The following essay argues that the Husserlian idea of the epoché could be expanded to cover all aspects of practical life. The first part summarizes the extensive debate developed on this issue in English speaking Phenomenology in the 1970s, one that focused on the relation between the notions of epoché and reduction. In fact, the notion of reduction seems to run counter to the idea of expanding the epoché, insofar as it confines the latter within the narrow horizon of a (...) transcendental subjectivism. But Husserl himself cherished the ambition to return to the world. The second part emphasizes that reduction is an act that operates in the practical world in order to introduce a new type of action. According to the author, the phenomenon of ritual can be considered a sort of action in abeyance, i.e. action free from the burden of natural life. Thus the notion of “relief” could prove the most appropriate for introducing a phenomenological theory of rituals as rules without meanings. The third part deals with the relation between Husserl and the Japanese journal “Kaizō,” which asked him for some contributions. The upshot of this proposal was a certain misunderstanding between the Husserlian emphasis upon the idea of new and the perspective of Japanese culture, that tends to overcome the opposition between innovation and repetition through the juxtaposition of the new and the old. (shrink)

Mario Perniola finds more than one cause in common with Deleuze, establishing a link between some aspects of Deleuze's theories and his own education, oriental philosophy, the situationists, but mostly Surrealism and Stoicism, two philosophical attitudes sharing the awareness that the threshold between actuality and virtuality is shifting and in constant transformation. The core element of the essay is notably the notion of becoming, to be taken strictly in relation to the notions of assemblage and plane of consistency. Together they (...) account for one and the same moment, a disposition of elements, which is not stable but in constant movement. (shrink)

Machine generated contents note: -- Foreword Hugh J. Silverman \ Translator's Introduction \ Author's New Preface \ Abbreviations \ 1. Aesthetics of Life \ 2. Aesthetics of Form \ 3. Aesthetics and Consciousness \ 4. Aesthetics and Action \ 5. Aesthetics and Feeling \ Conclusion: Towards a Theory of Feeling \ Notes \ Bibliography \ Index.

In order to properly understand the period which begins at the end of the '60s last century, this must not be described anymore using the traditional categories of culture and politics. Facing events like those in May '68 in France, the Italian revolution in 1979, the fall of the Berlin wall in 1989, the attack against the Twin Towers from New York in September 2001, we are all tempted to say “impossible, yet real”. These events had immense consequences upon the (...) individual and collective life, provoking radical upturns of traditional values and of the way people relate to these values. Thus, a new form of historicity was born, having as characteristics the perception of some phenomena both as miracles and traumas, because they seem impossible to explain rationally. In this text both the axiological mutations that occurred in the history of the last decades and the meanings of these mutations are presented in a personal way. (shrink)

Perniola takes his inspiration from ancient Roman religion and its demystification of myth as ritual without myth. This demystification of ritual does not entail a process of secularization nor does it compromise the sacred character of myth. Instead, it is an attempt to establish a link or a transit between the sacred and the profane. The repetitive nature of ritual thinking is an attempt to relate the individual to the hard nuts of experience-sexuality, death, and the vast complexity of the (...) world.These realities are opaque and impenetrable, indifferent and extraneous to subjective purpose and good intentions. They appear to be 'things' that are irreducible to the life of the spirit and to its ideal aspirations. Where philosophy breaks down in coping with these actualities, ritual thinking provides a symbolic means. Today we witness the global dissemination of behaviors that have lost their original meaning. These behaviors and patterns of thought have become the modern rituals through which we cope with reality.This composite of two works-Transits and The Society of Simulcra-by one of Italy's most innovative thinkers, here translated into English for the first time, will be invaluable to philosophers with an interest in continental philosophy.Mario Perniola is professor of aesthetics at the University of Rome Tor Vergata and is the author of many books on aesthetics including Disgusti: New Trends in Aesthetics and Nineteenth Century Aesthetics. (shrink)

The paper intends to bridge the existing gap between aesthetic knowledge and contemporary society. The first part focuses on the cultural turn in aesthetics, the roots of which can already be found in the English criticism of the eighteenth century. This enterprise is inspired by a methodology that regards aesthetics as a "meeting place" of many disciplines and varying cultural traditions. A second type of cultural turn is carried out by writers (e.g. Baudelaire): the target of their polemic is the (...) concept of aesthetic disinterestedness. According to them, the beautiful, instead, has to create the greatest interest because it is none other than the promise of happiness. However, the two different approaches are not so incompatible as seems at first sight. Finally, the text focuses on the New Age and the culture of performance, which, even if presenting opposite traits, have one thing in common: they translate at the empirical and factual level experiences that originally belonged to another sphere, namely the spiritual and the symbolic. (shrink)

What kind of relationship has modernity established between knowledge and power? What forms does such a relationship take in contemporary society? Theattempt here is to enter into the merits of its new formulations, focusing attention on the degradation to which power and knowledge have been subjected. The essay also indicates a solution that does not consist in a return to the past or escape into the future, but in the possibility of viewing the present as an opportunity for cultural emancipation.