Bhabha, Georges Didi-Huberman, David Morgan and Lee Siegel, as well as a series of focused contributions by Yve-Alain Bois, Wendy Doniger, Kenneth Frampton, Martin E. Marty, John Hallmark Neff, Annemarie Schimmel, and Helen Tworkov consider how rapture resonate's both in a cultural context and within the experience of a single human being.

Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...) our pubIic policy agenda. Cur beIiefs are too narrow, thus we see, understand, and control small slices of life.Business ethics should be the study of the structure and impact on us of what we call "business science," e.g., accounting, marketing, economics, law, etc., and the corresponding study of the process of what Carl Jung called individuation: learning to become one's own uniqueself in the face of these bodies of professional knowledge which have structured our lives and charted the direction for our sensibilities for too long. (shrink)

Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...) our pubIic policy agenda. Cur beIiefs are too narrow, thus we see, understand, and control small slices of life.Business ethics should be the study of the structure and impact on us of what we call "business science," e.g., accounting, marketing, economics, law, etc., and the corresponding study of the process of what Carl Jung called individuation: learning to become one's own uniqueself in the face of these bodies of professional knowledge which have structured our lives and charted the direction for our sensibilities for too long. (shrink)

For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and (...) Foucault. Each of these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault. Why does each of these philosophers—each fundamentally concerned with his own originality—return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him. This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as "the art of living" and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself. (shrink)

For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and (...) Foucault. Each of these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault. Why does each of these philosophers—each fundamentally concerned with his own originality—return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him. This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as "the art of living" and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself. (shrink)

This is a multicultural philosophy of art applied to common American and European experience and discussed in relation to Taoist, Buddhist, Hindu, Native American, and African traditions.

In this article we seek to lay bare a couple of potential conceptual and methodological issues that, we believe, are implicitly present in contemporary philosophy of technology. At stake are the sustained pertinence of and need for coping strategies as to ‘how to live with technology ’ notwithstanding PhilTech’s advancement in its non-essentialist analysis of ‘technology’ as such; the issue of whether ‘living with technology’ is a technological affair or not ; and the tightly related question concerning the status (...) of the methodological bedrock of contemporary PhilTech, the ‘empirical turn.’ These matters are approached from the perspective of the philosophical notion of the ‘art of living,’ and our argumentation is developed both as a context for and on the basis of the contributions to the special issue ‘The Art of Living with Technology.’. (shrink)

Questioning the premise that philosophy can only be conceived as a rational discourse, Sellars presents it instead as an art (techne) that combines both 'logos' ...

The Art of Living Consciously Is an Operating Manual for Our Basic Tool of Survival In The Art of Living Consciously, Dr. Nathaniel Branden, our foremost authority on self-esteem, takes us into new territory, exploring the actions of our minds when they are operating as our life and well-being require -- and also when they are not. No other book illuminates so clearly what true mindfulness means: * In the workplace * In the arena of romantic love * (...) In child-rearing * In the pursuit of personal development Today we are exposed to an unprecedented amount of information and an unprecedented number of opinions about every conceivable aspect of life. We are thrown on our own resources as never before -- and we have nothing to protect us but the clarity of our thinking. In The Art of Living Consciously, Branden gives us the tools with which to draw out the best within us. (shrink)

The central aim of the present investigation is to shed light on Nietzsche’s understanding of happiness and a good life, starting from Nietzsche’s appropriation of Plato’s and Aristotle’s doctrine of a hierarchy of human beings and forms of life.

This contribution focuses on three aspects of Nietzsche’s art of living that have become relevant today especially in the United States (but not only here): first, regarding some facets of the economic-political conditions of any contemporary art of living; second, the widespread adoption of Nietzsche’s notion of self-overcoming and artistic self-design in entrepreneurship and individual’s lives; and third, how his notion of ‘incorporation’ has been further developed in current approaches to habit design. Eventually I will show via the (...) example of Anthony Robbins that some notions of Nietzsche’s art of living have become most popular outside of academia, namely in the commercial industries of what has been called ‘self-growth’ or ‘self-development.’. (shrink)

From his own day to the present Socrates has presented a challenge to philosophers and commentators, a challenge at once of a puzzle to be solved and of an ideal to be continually reshaped in response to the demands of shifting historical perspectives. Alexander Nehamas’s intriguing book combines discussion of this ongoing process, specifically of responses to Socrates by Montaigne, Nietzsche, and Foucault, with exemplification of it via his own response to Socrates. The focus of these responses is specified in (...) the book’s title. The Socrates to whom Nehamas himself responds is a figure for whom philosophy is the art of living, that is to say a figure who uses argument and debate as a means to the identification and thereby the achievement of the constituents of the best human life. And the writers on Socrates whom he discusses, sharing that conception of the role of philosophy, pursue it with more or less explicit reference to its pursuit by Socrates. (shrink)

In volumes two and three of The History of Sexuality, Michel Foucault recovers an ancient ethical tradition of “aesthetics of existence,” or “art of living”—the “elaboration of one’s own life as a personal work of art”—centered on the notion of “care of the self.” This ethic invites one to think of one’s life as one’s primarywork of art, and hence is a matter strictly of personal choice and freedom, while the codified ethics characterizing Christianity and modernity are matters of (...) universal obligation. The paper demonstrates 1) that the “art of living” has been a central theme in the American philosophical tradition at least since Thoreau, 2)that many of the positive features of Foucault’s presentation of such an ethic are found throughout that tradition, and 3) that the American tradition, especially Dewey, resolved more successfully than Foucault some of the problems in aesthetics of existence. (shrink)

In volumes two and three of The History of Sexuality, Michel Foucault recovers an ancient ethical tradition of “aesthetics of existence,” or “art of living”—the “elaboration of one’s own life as a personal work of art”—centered on the notion of “care of the self.” This ethic invites one to think of one’s life as one’s primarywork of art, and hence is a matter strictly of personal choice and freedom, while the codified ethics characterizing Christianity and modernity are matters of (...) universal obligation. The paper demonstrates 1) that the “art of living” has been a central theme in the American philosophical tradition at least since Thoreau, 2)that many of the positive features of Foucault’s presentation of such an ethic are found throughout that tradition, and 3) that the American tradition, especially Dewey, resolved more successfully than Foucault some of the problems in aesthetics of existence. (shrink)

The aim of this thesis is to consider the relationship between philosophy and biography, and the bearing that this relationship has on debates concerning the nature and function of philosophy. There exists a certain tradition that conceives philosophy exclusively in terms of rational discourse and as such explicitly rejects the idea of any substantial relationship between philosophy and the way in which one lives. I shall argue that the claim that philosophy cannot have any impact upon biography is often based (...) upon an implicit conception of philosophy as primarily rational discourse. In contrast to this I shall draw upon Socratic and Stoic philosophical resources in order to reconstruct an alternative conception of philosophy as an art concerned with one's way of life. Central to this conception will be the relationship between philosophical discourse or argument and philosophical training or exercise. I shall argue that the ancient claim that philosophy is primarily expressed in one's behaviour presupposes a conception of philosophy as an art that involves both rational discourse and training or exercise as two equally important components. I shall argue that by adopting this alternative conception of philosophy as a techne it will be possible to understand properly the relationship between philosophy and biography. In Part One I shall outline the ancient idea that philosophy is something expressed in one's life, the Socratic conception of philosophy as an art, the Stoic development of this conception into an art of living, and some ancient objections to this Stoic conception. In Part Two I shall examine the relationship between philosophical discourse and exercises in Stoic philosophy, focusing upon the neglected concept of philosophical askesis. Central to this will be the literary form of such exercises and so I shall focus upon two texts concerned with philosophical exercises. (shrink)

This essay shows that a sharp distinction between ethics and aesthetics is unfruitful for thinking about how to live well with technologies, and in particular for understanding and evaluating how we cope with human existential vulnerability, which is crucially mediated by the development and use of technologies such as electronic ICTs. It is argued that vulnerability coping is a matter of ethics and art: it requires developing a kind of art and techne in the sense that it always involves technologies (...) and specific styles of experiencing and dealing with vulnerability, which depend on social and cultural context. It is suggested that we try to find better, perhaps less modern styles of coping with our vulnerability, recognize limits to our attempts to “design” our new forms, and explore what kinds of technologies we need for this project. (shrink)

This article examines Pierre Hadot’s rejection of the “purely spiritual” and “transcendent” philosophy of Plotinus as a viable philosophy of life. Despite an initial attraction to the Enneads, Hadot eventually concluded that the mystical quest of Plotinus was unrealistic and unacceptable because it required one to forsake the experience of the spiritual and ineffable in the concrete and the practical. I argue that Hadot’s critical assessment does not adequately appreciate the “descent vector” that is integral to Plotinus’s conception of the (...) One. His mysticism requires reference not only to the efficacy of Intellect and the One but also to embodiment and creative participation in the everyday affairs of worldly existence. Plotinus cannot abandon the implications of the bi-directional dynamic of the One as it generates the richly diverse, beautiful cosmos. The profile of proper living extends across the ontological spectrum, observing the demarcations and dynamic affiliations, from the One to concrete materiality. (shrink)

This article examines Pierre Hadot’s rejection of the “purely spiritual” and “transcendent” philosophy of Plotinus as a viable philosophy of life. Despite an initial attraction to the Enneads, Hadot eventually concluded that the mystical quest of Plotinus was unrealistic and unacceptable because it required one to forsake the experience of the spiritual and ineffable in the concrete and the practical. I argue that Hadot’s critical assessment does not adequately appreciate the “descent vector” that is integral to Plotinus’s conception of the (...) One. His mysticism requires reference not only to the efficacy of Intellect and the One but also to embodiment and creative participation in the everyday affairs of worldly existence. Plotinus cannot abandon the implications of the bi-directional dynamic of the One as it generates the richly diverse, beautiful cosmos. The profile of proper living extends across the ontological spectrum, observing the demarcations and dynamic affiliations, from the One to concrete materiality. (shrink)

I wholeheartedly sympathize conceptually with Coeckelbergh’s paper. The dialectical relationship between vulnerability and technology constitutes the core of Hegel’s Master and Slave. Yet, the empirical dimension is underdeveloped and Coeckelbergh’s ideas could profit from exposure to case studies. Building on a movie/novel devoted to vulnerability coping and living with ICT, I challenge the claim that modern heroism entails overcoming vulnerability with the help of enhancement and computers.

Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene. Edited By Tsing Anna Lowenhaupt, Swanson Heather Anne, Gan Elaine, Bubandt Nils.

In relation to the question of the art of living, this chapter articulates the opposite of Richard Rorty’s liberal ironist: the egotist. In the first section, I articulate what egotism is and who egotists are. My aim is to nominate the egotist as a useful counter-figure to the liberal ironist. In the second section, I talk about irony. I emphasize the radicalism and relevance of Rorty’s conception of irony with the help of recent literature. In the third section, I (...) argue that the power of irony is crucial to fight egotism. I show how Rorty mobilizes irony by way of self-creation and solidarity to combat the problem of egotism. In the fourth section, I summarize my argument and suggest how an ironic life prevents nihilism. (shrink)

Descartes’s concern with the proper method of belief formation is evident in the titles of his works—e.g., The Search after Truth, The Rules for the Direction of the Mind, and The Discourse on Method of rightly conducting one’s reason and seeking the truth in the sciences. It is most apparent, however, in his famous discussions, both in the Meditations and in the Principles, of one particularly noteworthy source of our doxastic errors—namely, the misuse of one’s will. What is not widely (...) recognized, let alone appreciated and understood, is the relationship between his concern with belief formation and his concern with virtue. In fact, few seem to realize that Descartes regards doxastic errors as moral errors and as sins both because such errors are intrinsically vicious and because they entail notably deleterious social consequences. Reforming the Art of Living seeks to rectify this rather common oversight in two ways. First, it aims to elucidate the nature of Descartes’s account of virtuous belief formation. Second, it aims both (i) to illuminate the social significance of Descartes’s philosophical program as it relates to the understanding and practice not of science, but of religion and (ii) to develop a kind of Leibnizian critique of this aspect of his program. More specifically, it aims to show that Descartes’s project is “dangerous,” insofar as it is subversive not only of traditional Christianity but also of other traditional forms of religion, both in theory and in practice. (shrink)

The philosophy of the art of living asks the age-old question of orienting one’s own life: ‘How can I live well?’ An art of living is always called for when people do not know what to do and how to go on, when the ways of life are no longer self-evident, when traditions, conventions, rules, and norms lose their plausibility and individuals begin to worry about themselves. The art of living and of its philosophy has a practical (...) aim: It is not concerned with ethical principles, but with the concrete practice of people’s everyday life, with their individual and successful lives. Friedrich Nietzsche, as he often did, pushed the problem of the art of living to the extreme, making it palpable both in its dignity and in its force. For him, the modern uncertainty of human orientation caused by nihilism pointed to art and aesthetics, which, he supposed, makes life if not justifiable, at least bearable. The arts open up a multi-perspectival seeing and hearing, they experiment with alternative forms and techniques, and create the finest sensibilities for both – Nietzsche himself, with his rich forms of philosophical writing, is an outstanding example of this. -/- The volume we present here, entails contributions of German-speaking scholars on Nietzsche and the ways of living he proposes, especially, but not alone in Dawn. The papers are selected from a book series on the common issue “Critical Art of Living,” edited by Günter Gödde, Jörg Zirfas, and others, and translated on behalf of the Foundation for Philosophical Orientation. (shrink)

From his own day to the present Socrates has presented a challenge to philosophers and commentators, a challenge at once of a puzzle to be solved and of an ideal to be continually reshaped in response to the demands of shifting historical perspectives. Alexander Nehamas’s intriguing book combines discussion of this ongoing process, specifically of responses to Socrates by Montaigne, Nietzsche, and Foucault, with exemplification of it via his own response to Socrates. The focus of these responses is specified in (...) the book’s title. The Socrates to whom Nehamas himself responds is a figure for whom philosophy is the art of living, that is to say a figure who uses argument and debate as a means to the identification and thereby the achievement of the constituents of the best human life. And the writers on Socrates whom he discusses, sharing that conception of the role of philosophy, pursue it with more or less explicit reference to its pursuit by Socrates. (shrink)

The idea of happiness boomed in the public as well as in the academic domain over the last decade and has not reached its peak yet. However, the understanding of happiness as being the utmost goal of human beings is hardly new. Philosophers have discussed this topic, under various terms, throughout history. One of the most recent philosophical concepts has been conducted by Wilhelm Schmid in his book Philosophie der Lebenskunst [Philosophy of the Art of Living], which is a (...) theory about the good and beautiful life from a modern perspective under consideration of the philosophical history of this topic. Martin Seligman presented the ‘happiness formula’ in his book Authentic Happiness in 2002 and research about happiness, subjective well-being and life satisfaction began to form the field of positive psychology. This article provides a critical comparative analysis of philosophical concepts of the art of living and positive psychological research from an educational point of view. It will explore the extent of common ground between these disciplines, where they differ, and where they might be complementary. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Before we investigate Mencius' art, should we not first define the term "art" [i-shu] and identify the essentials in Mencius' art?

A neighborhood in a US city seems to present a possibly unique exception to empirical generalizations and explanations of urban decline and occasional rehabilitation. Resisting decline, gentrification, and outside interests and actors, the neighborhood generated a subculture created by working class artists. As a valuable occasion for revising urban social theory, this essay draws on the work of Howard S. Becker, Pierre Bourdieu, Henri Lefebvre, Jacques Rancière, and Georg Simmel, among others. It relies on ethnographic method for its empirical findings.

An invitation. A puzzle. A provocation to engage with unknown potentialities. At first encounter, Arts of Living on a Damaged Planet as a physical artifact is deliberately indeterminate. Its format: a topsy-turvy/front-to-back/backto-front arrangement, disrupts any notions of a point of entry, throwing the reader back on themselves to decide how to proceed, how far to apply learned templates of conventionality, or how far to take the opportunity to pursue less conditioned responses. From the outset, this book offers an explosion (...) of possibilities.Inspired by the conference Anthropocene: Arts of Living on a Damaged Planet held at the University of California, Santa Cruz, in 2014, and a follow-up conference held in... (shrink)

Following on the explorations of culture and politics in his previous collection The Good European, the writings in Zest delve into less obvious but important aspects of social life-- into manual work and 'dolce far niente', into ancient vernacular craft traditions and the data stockpiles of modernity. Early in the book we visit the Garden of Eden with Hieronymus Bosch, where we share with him the first fruit. It takes us by way of writers, artists, philosophers, travellers, photographers, musicians and (...) flavours into the world of Zest-- how we can find it and what its discovery does to us. Bamforth's sensuous, richly nuanced essays affect us as stories do, each one creating a world in which its arguments live and breathe, laugh and explore. His diverse interests, from Bible studies to communication theory, from photography to the impact of globalisation, and his shifts from botanising in the Garden of Eden to 'botanising on the asphalt' (Walter Benjamin) always keep in sight the philosophical issue that provides Zest's subtitle-- 'the art of living'. (shrink)

Instead of simply following the current neoliberal mantra of proclaiming economic growth as the single most important factor for maintaining well-being, Education and Schmid's Art of Living revisits the idea of an education focused on personal development and the well-being of human beings. Drawing on philosophical ideas concerning the good life and recent research in positive psychology, Teschers argues in favour of shifting the focus in education and schooling towards a beautiful life and an art of living for (...) today's students. Containing a thorough discussion of the ideas of contemporary German philosopher Wilhelm Schmid, this book considers the possible implications of developing a more humanistic and life-centred approach to educational policy, research and practice, showing that Schmid's concept of Lebenskunst provides a firm philosophical basis for this endeavour. Among others, this book draws on analytical and continental traditions to challenge current views and assumptions in regard to education and the role of schooling for contemporary societies. As a result, Teschers' work is sure to spark a debate about the direction of educational policy and practice in the 21st century. Education and Schmid's Art of Living is essential reading for academics and students with an interest in education. Given the importance of such topics as the relationship between education and society, teacher education and how best to structure schools and learning environments, Teschers' work will appeal to academics and students in a diverse range of fields, including education, philosophy, sociology and psychology. (shrink)

Several trends in contemporary philosophy have revived the question of the good life. This article addresses the more elaborate notion of an “art of living” in the specific context of the technosphere on the basis of recent works in philosophy of technology. It also brings ideas from Asian philosophy and from Buddhism in particular into the discussion. The focus is on the notion of non-confrontation, which could lead to a decisive change in the methods and scope of technology assessment (...) within the humanities. The art of living in the technosphere emerges as an existential virtuosity that pertains to practical wisdom. (shrink)

In The Art of Living, Alexander Nehamas argues that Michel de Montaigne, Friedrich Nietzsche, and Michel Foucault undertook a particularist art of living—a unique project of self‐construction. In so doing, argues Nehamas, they based their lives on the life of Socrates, that quintessentially ironic character. To this list of self‐fashioning philosophers, I add Fernando Pessoa, the twentieth‐century Portuguese writer. I argue that Pessoa, via the writings of his heteronyms, also took Socrates as the model for constructing a self. (...) Moreover, Pessoa employed all three kinds of irony that Nehamas argues is present in Plato’s writing, and did so not just to investigate the nature of the self, but to question its very existence. This is Pessoa’s formulation of the problem of the self. But Pessoa also borrowed from Nietzsche’s views on multiplicity, redeploying them in order to fabricate multiple selves. Pessoa’s solution to the problem of the self thus consists in the heteronymic device, which acts as a deus ex machina, unifying the disparate fictional voices and establishing Pessoa as a new, authentic self. Accordingly, Pessoa borrows from both Platonism and anti‐Platonism, distinguishing himself from both, so as to contrive—and simultaneously exemplify—an original art of living. (shrink)

The article deals with philosophical questions on the “art of living” in philosophy in recent decades. It provides an overview of the conceptions that continue to resonate in philosophy, covering the basic approach to conceptions of the “art of living” found in the work of theorists such as P. Hadot, J. Kekes, A. Nehamas, Z. Bauman, A. MacIntyre, R. Veenhoven, W. Schmid, and J. Dohmen.The basic framework of the “art of living” can, we believe, be imagined as (...) a square, where each side represents an essential component : 1. value system; 2. integrity of life; 3. meaning of life; 4. authenticity of life. The art of living therefore presupposes that there is a value system the individual can use as a navigational guide and to make decisions in the world. It also presupposes an ability to integrate one’s life within a meaningful whole and to seek out and find the meaning of one’s life. Finally the art of living depends on the ability to lead an authentic life. (shrink)

Several trends in contemporary philosophy have revived the question of the good life. This article addresses the more elaborate notion of an “art of living” in the specific context of the technosphere on the basis of recent works in philosophy of technology. It also brings ideas from Asian philosophy and from Buddhism in particular into the discussion. The focus is on the notion of non-confrontation, which could lead to a decisive change in the methods and scope of technology assessment (...) within the humanities. The art of living in the technosphere emerges as an existential virtuosity that pertains to practical wisdom. (shrink)

Seeing things as they are -- "A garden of every kind of people": newar Buddhists in Hindu Nepal -- Buddhist modernism and the revival of "pure Buddhism" -- What makes a Theravada Buddhist? -- Becoming "pure Buddhist" (Part 1): practices of personhood -- Becoming "pure Buddhist" (Part 2): Vipassana meditation and the Theravada care of the self -- The best Dharma for today: post-Protestant Buddhism in neoliberal Nepal -- Conclusion: The Buddhist art of living, in Nepal and elsewhere.

This article analyses aesthetics and mysticism in the writings of Albert Geyser, the prominent South African theologian who is mostly known for his brave, uncompromising struggle against the apartheid system. In the first part of the article, brief introductory comments are made about Geyser's theological and political role in South Africa in the light of his Protestant context and his opposition to apartheid. It is then investigated how his reputation as a Biblical scholar and his protracted, much publicised stance against (...) apartheid obfuscate his remarkable interest in aesthetics and mysticism and explains why his other theological interests and especially his interest in mysticism have not yet been researched. In the second part of the paper Geyser's mystical interests are investigated by analysing his comments on church architecture, worship, music, liturgy and his pioneering translation of Thomas á Kempis' Imitatio Christi. (shrink)