretches from Aristotle to Bergson, is incoherent because it rests on an inability to think together two assumptions: that the present is the most real aspect of time, and that the scientific model of time is infinite, continuous, and constituted by a series (...) of more or less identical now-points. For Heidegger, this contradiction, which privileges the present and thinks of time as ongoing, derives from a confusion about Being. He suggests that it is not the present but the future that is the primordial ecstasis of temporality. For Heidegger, death provides an orientation for our authentic temporal understanding. Levinas agrees with Heidegger that mortality is much more significant than previous philosophers of time have acknowledged, but for Levinas, it is not my death, but the death of the other that determines our understanding of time. He is critical of Heidegger’s tendency to collapse the ecstases of temporality into one another, and seeks to move away from what he sees as a totalizing view of time. Levinas wants to rehabilitate the unique character of the instant, or present, without sacrificing its internal dynamic to the onward progression of the future, and without neglecting the burdens of the past that history visits upon us. The author suggests that though Levinas’s conception of subjectivity corrects some of the problems Heidegger’s philosophy introduces, such as his failure to deal adequately with ethics, Levinas creates new stumbling blocks, notably the confining role he accords to the feminine. For Levinas, the feminine functions as that which facilitates but is excluded from the ethical relation that he sees as the pinnacle of philosophy. Showing that the feminine is a strategic part of Levinas’s philosophy, but one that was not thought through by him, the author suggests that his failure to solidly place the feminine in his thinking is structurally consonant with his conceptual separation of politics from ethics. (shrink)

he true relation between these scenes and historic fact is more mysterious and less simple. The metamorphosis takes place on a higher plane. Historic events and the poet's inner experience are stripped of everything accidental and actual. They are removed from time and transported into the large and distant land of Myth. There, on a higher plane of life, they are developed in symbolic and poetic shapes having a right to an existence of their own. The fact, therefore, that the (...) subjection of the storm is described in a simile for a moment highlighting a very important sphere of the poem is more decisive than a possible allusion to the younger Cato. (shrink)

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

In 2017, Michael Nair-Collins formulated his Transitivity Argument which claimed that brain-dead patients are alive according to a concept that defines death in terms of the loss of moral status. This article challenges Nair-Collins’ view in three steps. First, I elaborate on the concept of moral status, claiming that to understand this notion appropriately, one must grasp the distinction between direct and indirect duties. Second, I argue that his understanding of moral status implicit in the Transitivity Argument is faulty (...) since it is not based on a distinction between direct and indirect duties. Third, I show how this flaw in Nair-Collins’ argument is grounded in the more general problems between preference utilitarianism and desire fulfillment theory. Finally, I present the constructivist theory of moral status and the associated moral concept of death and explain how this concept challenges the Transitivity Argument. According to my view, brain death constitutes a valid criterion of death since brain death is incompatible with the preserved capacity to have affective attitudes and to value anything. (shrink)

In the unpublished manuscript of a lecture course probably given by Foucault at the École normale supérieure of Paris in 1954–5 (‘On Anthropology’; the dating is still uncertain), Foucault undertakes an erudite and detailed reconstruction of the history of anthropological knowledge, from modernity (Descartes and Malebranche) to 20th-century Nietzschean commentaries (Jaspers and Heidegger), including analyses by Kant, Feuerbach, and Dilthey, among others. My article explores this lecture course to emphasize the importance of anthropological criticism for the young Foucault, addressing (...) in particular the anti-anthropological significance of the encounter with Nietzsche’s philosophy, which becomes an output power ( puissance de sortie) both of the figure of man and the notion of truth in which he was involved. These unpublished manuscripts will therefore allow me to find a common thread in Foucault’s work in the 1950s and 1960s (and even beyond): the exploration of new potentialities for thought opened by ‘the death of man’. (shrink)

The tension between the advocates of the Black Death as the herald of a new age, and those who see plague as proof of the resiliency of medieval mentalities, is rapidly dissolving. The conflict/resolution model, with its overtones of teleology, progress, and Naturphilosophie, is proving less useful to historians of epidemiology than one emphasizing continuity, gradual change, and the stoicism of the ordinary person. Historians of the plague are gravitating more and more to an intensive study of the local (...) impact of the Black Death. Such local studies reveal diversity — in economic and demographic impact, in the availability of historical sources, and in the interpretation these sources allow. The Black Death still retains its “silver lining,” but even that is changing: from proof of the awesome power of nature to level mankind and transform history, to proof of humanity's ability to endure even the worst crisis, to rebuild, and to start again. (shrink)

The concept of brain death as equivalent to cardiopulmonary death was initially conceived following developments in neuroscience, critical care, and transplant technology. It is now a routine part of medicine in Western countries, including the United States. In contrast, Eastern countries have been reluctant to incorporate brain death into legislation and medical practice. Several countries, most notably China, still lack laws recognizing brain death and national medical standards for making the diagnosis. The perception is that Asians (...) are less likely to approve of brain death or organ transplant from brain dead donors. Cultural and religious traditions have been referenced to explain this apparent difference. In the West, the status of the brain as home to the soul in Enlightenment philosophy, combined with pragmatism and utilitarianism, supports the concept of brain death. In the East, the integration of body with spirit and nature in Buddhist and folk beliefs, along with the Confucian social structure that builds upon interpersonal relationships, argues against brain death. However, it is unclear whether these reasoning strategies are explicitly used when families and medical providers are faced with acknowledging brain death. Their decisions are more likely to involve a prioritization of values and a rationalization of intuitive responses. Why and whether there might be differences between East and West in the acceptance of the brain death concept requires further empirical testing, which would help inform policy-making and facilitate communication between providers and patients from different cultural and ethnic backgrounds. (shrink)

The death penalty is so deeply rooted in the history of humanity that it will not be possible to abolish it any time soon, together with its ancestral models, such as lynching, stoning and torture. There is little use in appealing to absolute ethical values or to juridical principles held to be universal. A realistic approach suggests a careful consideration of the function the death penalty performed – and still performs – in the structures of political power (...) and in the hierarchical and repressive logic of religions, be they transcendent or nontranscendent. The struggle against the death penalty cannot but coincide with a wide-ranging political and cultural battle against the philosophies and ideologies that venerate “temporal idols” and demand an absolute faith tirelessly decreeing absolute punishments. The supreme punishment has always been a “religious penalty.” The supreme and definitive punishment is founded on a supreme and definitive certainty. The dogmatic certainty of the supreme judge knows no compassion – knows not the feeling of humanity’s common suffering and unhappiness; such certainty makes no provision for the misery, fragility and vulnerability of the human condition. Capital judgment upsets the only indisputable human solidarity – our solidarity against death. (shrink)

Review the Istvan Kiraly V.'s book: Death and History.

Examining Levinas's critique of the Heideggerian conception of temporality, this book shows how the notion of the feminine both enables and prohibits the most fertile territory of Levinas's thought. The author suggests that though Levinas's conception of subjectivity corrects some of the problems Heidegger's philosophy introduces, such as his failure to deal adequately with ethics, Levinas creates new stumbling blocks, notably the confining role he accords to the feminine. For Levinas, the feminine functions as that which facilitates but is excluded (...) from the ethical relation that he sees as the pinnacle of philosophy. Showing that the feminine is a strategic part of Levinas's philosophy, but one that was not thought through by him, the author suggests that his failure to solidly place the feminine in his thinking is structurally consonant with his conceptual separation of politics from ethics. (shrink)

This article discusses the role that history and historiography play in Brandom’s Tales of the Mighty Dead . I claim that Brandom’s attempt to integrate a historical dimension in his inferentialist project fails, and argue that the reason for that failure lies in the misconstruction and misreading of Hegel’s idea of rationality with regard, at least, to two fundamental points: to the Hegelian concept of ‘history’ and to his notion of the ‘social’. The further point that I make (...) remains an open question and regards the ideological motives that lead American analytic pragmatists to repeatedly try to institute such a misconstrued contact with Hegel - a contact that is necessarily bound to fail unless the historical dimension of Hegel’s philosophy is not only recognized but somehow integrated into the very idea of philosophy that one systematically practises. Key Words: Robert Brandom • G.W.F.Hegel • history • history of philosophy • historiography. (shrink)

The purpose of this paper is to establish a proper context for reading Jacques Derrida’s The Gift of Death, which, I contend, can only be understood fully against the backdrop of “Violence and Metaphysics.” The later work cannot be fully understood unless the reader appreciates the fact that Derrida returns to “a certain Abraham” not only in the name of Kierkegaard but also in the name of Levinas himself. The hypothesis of the reading that follows therefore would be that (...) Derrida writes The Gift of Death not as an attempt to re-present Kierkegaard’s Abraham either rightly or wrongly but as an effort to do with Kierkegaard’s Abraham what is possible with his thought in a broadly Levinasian/derridean framework. That the reading he provides of the Abraham story would not be recognizable to Kierkegaard is not the principal point of Derrida’s effort; his aim is to demonstrate that Levinas should not have been so hasty to dismiss Kierkegaard but could have recovered his interpretation of Abraham for purposes that Derrida and Levinas both share. (shrink)

What is the meaning of life? In the post-modern, post-religious scientific world, this question is becoming a preoccupation. But it also has a long history: many major figures in philosophy had something to say on the subject, as Julian Young so vividly illustrates in this thought-provoking book. Part One of the book presents an historical overview of philosophers from Plato to Hegel and Marx who have believed in some sort of meaning of life, either in some supposed 'other' world (...) or in the future of this world. Part Two looks at what happened when the traditional structures that provided life with meaning ceased to be believed. With nothing to take their place, these structures gave way to the threat of nihilism, to the appearance that life is meaningless. Julian Young looks at the responses to this threat in the work of Nietzsche, Heidegger, Sartre, Camus, Foucault and Derrida. This compelling and highly engaging exploration of fundamental values will captivate anyone who's ever asked themselves where life's meaning really lies. It also makes a perfect historical introduction to philosophy. (shrink)

An imaginative inquiry into the foundations of culture in which a speculative use is made of Freudian concepts. There is a critique and reevaluation of political, economic, religious, and philosophic aspects of culture in the light of the author's thesis that history is the scene of the struggle between life and death instincts.--R. J. B.