Christians have traditionally conceived of the moral life as an imitation of Christ, whereby followers enter into fellowship with God. The American Transcendentalists can be understood as extending rather than dispensing with this legacy. For Emerson, a person cultivates virtues by imitating those she loves and admires. Ultimately, however, the virtues enable her to innovate on received models, to excel by pressing beyond exemplars. Emerson's famous line, “imitation is suicide,” is not a contradiction but a fulfillment of (...) the imitation of Christ, understood in his terms. In his own time, John Brown was the public figure who, for Emerson, most nearly exemplified this innovative imitation of Christ. An examination of exemplarity, of this artful union of imitation and innovation in moral and spiritual formation, sheds light on how modern agents can cultivate the virtues needed to be at home in the modern world. (shrink)

An ethics of imitation risks trivializing, aggrandizing, and homogenizing the company of disciples. Should followers of Jesus even try to walk this way?

ABSTRACT What happens to the imagination in the process of overturning despair and becoming an authentic (i.e. a Christian) self? Using the mystic concept of Entbildung (i.e. getting cleansed of images) as heuristics, the article re-examines the relation of the imagination and the will in Kierkegaard. Analysing the rarely compared texts Practice in Christianity and the first of the Ethical-Religious Essay, and paying close attention to the semantics of the image, the article argues that grace and imagination cooperate in the (...) process of Entbildung, restoring the self’s receptivity for possibility as an uncontrollable, non-anticipatable divine possibility. It is in this kenotic discipleship that the aspiring followers of Christ may come to resemble Christ, who in the Garden of Gethsemane prayed ‘Father … everything is possible for you. Take this cup from me. Yet not what I will, but what you will’. (shrink)

The Martyrdom of Polycarp narrates a martyrdom ‘according to the Gospel’. Numerous facets of the text echo the passion materials of the Gospels, and Polycarp is directly said to imitate Christ. Various scholars have discussed the imitatio Christi theme within the work. Such an approach focuses upon Christ as an exemplar of suffering to be imitated, through specific events of similar suffering. But the Christology of the Martyrdom of Polycarp is far richer than this focus alone. Jesus (...) class='Hi'>Christ is also the Son, Savior, eternal high priest, teacher, elector, king, and alternative to Caesar. As the sovereign, he actively coordinates events and chooses martyrs from among his servants. (shrink)

Commentators agree that Kierkegaard's “second authorship” emphasizes the imitatio Christi. But they disagree in their understanding of conforming one's life to Christ. Does the authorship end with a summons to martyrdom or with heightened love of the neighbor? The paper argues that Kierkegaard's appropriation of the imitatio theme in pietist literature shows that human limitation and divine supremacy are the hallmarks of imitating Christ. Both potential martyrdom and the practice of the love of the neighbor rest upon submission (...) to God and reliance upon divine grace. (shrink)

The Heythrop Journal, Volume 63, Issue 4, Page 553-566, July 2022.

This article reevaluates the origins of Kierkegaard’s concept of imitation. It challenges the general approach to the genealogy of the phenomenon in question, which privileges the influence of various religious traditions on the thinker and ignores his exposure to the non-Christian literature. I contend that a close reading of the Apology, the Sophist, the Republic, and the Phaedo alongside Kierkegaard’s texts from the so-called second authorship reveals in the dialogues of Plato the three crucial aspects of Kierkegaard’s concept of (...) imitation, namely the phenomenon of following after, the existential, and the non-imitative character of imitation. Lastly, I show that, apart from striving to be a follower/an imitator of Christ, Kierkegaard perceives himself as a follower/an imitator of Socrates. This means that the life of the imitator of Christ is the examined life in the Socratic sense. (shrink)

The article begins with the gospels’ admonition to take up one's cross and asks how Christians might understand Christ's work on the cross so that we might better imitate or participate in it. Using tools from recent advances in literary analysis and systematic theology, the article attempts to provide some answer to this question. It considers contemporary feminist and liberation theologians’ criticism of the common but problematic interpretation of Christ's cross, what is often called ‘substitutionary penal atonement.’ It (...) compares this with Anselm's atonement theory of satisfaction and Bernard Lonergan's and René Girard's analysis of the cross as a communication of love that invites others into loving relationship. With these interpretations of Christ's work, it concludes with some thoughts on how Christians might take up their own daily crosses. (shrink)

In contemporary Western societies, public begging is associated with economic failure and social opprobrium--the lot of street people. So Christians may be puzzled by the fact that an interpretation of the imitation of Christ in the late Middle Ages elevated religious mendicancy into an ideal form of life. Although voluntary religious begging cannot easily be resurrected as a Christian ideal today, the author argues that a radical attitude and practice of trust, self-abandonment, and acknowledgment of dependence on God (...) can be a Christian ideal in any time and place. To follow this way of life, which the author calls mendicancy in attitude, is to become a beggar of God. (shrink)

This article explains and assesses a particular method of loving others that is espoused by Søren Kierkegaard. In his later works, Kierkegaard advocates a kind of deceptive love whereby one mystifies or deceives another person for that other person's own good. The theological underpinning of this mode of love is found in the imitation of Christ. In other words, just as Jesus adopted an incognito, so also Christians should, at times, appear different or lowlier in order to help (...) others by meeting them where they are. After explaining this form of love, I argue that there are considerable reasons not to follow Kierkegaard in his support of outright deception within personal relationships. I conclude with some brief reflections on whether the deceptive structure of Kierkegaard's own authorship is thereby condemned or whether it can be exonerated. (shrink)

This paper attempts to investigate Kierkegaard’s thought through the category of mimesis. First, two meanings of the word are distinguished and analyzed: the archaic meaning that links it to the concept of re-enactment, and the traditional meaning that links it to the aesthetic field of art. These two meanings are then considered in relation to Kierkegaard’s opus, showing the oscillation of mimesis as corresponding to that between the aesthetic, which lives in fantasy and in the unfulfilled possibility, and the religious, (...) which finds its identity in the imitation of Christ and in the transparent relationship to God. (shrink)

This paper challenges the general approach to Kierkegaard ’ s engagement with imitation, which privileges a strictly religious reading. Heretofore imitation has been apprehended as a coherent concept shaped within the context of imitatio Christi in the devotio moderna. I locate Kierkegaard ’ s writings in the broader context of mimesis. Analysing particular mimetic structures woven into the text, I show that a plurality of imitative models that are different fromChrist occurs therein. Addressing the distinction between the religious (...) and the aesthetic in Kierkegaard, I inquire into the status of these imitative models. Referring to the term “ Mellembestemmelserne ” and “ ekphrasis ”— the rhetorical de- vice of aesthetics — I show that the other models of imitation exhibit supportive roles to the highest type of prototype (Christ) and therefore question the solely religious rendering of mimesis and the aesthetic confines of Kierkegaard ’ s concept of aesthetics. (shrink)

ABSTRACTSeveral times within 1 Corinthians Paul encourages the Corinthians to imitate him. These are found at critical junctures in the epistle in 1 Corinthians 4:16 and 11:1. The meaning of these sections is in question from the perspective of Corinthian scholars. Several believe that Paul is appealing to apostolic power and authority to coerce the Corinthians to obey him, whereas others find him responding to social situations. This is different from the way that imitation and discipleship are presented within (...) the writings of Ignatius of Antioch. Pauline ideas, specifically those from 1 Corinthians, are known to have influenced Ignatius of Antioch’s writing, and thus Ignatius’ ideas about imitation are likely to reflect the meaning that Paul intended. Ignatius specifically speaks about imitation and discipleship in several places: Ign. Eph. 1, 2, 4; 3:1-3, Ign. Magn. 4:1; 5:1-2; 9:1-6, Ign. Rom. 3:1-2; 6, 3, 1. When these passages are considered, imitation involves suffering and possibly martyrdom. Imitation is also connected to the cross of Christ and is not a means to enforce superiority. Ignatius’ view of imitation would contradict the opinions of some scholars who see Paul’s injunction for imitation as a claim for power. It also supplies more information to the idea than those who claim that it is simply a counter example to the social situation. (shrink)

In this article I develop a new perspective on Kierkegaard’s ethics of becoming oneself. I understand this important subject from the perspective of moral exemplarity, a viewpoint for which there has not been sufficient attention in Kierkegaard scholarship on the subject of becoming oneself. On the basis of a combined reading of his The sickness unto death and his Practice in Christianity I show that Kierkegaard argues, under the pseudonym Anti-Climacus, that one becomes oneself through the imitation of (...) class='Hi'>Christ. I elaborate this Christian ethics of becoming oneself by focusing on the transition from philosophy to theology in Anti-Climacus’ ethics, and, moreover, by making clear, first, how one can become oneself through the imitation of Christ; second, why one should, according to Anti-Climacus, imitate Christ; and third, what exactly should be imitated in the imitation of Christ. In the conclusion of this article I argue that, contra a dominant interpretation among Kierkegaard scholars, human beings can be themselves according to Anti-Climacus. (shrink)

With a crown of thorns on his head, nails in his hands and feet, and a spear wound in his chest, Jesus Christ of Nazareth, who was hanging on the Cross, has occupied Christians for hundreds of years and continues to do so. All Christian faith centres around Jesus, who sacrificed himself on the crucifix for this symbolized event, or "salvation of sinful mankind." In this framework, Christians believe that every human being should imitate the life of Christ (...) as a "model savior", and especially experience the same wounds and passion on the crucifix. Paul was the first to say that he had the scars of Christ on his body. Francis of Assisi and others followed him, and they were considered stigmatics/stigmata bearers. In our country, although there have been many studies on Jesus, no study on the subject of stigmata has been found. Therefore, in this article, the emergence of the understanding of stigmata in the context of bearing the wounds of Jesus Christ on the cross on the body of believers, its historical development, the perceptions of the Middle Ages and the stigmata of Paul and Francis of Assisi will be discussed. Thus, the development of the understanding of stigmata in the Christian world and how effective it is will be tried to be revealed. (shrink)

The Abased Christ is the first monograph to be devoted exclusively to Søren Kierkegaard’s Christological masterpiece, Practice in Christianity. Alongside an argument for a new translation of the work’s title, it offers detailed textual commentary on a series of themes in Practice in Christianity, such as the person of Christ, contemporaneity, imitation, and Kierkegaard’s philosophy of history. Anti-Climacus, the pseudonymous author of Practice in Christianity, presents to his readers a uniquely challenging understanding of who Christ is (...) and what it means to follow him. The Christ of Anti-Climacus is not the glorious Christ who abides with the Father in heaven, but the abased Christ who is poor, marginal, offensive, and persecuted. Throughout Practice in Christianity, we are called not only to perceive the abased Christ, but to follow after him. The Abased Christ aims to enrich historical theologians’ appreciation of Kierkegaard’s Christology. However, it concludes by grappling with questions of power, agency, and sacrifice which have been at the forefront of contemporary theology in the 20th and 21st centuries, thereby suggesting how we might make sense of Kierkegaard’s Christology today. (shrink)

What place do imagination and art have in Christian existence? This paper examines this question through the writings of Kierkegaard's pseudonym Anti‐Climacus: The Sickness Unto Death and Practice in Christianity. I focus on the latter work in particular because it best illustrates the importance of imagination in following after (Efterfølgelse) Christ in imitation, which Anti‐Climacus presents as the proper task of faithful Christian existence. After outlining both his critique and his affirmation of the imagination, I then consider what (...) role the notion of ‘Christian art’ might play in his account of the imitation of Christ. Anti‐Climacus gives a severe critique of Christian art, insofar as it disposes the viewer to detached observation and admiration – rather than imitation – of Christ. However, an earlier passage in the same text gives a provocative yet cryptic indication of the sort of art that would not succumb to this danger. Taking a cue from the phenomenology of Jean‐Luc Marion, I draw out this suggestion and argue for the important role that visual art can play in imitating Christ. The final section illustrates this point briefly with three paintings: Matthias Grünewald's Crucifixion, Hans Holbein's The Body of the Dead Christ in the Tomb, and Albrecht Dürer's Self‐Portrait (1500). (shrink)

Through an analysis of Kierkegaard’s and Dostoevsky’s approaches to the theme of the death of Christ – one of the major leitmotifs in the debate of their contemporaries conveyed through theological and philosophical considerations, but also expressed in novels and in art – I show how the thinkers comprehended and articulated in their works the religious challenges awaiting the modern man.

This essay addresses the alienation of aesthetics from ethics in the context of modernity. In examining the modern development of moral theory, it offers a critique of the dominant trends within that tradition, arguing that the result is a fragmented and disordered conception of the good life. Christian ethics, grounded in a conception of the beauty of God’s being as a disclosure of the true good, can reaffirm the connection between ethics and aesthetics, that beauty is not simply a matter (...) of inward reflection but also of action toward the world, which gives content to moral life. Christian ethics ultimately requires a “sense of style” through which we are attracted to a life lived in imitation of Christ, and through which our conceptions of virtue are grounded in a desire to act in such a way as to manifest God’s beauty before the world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Varieties of Vernacular Mysticism (1350–1550) by Bernard McGinnDennis J. Billy C.Ss.R.The Varieties of Vernacular Mysticism (1350–1550). By Bernard McGinn. New York: Crossroad, 2012. Pp. xiv + 721. $70.00 (cloth). ISBN: 978-0-8245-9901-0.This fifth volume of McGinn’s Presence of God: A History of Western Christian Mysticism covers the Dutch, Italian, and English vernacular mystics of the late Middle Ages. In previous volumes, the author treated the Foundations (vol. 1), (...) Growth (vol. 2), Flowering (vol. 3), and Harvest (vol. 4) of Western Christian mysticism from its roots in the Jewish matrix and the Greek ideal to its fruition in the German vernacular writings of Meister Eckhart and his students. In this latest volume, he continues his history of Western Christian mysticism by focusing on varieties of vernacular mysticism in the Low Countries, Italy, and England from 1350 to 1550.Conscious of the dangers of historical periodization and regional classification, as well as the relationship of mysticism to the greater ecclesiastical world, McGinn takes pains to show the distinctive character of each mystic under consideration, while at the same time pointing out appropriate parallels with Western and Eastern Christian mystics from past historical epochs and those contemporary voices from both within and [End Page 476] without each mystic’s linguistic region. In his preface, he apologizes to his readers for the long gestation of the present volume and offers a brief account of how his original plan of writing a three-volume history of Western Christian mysticism evolved into a series of seven, due in large part to the sheer wealth of sources and his desire to give them a thorough treatment. Rather than following his original intention of including other vernacular traditions in his previous volume on German mysticism, he wisely chose to devote an entire volume to these other important strands (ix–x).Instead of writing a general introduction to the volume, McGinn decides to give a brief introduction to each of the three major parts. He divides his work into thirteen chapters constructed along the following lines: (1) “Late Medieval Mysticism in the Low Countries” (chaps. 1–5), (2) “Mysticism in Late Medieval Italy” (chaps. 6–9), and (3) “Mysticism in Late Medieval England” (chaps. 10–13). The volume closes with a brief conclusion (491–94), extended annotations (495–661), an extensive bibliography (662–704), and indices for Scripture references (705–6), names (707–12), and subjects (713–21). The book’s organization reflects the theme of diversity highlighted in its title. Although each part has its own internal structure and stands on its own as a survey of the material at hand, it also fits well into the volume’s overall plan of pointing out the distinctiveness and great variety of the vernacular mysticisms produced during this period. Taken individually, each part can be considered a probing monograph on the vernacular mysticism in each region. Taken together, the parts offer a unique glimpse into the mystic and literary creativity that sets this period apart as one of the most fertile periods in the history of Christian mysticism.In part 1, “Late Medieval Mysticism in the Low Countries,” McGinn notes that “the period ca. 1350 to ca. 1550 is the central era for Dutch mysticism” and “witnessed a florescence of mystical authors writing in the Dutch-Flemish language” (1). Although he hesitates to refer to a Dutch “school” of mysticism and thinks that “Ruusbroec should not be made the yardstick by which all later Dutch mystics are measured,” he has no reservations about considering him “a gravitational center in the history of Dutch mysticism” (2). This section of the book begins with an in-depth look at the mystical writings of Jan van Ruusbroec (1293–1381) (chap. 1) and continues with a study of Goenendaal mysticism after Ruusbroec (chap. 2). It then turns to a treatment of the mystical aspects of the Devotio Moderna, with a special emphasis on The Imitation of Christ and some vernacular mystics numbered among the Devout, such as Hendrik Mande (ca. 1360–1431, Gerlach Peters (ca. 1375–1411), and Alijt Bake (1415–55), and adds a brief note on the nominalistic... (shrink)

ABSTRACTThere is an ongoing debate in New Testament scholarship on the correct interpretation of Paul’s pistis Christou formulations: are we justified by our own faith/trust in Christ, or by participating in Christ’s faith and faithfulness towards God? This article contributes to the position of purposeful or sustained ambiguity by reading Paul’s imitation – and faith – language against the background of Hellenistic-Roman thought on and practice of imitation. In particular, the mimetic chain between teachers and students (...) training for a philosophical disposition, and the philosophical topos of ‘becoming like God’ offer material valuable for comparison. Since pistis, fides and cognates are used in these settings as both a quality to imitate and as attitude towards a model, and since, conversely, imitation is very much involved in Paul’s pistis-vocabulary, it makes sense to read pistis Christou as shorthand for a mimetic movement of faith via Christ towards God. (shrink)

This article sets the dancing of religious and saints and their role models in the perspective of imitation in terms of an essential cultural technique of the Middle Ages. Since the religious were compelled in their search for God by the imitation of Christ and the saints, their dancing was also to be integrated into the symbolic order of the monastery. Given that dance and religious practice are both governed equally by two fundamental categories – regularity and (...) ritualization on the one hand, and ecstasy, unboundedness from all being and in result ascension to God on the other – this heterogeneous phenomenon could not be seamlessly integrated into another phenomenon. Here, it clashed with the symbolic ordering of the monastery; the ambiguities contained in this dualism could be reinforced or cancelled out. With the individual and his or her conscience becoming more appreciated, and the ushering-in of a more plural society, as well as the rearrangement of old role models which had been typical of mysticism towards Christ, had clear consequences for the image of God, which in the Late Middle Ages received a new more human face with the ‘playing’ God. As a result, believers re-anchored dance and all its facets in the order-oriented thinking of the European-Christian Middle Ages. Christ had become the best of all dancers, someone every believer had to imitate, at least in his or her soul. (shrink)

This essay demonstrates the prominence of imitation in Kierkegaard’s ethics. I move beyond his idea of authentic existence modeled on Christ and explore the secular dimension of Kierkegaard’s insights about human nature and imitation. I start with presenting imitation as key to understanding the ethical dimension of the relationship between the universal and individual aspects of the human self in Kierkegaard. I then show that Kierkegaard’s moral concepts of “primitivity” and “comparison” are a response to his (...) sociological and psychological observations about imitation from an ethical point of view. In the final section of this paper, I briefly engage Friedrich Schleiermacher’s “ethics of individuality” and Gabriel Tarde’s “laws of imitation” to explore Kierkegaard’s consideration of ethics and imitation as situated within the context of a broader conversation on imitation. (shrink)

This dissertation seeks to bridge the gulf between New Testament studies and Christian theological ethics by integrating them on the topic of Christian love for others--especially when such a love is correlated with the appeal to imitate God or Jesus Christ. The general goal of this endeavor is therefore to do an exercise in hermeneutics--to make the Scripture speak to contemporary Christians ethically. The specific goal, then, is to establish the rudiments of a complete ethical theory of Christian love (...) which is biblically based. ;In order to achieve these goals, this dissertation will carry out three tasks: the descriptive task--to ascertain exegetically the meaning of those passages of love which correlate love with imitation ; the interpretive task--to translate the moral messages contained in these passages from their first century vernacular into the contemporary, technical, ethical language; the evaluative task--to assess selected interpretations by recent Christian ethicists of individual texts on Christian love, and the message on Christian love in the New Testament in general. ;On the basis of the result of these descriptive and interpretive tasks, I formulate eight theses on a Christian ethics of love. I also find that many contemporary interpreters of Christian love have neglected many of these theses. (shrink)

This book is devoted to the so-called moral virtues, especially those moral virtues of which Christian tradition upholds that they are given by God to the faithful. For instance patience, humility and justice. There are not only different interpretations of these infused moral virutes, but it is also not unambiguous in the theology of Aquinas how these virtues are related to the virtues human beings acquire on their own accord. What is the relationship with Scripture, how do these virtues clour (...) the imitation of Christ, and what do these virtues tell about the moral life of non-Christians? (shrink)

This article employs the descriptive and exegetical methods. It found several ways by which patriarchy precipitates marital disharmony in Nigeria. For instance, the custom of the bride price instils in the husband the feeling of ownership of the wife, which encourages some men to treat their wives like their property. The nature of marital disharmony varies with couples, but there are some common characteristics. The husband may withdraw from his wife, avoiding all forms of contact and communication with her; wife (...) beating is also common. Ephesians 5:22-33 mitigates the patriarchal view of marriage, redefining the concepts of submission and leadership. The wife should submit to her husband’s authority as she would to Christ whilst the husband should exercise his authority with love in imitation of Christ. When this new definition of marital relationship is understood and applied by Christian couples, disharmony will be considerably alleviated. The church should be involved in the application of the text, teaching husbands particularly the need to exercise their authority in sacrificial love.Contribution: The article endorses the journal’s focus on the combination of the notions ‘source’ and ‘interpretation’ by its emphasis on the exegesis of writings in the field of early Christian literature. (shrink)

The church of S. Prassede, built and decorated by Pope Paschal I , survives as the example par excellence of the Carolingian Revival in Rome. The plan of the church has long been recognized as a deliberate imitation of the design of Old St. Peter's, though on a much smaller scale. The splendid apse mosaic of Christ and the attendant Adoration of the Lamb by the twenty-four elders, which occupies the apsidal arch, may derive directly from the sixth-century (...) program at SS. Cosmas and Damian, which in turn refers to a fifth-century prototype such as was found at St. Paul's Outside the Walls. (shrink)

An in-depth study of Kierkegaard's thinking on Christology, emphasising the radical nature of his approach to the incarnation, with an emphasis on the call of the Christian believer to a life of 'kenotic' (self-emptying) discipleship in imitation of Christ.

The paper aims at presenting a synthetic reconstruction of Kierkegaard’s late critique of what he called “official Christianity,” that is that which in the world counts as Christianity but which, according to Kierkegaard, has nothing to do with real Christianity. The paper begins with a short presentation of what according to Kierkegaard the essence of real Christianity is, with special emphasis on his idea of imitating Christ. Then his main reproaches follow: leading a pagan life and calling it Christian, (...) rejection of imitation of Christ and putting some verbal activities instead, and rejection of imitation of Christ and worshiping him instead. Those three points are supplemented by Kierkegaardian critique of clergy. In the final section it is argued that Kierkegaard’s critique is universal in scope, i.e. it concerns all major Christian denominations. (shrink)

Augustine’s sermons on the Psalms of Ascent, part of the Enarrationes in Psalmos, are a unique entry in the venerable tradition of those writings that aim to help us ascend to a higher reality. These sermons transform the ascent genre by giving, in the place of the Platonic account of ascent, a Christian ascent narrative with a Trinitarian structure. Not just the individual ascends, but the community that is the church, the body of Christ, also ascends. The ascent is (...) up to God, the Idipsum or the Selfsame, the ultimate reality, confessed by the church as God the Father, God the Son, and God the Holy Spirit. Through the grace of the Incarnation, God the Son enables us to ascend, making himself the way of ascent from the humility we must imitate at the beginning of the ascent all the way up to Heaven, where he retains his identity as Idipsum. Meanwhile, the Holy Spirit works in the ascending church to convert our hearts to the love of God and neighbor. I review the Platonic ascent tradition in Plato’s Republic and Plotinus’ Enneads; overview ascent in some of Augustine’s earlier writings; introduce the narrative setting of the sermons on the Psalms of Ascent; and analyze the Trinitarian structure of their ascent narrative. I close with some reflections on the difference between a preached Trinitarianism that encourages ascent and a more academic effort to understand God such as we find in Augustine’s de Trinitate. (shrink)

All the major sixteenth-century Reformers knew something about the early church and used the early Fathers. As an Augustinian monk and professor of theology, however, Luther’s knowledge and use of the great Father was both deeper and more nuanced. While indebted to Augustine, Luther went further in defining what it meant for theology to be ‘scriptural’. He saw history as the interaction of God’s two regimes, and the church of every age as weak and flawed but conquering through the cross (...) of Christ. This led him to a free use of the Fathers without being constrained to always agree with or imitate them. The comfort he received from the Apostles’ Creed in particular led him to appreciate the early creedal statements, and so it was natural for him to use them as models when formulating the new confessions required in his own day. The sixteenth-century heritage of written confessions of faith is a heritage under-appreciated but still vital for church bodies today.1. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:RECENT INTERPRETATIONS OF EARLY CHRISTIAN ASCETICISM ROBIN DARLING YOUNG The Oatholio University of A.merioa Washington, D.O. Peter Brown, The Body and Society: Men, Women and Sexual Renunciation in Early Christianity. New York: Columbia University Press, 1988. Sebastian Brock and Susan Ashbrook Harvey, Holy Women of the Syria.n Orient. Be1·keley: University of California Press, 1987. Elizabeth A. Clark, Ascetic Piety and Women's Faith. Essays on Late Ancient Christianity. Lewiston/Queenston: The (...) Edwin Mellen Press, 1986. Elain~ Pagels, Adam, Eve and the Serpent. New York: Vintage Books/Random House, 1988. Introduction FROM THE FIRST century, the development of patristic Christology, both orthodox and heterodox, was the result of a collective reflection upon the identity and redemptive action of Jesus, the Logos, who was en arche and became incarnate at a specific point in the history of the cosmos. Likewise, the development of the patristic theory of askesis, tihe devout discipline of the Christian, beginning within the New Testament canon, was a discussion of how the Christian might, through his moral life, move toward the goal offered him by the Logos: conversion to, identification with, and eventual unification with Jesus Christ. This occurred by the means of progressive discipline and love in the company of other believers and employed methods older than Christianity itself. What made and makes Christian askesis unique as a U4 ROBIN DARLING YOUNG religious self-discipline is the personal identification of the believer with Christ. It is undeniable that Christolo~J, soteriology, and ascetical theory have been linked historically. The answer to the question, "Who do men say that I am?" (Mt. 16.13) will imply the form of the response to the divine imperative of " follow me" (:~11. 16.24,Q5). Those theologians of the early church who were blessed with consistency almost automatically adjusted their Christology and their moral theology. A concise statement of this connection may be found in Irenaeus's Against Heresis (5.18-20). "[Christ] caused man to cleave to and to become one with God... unless man had been joined to God, he could never have become a partaker of immortality." The result of the incarnation is the imperative.for human beings, now freed by the " most holy and merciful Lord, [who] loves the human race" (18.6), to model their actions after his (20.2). Origen's Exhortation to 1Vlartyrdom recalls the earlier formulation of Paul when he refers to " the mind of Christ within us" (ch. 4) and states that "Now it is revealed whether or not we have taken up our cross and followed Jesus. This will have happened if Christ is living in us " (12). The willingness to face martyrdom was the great test of Christ's inner presence : " I think that they love God with all their soul who with a great desire to be in union with God withdraw and separate their soul not only from the earthly hody but from eveTything material " (3). Such an exhortation, which sees askesis as a preparation for martyrdom as well as a mode of life, had already been clear-·ly enunciated hy Ignatius (To the Ephesians, 4). Ignatius, "called Theophoros (God-bearer)," wrote that he had "welcomed that beloved name of yours, earned through your natural righteousness in accordance with faith and love in Christ Jesus, our savior. Imitating God [incarnate] and inflamed by the blood of God [in the Eucharist] you accomplished your common task perfectly." EARLY CHRISTIAN ASCETICISM H5 Together with Paul, Ignatius left a legacy of early Christi.an opinion remarkable for the unity it proposes between Christ.and the Christian. Reflecting upon the incarnation, it understands Christ,as redeemer and model for Christians. Although critical Biblical scholarship has for decades prescinded from a portrait of Christ himself, as opposed to the communities founded hy him, most early Christians considered him to have been a single, celibate person. They did not, of course, think of Christ as a monk in the later sense of the term, hut their insistence that the Christian moral life of ascesis and sacrifice,be modeled upon Jesus' own life can he seen a:s preparing the way for such a view of Christ. The best reason for... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Erasmus and the Problem of the Johannine CommaJoseph M. LevineWhen Edward Gibbon decided to banish primary causes from the Decline and Fall and integrate secular and ecclesiastical history, he was completing a revolution that had begun unwittingly two centuries before. 1 To bring into his narrative of empire a consideration of the “Johannine comma” (the interpolation in 1 John 5:7–8) was not perhaps either digressive or inevitable; but it (...) would certainly have surprised and dismayed some of Gibbon’s immediate predecessors, such as the Catholic Frenchmen, Bossuet and Tillemont, each of whom had written about his subject and exercised an important effect on him at different times in his life; and it would have seemed even more incomprehensible to earlier generations. 2 Something had happened in the two centuries between Erasmus and Gibbon to make this new vantage point possible and congenial.It was, I think, nothing less than a victory for the idea of history. At the beginning of the sixteenth century theology still ruled as queen of the sciences and the claims of religion were largely justified by an appeal to reason and authority, that is, to Aristotelian logic and the dictates of the Church. By the end of the eighteenth century theology had become dependent on history, and religion was now justified by an appeal to “matter of fact.” 3 Even such mysteries as the doctrine of the Trinity, which had eluded the reason of St. Thomas and the schoolmen and had remained dependent on the dictates of Church Councils from Chalcedon to Trent, had come now to depend in some fashion on the [End Page 573] evidence of Scripture considered as history. At the same time the removal of final causes from the narrative of human events threatened to leave it—with every other Christian doctrine and event—to the arbitrament of ordinary scholarship. Gibbon brings us to the edge of religious modernity, and the history of the comma exactly spans the period of that development. It was Erasmus, however, as Gibbon himself suspected, who had first set some of the key problems, which he and his enlightened friends believed they had solved.For Erasmus the decision to edit the Greek New Testament was the result of an early commitment to Renaissance humanism and a response in particular to several lively currents in the contemporary intellectual scene. On the one hand Erasmus, encouraged perhaps by his new friend John Colet, began to think of the Bible principally as a record of history rather than as an arsenal of theological texts, above all as the story of Christ on earth—Christ as the supreme exemplar to be followed and imitated. Apparently, he had been well prepared for this by his acquaintance with the Brothers of the Common Life, and by a characteristic humanist distaste for logic and metaphysics—and a preference for rhetoric and history—which he displayed in all his early writing. 4 It seems to have been Colet’s Lectures on the New Testament that encouraged his view that Paul and the apostles, if not Christ himself, were best understood in their historical setting and that their message was primarily ethical. 5 In effect the churchman, Colet, and the wandering monk, Erasmus, wanted to place Christian responsibility back in the hands of the laity, in the conscience and behavior of the Christian believer, rather than in what they took to be the mechanical observances of Church ritual. This required that the Bible be placed at the very center of worship, in the hands of every man (and woman), accessible and intelligible as the Vulgate was not, and read in the first place for its story. There were others on the Continent who shared the same impulse—which, of course, the Protestant Reformation was also to endorse. 6Secondly, Erasmus was encouraged to his work by his accidental discovery of Lorenzo Valla’s Notes on the New Testament. 7 He had already pledged [End Page 574] himself to the culture of Italian humanism, to its determination to recover the Greek and Latin texts of classical antiquity and put them to use by imitation. Valla was the master of humanist technique, the greatest... (shrink)

Research for this study was served by the hypothesis that the Christian’s lifestyle and witness in a postmodern world will depend on the definition and practice of worship and spirituality. The Old Testament reveals a spirituality that has ‘Yahweh’ involved in all aspects of life. Awareness and experience of the presence of God is linked to obedience to God. New Testament spirituality implies imitation of Christ and an effort to obey Christ's twofold command: to love God and (...) neighbor as self. Christian exhortation (contemplation/meditation) and adoration never take place in isolation from the world because God is active in the world. Adoration leads to action in the world which, in turn, leads to adoration of God. All work done and all life lived for God's sake is, in essence, worship. Being a Christian implies living a life of sacrifice, making a gift of your life to God. As the Christian strives with the Spirit's guidance and empowerment to love God with his/her heart, soul, mind, body - and his/her neighbor as him/her self, in a moment by moment way; as he/she worships God with adoration and action; then he/she is living a true Biblical Christian life and experiencing and practicing true Biblical worship and spirituality. For the postmodernist, religious relativism is incompatible with the objective truth claims of Christianity and the words ‘Christian’ and ‘Church’ mean either empty tradition or abusive totalizing metannarrative. To maintain its identity and practice effective and relevant ministry, the Church should reflect an internal unity in desire, in life, in purpose, and in love. The Church must be the incarnate and engaged love and glory of God to a world that judges Christian truth claims by the lifestyle and witness of Christians. A praxis-orientated apologetic of an incarnational engaged worship and spirituality will demonstrate Christians truth claims. This gives Christianity integrity, credibility, and intelligibility to postmodernists that seek an experiential spirituality in the postmodern era of deconstruction. Evangelism is founded in who God is and what God has done for humanity through the death and resurrection of Jesus Christ. Christian’s demonstrate the Gospel as they love their God and their neighbor with devotion and conduct. They proclaim God’s love with plausibility when they reveal God’s love in action as a visual aid for Gods truth. As Christian worship and spirituality produce the actions that give voice to the nature and will of God, Jesus Christ will ‘rise again’ in the postmodern world through an incarnational and engaged Christian faith. Point summary: i. Authentic Biblical Christian worship is a lifestyle that takes place in an interdependent rhythm of both adoration (joyful praise of God) and action (obedient service to God). ii. Holistic spirituality is the lived moment by moment experience of Christian belief in both general and specialized forms (the Christian faith), and the reaction that the Christian’s belief system arouses in religious consciousness and practice moment by moment (the Christian faith). iii. Biblical worship and spirituality is thus conformity of heart and life with the confession and character of Jesus Christ. It is living life in the coram Deo (the presence of God) in obedience to His will out of gratitude for salvation. iv. Worship, spirituality, and the Christian faith become equivalent terms for each other and as defined in i-iii above reflect an incarnational engaged approach to evangelism. v. Worship and spirituality as a praxis-orientated apologetic presented as an incarnational engaged approach (that tells God’s story and your story) in a postmodern world, will be a more effective method of evangelism than rational apologetics and program/method based evangelism. -/- . (shrink)

The purpose of this article is to uncover the meaning of holy feigning in the late-antique Christian text the Apophthegmata Patrum, or Sayings of the Desert Fathers [and Mothers]. Whereas stories in this text depict demonic feigning as a regular occurrence (demons often appearing in the guise of a fellow desert dweller), what I call ‘holy feigning’ depicts one desert Christian expressing empathy for the situation of another – and helping the other to change. By looking at two stories that (...) are paradigmatic of holy feigning, I show that exemplary deceptive behaviour, though explicitly defying the otherwise consistent rhetoric of ‘radical self-honesty’ in the Apophthegmata Patrum, paradoxically marks out the person who feigns as holy, discerning and imitative of Christ. In this article, I offer several suggestions for accounting for this seeming contradiction in the desert literature and propose how a spirituality of holy feigning might remain meaningful to readers of this literature today. (shrink)

Life together : moral reasoning in theological context -- Pilgrim's progress : virtues and the goal of the journey -- The imitation of Christ : issues along the way.

Scholars have long noted Ignatius of Antioch’s statements of high christology. Jesus, who as God appeared in human form, is ‘God in man’ and is ‘our God’. Jesus Christ is included in such ‘nas-cent trinitarian’ passages as Eph. 9.1 and Magn. 13.1-2. Yet further treasures remain to be mined, and the specific vein I will explore is the integration of Ignatius’ high christology with his ethics. His paraenesis is rooted in ‘the mind of God’, also described as ‘the mind (...) of Christ’, who is ‘the God who made you so wise’. Ignatian moral instruction combines ‘the will of God and Jesus Christ’, ‘the honor of the Father and the honor of Jesus Christ’, and ‘the love of God the Father and the Lord Jesus Christ’. Believers are to be ‘imitators of God’ as well as ‘imitators of Jesus Christ’. Ignatius even prayed that he would be ‘an imitator of the suffering of my God’. Ignatian exhortation thus merges an imitatio Christi with an imitatio Dei. Arising from his particular experiences and specific circumstances, Ignatius’ contextualized paraenesis elevates the Son to an authoritative status parallel to that of the Father. The interplay of christology and ethics also underscores a multi-leveled understanding of ‘unity’ and a multivalent use of ‘flesh and spirit’. (shrink)

Researchers agree on ascribing the De incarnatione Christi contra Apollinarium and the De salutari epiphania contra Apollinarium to two different authors, who probably shared the same theological education. The latter not only uses a mature theological style but shows a better knowledge of Apollinarius of Laodicea and his disciples’ writings. Even though the two authors try to demonstrate the presence of a perfect humanity in Christ, against Apollinarian thought, we can find some important differences in their works concerning the (...) topic of the impeccabilitas of Christ and the relationship between sin and freedom. They explain in a different way the theory of salvation according to Apollinarius: while according to the author of De incarnatione Christi contra Apollinarium the man can save himself through the imitation of Christ, for the other writer salvation has been accomplished only because Christ is devoid of any trace of sin. (shrink)

In this essay, I compare and contrast how Boethius, the author of Beowulf, J. R. R. Tolkien, and C. S. Lewis found ways to integrate their Christian theological and philosophical beliefs into a work that is set in a time and place that possesses the general revelation of creation, conscience, reason, and desire, but lacks the special revelation of Christ and the Bible. I begin by using Lewis’s own analysis of the Consolation in his Discarded Image to discuss what (...) it means for a Christian author to write in a pre-Christian mode. I find a model for such writing in Ecclesiastes, and discuss how Boethius, while confining himself to the pagan wisdom of Greece and Rome, points the way from philosophical consolation to theological transformation. I then use Tolkien’s ‘Beowulf: The Monsters and the Critics’ to unpack the distinction between the author’s Christian faith and the purely pagan consolation he offers to his characters, and locate that dynamic in the epic itself. Next, I explore how Tolkien, in imitation of Beowulf, balances a deep sense of loss and fatalism with an intimation of a higher providence guiding all. Finally, I show how Lewis, in imitation of Boethius, finds in the pagan world of his novel seeds of a greater revelation to come. (shrink)

According to Orthodox theology, philanthropy refers to the love of God toward man, which man is called to imitate by loving his neighbor as himself. This love consists not just in emotions but requires specific acts of philanthropy toward our fellow man in need. The church, in keeping the commandments of Christ, has developed throughout her history a rich philanthropic work. The diaconia of the church has taken many forms, thus responding to historical change and to the specific human (...) needs at different times. Concentrating on diaconia for those who are in need of long-term care, this article presents the Orthodox view of the diaconia of the church, as realized through her own philanthropic organizations as well as through her very specific contribution to the diaconia offered by state sponsored charitable institutions. (shrink)

This article is intended to serve as a reminder of the themes that have been present in Christian spiritual formation through the centuries. In a WISDOM orientation we ground our approach to CSF in Scripture, in theology, and in “best practices,” yet we also seek to thoughtfully locate CSF within specific contexts. The WISDOM acronym reminds us that formation must involve: Wise planning, where the leaders prayerfully seek to implement what is needed in a specific situation; Intentionality, calling people to (...) commit to walk differently from the ways of the world; Scripture, salvation, and Spirit, where the Salvation message and the Spirit-led mission of the whole of Scripture provides the framework for CSF; Discipleship, where the end of CSF is the imitation of Jesus Christ; Optimism, where we pursue our formation in an atmosphere of hope and expectation of change; and Means. (shrink)