Although many philosophers today have turned away slightly from the linguistic turn, their methods, e.g. conceptual analysis, are still linguistic. These methods lead to false results. The right method in philosophy, like in other disciplines, is to try to perceive the object and to collect and weigh evidence. We must turn back to things in themselves.

Martin Paleček and Mark Risjord have recently put forward a critical evaluation of the ontological turn in anthropological theory. According to this philosophically informed theory of ethnographic practice, certain insights of twentieth-century analytic philosophy should play a part in the methodological debates concerning anthropological fieldwork: most importantly, the denial of representationalism and the acceptance of the extended mind thesis. In this paper, I will attempt to evaluate the advantages and potential drawbacks of ontological anthropology—arguing that to become a true (...) alternative to current social scientific thinking about methodology, it has to meet certain philosophical objections. (shrink)

I start by asking what Aristotle knew (or thought) about Heraclitus: what were the key features of Heraclitus's philosophy as far as Aristotle was concerned? In this section of the paper I suggest that there are some patterns to Aristotle's references to Heraclitus: besides the classic doctrines (flux, ekpyrosis and the unity of opposites) on the one hand, and the opening of Heraclitus's book on the other, Aristotle knows and reports a few slightly less obvious sayings, one of which is (...) in my title. Secondly, I ask some further questions. Is there any systematic connection between the bits that Aristotle reports? Do they hang together? Ought we to see here some relic of an Aristotelian understanding of what made Heraclitus tick? If we juxtapose these themes and Aristotle's comments on them, I suggest, we can generate some suggestive motifs, in particular a rather curious fascination with smoking, and the pleasures of inhaling. Finally, I suggest that smells (and the way the world would be if smells were the only differences to be discerned) are important in understanding what Heraclitus was doing. (shrink)

Les contributions de Carnap au Congrès de 1935 marquent un triple changement dans sa philosophie: son tournant sémantique; ce qui sera appelé plus tard « la libéralisation de l’empirisme»; et son adoption du « langage des choses» comme base du langage de la science. C’est ce troisième changement qui est examiné ici. On s’interroge en particulier sur les motifs qui ont poussé Carnap à adopter le langage des choses comme langage protocolaire de la science unifiée et sur les vertus de (...) ce langage, comparé aux autres types de langage protocolaire. (shrink)

Language Turned on Itself examines what happens when language becomes self-reflexive; when language is used to talk about language. Those who think, talk, and write about language are habitual users of various metalinguistic devices, but reliance on these devices begins early: kids are told, 'That's called a "rabbit"'. It's not implausible that a primitive capacity for the meta-linguistic kicks in at the beginning stages of language acquisition. But no matter when or how frequently these devices are invoked, one thing (...) is clear: they present theorists of language with a complex data pattern. Herman Cappelen and Ernest Lepore show that the study of these devices and patterns not only represents an interesting and neglected project in the philosophy of language, but also carries important consequences for other parts of philosophy. Part I is devoted to presenting data about various aspects of our metalinguistic practices. In Part II, the authors examine and reject the four leading metalinguistic theories, and offer a new account of our use of quotation in a variety of different contexts. But the primary goal of this book is not to promote one theory over another. Rather, it is to present a deeply puzzling set of problems and explain their significance. (shrink)

Les contributions de Carnap au Congrès de 1935 marquent un triple changement dans sa philosophie: son tournant sémantique; ce qui sera appelé plus tard « la libéralisation de l’empirisme»; et son adoption du « langage des choses» comme base du langage de la science. C’est ce troisième changement qui est examiné ici. On s’interroge en particulier sur les motifs qui ont poussé Carnap à adopter le langage des choses comme langage protocolaire de la science unifiée et sur les vertus de (...) ce langage, comparé aux autres types de langage protocolaire. (shrink)

The scientific successes of the last 400 years strongly suggest a view on which things are organized into layers, with phenomena in higher layers dependent on and determined by what goes on below. Philosophers have recently explored the idea that we can make sense of this idea by appeal to a relation called grounding. This book develops the rudiments of a theory of grounding, and applies that theory to questions of independent interest. The theorizing consists in saying in more detail (...) what grounding is and how it relates to explanations of the relevant sort, discussing objections to the deployment of a notion of grounding, and drawing points of contrast between a grounding-centered approach to relative fundamentality and other approaches in the literature. The book then turns to a demonstration of how this theorizing bears fruit in the investigation of other interesting questions. The applications are to central questions concerning (i) how to distinguish between truths that say how objective reality is in itself, quite independently of us, and truths that do not; (ii) the nature of truth; and (iii) the relation between fundamental physical facts and the rich panoply of other facts that depend on and are determined by them, including facts concerning our own doings. The aim is to advance our understanding of one of the deepest and thorniest questions which the stunning scientific achievements of the last 400 years pose: how higher-level phenomena, including ourselves, fit into an ultimately physical world. (shrink)

Future historians will note many parallels between the 1930s and the 1990s in Europe and North America. Both decades appear to be times of dramatic cultural upheaval and societal transformation. Indeed, many of the battles fought over capitalism, democracy, and cultural modernism in the 1930s have returned in recent struggles over a global economy, the welfare state, and cultural postmodernism. Hence it may be instructive for contemporary Christian scholars to revisit the seminal texts of European philosophy in the 1930s. Cultural (...) theorists have long recognized the significance of Martin Heidegger’s essay “The Origin of the Work of Art,” both as a turning point in his own thinking and as a fundamental challenge to modern aesthetics. Presented as lectures in 1935-36 and first published in German in 1950, the essay develops a conception of artistic truth that breaks entirely with Kantian divisions among epistemology, ethics, and aesthetics. Much less recognized, even among his students and followers, is the significance of Herman Dooyeweerd’s discussion of art from around the same time.3 First published in Dutch in 1936 and then revised and republished in English in 1957, Dooyeweerd’s discussion presents a conception of the artwork that reconfigures the Kantian divisions discarded by Heidegger. (shrink)

This paper examines three propositions: “First to arise within intellectual awareness is the notion of Being”; the human being is defined as “the rational animal”; and knowing involves “the complete return of the subject into itself.” Its starting point is an examination of what seems trivial: the letter ‘F’ in ‘First.’ It involves eidetic recognition of the alphabet and is identically the same, not only in different times and places and in different type-faces or hand-written form, but in differing media: (...) visual, audile, tactual. And eidetic recognition is also involved in the terms into which the letters or sounds or embossings enter, each of which is definable in terms of other terms which, in turn, are definable in other terms until we see that the whole itself is articulated in terms of the interlacing of meanings. What grounds such recognition is the openness to the whole introduced by the notion of being. The unrestrictedness of the openness is paralleled by the coemergence of the principle of noncontradiction which governs coherent discourse. In both sensory presentation and intellectual apprehension we are outside our spatial inside, with the things manifest in the environment and in terms of the world of public meaning expressed in language. The second part of the paper traces the various options for understanding the notion of being in the history of Western thought: Parmenides, Plato, Aristotle, Aquinas, Scotus, Spinoza, Hegel, Nietzsche, Heidegger, and Derrida. (shrink)

In Seeing Things, Robert Hudson assesses a common way of arguing about observation reports called "robustness reasoning." Robustness reasoning claims that an observation report is more likely to be true if the report is produced by multiple, independent sources. Seeing Things argues that robustness reasoning lacks the special value it is often claimed to have. Hudson exposes key flaws in various popular philosophical defenses of robustness reasoning. This philosophical critique of robustness is extended by recounting five episodes in the history (...) of science (from experimental microbiology, atomic theory, astrophysics, and astronomy) where robustness reasoning is — or could be claimed to have been — used. Hudson goes on to show that none of these episodes do in fact exhibit robustness reasoning. In this way, the significance of robustness reasoning is rebutted on both philosophical and historical grounds. But the book does more than critique robustness reasoning. It also develops a better defense of the informative value of observation reports. The book concludes by relating insights into the failure of robustness reasoning to a popular approach to scientific realism called "(theoretical) preservationism." Hudson argues that those who defend this approach to realism commit similar errors to those who advocate robustness reasoning. In turn, a new form of realism is formulated and defended. Called "methodological preservationism," it recognizes the fundamental value of naked-eye observation to scientists — and the rest of us. (shrink)

Does time seem to pass, even though it doesn’t, really? Many philosophers think the answer is ‘Yes’—at least when ‘time’s passing’ is understood in a particular way. They take time’s passing to be a process by which each time in turn acquires a special status, such as the status of being the only time that exists, or being the only time that is present. This chapter suggests that, on the contrary, all we perceive is temporal succession, one thing (...) after another, a notion to which modern physics is not inhospitable. The contents of perception are best described in terms of ‘before’ and ‘after’, rather than ‘past’, ‘present, and ‘future’. (shrink)

The empirical-transcendental debate in philosophy of technology, as debates go, took a turn toward the counterposing of the two perspectives, ‘empirical’-pragmatic-pragmatist versus ‘transcendental’-critical. Postphenomenology aligns itself with the former standpoint, and it is in this spirit that commentators have criticized it for its too-instrumentalist stance and lack of overarching, i.e., transcendental orientation. But the positions may have become too starkly delineated in order for the debate to reach any breakthrough: a seemingly unbridgeable gap yawns between the stances of ‘technology (...) with a small “t”’ and ‘Technology with a capital “T.”' Is there any way to reorient the debate? In this paper I propose to do so by considering whether there would be some way of arriving from one end of the spectrum to the other—crossing the gap. Exploring the purported wasteland in between “technology” and “Technology” by way of object-oriented ontology (OOO)—Harman, Morton—we can find it actually filled with countless gaps, adhering to every thing. Following the radical insights of OOO, we’d have to attest to a ‘thing-transcendentality.’ The ‘gap,’ then, that seemed so threatening and all-encompassing, becomes smeared out, levelled down to a multiplicity of perspectives. And this casts the debate, with its purported strict tension between ‘empirical’ and ‘transcendental’ positions, in fresh terms, opening up new ways for studying how the two interrelate. (shrink)

A Reader for Navigating the Depths of Our Lives The Universe holds us and tosses us about, only to hold us again. With Things That Join the Sea and the Sky, Mark Nepo brings us a compelling treasury of short prose reflections to turn to when struggling to keep our heads above water, and to breathe into all of our sorrows and joys. Inspired by his own journal writing across 15 years, this book shares with us some of Mark’s (...) most personal work. Many passages arise from accounts of his own life events—moments of "sinking and being lifted"—and the insights they yielded. Through these passages, we’re encouraged to navigate our own currents of sea and sky, and to discover something fundamental yet elusive: How, simply, to be here. To be enjoyed in many ways—individually, by topic, or as an unfolding sequence—Things That Join the Sea and the Sky presents 145 contemplations gathered into 17 themes, each intended to illuminate specific situations. The themes include: Unraveling Our Fear, Beyond What Goes Wrong, The Gift of Deepening, The Practice of Relationship, What Holds Us Up, Right-Sizing Our Pain, The Reach of Kindness, Burning Off What’s Unnecessary, How We Make Our Way and many more. For those interested in either beginning or expanding their own journaling explorations, this reader also provides a guide to the practice of daily writing, with 100 compelling questions to get us started. "Joy is the sea that holds all," writes Mark, "the Unity of Being where feelings don’t separate, but surface like waves to remind us we are alive." Here, he helps us swim in those waters until we are held in the mystery of their buoyancy. (shrink)

There are two families of influential and stubborn puzzles that many theories of aboutness (intentionality) face: underdetermination puzzles and puzzles concerning representations that appear to be about things that do not exist. I propose an approach that elegantly avoids both kinds of puzzle. The central idea is to explain aboutness (the relation supposed to stand between thoughts and terms and their objects) in terms of relations of co-aboutness (the relation of being about the same thing that stands between the (...) thoughts and terms themselves). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Place and the "Spatial Turn" in Geography and in HistoryCharles W. J. WithersI. IntroductionA few years ago, British Telecom ran a newspaper advertisement in the British press about the benefits—and consequences—of advances in communications technology. Featuring a remote settlement in the north-west Highlands of Scotland, and with the clear implication that such "out-of-the-way places" were now connected to the wider world (as if they had not been before), (...) the advert proclaimed "Geography is History." What the advert signalled to as the "end" of geography in the sense of the social gradients associated with space and distance is what is known, variously, as "time-space convergence" and "time-space distanciation."1 The terms embrace not just the "collapse" of geographical space given technical advances (in travel time and in communications—consequences of what Castells calls "the information age" and "the network society"2), but also the idea that the modern world has become [End Page 637] more homogenized. One place is now much the same as another. Further, given the likelihood of such technical and cultural changes continuing into the future, geographical distinctiveness, evident in the particularity of place, would be a thing of the past: geography would indeed be history. There is, of course, much evidence to the contrary: that, in the face of "globalisation," questions of locality, sense of place and of identity in place matter now more than ever. Even, then, as Francis Fukuyama cautioned against the "death" of liberal democratic politics as The End of History,3 geography—that is, geography understood as questions to do with place, and questions to do with where you are in the world as part of questions about how you are and who you are in the world—has had considerably heightened significance and for some places and people more than others.4These notions of place—as a particular location, and the character or sense of place—are only part of the meanings associated with place in geographical and in historical work. Like space, its regular epistemic dancing partner in geographical ubiquity and metaphysical imprecision, place is a widespread yet complex term. What follows is historiographical in focus and, of necessity, partial in range. I offer a historiographical survey of the term place, principally but not alone within recent work in geography. In more detail, and with reference to one of the strong senses in which place is used, namely that of locale, "the local," or localness, I trace here the connections between place, space, and the idea of the local as evident in recent work in history and in geography, especially within the history and the geography of science. Particular attention is paid in this context to the distinctive features of what we may think of as the "spatial turn" in the history of science by looking at the idea of place and space in recent work in Enlightenment studies. My argument is three-fold. Notions of place and space, much debated by geographers, have been as central a concern for intellectual historians and historians of science as for philosophers and others, but they have been differently expressed. There is, I shall argue, value in looking at these different views in order to understand that whilst place is a commonplace term it is not agreed upon: working with imprecision has been both opportunity and restriction. In relation to work within the history of science and in Enlightenment studies, consideration of the so-called "spatial turn," of place [End Page 638] as social practice and of placing as a process in accounting for the uneven movement of ideas over space and time may help provide some precision and strengthen connections between geography and history.II. Place (In Geography): A Partial HistoriographyPlace is one of the most fundamental concepts in human geography. It is also one of the most problematic.5 Place, or small-scale regional space, features as a subdivision within the Classical tripartite division of cosmography (the earth in relation to other planetary bodies), geography (the earth as a whole) and chorography (parts of the earth or regional geography). So, too, does the distinction between chorography and chronology as... (shrink)

This study was designed to find out what scientists and science students actually do when they are reading familiar and unfamiliar graphs. This study provides rich details of the subtle changes in the ontologies of scientists and science students as they engage in the reading tasks assigned to them. In the course of the readers’ interpretation work, initially unspecified marks on paper are turned into objects with particular topologies that are said to correspond to specific features in the world. We (...) theorize this interpretive work as a transition of graphs from things to signs that come to stand for natural objects. Especially among physicists and theoretical ecologists, graphs enter new relations and become natural objects in their own right. (shrink)

This work of intellectual and cultural history seeks to understand the recurring connection of teaching with contradiction in some major texts of the European Middle Ages. It moves comfortably between patristic and monastic exegesis, the Paris schools of the twelfth and thirteenth centuries, and late medieval Spain; between Latin and vernacular, between religious and secular. It assimilates the methodologies of religious and erotic texts, thereby displaying the investment of each in the sensuality and analytical power of language. The book begins (...) by exploring Christian exegesis, in which biblical contradiction is the textual incarnation of a Truth that is at once and paradoxically singular and multiple. Exegesis teaches us of the possibility of maintaining the truth in one biblical proposition and, equally and simultaneously, in its apparent opposite. Under the aegis of dialectic and the Aristotelian rule of non-contradiction, however, we are next taught to read either/or, and to resolve contradiction not through suspension and multiplicity, as in exegesis, but rather through a judgment that favors either one proposition or the other. The writers studied here are John of Salisbury, whose Metalogicon is an ostensibly moderating critique of the intellectual extremism of the School of Paris logicians, and Peter Abelard, in whose life and writing the forces of contradiction work with maiming and illuminating violence. The book then considers the teaching-textuality of two great secular works of the Middle Ages, formed under the double instruction of the master disciplines of monastic exegesis and dialectic and under the tutelage of Ovid. Calling simultaneously on the both-and of exegesis and the either/or of dialectic, the teaching of these two texts is both biblical and worldly—impossibly, both at once, always in motion. The De Amore of Andreas Capellanus teaches two opposite propositions and commands that either one or the other must be chosen, yet in practice shows each proposition to be deeply embedded in the other. The concluding chapter turns from the Latin to the vernacular tradition to study one of the lesser-known examples of contradictory teaching, the fourteenth-century Libro de Buen Amor of Juan Ruiz, whose titular "good love" conflates the contrary things of spiritual and carnal love, while reminding readers that the difference between the two is urgently consequential. (shrink)

The paper intends to bridge the existing gap between aesthetic knowledge and contemporary society. The first part focuses on the cultural turn in aesthetics, the roots of which can already be found in the English criticism of the eighteenth century. This enterprise is inspired by a methodology that regards aesthetics as a "meeting place" of many disciplines and varying cultural traditions. A second type of cultural turn is carried out by writers (e.g. Baudelaire): the target of their polemic (...) is the concept of aesthetic disinterestedness. According to them, the beautiful, instead, has to create the greatest interest because it is none other than the promise of happiness. However, the two different approaches are not so incompatible as seems at first sight. Finally, the text focuses on the New Age and the culture of performance, which, even if presenting opposite traits, have one thing in common: they translate at the empirical and factual level experiences that originally belonged to another sphere, namely the spiritual and the symbolic. (shrink)

This book offers a systematic framework for thinking about the relationship between language and technology and an argument for interweaving thinking about technology with thinking about language. The main claim of philosophy of technology—that technologies are not mere tools and artefacts not mere things, but crucially and significantly shape what we perceive, do, and are—is re-thought in a way that accounts for the role of language in human technological experiences and practices. Engaging with work by Wittgenstein, Heidegger, McLuhan, Searle, Ihde, (...) Latour, Ricoeur, and many others, the author critically responds to, and constructs a synthesis of, three "extreme", idealtype, untenable positions: only humans speak and neither language nor technologies speak, only language speaks and neither humans nor technologies speak, and only technology speaks and neither humans nor language speak. The construction of this synthesis goes hand in hand with a narrative about subjects and objects that become entangled and constitute one another. Using Words and Things thus draws in central discussions from other subdisciplines in philosophy, such as philosophy of language, epistemology, and metaphysics, to offer an original theory of the relationship between language and technology centered on use, performance, and narrative, and taking a transcendental turn. (shrink)

Abstract The broad concern of this article is to contribute to discussions within hermeneutical philosophy that address the question of life as a form of correlation. More specifically, its purpose is to shed light on the character of life as correlation with reference to a basic aspect of this correlation: our living relation to things. To this end, the author focuses, first, on the later Heidegger's suggestion that our proper relation to things takes shape as an enactment guided by the (...) releasement or letting-be ( Gelassenheit ) of things in their independence; and, second, on Günter Figal's recent claim that this enactment, in turn, depends on our referential relation to the exteriority or objectivity of things. The author concludes that our living relation with things may be understood best in terms of the movement or mutual interplay of these two conditions. (shrink)

Listening to someone from some distance in a crowded room you may experience the following phenomenon: when looking at them speak, you may both hear and see where the source of the sounds is; but when your eyes are turned elsewhere, you may no longer be able to detect exactly where the voice must be coming from. With your eyes again fixed on the speaker, and the movement of her lips a clear sense of the source of the sound will (...) return. This ‘ventriloquist’ effect reflects the ways in which visual cognition can dominate auditory perception. And this phenomenological observation is one what you can verify or disconfirm in your own case just by the slightest reflection on what it is like for you to listen to someone with or without visual contact with them. (shrink)

Conceptual engineers have recently turned to the notion of conceptual functions to do a variety of explanatory work. Functions are supposed to explain what speakers are debating about in metalinguistic negotiations, to capture when two concepts are about the same thing, and to help guide our normative inquiries into which concepts we should use. In this paper, I argue that this recent “functional turn” should be deflated. Contra most interpreters, we should not try to use a substantive notion (...) of conceptual functions to handle various problems for conceptual engineering. The primary accounts of function appealed to by conceptual engineers, namely etiological and system functions, are not suited to handle many of the problems functions are supposed to handle, and it’s dubious whether any other account of function would do better. Instead of trying to use substantive functions to solve theoretical problems, we should deflate those problems themselves by focusing only on what matters to us, as speakers or theorists, in a given inquiry. (shrink)

Among the contemporary philosophers using the concept of the Anthropocene, Bruno Latour and Isabelle Stengers are prominent examples. The way they use this concept, however, diverts from the most common understanding of the Anthropocene. In fact, their use of this notion is a continuation of their earlier work around the concept of a ‘parliament of things.’ Although mainly seen as a sociology or philosophy of science, their work can be read as philosophy of technology as well. Similar to Latour’s claim (...) that science is Janus-headed, technology has two faces. Faced with the Anthropocene, we need to shift from technologies of control to technologies of negotiations, i.e., a parliament of things. What, however, does a ‘parliament of things’ mean? This paper wants to clarify what is conceptually at stake by framing Latour’s work within the philosophy of Michel Serres and Isabelle Stengers. Their philosophy implies a ‘postlinguistic turn,’ where one can ‘let things speak in their own name,’ without claiming knowledge of the thing in itself. The distinction between object and subject is abolished to go back to the world of ‘quasi-objects’ (Serres). Based on the philosophy of science of Latour and Stengers the possibility for a politics of quasi-objects or a ‘cosmopolitics’ (Stengers) is opened. It is in this framework that their use of the notion of the Anthropocene must be understood and a different view of technology can be conceptualized. (shrink)

Objective reasons are given by the facts. Subjective reasons are given by one’s perspective on the facts. Subjective reasons, not objective reasons, determine what it is rational to do. In this paper, I argue against a prominent account of subjective reasons. The problem with that account, I suggest, is that it makes what one has subjective reason to do, and hence what it is rational to do, turn on matters outside or independent of one’s perspective. After explaining and establishing (...) this point, I offer a novel account of subjective reasons which avoids the problem. (shrink)

The article defines a new referential problem of ethnographic description: the verbalization of the "silent" dimension of the social. As a documentary procedure, description has been devalued by more advanced recording techniques that set a naturalistic standard concerning the reification of qualitative "data." I discuss this standard from the perspective of the sociology of knowledge and replace it by a challenge unknown to all empirical procedures relying on primary verbalizations of informants. Descriptions have to solve the problems of the voiceless, (...) the silent, the unspeakable, the pre-linguistic, and the indescribable. Ethnography puts something into words, which did not exist in language before. To respond to this task, descriptions have to turn away from the logic of recording and develop into a theory-oriented research practice. (shrink)

Might something I do now make something have happened earlier? This paper is about an argument which concludes that I might. Some arguments about “backward causation” conclude that the world could have been the kind of place in which actions make things have happened earlier. The present argument says that it is that kind of place: that we actually are continually doing things that really make earlier things have happened. The argument is not new. It sees temporal direction as logically (...) independent of any direction which necessary and sufficient conditions may have and it sees causal direction as properly deriving from the latter. Thus the directions of time and of making things happen need not coincide and, as it turns out, do not actually coincide in fact. There are examples of events which are sufficient, in a suitably rich sense, for the occurrence of earlier events; hence they make the earlier events happen. My purpose in this paper is to lend support to the argument by filling in some details which ‘backward sufficient conditions’ may lay claim to. (shrink)

In this article I analyse the extent to which there has been a shift in the cultural turn in legal scholarship and specifically from visual to what I call material jurisprudence, that is from visual to material ways of knowing law. I do so through an analysis of Desmond Manderson’s edited collection, Law and the Visual: Representations, Technologies, Critique, and Katherine Biber’s monograph, In Crime’s Archive: The Cultural Afterlife of Evidence. Inspired by the material turn in the arts (...) and humanities I apply a material lens as defined by historians of emotions working within this turn to these books. Using this lens, I analyse the extent to which the authors conceptualise and analyse their primary sources in material terms. In so doing it is my intention to encourage scholars of visual jurisprudence to consider the multisensorial nature of law by considering the material as a constitutive part or instead of the visual as has happened elsewhere in the arts, humanities and social sciences, as well as to do so with greater specificity and depth. (shrink)

At least phenomenologically the way communicative acts reveal intentions is different from the way non-communicative acts do this: the former have an “addressed” character which the latter do not. The paper argues that this difference is a real one, reflecting the irreducibly “conventional” character of human communication. It attempts to show this through a critical analysis of the Gricean programme and its methodologically individualist attempt to explain the “conventional” as derivative from the “non-conventional”. It is shown how in order to (...) eliminate certain counterexamples the Gricean analysis of utterer’s meaning must be made self-referential. It is then shown how this in turn admits an “ontological difference” which undercuts all methodological individualism: meaning something by an utterance must then have a certain intrinsic, irreducible “conventionality” and “intersubjectivity”. Objections to this claim are raised and dealt with. It is suggested that any problem of origin might be resolvable by rejecting the semantic reductionism of Grice’s programme. An internal relation between self-consciousness, intersubjectivity and language is suggested. The paper ends by speculating that the self-conscious subject is intrinsically embodied and related to other subjects in that for it its body is essentially a medium of signs with which to express its “inner states” to others. (shrink)

Against the apparent casting away of poetry from contemporary philosophy of language and aesthetics which has left poetry forceless, I argue that poetry has a linguistic, philosophical, and even political force. Against the idea that literature (as novel) can teach us facts about the world, I argue that the force of literature (as poetry) resides in its capacity to change our ways of seeing. First, I contest views which consider poetry forceless by discussing Austin’s and Sartre’s views. Second, I explore (...) the concept of force in the realm of art—focusing on Nietzsche’s philosophy and Menke’s Kraft der Kunst—and the relations between linguistic, artistic, and political forces. Third, I consider how the transformative force of poetry can be considered political by turning to Kristeva’s Revolution in Poetic Language and Meschonnic’s conception of poetry according to which the poem does something to language and the subject. To illustrate this transformative force of poetry, I analyse Caroline Zekri’s poem ‘Un pur rapport grammatical’. I therefore think of poetry not only as doing something with language, but also as doing something to language. To rephrase Austin’s famous title, and thus reverse his evaluation of poetry, poetry might reveal to us not only How to Do Things with Words, but how to do things to words and, through this doing, how to transform and affect the world. (shrink)

Phase transitions are an important instance of putatively emergent behavior. Unlike many things claimed emergent by philosophers, the alleged emergence of phase transitions stems from both philosophical and scientific arguments. Here we focus on the case for emergence built from physics, in particular, arguments based upon the infinite idealization invoked in the statistical mechanical treatment of phase transitions. After teasing apart several challenges, we defend the idea that phase transitions are best thought of as conceptually novel, but not ontologically or (...) explanatorily irreducible to finite physics; indeed, by looking at ongoing work on “smooth phase transitions” we even suggest that they’re not even conceptually novel. In the case of renormalization group theory, consideration of infinite systems and their singular behavior provides a central theoretical tool, but this is compatible with an explanatory reduction. Phase transitions may be “emergent” in some sense of this protean term, but not in a sense that is incompatible with the reductionist project broadly construed. (shrink)

Adiaphora and permissive natural law both conceptually pointed towards an arena of liberty in which the individual remained free to take up particular courses of action. In the Reformation debates over the external regulation of Christian freedom for the maintenance of peace and order, these two concepts became freighted with political significance; but they also in turn shaped attitudes over when and where obedience was due in relation to the civic regulation of liberty. Tudor apologetics deployed both ideas in (...) order to defend the English Reformation, especially the claim of the royal supremacy to have due authority to regulate ecclesiastical affairs in indifferent matters, limiting Christian freedom and requiring obedience. By situating these debates within the context of the conceptual development of adiaphora and permissive natural law from their original philosophical roots through to the Reformation, this article establishes the genealogy of claims that defined such apologetics. After surveying the seemingly intractable dilemmas in the thought of Thomas Starkey and John Whitgift over why obedience to lay ecclesiastical supremacy was due, this article considers the radical return to the permissive natural law traditions of the medieval period in the Elizabethan conformist thought of Richard Hooker. In this return, Hooker supplanted divine permissions and scriptural principles as the guide for the proper regulation of indifferent matters with an appeal to the light of reason as the divine instrument through which binding human laws are made to govern society and limit freedom for the public good, even in the life of the national church. (shrink)

Listening to someone from some distance in a crowded room you may experience the following phenomenon: when looking at them speak, you may both hear and see where the source of the sounds is; but when your eyes are turned elsewhere, you may no longer be able to detect exactly where the voice must be coming from. With your eyes again fixed on the speaker, and the movement of her lips a clear sense of the source of the sound will (...) return. This ‘ventriloquist’ effect reflects the ways in which visual cognition can dominate auditory perception. And this phenomenological observation is one that you can verify or disconfirm in your own case just by the slightest reflection on what it is like for you to listen to someone with or without visual contact with them. (shrink)

In the final year of his long life, eminent Thomist philosopher Jacques Maritain prepared a final book for publication: a collection of previously unpublished writings entitled Approaches san entraves, later translated into English as Untrammeled Approaches. That collection, both in its conversational yet reverent tone and in its weighty topics - faith, love, truth, beauty - gives the reader the sense that she is receiving from a great teacher and friend the most important nuggets of wisdom for the next generation. (...) Throughout the book, Maritain shares with his readers, from his heart as well as his intellect, regarding the things that really matter; that book - and those things - are the primary inspiration for the present volume. This volume, comprised of original essays by twenty English-speaking Thomists on the occasion of the twentieth anniversary of Untrammeled Approaches' first English appearance, explores several of Maritain's still-untrammeled (or at least less-trammeled) themes. While following his unbeaten paths, the contributing authors find and refine hidden treasures at every turn. They develop some of his more speculative ideas regarding the spiritual world - including the last things, the fate of the fallen angels, and a possible angelic role in evolution. They reflect deeply on a few of Maritain's recurring themes: for example, the nature of beauty and intuition. They analyze the implications - positive and negative - of Maritain's philosophy of love, marriage, and sexuality. And they consider and apply his arguments regarding appropriate roles and interactions of Church and state. The volume concludes with big-picture reflections on Maritain, his thought, and his enduring relevance. The contributors to this volume are: Michael Breidenbach, Romanus Cessario, OP, John Conley, SJ, Mario O. D'Souza, CSB, Travis Dumsday, Heather Erb, Lawrence Feingold, Megan Furman, Marie George, James Hanink, Gregory Kerr, William McCormick, SJ, Matthew Minerd, Mark Moes, Michael Novak, Michael Pakuluk, Alice Ramos, Walter Schultz, Michael Torre, Nikolaj Zunic. (shrink)

“There's glory for you!”“I don't know what you mean by ‘glory,’ ” Alice said.Humpty Dumpty smiled contemptuously. “Of course, you dont—till I tell you. I meant ‘there's a nice knock-down argument.’”“But ‘glory’ doesn't mean a ‘nice knock-down argument,” Alice objected.“When I use a word,” Humpty Dumpty said, in rather a scornful tone, “it means just what I choose it to mean—neither more nor less.”“The question is,” said Alice, “whether you can make words mean so many different things.”“The question is,” said (...) Humpty Dumpty, “which is to be master, that's all.”When applied bioethics confronts the topic of futility, the question of who is to be master turns out to be central. Indeed, much of the literature on futility has focused on exactly this question: who gets to define the terms of the debate? Who gets to decide that treatment is “futile” and therefore allowably withheld or withdrawn? (shrink)

Something to be happy about: This mesmerizing bestseller is revised and updated. Originally published 25 years ago (happy anniversary!) from a list that Barbara Ann Kipfer started making as a child, it’s the book that marries obsession with happiness. And it now has 2,000 fresh and more current reasons to be happy: Rabbit tracks in the snow. Kiteboarding and kitesurfing. Caramel gelato. Scoring super-high on a Scrabble turn. Babies burping. Summer storms. White cupcakes with multicolored sprinkles. Big red barns. (...) 20 minutes all to yourself. No opinions, no explanations, no asides, no footnotes, editorializing, or proselytizing. Just the simple premise of a list of things that make us smile. With its chunky shape, striking black-and-white cover, and 100 whimsical illustrations by Pierre Le-Tan, the new 14,000 Things is an irresistible catalog of good thoughts completely updated to reflect today’s world—and an uplifting gift for people of all moods and all ages. (shrink)

The ontological turn in anthropological methodology, at least in its conceptualization-oriented formulation, aims to turn away from the concepts and objects found within one’s own social setting in order to turn to indigenous conceptualization processes and take a look at “the things themselves.” This article aims to unpack what such constant reconceptualization amounts to, arguing that when modified to meet certain objections, the ontological turn could provide important ingredients for an alternative version of interpretive social science—one (...) that wishes to understand social phenomena as human kinds in the vein of Ian Hacking, Sally Haslanger and Ron Mallon. (shrink)

The article analyzes the metaphor “Copernican revolution,” used by Kant to highlight the core idea of his philosophy. The author argues that Kant uses the analogies with mathematics and natural science for establishing criteria of scientific character of knowledge. These criteria include the hypothetic-deductive or a priorimethod of thinking, which determines the apodictic, i.e. necessary and objective, character of the basic laws of nature, as well as the verification of laws a priorithrough experiments.The author focuses on Kant’s idea of the (...) possibility of scientific metaphysics based on these criteria. She claims that the structure of scientific metaphysics and the epistemological status of its statements depend on what kind of objects it deals with: with phenomena given to us by sensuality, with only conceivable “things in themselves” or with supersensitive “objects of an idea.” In the last part, the author interprets the meaning of the metaphor “Copernican turn” as the upgrading of logic, the idea of “transcendental idealism” and discusses the possibility of using the metaphor “Ptolemaic system” to characterize the practical philosophy of Kant. (shrink)

Rüdiger Bittner argues that the aim of thinking about what to do, of practical reason, is to find, not what we ought to do, but what it is good to do under the circumstances. Neither under prudence nor under morality are there things we ought to do. There is no warrant for the idea of our being required, by natural law or by our rationality, to do either what helps us attain our ends or what is right for moral reasons. (...) While common moral understanding is committed to there being things we ought to do and to our being guilty and deserving blame if we fail to do them, we can lay aside these notions without loss, indeed with benefit. The volume also explains what it is for something to be good to do under the circumstances and argues for understanding practical reason in these terms. What is good to do we find by experience: what we go through teaches us what helps and what hinders, and helps us figure out what is prudentially useful and what is morally right to do-although ultimately this difference itself gives way, and morality turns out to be a part of prudence. (shrink)

Happy the elephant is intelligent, social, and self-aware--and considered a thing in the eye of the law. Led by lawyer Steven M. Wise, the Nonhuman Rights Project has filed cases on behalf of captive nonhuman animals like Happy since 2013, arguing that their autonomy entitles them to certain legal rights. In Thing: Inside the Struggle for Animal Personhood, comic artists Sam Machado and Cynthia Sousa Machado bring together Wise's groundbreaking work and their own illustrations in the first graphic (...) nonfiction book about the animal personhood movement. Beginning with Happy's story and the central ideas behind animal rights, Thing then turns to the scientists that are revolutionizing our understanding of the minds of such nonhuman animals as great apes, elephants, dolphins, and whales. Combining legal and social history, innovative science, and illustrated storytelling, Thing presents a visionary new way of relating to the nonhuman world. (shrink)

“There is no use in trying,” said Alice; “one can’t believe impossible things.” “I dare say you haven’t had much practice,” said the Queen. “When I was your age, I always did it for half an hour a day. Why, sometimes I’ve believed as many as six impossible things before breakfast”. Lewis Carroll, Through the Looking Glass. -/- It is a rather common view among philosophers that one cannot, properly speaking, be said to believe, conceive, imagine, hope for, or seek (...) what is impossible. -/- Some philosophers, for instance George Berkeley and the early Wittgenstein, thought that logically contradictory propositions lack cognitive meaning (informational content) and cannot, therefore, be thought or believed. Philosophers who do not go as far as Berkeley and Wittgenstein in denying that impossible propositions or states of affairs are thinkable, may still claim that it is impossible to rationally believe an impossible proposition. On a classical “Cartesian” view of belief, belief is a purely mental state of the agent holding true a proposition p that she “grasps” and is directly acquainted with. But if the agent is directly acquainted with an impossible proposition, then, presumably, she must know that it is impossible. But surely no rational agent can hold true a proposition that she knows is impossible. Hence, no rational agent can believe an impossible proposition. Thus it seems that on the Cartesian view of propositional attitudes as inner mental states in which proposition are immediately apprehended by the mind, it is impossible for a rational agent to believe, imagine or conceive an impossible proposition. -/- Ruth Barcan Marcus (1983) has suggested that a belief attribution is defeated once it is discovered that the proposition, or state of affairs that is believed is impossible. According to her intuition, just as knowledge implies truth, belief implies possibility. -/- It is commonplace that people claim to believe propositions that later turn out to be impossible. According to Barcan Marcus, the correct thing to say in such a situation is not: I once believed that A but I don’t believe it any longer since I have come to realize that it is impossible that A. What one should say is instead: It once appeared to me that I believed that A, but I did not, since it is impossible that A. Thus, Barcan Marcus defends what we might call Alice’s thesis: Necessarily, for any proposition p and any subject x, if x believes p, then p is possible. -/- Alice’s thesis that it is impossible to hold impossible beliefs, seems to come into conflict with our ordinary practices of attributing beliefs. Consider a mathematical example. Some mathematicians believe that CH (the continuum hypothesis) is true and others believe that it is false. But if CH is true, then it is necessarily true; and if it is false, then it is necessarily false. Regardless of whether CH is true or false, the conclusion seems to be that there are mathematicians who believe impossible propositions. -/- Examples of apparent beliefs in impossible propositions outside of mathematics are also easy to come by. Consider, for example, Kripke’s (1999) story of the Frenchman Pierre who without realizing it has two different names ‘London’ and ‘Londres’ for the same city, London. After having arrived in London, Pierre may assent to ‘Londres is beautiful and London is not beautiful’ without being in any way irrational. It seems reasonably to infer from this that Pierre believes that Londres is beautiful and London is not beautiful. But since ‘Londres’ and ‘London’ are rigid designators for the same city, it seems to follow from this that Pierre believes the inconsistent proposition that we may express as ‘London is both beautiful and not beautiful’. (shrink)

My thesis examines the mass/count distinction; that is, to illustrate, the distinction between the role of "hair" in "There is hair in my soup" and "There is a hair in my soup". In "hair" has a mass-occurrence; in a count-occurrence. These two kinds of noun-occurrences, I argue, can be marked off from each other largely on syntactic grounds. Along the semantic dimension, I suggest that, in order to account for the intuitive distinction between nouns in their mass-occurrences and their singular (...) count-occurrences, there must be a difference between the semantic role each of them plays. From among the available options, the most attractive one is to analyze nouns in their mass-occurrences as predicates. But, traditionally, nouns in their singular count-occurrences are also analyzed as predicates. I propose, therefore, that there are two different kinds of predicates: mass-predicates, such as "is-hair", and singular count-predicates, such as "is-a-hair". Neither kind is reducible to the other. ;Mass-predicates and singular count-predicates have something in common: they are both predicates. That is, they are related to their extension in the same way, viz. They are both true of whatever falls in their extension and the relation "is-true-of" at play here is, I conjecture, the same in both cases. The two kinds of predicates are also related to each other in a certain way, namely through a one-way entailment relation going from count to mass: everything that is a hair is also hair, but not conversely. And, finally, there are certain truth-conditional differences between them: the singular count-predicate "is-a-hair" is true only of whole individual hairs; the mass-predicate "is-hair" is true of individual hairs as well as hair-sums and hair-parts. ;These truth-conditional differences turn out to have interesting implications, in particular having to do with the part/whole relation and the act of counting. It is often held that mass-predicates are, as part of their meaning, homogeneous, while singular count-predicates are said to lack this property, as part of their meaning. I suggest, instead, that at least distributivity has to be rejected as a semantic property of mass-predicates, on the grounds that, to pick a representative example, water is not infinitely divisible into parts that are themselves water. The second kind of implication, having to do with the act of counting, is as follows. When we wish to associate, say, the world's hair with cardinal number , we need to speak of it in terms of individual hairs, the things of which the singular count-predicate "is-a-hair" is true. If, on the other hand, we are interested in amounts of hair , we need to speak of the world's hair in terms of those things of which the mass-predicate "is-hair" is true. (shrink)

Despite an initially warm reception, over the past two centuries assessments of the literary character of Adam Smith’s The Wealth of Nations have gradually but unmistakably turned negative. This transformation in the public reception of Smith’s text began during his lifetime and culminated in Heilbroner’s assertion that Smith wrote with ‘an encyclopedic mind, but not with the precision of an orderly one’. However, where Heilbroner and many of his predecessors saw obscurity and tedious attention to minor detail, recent scholarship has (...) begun to perceive remarkable literary subtlety and nuance. This article continues and builds upon that project. It commences with an assessment of three competing explanations of Smith’s literary style and settles on a philosophic and pedagogic explanation of The Wealth of Nations’ distinctive composition. In discerning a unique heuristic strategy and philosophic object in the text, the article places particular emphasis on Smith’s employment of syntactic complexity, stylistic juxtaposition and elliptical citation. The article concludes, somewhat ironically, with the observation that The Wealth of Nations itself succumbed to the maladies of the emerging commercial world-view, in classroom and market place, that its careful construction aimed to ameliorate. (shrink)

In an era when much of what passes for debate is merely moral posturing--traditional family values versus the cultural elite, free speech versus censorship--or reflexive name-calling--the terms "liberal" and "politically correct," are used with as much dismissive scorn by the right as "reactionary" and "fascist" are by the left--Stanley Fish would seem an unlikely lightning rod for controversy. A renowned scholar of Milton, head of the English Department of Duke University, Fish has emerged as a brilliantly original critic of the (...) culture at large, praised and pilloried as a vigorous debunker of the pieties of both the left and right. His mission is not to win the cultural wars that preoccupy the nation's attention, but rather to redefine the terms of battle. In There's No Such Thing as Free Speech, Fish takes aim at the ideological gridlock paralyzing academic and political exchange in the nineties. In his witty, accessible dissections of the swirling controversies over multiculturalism, affirmative action, canon revision, hate speech, and legal reform, he neatly eviscerates both the conservatives' claim to possession of timeless, transcendent values, and the intellectual left's icons of equality, tolerance, and non-discrimination. He argues that while conservative ideologues and liberal stalwarts might disagree vehemently on what is essential to a culture, or to a curriculum, both mistakenly believe that what is essential can be identified apart from the accidental circumstances to which the essential is ritually opposed. In the book's first section, which includes the five essays written for Fish's celebrated debates with Dinesh D'Souza, Fish turns his attention to the neoconservative backlash. In his introduction, Fish writes, "Terms that come to us wearing the label 'apolitical'--'common values', 'fairness', 'merit', 'color blind', 'free speech', 'reason'--are in fact the ideologically charged constructions of a decidedly political agenda. I make the point not in order to level an accusation, but to remove the sting of accusation from the world 'politics' and redefine it as a synonym for what everyone inevitably does." Fish maintains that the debate over political correctness is an artificial one, because it is simply not possible for any party or individual to occupy a position above or beyond politics. Regarding the controversy over the revision of the college curriculum, Fish argues that the point is not to try to insist that inclusion of ethnic and gender studies is not a political decision, but "to point out that any alternative curriculum--say a diet of exclusively Western or European texts--would be no less politically invested." In Part Two, Fish follows the implications of his arguments to a surprising rejection of the optimistic claims of the intellectual left that awareness of the historical roots of our beliefs and biases can allow us, as individuals or as a society, to escape or transcend them. Specifically, he turns to the movement for reform of legal studies, and insists that a dream of a legal culture in which no one's values are slighted or declared peripheral can no more be realized than the dream of a concept of fairness that answers to everyone's notions of equality and jsutice, or a yardstick of merit that is true to everyone's notions of worth and substance. Similarly, he argues that attempts to politicize the study of literature are ultimately misguided, because recharacterizations of literary works have absolutely no impact on the mainstream of political life. He concludes his critique of the academy with "The Unbearable Ugliness of Volvos," an extraordinary look at some of the more puzzing, if not out-and-out masochistic, characteristics of a life in academia. Penetrating, fearless, and brilliantly argued, There's No Such Thing as Free Speech captures the essential Fish. It is must reading for anyone who cares about the outcome of America's cultural wars. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Response to Elizabeth Gould, “The Nomadic Turn: Epistemology, Experience, and Women College Band Directors”Stephen Franklin ZdzinskiI want to thank Elizabeth Gould for providing us with a thought-provoking paper examining the journeys of women university band directors through a post-modernist and feminist perspective. As a music education professor who deals with students from undergraduate through doctoral levels, I have the opportunity to provide professional guidance to many students, (...) both female and male. A number of my female instrumental music education students ask me about becoming high school and university band directors. I want to be honest with them about the realities of the profession, but I want also to encourage them to pursue their [End Page 195] professional dreams and goals despite any potential structural limitations. I found this paper to provide me with very good insights that I can use to advise my students.According to Gould, there are a number of factors that contribute to the under-representation of women in the field of college band directing. For example, we can see that historically the first band directors and instrumental music educators came either from military or professional performance backgrounds and as a result, most instrumental music teachers were initially male. In addition, early college band organizations, particularly marching musical organizations, were entirely male in composition. While these conditions have not continued to the present day, they set the stage for what was to follow.Socialization and Women University Band DirectorsThe different socialization of girls and boys may also be found to play a role in the under-representation of women as university band directors. A number of researchers have found gender differences in instrument selection,1 and other research points to additional familial socialization differences by gender.2According to Paul Woodford,3 the primary socialization of music education majors and the formation of a music teacher's identity occur during their own pre-collegiate schooling. Several researchers have suggested that precollegiate teaching experiences may be influential in decisions to choose music teaching as a career.4 Through countless hours of observation in their own programs, female and male students may be socialized to professional expectations of band directing before they ever enter a university-based instrumental music education program. Sylvia Tibbets, Winifred Shepard and David Hess, Stan Albrecht, Philip Griswold, and Denise Chroback all found that instrumental music teaching was viewed by both children and adults as a masculine profession.5 Woodford found that many of our current teacher education programs merely recreate existing practices, thus replicating inequitable situations in regards to opportunities for women in the profession of high school and college band directing.6After graduation, the outcome of a gender-influenced instrument choice may be inhibiting the career aspirations of future women band directors. Research by Barry Kopetz examined the influences of gender, school type, and instrument on instrumental music teacher selection by school principals.7 While significant gender differences in favor of males were found, they accounted for only 3% of the variance in teacher selection. Also important was the type of school being attended (performance versus music education institution), also accounting for 3% of the variance. Instrument, on the other hand, accounted for 10% of the variance in teacher selection, with teachers being selected in the following order: [End Page 196] trumpet, clarinet, oboe, and violin. If one examines the instruments commonly played by female instrumentalists, the research by Kopetz may suggest that gender discrimination in band hiring may in fact be exaggerated by playing the "wrong" instrument. If the student in addition comes from a performance-oriented school, that is considered by hiring officials as another negative factor that reduces their job possibilities.Structural Difficulties and Woman University Band DirectorsGould makes an interesting point when she states that while it is useful to know about the reasons for a lack of women in the band directing profession, this information by itself is not going to change things until we actually understand the structural underpinnings of the problem. The use of the metaphor of the nomad is helpful in attempting to explain the structural difficulties inherent in women becoming university band directors. In fact, I... (shrink)

This is a report of the international workshop «Transcendental Turn in Contemporary Philosophy 2: Kant’s Appearance, Its Ontological and Epistemic Status» (April 27—29, 2017, Moscow), the tasks of which was (1) to discuss the specificity of transcendental idealism, (2) to study the nature of one of Kant’s important concepts — that of appearance — within the framework of the essential conceptual triad of transcendentalism: thing in itself (Ding an sich) — appearance (Erscheinung) — representation (Vorstellung), (3) to analyse (...) the distinction between Kant’s concepts of appearance and phenomenon, and (4) to examine the concepts of appearance and phenomenon in relation to Husserl’s transcendental phenomenology. (shrink)

The ethical turn that affects artistic and political practices today should not be interpreted as their subjection to moral criteria. Today, the reign of ethics leads to a growing indistinction between fact and law, between what is and what ought to be, where judgement bows down to the power of the law imposing itself. The radicality of this law is that it leaves no choice, and is nothing but the simple constraint stemming from the order of things. This brings (...) about an unprecedented dramaturgy of infinite evil, justice and redemption that can be traced not only in contemporary politics, but in philosophical reflection and film. (shrink)

The current proliferation of restitutive claims in response to expropriation in armed conflicts occurs at the interstices of humanitarianism and transitional justice. Restitution indicates the expansion of the humanitarian mandate from providing immediate relief to those who have suffered loss, to engaging in remedial, redressive and restorative practices. That intersection between the humanitarian goals and post-conflict justice is one of the signs of ‘new’ forms and ethos of humanitarianism. This article offers a critical reading of the ‘restitutive desire’ underpinning the (...) humanitarian restitutive politics, which it relates to political fantasies of reversibility and undoing. It locates the genealogy of restitution in Émile Durkheim’s work on the division of labour, individualization and the distinction between repressive and restitutive law. It argues that in the Durkheimian socio-legal tradition restitution figures as a return of ‘matters to their former status’ and of ‘disturbed relationships to their normal form’. It then turns to Sigmund Freud’s essay on Daniel Schreber, which defines restitution not as procedure of undoing, but as a reparative practice that nevertheless affirms the subject’s ‘catastrophic loss of the world’. The Freudian perspective uncouples restitution and undoing and asks about the possibility of restitutive politics haunted by unrectifiable loss. (shrink)

We live in a world where it is impossible to exist without, and beyond, technologies. Despite this omnipresence, we tend to overlook their influence on us. The vigorously developing approach of postphenomenology, combining insights from phenomenology and pragmatism, focuses on the so-called technological mediation, i.e., on how technologies as mediators of human-world relations influence the appearing of both the world and the human beings in it. My analysis aims at demonstrating both the methodological weaknesses and open possibilities of postphenomenology. After (...) summarizing its essentials, I will scrutinize, first, its ability to turn to the technological things themselves and, second, the so-called empirical turn as realized by postphenomenology. By assessing its conceptual framework from the phenomenological perspective, I hope to demonstrate that postphenomenology needs philosophical clarification and strengthening. In short, it needs a more phenomenological, and less pragmatic, approach to technology in its influence on human experience. (shrink)

Philosophers in the field of analytic metaphysics have begun gradually to come to terms with the fact that there are entities in a range of categories not dreamt of in the set-theory and predicate-logic-based ontologies of their forefathers. Examples of such “entia minora” would include: boundaries, places, events, states holes, shadows, individual colour- and tone-instances (tropes), together with combinations of these and associated simple and complex universal species or essences, states of affairs, judgment-contents, and myriad abstract structures of the sorts (...) which are studied by the mathematical sciences. How, as hunter-gatherer ontologists, are we to bring order into this vast array? How are we to gauge the ontological merits of given candidate entities, and how are we to understand their relation to entities of more humdrum sorts? Meinong, it turns out, offers a very simple answer to all of these questions. (shrink)